##Artefacts Communique
1##
Artefacts of Australian Experimental Music: 1930
– 1973 is a landmark compilation CD documenting the
forgotten pioneers of Australian music.
For full details, track listing and audio samples, go to http://ShameFileMusic.com
This is the first of a series of communiqués giving you a
taste of some of the characters who populate the history of Australian
experimental music.
Jack Ellitt – The Sound Pioneer
Jack Ellitt is virtually unknown in the annals of Australian
experimental music, yet his work in sound composition as early as 1930 was
cutting edge on an international scale.
As a teenager, Ellitt met New Zealander Len Lye (who later
became an important avant garde filmmaker
and sculptor) in
Ellitt saw film sound technology as an opportunity to
reinvent music through the use of the entire spectrum of sounds. He expressed a desire to “free our ears
(from) tight-laced musical values”.
He advocated abstract sound where it could be appreciated in its purely
elemental state. Prophetic of modern day sound art practice, he wrote,
“When good recording apparatus is easily acquired, many people will
record simple everyday sounds which give them pleasure. The next step would be to mould these
sound-snaps into formal continuity”.
Yet Ellitt felt there was much opposition to his ideas and became
increasingly secretive about his music experiments. This continued for the rest of his life,
eschewing contact with other more famous electronic music pioneers who
attempted contact with him, including Stockhausen. This also partly explains why Ellitt’s
music has never before been released.
Artefacts of Australian Experimental Music: 1930
– 1973 features “
After retiring from the film industry, Ellitt returned to
Pre-order your copy of Artefacts of Australian
Experimental Music: 1930 – 1973 compilation CD for the special
price of AU$23ppd (US$17.30ppd) from http://ShameFileMusic.com
. Look out for launch events at this
year’s Liquid Architecture Festival in both Melbourne and Brisbane.