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57
On Friday, October 31, 2003 11:22 PM Monart Pon ... I suppose it's like any other art form. How many great poems might be languishing in someone's drawers or...
Technotranscendence
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Nov 1, 2003
1:34 pm
58
... might ... listen ... you can ... generally or ... get ... almost ... you ... be ... ascend to ... felt, ... like ... of it, ... the ... was ... impulse ......
Roger Bissell
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Nov 2, 2003
5:32 am
59
... How do you suppose that someone as (IMHO) wretched as Rod Stewart is able to make millions of $$ by recording songs popular 75 years ago? I'll tell you the...
Roger Bissell
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Nov 2, 2003
6:31 am
60
Hi Tom, Thank you for perking your ears to JMC's Concerto and for voicing your appreciation and support of it. I have a few comments on your post. [...] ... ...
Monart Pon
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Nov 2, 2003
8:11 pm
61
Hi Carolyn, ... I wrote the "Concerto Disclaimer" to describe the what ways JMC's Deliverance Concerto was or was not a "concerto". In other words, I wanted to...
Monart Pon
monart_pon
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Nov 3, 2003
1:38 am
62
While we continue to wait for Carolyn Ray's answer to Douglas Wagoner's request for clarification on what thematic material she hears as being "turned inside ...
Roger Bissell
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Nov 3, 2003
7:08 am
63
In response to offlist questions and suggestions from Carolyn (thanks, Carolyn!), I want to clarify the points I made in my last post: 1. I made this statement...
Monart Pon
monart_pon
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Nov 5, 2003
3:58 pm
64
List--- I am feeling frustrated, so I hope this sounds "frustrated" and not "angry". At 02:53 PM 11/2/2003, Monart wrote in response to Tom's ... After...
Douglas Wagoner
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Nov 5, 2003
11:23 pm
65
Just a quick note: My including the Roosevelt quotation about critics and creators has caused Roger and Doug (and others?) to take offence -- as if I were ...
Monart Pon
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Nov 6, 2003
4:29 am
66
Monart, you wrote: Just a quick note: My including the Roosevelt quotation about critics and creators has caused Roger and Doug (and others?) to take offence...
achillesrb@...
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Nov 6, 2003
5:56 am
67
Please be informed that all your comments on the Concerto, or on my own remarks about it, are valuable in some way to me and for that I am grateful. If I...
Monart Pon
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Nov 6, 2003
6:20 am
68
On Wednesday, November 05, 2003 6:16 PM Douglas Wagoner ... Not to mention that FDR was wrong. (FDR was only using that to silence his many critics while he...
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Nov 6, 2003
1:04 pm
69
... Oops, Dan, wrong Roosevelt. That was Teddy "Rough Rider" Roosevelt [http://www.whitehouse.gov/history/presidents/tr26.html], not Franklin D. ...
Douglas Wagoner
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Nov 6, 2003
1:42 pm
70
(To expand further on what I last wrote about Teddy's quote.) ... Not exactly. I said, in full: "My including the Roosevelt quotation about critics and...
Monart Pon
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Nov 7, 2003
2:30 am
72
[This version has spelling corrections in the Scarlatti & Carlos articles -- misspellings caused by the OCR scanning software and my inattention. Please delete...
Monart Pon
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Nov 7, 2003
5:34 pm
73
My apologies for keeping silent until now, but I have many comments to make and have not yet had time to compile them all! The topic of whether the "Concerto...
Aura Pon
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Nov 8, 2003
7:50 am
74
From the perspective of someone who is accustomed to listening to the concerti from mainly the 19th Century (and the brackeetting centuries) and who resists...
Monart Pon
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Nov 8, 2003
2:18 pm
75
Tom wasn't mentioned with Aura, Carolyn, and Monart because he's just as unqualified in his judgement, because what does a Ph.D in Nuclear/Particle Physics...
Monart Pon
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Nov 8, 2003
2:25 pm
76
Hi Aura, Thanks for taking the time to write such a detailed email. Unfortunately, I remain unconvinced. I can say more about this, but here are a few...
Douglas Wagoner
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Nov 8, 2003
4:08 pm
77
Douglas Wagoner wrote to Aura Pons: Thanks for taking the time to write such a detailed email. Unfortunately, I remain unconvinced. I can say more about...
achillesrb@...
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Nov 8, 2003
8:22 pm
78
I am disinclined to step in and answer for Aura with regard to what she actually meant; she is obviously capable of holding her own. But on the other hand, I'm...
Carolyn Ray
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Nov 8, 2003
9:42 pm
79
... <snip> ... I am confused about two things. 1. I seem to be missing something: Are these posts really from Monart directly or forwarded by Monart from an...
Douglas Wagoner
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Nov 8, 2003
10:04 pm
80
... Though I haven't heard anything directly from Monart, examining the headers of the messages vs some from Monart and an off-list email from someone else ...
Douglas Wagoner
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Nov 9, 2003
1:15 am
81
The only way to make any headway in a debate is to take the position of the opposition full on, understand it, massage it until it makes sense, and then...
Carolyn Ray
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Nov 10, 2003
7:52 am
82
Carolyn, you are absolutely right about about the proper and improper methods of debate, and that I was the author of SWUU&U's post. That post was not an...
Monart Pon
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Nov 10, 2003
9:02 pm
83
This is the first part of a two-part (at least) post on the nature of criticism, with specific reference to the Concerto of Deliverance. In the interests of...
radtea
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Nov 13, 2003
7:51 pm
84
Tom Radcliffe wrote: What is the Artist Trying To Do? This is the fundamental starting point for criticism. If we don't understand this, we are limited to a...
achillesrb@...
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Nov 14, 2003
9:57 am
85
Tom Radcliffe wrote: The purpose of this note is to describe some of the standards of good criticism, and indicate where I believe some of the critics on this ...
achillesrb@...
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Nov 14, 2003
9:58 am
86
... I am interested in finding out how some of you think one should go about proving that a piece of music expresses certain emotions or concepts. In...
Aura Pon
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Nov 15, 2003
6:31 pm
87
I previously wrote: Uh, not quite. It is a "concerto" ~composed of themes~ inspired by Rand's statement of deliverance. Even if you call the piece a ...
achillesrb@...
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Nov 17, 2003
8:39 am
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