This has been posted to various lists:



In the two weeks since July 4, with the announcements and invitations
for the Concerto of Deliverance album sent to thousands of people
(objectivist or otherwise), there have been diverse responses -- ranging
from just going to the website, sampling the music, and reading the
production notes, reviews, etc. -- to accepting the invitation and
possibly enjoying the whole journey, "an adventure of discovery,
remembrance, and arrival".

Many were astounded just by the existence of such an album (arriving
after nearly a half century since Rand first described what such music
might and ought to sound like). Some of them couldn't believe their eyes
and ears, and wanted to wait, or to check for signs of authenticity (and
authentication). Others were unhesitant in wanting to satisfy their
curiosity and desire for inspiration and encouragement -- and after
hearing it, were glad and grateful that they took the leap.

This is just the beginning. It's only a matter of time and effort,
courage and perseverance, love and thought: for this Concerto of
Deliverance is becoming a favorite source of artistic enjoyment and
soon, a theme song of objectivists.

For those who haven't been to the website yet, you might be in for a
surprise, both from the music samples and from the contextual
information that, at the least, will provoke contemplation on the
cultural significance of the release of this Concerto of Deliverance by
John Mills-Cockell. Those who haven't visited recently will find an
additional excerpt from the album and more articles posted.

There is another review, by Tom Radcliffe, listed with the ones by
Carolyn Ray and Eric Nolte; also, an interview of the composer when he
was starting out two years ago (a companion to the "Composer's Notes" he
wrote after he finished). Still there are the profiles of the
contributors (who include a chamber music professor and an
artist-in-residence from University of Victoria, Canada, and a
children's choir), plus other album information -- of particular
interest to those wondering about how to "spread objectivism". And, for
those who know of him, the references to the commissioner and executive
producer of the work should be of interest, as well. More features are
planned to be placed on the site.

A suggestion for those who are uncertain: There's really nothing to
lose. Don't wait for others. This is genuinely a chance for change that
you could give yourself, now. For change, give chance. For-give, take
chance.

The place is at http://www.starshipaurora.com/concertoofdeliverance.html


Monart