Hi everyone, The way the schedules are going, the album of Concerto of Deliverance will be released on or about June 6, 2004. The only way I could be sure ...
Hello everyone, I'm pleased and proud to announce that the Concerto of Deliverance album by John Mills-Cockell will be ready for release on July 4, 2004. It's...
Hello everyone, On July 4, the album is finally available to the public, and the website http://www.starshipaurora.com/concertoofdeliverance.html is fully open...
Congratulations, Monart. I know that you have worked hard, and that this has been a labor of love. May your many sacrifices come to their needed fruition....
Thank you for your encouragement and support, Mary-Ann. You know what the album means to me. Responses have begun to come back. News of the album are...
This has been posted to various lists: In the two weeks since July 4, with the announcements and invitations for the Concerto of Deliverance album sent to...
Many other personal invitations and announcements have been sent out. Here is another example. -Monart ... A new CD, entitled "Concerto of Deliverance" by John...
An example of trivial objections and how I respond to them ... Subject: Re: would it be? Re: [O*F*F] New subscriber: Monart Pon and Concerto of Deliverance ...
This is my reply to the only "disappointed" listener so far who wrote in. (Googling his name found references to his having served on an aircraft carrier...
I knew that my cross-posting the message outside the christian objectivist list would risk my being read as a christian sympathizer or as a compromising...
Edward has replied that, "as I continue to listen I become more receptive". He confirmed that he did serve on USS Shangri-la during WWWII, admired Rand since...
Another interesting place I've visited recently (in addition to the Christian Objectivists) is Objectivism Online, a place unfriendly and unpleasant. When I...
The "Immorality" of a Concerto of Deliverance [A Reply to the Critics at Objectivism Online http://forum.objectivismonline.net/index.php?showtopic=1291&st=0 ] ...
The review was written by Doug Wagoner. Thank you very much, Doug. And to Joshua Zader, too, for publishing it. It's a pleasant surprise and well appreciated,...
Earlier in June, I posted a message asking about opening this forum to other subscribers. I've had to postpone a few subscription requests already, and want to...
This is for the interest of those following the events surrounding the charges from certain objectivist circles that the production and presentation of the...
A factual correction to the following: -Monart http://launch.groups.yahoo.com/group/Concerto_Deliverance/message/27 ... Subject: [Concerto_Deliverance] The...
Notice: As I'd announced before, I've just changed the list's settings to public subscription and the archive to public viewing. I expect that some of the new...
There is a new article, "Towards a Concerto of Deliverance", at the album website for JMC's Concerto of Deliverance, an article that was previously on the old...
A welcome to the new subscribers! I appreciate your subscribing to this list, and hope you find the discussions here in the archive interesting and provide...
For those who may not know of this offer, note that on the album's frontpage, below the ordering information, is this note (for those ... Free Albums Why you...
[The following was posted to a few other lists.] A forum -- for discussing the meaning of Rand's description of "The Concerto of Deliverance" and for...
Doug Wagoner wrote in his review at Atlasphere http://www.theatlasphere.com/columns/040812_wagoner_concertoofdeliverance.php "Formal structures are the musical...
Monart wrote: the following was my roughly stated analogy of how I would compare a piece of (extended) musical work to a literary work like the novel (or the...
... Yes, i've heard about your essay, and haven't read it yet, but I will; it should be interesting. I did, however, have read your "Music and Perceptual...
Do anyone here know what's the "song and dance" theory of musical esthetics? At first thought, I'd say it's a view of music as being of, and for, singing and...
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