Asmo sticks out like a pink elephant in Houston, with its hordes of
rivet metal and pop punk wannabes followed by meandering herds that
have never even heard of TG, Neubauten, Coil, etc. This rant of
yours and the music in general evidences a concern with certain music
and culture that has interested me for decades now.
The aim is greater than the stylistic stance of any given moment and
this goal of capricious unpredictability (if not alarming strategic
strike) as an artist is far preferable to the status quo. Music can
and does tolerate this sort of behavioral expression. There is an
audience for so called experimental post-rock/noise that is still
growing. These people are still around to promulgate their legacy
and cash in on the recent success of perhaps lesser artists of more
recent vintage: often by issuing their own more formulaic quasi-pop
oriented material.
I find myself listening primarily to Middle Eastern, North African,
and World Fusion music lately. So, whatever floats your boat.
Eventually, there is an implied trust in an artistic entity from the
audience that follows said artist/group. Ok, this group is going to
do something at least remotely interesting and/or entertaining
and/or genuinely expressive of something other than selling Pepsi
Cola (at a minimum). It is all relative and in my opinion Houston is
bloody lucky to have a group like Asmo. I'm happy to read one
person's view of the history of the sub-cultural term Industrial, but
whether or not some particular group fits neatly into a given
category is not my concern. My belief is that Fusion will be the new
Alternative of this coming decade. The term Fusion will loosely
describe anything that blends styles/genres and become as virtually
meaningless as when the term Alternative came to describe Nirvana and
the like. Remember the term No Wave. Basically, it meant "go away"
to label makers.
"Is Asmodeus X Industrial?"
This question was posed recently on one of the Live Journal communities, and
since I don't really LJ myself, I figured I'd rant about it here.
The term "Industrial" as pertains to musical genre was introduced into our
culture in the late 70s (that's right -- about 25 years ago) by the shock/noise
group Throbbing Gristle. Since no labels were interested in releasing this
sort of cacaphony at the time, they decided to start their own label, dubbing
it "Industrial Records," and enlisting a picture of the ovens from Auschwitz as
their logo. This is the first documented instance of such usage of the term,
and as well is probably the source of Industrials subsequent odd fascination
with Germania.
Facist aesthetics aside, people like David Tibet, and purchased and
listened to these early 7, 10 and 12 inch vynil releases from Industrial
Records and drew inspiration as they began their own projects like Coil, Current
93,
Nurse with Wound, etc. Cabaret Voltaire was doing the 'two guys with a bunch
of gear' thing as well at the time, and were certainly connected, as were
groups like SPK.
The philosophy behind this 'Industrial Movement' was something like this -
shatter the stagnant structure of rock and roll, and shock the listener into
some sort of 'waking state'. They looked with disappointment at the burgeoning
punk rock movement, who'd made the same promise, but then regressed right back
into the old established patterns of traditional rock and roll. With their
guitar/bass/drum combo, the Sex Pistols were virtually indistinguishable from
the
last 20 years worth of rock bands, except in their lack of musical ability.
So one of the first things TG and their immediate predecessors did was mix up
the instrumentation. Being at the root of rock music structure, drums and
bass were the first to go, with guitars being summoned only on special
occasions.
Alternative intruments from more 'mature' genres, most notably trumpets and
violins were brought in, home-made percussives often born from scrap-metal
yards, as well as early analog synthesizers and sampling devices. There was
actually almost an ambivalence as to what sort of devices were used to make the
sounds - the end justified the means you might say. (180 degrees from the
industrial puritans of today who will turn their nose up at anyone using a
keyboard
more than five years old). But then, no sooner than people began expecting pure
noise from TG, keeping with their committment to shattering expectations, they
adorned Hawaiian shirts and started producing poppy sounding love songs.
All this is to say that for the most part, the 'Industrial Puritanists'
arguments about whether or not industrial musicians should be allowed to use
guitars, is just plain moot. The roots of the industrial movement clearly
indicate
that it was the aim of the music, rather than it's momentary manifestation,
that is of primary concern and distinguished it from anything else going on at
the time. I think at least some of the confusion over this is derived from the
fact that industrial was very much an underground thing, right up until
Ministry and KMFDM went national with their industrial-metal fusion. Prior to
this,
industrial fans were a highly exclusive and elitist group, and then practically
overnight at some point in the late 80's frat-boys and football players
suddenly became head-banging industrial fanatics.
The genre now called 'experimental/noise' is really a much closer
approximation to what early industrial music was in the period immediately
following its
birth. However this didn't last long either, as the sounds began evolving
toward electro, dance, ambiant, apocalyptic folk, etc. However, what is far more
interesting, and almost entirely unacknowledged by the industrial puritans, is
the evolution of the conceptual/philosophical basis of the movement. With rare
exception, the artists of TG and their prodigy found themselves drawn
toward ideas and impressions stemming from magic, esotericism, and the occult.
David
Tibet and Genesis P-Orridge introduced a new generation to Aleister Crowley,
Timothy Leary, Alex Sanders, and even Anton LaVey.
That last influence begs yet another question: where does the Left-Hand Path
fit in with all this. This is perhaps a subject best left for another time,
but I can tell you now it does not involve Thrill Kill Kult nor Marylin Manson.
Thus the orgins and essence of Industrial are laid bare. The more we hear
Industrial Purists protesting esoteric influences or the presence/absence of
guitars (to be honest, at the time of this writing I have completely lost track
of
the debate, and am unsure whether guitars are "OK" or not), the more they
merely advertise their own ignorance regarding a culture the claim to
participate
in. We tend to think the world would be a slightly happier place if people
would simply lighten-up. After all, this isn't a 'West Side Story style'
conflict of rivet-heads Vs Goths, or anything of that nature. Civilization
simply
isn't going to rise or fall based on musical preference or genre definitions.
Which leads us merrily back to question of where Asmodeus X fits in to the
Industrial Equation. If your definition of Industrial is based on an
acknowledgement of the roots and essence of the culture, then you do us no
dishonor in
using such an adjective. Smashing expectations, maintainance of exclusivity, and
exalting will over structure, have always been important values for us.
Additionally, we've always shyed away from efforts to pigeonhole us into any
genre,
which ironically was the essential goal of Industrial from the start.
If, however, your definition of Industrial is based on the post 80s debacle
and quibble over superficial elements and the minutae of definitions, then
chances are we won't fit snuggly within your Industrial world-view. We apologize
for complicating your universe, but can do only that which is in our will.
Black Corps Unite!
World Wide Web: <A HREF="http://www.asmodeusx.com/index2.html">Asmodeus X</A>
Music MP3s: <A
HREF="http://artists.mp3s.com/artists/399/asmodeus_x.html">MP3.com: Asmodeus
X</A>
Newsletter: <A HREF="http://groups.yahoo.com/group/Asmodeian/">Yahoo! Groups :
Asmodeian</A>
Wolf Age: <A
HREF="http://music.towerrecords.com/towermusic?n=0&att=All_Music+Asmodeus%20X&cs\
=Asmodeus%20X&csn=3&csr=1&dym=1&cc=USD">Tower Records - Music, Video, DVD and
More</A>
"Brewing manifestations of "survival and conquest", Houston, Texas gives rise
from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries
of The New Blood Groove..."
-- Jett Black, Gothic
Beauty #9
[Non-text portions of this message have been removed]
Thanks for the link. That was great. Note to Self: surf Mute more
often.
--- In Asmodeian@yahoogroups.com, Reich9@a... wrote:
> Hailsa,
>
> Anyone who's in to Asmo should know what a great influence Laibach
has been
> on us. Check out their newest video:
>
> <A HREF="http://www.mute.com/laibach/discs2.html">- L A I B A C H -
</A>
>
> My 'Inner Child' is getting giddy ;-)
>
> -PF
>
>
>
>
> Black Corps Unite!
>
> World Wide Web: <A
HREF="http://www.asmodeusx.com/index2.html">Asmodeus X</A>
> Music MP3s: <A
HREF="http://artists.mp3s.com/artists/399/asmodeus_x.html">MP3.com:
Asmodeus X</A>
> Newsletter: <A
HREF="http://groups.yahoo.com/group/Asmodeian/">Yahoo! Groups :
Asmodeian</A>
> Wolf Age: <A HREF="http://music.towerrecords.com/towermusic?
n=0&att=All_Music+Asmodeus%20X&cs=Asmodeus%
20X&csn=3&csr=1&dym=1&cc=USD">Tower Records - Music, Video, DVD and
More</A>
>
> "Brewing manifestations of "survival and conquest", Houston, Texas
gives rise
> from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive
visionaries
> of The New Blood Groove..."
> -- Jett
Black, Gothic
> Beauty #9
>
>
>
>
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
In a message dated 10/10/2003 9:29:07 PM Central Standard Time,
russell@... writes:
> Hey, let us know what is up for Halloween in Houston with you all as
> we/I will be here also: since Asmo is not going to Atlanta. I'll
> still have to go up there later after Halloween for some other work,
> but actually look forward to not driving 12 hours each way, not
> spending money, not missing my family, etc.
Not sure yet. At the moment, I'm considering the possibility of Satanic
Rites, Pagan revelry, and Bachanalean debauchery, with a brief yet firm
invocation
to Abbadon "the Destroyer" thrown in for good measure.
It is Halloween, after all.
-PF
Black Corps Unite!
World Wide Web: <A HREF="http://www.asmodeusx.com/index2.html">Asmodeus X</A>
Music MP3s: <A
HREF="http://artists.mp3s.com/artists/399/asmodeus_x.html">MP3.com: Asmodeus
X</A>
Newsletter: <A HREF="http://groups.yahoo.com/group/Asmodeian/">Yahoo! Groups :
Asmodeian</A>
Wolf Age: <A
HREF="http://music.towerrecords.com/towermusic?n=0&att=All_Music+Asmodeus%20X&cs\
=Asmodeus%20X&csn=3&csr=1&dym=1&cc=USD">Tower Records - Music, Video, DVD and
More</A>
"Brewing manifestations of "survival and conquest", Houston, Texas gives rise
from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries
of The New Blood Groove..."
-- Jett Black, Gothic
Beauty #9
[Non-text portions of this message have been removed]
Hey, let us know what is up for Halloween in Houston with you all as
we/I will be here also: since Asmo is not going to Atlanta. I'll
still have to go up there later after Halloween for some other work,
but actually look forward to not driving 12 hours each way, not
spending money, not missing my family, etc.
In a message dated 9/30/2003 7:45:16 AM Central Standard Time,
close2mars2003@... writes:
> And can I get a poster size of that picture please? ;)
Hmm, unfortunately we don't have any posters of that pic at the moment. We do
have 11x15 sized posters of the "Black Corps Unite/Wolfen Age" posters
however. We should have them with us in Atlanta.
-PF
Black Corps Unite!
World Wide Web: <A HREF="http://www.asmodeusx.com/index2.html">Asmodeus X</A>
Music MP3s: <A
HREF="http://artists.mp3s.com/artists/399/asmodeus_x.html">MP3.com: Asmodeus
X</A>
Newsletter: <A HREF="http://groups.yahoo.com/group/Asmodeian/">Yahoo! Groups :
Asmodeian</A>
Wolf Age: <A
HREF="http://music.towerrecords.com/towermusic?n=0&att=All_Music+Asmodeus%20X&cs\
=Asmodeus%20X&csn=3&csr=1&dym=1&cc=USD">Tower Records - Music, Video, DVD and
More</A>
"Brewing manifestations of "survival and conquest", Houston, Texas gives rise
from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries
of The New Blood Groove..."
-- Jett Black, Gothic
Beauty #9
[Non-text portions of this message have been removed]
Hi, I was finally able to open your pictures in my ancient
computer, and......
WOW WOW!! You guys look...
uh hum... GOOD!!
I like that picture of you three when you first open the site. It is
nice, very nice.
Congratulations, you are looking great. Keep up the good job.
And can I get a poster size of that picture please? ;)
close2m...
I'm done with Friendster.com.
I plan to focus more on my own Message Boards.
http://nocturnalmovements.net/ubb/ultimatebb.php
Announcements, News, Views, Reviews, Links, Zine details, etc.
I now invite you to join me in posting to message boards at my
website.
Here's a direct web link:
http://nocturnalmovements.net/ubb/ultimatebb.php
--
Jett Black
BROWSE, POST, LEARN, SUCCEED!
www.NocturnalMovements.net
* NEWS, INFO, FORUMS & FREE WEBMAIL *
www.nocturnalmovements.net/ubb/ultimatebb.php
In a message dated 9/24/2003 7:26:08 AM Central Standard Time,
russell@... writes:
> You guys are my favorite band in Houston. Can't wait to hang out at
> Gothcon. Rah rah rah ...
>
Glad you like the new stuff, I'm pretty excited about it myself. Gothcon
promises to be a blast!
-PF
Black Corps Unite!
World Wide Web: <A HREF="http://www.asmodeusx.com/index2.html">Asmodeus X</A>
Music MP3s: <A
HREF="http://artists.mp3s.com/artists/399/asmodeus_x.html">MP3.com: Asmodeus
X</A>
Newsletter: <A HREF="http://groups.yahoo.com/group/Asmodeian/">Yahoo! Groups :
Asmodeian</A>
Wolf Age: <A
HREF="http://music.towerrecords.com/towermusic?n=0&att=All_Music+Asmodeus%20X&cs\
=Asmodeus%20X&csn=3&csr=1&dym=1&cc=USD">Tower Records - Music, Video, DVD and
More</A>
"Brewing manifestations of "survival and conquest", Houston, Texas gives rise
from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries
of The New Blood Groove..."
-- Jett Black, Gothic
Beauty #9
[Non-text portions of this message have been removed]
Greetings,
In the relatively short time that Asmodeus X has been in existence, we have
seen a rich gathering of artists, philosophers, and generally 'high wattage'
individuals connecting beneath the Aegis of Asmodeus. We have always endeavored
to do our part in charging this strange and mysterious collective egregore
that is Asmodeus X, and can say with grave benefaction that we in turn have
likewise received much.
There are many pieces to this puzzle, and all of those who have followed our
activities are likewise defacto participants in this working.
It is in this fraternal spirit and in response to the many suggestions we
have been receiving, that we have decided to open the Asmodeian list up to
moderated posting status for all members. We would like to see discussions here
aimed along the lines of Asmodeian music, impressions, and ideas. All
constructive
and thoughtful comments are hereby welcomed.
In the Sign of the Serpent,
Paul Fredric
Asmodeus X
Black Corps Unite!
World Wide Web: <A HREF="http://www.asmodeusx.com/index2.html">Asmodeus X</A>
Music MP3s: <A
HREF="http://artists.mp3s.com/artists/399/asmodeus_x.html">MP3.com: Asmodeus
X</A>
Newsletter: <A HREF="http://groups.yahoo.com/group/Asmodeian/">Yahoo! Groups :
Asmodeian</A>
Wolf Age: <A
HREF="http://music.towerrecords.com/towermusic?n=0&att=All_Music+Asmodeus%20X&cs\
=Asmodeus%20X&csn=3&csr=1&dym=1&cc=USD">Tower Records - Music, Video, DVD and
More</A>
"Brewing manifestations of "survival and conquest", Houston, Texas gives rise
from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries
of The New Blood Groove..."
-- Jett Black, Gothic
Beauty #9
[Non-text portions of this message have been removed]
"Brewing manifestations of "survival and conquest", Houston, Texas gives rise from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries of The New Blood Groove..."
-- Jett Black, Gothic Beauty #9
We are pleased to formally announce that Asmodeus X will be playing GothCon, October 30th thru November 1st in Atlanta, GA, at the Sheraton Colony Square hotel.
We'll be unleashing new T-Shirt designs, new stickers, and throwing around CD samplers featuring tracks from our forthcoming new album, Morning Star.
Also appearing at Gothcon: Seraphim Shock, Second Skin, Bella Morte, and our bros from Houston, Provision.
This is the event not to miss! As the Year of the Goat draws to a close, Mars begins closing his eye, and as the shouts of angry protesters vanish in the distance, Asmodeus X will be stoking the fires on distant hills in Atlanta. At certain moments, the universe opens up great opportunities. This is a once in a lifetime occurance, and I strongly urge all Black Corps, sympathizers and enthusiasts to take advantage and make the effort to be there.
"Brewing manifestations of "survival and conquest", Houston, Texas gives rise from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries of The New Blood Groove..."
-- Jett Black, Gothic Beauty #9
Asmodeus X is proud to announce that the exquisite electro percussionist Joel 313 has joined our ranks. Mr. 313's beat-stylings add an entirely new dimension to the Asmodeian Sound, and has time-warped our developmental new material to an energizing new plane of intensity.
We're also please to announce that Wolf Age is now available through Tower Records, taking the March Against Mediocrityto a higher vantage point:
The Asmodeus X 'Fan Site' has been updated with some new items under "Groovy Links" which may be of interest to some of you:
1) Wisdom for the Wolf-Age: An interview with Dr. Stephen Flowers by Michael Moynihan. Dr. Flowers is the controversial author of such titles as "Lords of the Left-Hand Path" and "Fire and Ice".
2) The Cursed Zone: Our friend Joseph Davis finds himself trapped in a web of Lovecraftian mystery south of the border.
And finally, we've noted that our latest MP3.com offerings, "Krishna" and "Beyond the Water", have made their way into the top 40 of the Darkwave Charts on MP3.com no less than three times each already this month.
Phase 4 is running according to schedule and nearing completion.
"Brewing manifestations of "survival and conquest", Houston, Texas gives rise from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries of The New Blood Groove..."
-- Jett Black, Gothic Beauty #9
We recently recovered another review of Wolf Age. Perhaps not so new, but new to us anyhow:
The alternative News
June 2002REVIEWS
Asmodeus X: Spacey Music from Space City
Not too many musicians or music fans are familiar with the Theremin, an electronic instrument invented in 1919 by Russian physicist Lev Termen, who later changed his name to Leon Theremin and went on to work for the KGB designing "bugs." Most models look like an old-fashioned radio box with a large u-shaped metal tube coming out one end, and most people have heard the instrument, only they didn't realize what they were hearing. If you have ever seen The Day the Earth Stood Still or listened to the Portishead song, Humming, then you have heard this unusual instrument, the sound of which has been described as "music from the ether."Another place you can hear the Theremin is on a CD by Houston, TX group Asmodeus X, or at one of their live shows. Asmodeus X cofounder Paul Fredric, formerly of GothMetal band, Morphine Angel, uses the Theremin in an unusual and more technically proficient style than most, actually creating tunes with it instead of just making spooky sound effects. His cohorts, technoelectronicameister Marshal, also formerly of Morphine Angel, and "guitar specialist" Frank Faust add to this haunting sound a driving beat and melodic compositions, creating a wonderfully cohesive whole. The band's self-titled three-song demo gives us a diverse range of sounds, from funereal to danceable. The vocals and some of the music stylings are reminiscent of '80s techno-pop, with obvious influences by bauhaus and, dare I say, New Order? Don't peg them yet--I detected a bit of Pink Floyd on track 3 of the demo, called Wolf in the Sky, which opens with a sort of foghornish conch-shellish sound that fades into wonderfully melodious acoustic guitar and piano, augmented with subtle electric guitars, thankfully sans any sign of an overblown rock-god solo. Nightstalking, the first track on the CD, has a slow tempo with a driving beat. The fadeouts at the beginning of the song are mildly annoying, but the rest of the piece is melodic and catchy, as is track 2, Songs of Glory. This one is my favorite of the three, as it has a faster tempo, a good rhythm, and complex but not overwhelming electronica. In fact, all three tracks are musically balanced, with no single element overshadowing any other--very listenable. Asmodeus X has developed a smooth synthesis of sound and style, taking the sounds of bands that they admire, such as Laibach, Skinny Puppy, and Ministry, and making them uniquely their own. The band's look is something like the Blues Brothers meet Nazi SS men. I don't quite understand this, as Asmodeus X sounds neither like the Blues Brothers nor like some of the hardcore EuroIndustrial bands that utilize the Nazi look, but hey, if they like it, more power to them. I didn't see a copyright date on the demo, so I have no idea when it was produced, but according to both the website and the "New Blood Groove" propaganda that was included with the CD, it seems to be a recent recording. If you want to hear Asmodeus X, you can attend one of their shows or visit http://www.geocities.com/levitmong/Asmodeus_X.html and download some MP3s. -- audra brick
"Brewing manifestations of "survival and conquest", Houston, Texas gives rise from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries of The New Blood Groove..."
-- Jett Black, Gothic Beauty #9
Well the TV spot was fun - to say the least. As I stood around the green room awaiting my time slot with the other musicians/people of interest, I couldn't help but notice that not only was I the only one wearing black, but as well the only one who'd bothered to wear a tie.
Eventually after listening to all the stories about which college-rock venues pay the best in Houston, I could stomache no more, and retired to the outdoor patio to enjoy some silence and Marlboro cigarettes right up until 2 minutes prior to my slot.
As I took my seat and the show began, I felt a sudden urge to laugh. (They say the fool always laughs as the doors of Chapel Perilous close behind him). Soon a flood of calls where pouring in. I was accused first of communism for the type of vehicles I drive, then of facism for types of languages I occasionally work in. To top it all off I was accused of being that nut who tried to climb some skyscraper in Houston a while back.
They played the video for M.u.Z., which was as excellent as I recalled. Thomas Kirzy is one of the most talented independent video artists emerging from Houston as far as I can see - keep an eye out for him.
Finally, there was a caller who had some interesting speculations on the artistic motives behind our covering of the Partridge Family's "Point me in the Direction of Albuquerque". Caller, if your out there, thanks for the support and keep on searching - Abuquerque is just around the corner.
And thanks again to the producers of TV Party Tonight for helping make Monday night television in Houston just a little more exciting. The inform me that over the next few months they will likely air the show again from time to time as filler, so keep an eye out on Warner Cable channel 17 in Houston.
Thomas Kirzy of Houston recently made a video for the Wolf Age track "M.u.Z.", featuring live footage from our performance at the 2002 Vampire Ball at Numbers in Houston.
The video will air Monday night (July 21st) at 7pm on the show "TV Party Tonight" on Warner Cable channel 17 for Houstonians. I've screened it myself and I can say it's some of the best video work anyone has done with Asmo.
Prior to running the video, I will be there myself answering questions first from the host, and then from callers. The phone # for calling in to the show will appear on-screen at that time.
So if you're in Houston Monday night, check out the show and give us a call.
We apologize for out brief silence, we've been most busy over last month working on new music and struggling to overcome a computer crash. However, we have managed to get some of our new material up on ye ole' MP3 site:
The new stuff is not only a good representation of where we've been for the last few months, it's also a nice indication of where we seem to be headed in the near future. It seems we've found ourselves evolving again to some extent, and rekindling old interests as well. We'll leave it for others to ponder for the moment.
Brewing manifestations of âsurvival and conquestâ, Houston, Texas gives rise from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries of The New Blood Groove, pointing into the night sky, and quoting Jack Londonâs The Law of Club and Fang from The Call of the Wild in archetypical references to similarly cold nights, star-gazing, and matching cadences with wolf-like ancestors. Wolf in the Sky provides the core of Wolf Age, beginning with guitar intro reminescent of Pink Floydâs Wish You Were Here. Rain showers, wolf howlings, critter twitters, chirps, fog horns, wind, waves and other environmental sound samples thematically set the atmospheric tone throughout Wolf Age for musical alchemy between synth, industrial, metallic EBM, and even darkened neo-classical noise-scapes beneath melodic vocal harmonies, and experimental infusions of vocoder mood enhancers. ASMODEUS X reveals in song online more than this cd review will encompass. Explore Wolf Age further at mp3.com.
Issue #9 of Gothic Beauty Magazine is now available! The following cd review has been published in Issue #9.
Brewing manifestations of survival and conquest, Houston, Texas gives rise from cataclysmic fire and ash to ASMODEUS X, reborn as long-knive visionaries of The New Blood Groove, pointing into the night sky, and quoting Jack Londons The Law of Club and Fang from The Call of the Wild in archetypical references to similarly cold nights, star-gazing, and matching cadences with wolf-like ancestors. Wolf in the Sky provides the core of Wolf Age, beginning with guitar intro reminescent of Pink Floyds Wish You Were Here. Rain showers, wolf howlings, critter twitters, chirps, fog horns, wind, waves and other environmental sound samples thematically set the atmospheric tone throughout Wolf Age for musical alchemy between synth, industrial, metallic EBM, and even darkened neo-classical noise-scapes beneath melodic vocal harmonies, and experimental infusions of vocoder mood enhancers. ASMODEUS X reveals in song online more than this cd review will encompass. Explore Wolf Age further at mp3.com.
We're happy to announce that a nice edit of the video for the Asmodeus X song Wolf in the Sky is now available for free streaming on the San Antonio based website Deadwire.
The video was shot by David J. over the summer of 2002 at various sites throughout Houston TX, featuring clips from the film SHUT EYE (Covert Creative Group), as well as a rare live appearance by the Valhalla Trio, playing authentic Viking horns, and Kali of Core fame on percussion.
We have just received this copy of a review of Wolf Age appearing in the Spring issue of Berlin-based print magazine Darklife. Feel free to share with all interested parties.
Asmodeus X â Wolf Age (Black Pepper)
Asmodeus X out of Houston, heralded by their local press as a goth band
donât really come across as a goth band in the classical meaning of the word (at
least in Europe) with their first full length effort Wolf Age. In the sense
that they avoid the repetitiveness characterising goth acts. The work is quite
eclectic (some would call it a mixed bag), offering punchy electronics, dark
synth lines, distorted guitar textures, sharp guitar lines and even acoustic
guitar, interesting male vocals ranging from distorted industrial-style to
synth pop. The ingredients are combined in varying doses in the different
tracks resulting in the mentioned variations. The album opens with an easy
dancefloor filler, Melting, in Euro electro style (think the latest incarnation of
Mortiis); then it switches to guitar driven with industrial undertones with
What Is Strong; third up is Songs of Glory, offering a synth pop feel instead.
And so on. Another potential dancefloor number of the Euro electro variety
is MuZ. Wolf in The Sky, presented as the central track of the album is
instead a dark pop ballad complete with acoustic guitar. Black Forest is again more
in the tradition of guitar industrial/rock. White Mountains draws instead on
dark pop/folk elements. The overall atmosphere is quite light and avoids the
darkness at all costs. An eclectically mixed bag of synth pop, dark pop,
dark folk, rock/industrial and as the shifts are not all so clear-cut, a
surprisingly pleasant listen supplied with the mentioned dancefloor tracks and
framed in a slightly "politically incorrect" image.
www.geocities.com/levitmong/Asmodeus_X.html
Gianfri
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We are pleased to announce that Asmodeus X will be playing with Sunshine Blind on May 29th at Numbers nightclub in Houston. This will be our first show in Houston for the year, so we'll be presenting some new material and a new set-up. As well we're looking forward to playing again with Sunshine Blind, whom we had the opportunity to play with under a different guise some years ago with Switchblade Symphony. http://www.underworldnightclub.com/
Also, the Asmo Guestbook is up and running again on the new website. Stop by sometime and drop us a line! AsmodeusX.com http://www.asmodeusx.com/
And if all that weren't enough, we also just received word of a new review of Wolf Age in Legends Magazine REVIEW: Asmodeus X - "Wolf Age" http://www.legendsmagazine.net/132/asmod.htm
StarVox Music Zine recently posted the following reviews for Wolf Age, and the Wolf Age Sampler:
Asmodeus X Asmodeus X EP ~ review by chris parasyte Out of Houston, Texas comes Asmodeus X. Following a string of singles and EPs, the band has finally released a full-length album and, as bit of a sampler, this promotional release, which Iâm dubbing the âAsmodeus X EPâ (highly original, I know). The EP features three songs from the album Wolf Age (available now on Black Pepper Records). âSongs of Goryâ and âWolf in the Skyâ are well chosen, being easily two of the strongest tracks on the bandâs full-length release. Asmodeus X crafts thoughtful electro industrial music at its best, and itâs little wonder that the group was named Best Industrial/Noise Act in the 2000 Houston Music Press Awards. âWolf in the Skyâ is an odd blend of psychedelic sound and heavy industrial weight, which works surprisingly well. Imagine The Wall-era Pink Floyd mating with Velvet Acid Christ and youâre halfway there. This is a song with anthemic power and emotion that deserves to be on numerous film soundtracks⊠well, you know, if anyone ever made a movie that deserved a song like this. Actually, while Hollywood may never notice it, âWolf in the Skyâ is featured in the independent film Shut Eye, alongside tracks from In Strict Confidence, Arcanta and Stromkern, and the video for the song is included on the filmâs DVD release. Just as âWolf in the Skyâ creates powerful images with its music, âSongs of Gloryâ also strikes a powerful chord with its lyrics. The song is perhaps best labeled psychedelic cybergoth with a rock twist. With elements of the baroque and new age in the composition, and crafty use of the theremin, âSongs of Gloryâ is one of the best pieces of music to come along in a long while. Thereâs more complexity and thought put into the composition of this four-minute track than many bands put into entire albums. The inclusion of âNight Stalkingâ on the promotional EP left me shaking my head. Itâs one of the two album tracks from Wolf Age I really didnât like (the other being âMeltingâ). It would appeal more to the listener of heavy metal dirges than the rivet or goth set. Still, I suppose I canât fault the band for having a broad musical range - âNight Stalkingâ just isnât my cup of tea. A small sampling of what Wolf Age has to offer, listening to the Asmodeus X EP left me wanting more. Thankfully, I have a copy of Wolf Age on my shelf at home. The full-length album was one of the highlights of 2002, with great songs like âBlack Forestâ, âMuZâ and the bandâs absolutely delightful (and surprising) cover of the Partridge Familyâs âPoint me in the Direction of Albuquerqueâ. Asmodeus X is a band with some talent and diversity in their music, and one I look forward to hearing more from in the future.
Asmodeus X Wolf Age ~reviewed by Eric Rasmussen Asmodeus X are kinda like And Oceans without the crack, or Funker Vogt with well-developed guitar sections - either way you look at it, you're in for a fairly hard-hitting industrial/EBM/electronica sound merged with crunchy guitars and raspy vocals. For a debut album, I'm very impressed with Asmodeus X's sound. They've got the kind of songwriting depth that many bands don't acquire until they've been around a few years, and we're talking about a minority in the first place - a lot of groups never develop a taste for diversity. Wolf Age has an eclectic collection of songs that successfully span dark atmospheres with whispering vocals, upbeat techno, angry electronica-fueled metal, and even calm acoustic sections. And Oceans and Funker Vogt are only similar to some of the songs on Wolf Age, but you'd be hard pressed to find any comparison that fully worked. There are bouncy rhythms, synth arrangements, and clean vocals in "Songs of Glory"; acoustic guitars and a neo-folk feel on "Wolf in the Sky"; heavy riffing on "Black Forest", and nice acoustic guitars on "White Mountains." The songs stand out individually, and work together quite well when listening through the whole CD. However, for reasons beyond my comprehension, Wolf Age does not inspire any especially strong reactions from me. I enjoy their music in every other way, as it's quite pleasant to listen to, but the work falls just short of grabbing me by the hair and punching me in the face. Not that I like that sort of thing... but I do like CDs to be powerful, whether it's through calm reflection, strong emotions, or hard-hitting aggressiveness. Asmodeus X display all of those emotions, but come off as being more "enjoyable" than "powerful." For an entertaining and diverse electronica/metal CD, I do recommend Wolf Age. I think that the rather flat production keeps Asmodeus X from making the impact that they're clearly capable of musically. I would really like to see these guys get signed, perhaps to a label like Metropolis, where they can get a proper budget and make their mark on the world of music. As it stands, the production is clear, but a little plain, and the music is neat and pleasant, but a little less powerful than I think it can be. In any case, it'd do no harm to give Asmodeus X a listen on www.mp3.com/Asmodeus_X . Their brand of electronica/metal/etc. is worthy of a listen.
You can check out the originals at StarVox Review
http://www.starvox.net/cdr/as.htm
And while you're there check out the rest of the site. In their own words FunProx is "a webzine about underground music, photography, art, film & books". There's a lot of cool stuff on it that I'm sure subscribers to this list will appreciate.
Wolf Age continues to spread the fire, stirring up excitement, enthusiasm, and some occasional controversy. A review was published in issue #9 of Dark Realms (in stores now), and you can read an online review of Wolf Age on Rock-E-Zine: No clue
Due to expressed enthusiasm, we have re-released the Cult of the Naassarene E.P. for the sake of our early supporters. Visit MP3,com: Asmodeus X - Cult of the Naassarene for more info. Originally released in 1999 beneath the shadow of the new millennium, CotN represents the first recording effort of the project. We were working with a lot of Gnostic, Hermetic and Egyptian concepts at the time, as well as engaging in a lot of struggle with the mechanicalism of past associations. The result was a decidedly 'serpentine' impression of surprising depth, leading to tracks like "Halls of Apep". Other tracks, like "Flight of the Scarabs" being more rhythm oriented, seem more invocative of trancelike states. Those who need to get it will get it.