Dear friends,

here is a short clip of Kamanche

http://www.youtube.com/watch?v=egbDAPKAdNc

Musically yours,

Parham

Dear members,

here some infos about this instrument:

http://www.uyghurensemble.co.uk/en-html/research-article1-p4.html

http://www.youtube.com/watch?v=Hw4eUXsnJf8

http://www.youtube.com/watch?v=K5c-v_wFjrg

Musically yours,

Parham

Dear members,

here is a short clip of Turkmen Kamanche:

http://www.youtube.com/watch?v=s9tB3oAE7o4

Regards,

Parham

Peyman, I thank you too, there is also a videoclip of Mohammad Reza Lotfi:

http://www.youtube.com/watch?v=otv-70O04Ao

--- In Kamanche@yahoogroups.com, peyman <peybak@...> wrote:
>
> Thanks Parham. I also found some recent Keyhan Kalhor vidoes:
> http://www.youtube.com/watch?v=zUjtG5c5H1A
> http://www.youtube.com/watch?v=ELq-d4BflmY
> http://www.youtube.com/watch?v=bhYl4n0tmF4
>
> And with the Brooklyn Rider, a string quartet:
> http://www.youtube.com/watch?v=f-oaGzyL8Mo
> http://www.youtube.com/watch?v=qM6tqmZ3eBs
>
> --- On Thu, 8/14/08, Parham Nassehpoor <parham.nassehpoor@...> wrote:
>
> From: Parham Nassehpoor <parham.nassehpoor@...>
> Subject: [Kamanche] New Videoclips
> To: Kamanche@yahoogroups.com
> Date: Thursday, August 14, 2008, 9:35 AM
>
>
>
>
>
>
> Dear members,
>
> here are two new videoclips of Azeri Kamanche:
>
> http://www.youtube. com/watch? v=RMGMzPMhfhg
>
> Mehri Asadullayeva the daughter of the great Kamanche master Arif
> Asadullayev
>
> http://www.youtube. com/watch? v=IGc-kMFO- 0A
>
> Immamyar Hasanov the Kamache player in USA
>
> Musically yours,
>
> Parham
>
> P.S. Here also a sample music of a audiobook, which I and my brother
> have played
>
> http://parhamnasseh poor.com/ Durch_die_ Wuste_Beispiel_ Musik.mp3
>

Dear members,

here are two new videoclips of Azeri Kamanche:

http://www.youtube.com/watch?v=RMGMzPMhfhg

Mehri Asadullayeva the daughter of the great Kamanche master Arif
Asadullayev

http://www.youtube.com/watch?v=IGc-kMFO-0A

Immamyar Hasanov the Kamache player in USA

Musically yours,

Parham

P.S. Here also a sample music of a audiobook, which I and my brother
have played

http://parhamnassehpoor.com/Durch_die_Wuste_Beispiel_Musik.mp3

Dear members,

here ist a short Kamanche solo:

http://www.youtube.com/watch?v=s7mpAnqZCQ0

Regards,

Parham

Hello Larri,

 

thank you for your reply. Unfortunately I cannot view YouTube clips at my working place where I have no permission to install any program. So, could you please kindly summarize the message of the mentioned clip? Thanks a lot!

 

Best regards,

Judith

Larri Stellar vanlarri@yahoo.com schrieb:

Hello ,
I have heard many different observations about the Dastgah from different people. Here is one idea :
http://www.youtube.com/watch?v=r-s4SIRU7W4

Hello ,
I have heard many different observations about the Dastgah from different people. Here is one idea :
http://www.youtube.com/watch?v=r-s4SIRU7W4

An: iranian-studies@yahoogroups.com
Von: Laudan Nooshin laadan@...
Datum: Mon, 31 Mar 2008 10:45:36 +0100
Betreff: [iranian-studies] Middle East and Central Asia Music Forum, April 25th 2008

UNIVERSITY OF LONDON - SCHOOL OF ADVANCED STUDY
INSTITUTE OF MUSICAL RESEARCH

MIDDLE EAST AND CENTRAL ASIA MUSIC FORUM

Friday April 25th 2008
Room ST 274/5, Stewart House, 32 Russell Square, London WC1B
(adjacent to Senate House)
9.30am ­ 6.30pm


PROGRAMME

Abstracts of papers available at:
http://music.sas.ac.uk/imr-events/imr-conferences-colloquia-performance-events/middle-east-and-central-asia-music-forum/abstracts.html#c1398

Registration (from 9.30am) and Welcome (9.45am)

Session 1 (10 - 11.45am)
Tala Jarjour (University of Cambridge)
Syriac Chant: Problematizing a New-Old Story. Work in Progress

Nahro Zagros (University of York)
Songs for the Dead: Funeral Gatherings of the Êzdis in Armenia

11.45am - tea/coffee

Session 2 (12.15 ­ 1pm)
Hany El Hamzawy (Goldsmiths London)
The Oud in the Era of Ethnomusicology

1pm ­ Lunch break

Session 3 (2.30 - 4.15pm)
Carolyn Landau (City University)
Remembering and Reminiscing: Music and Meaning amongst Moroccans in London

Parmis Mozafari (University of Leeds)
A Historical Overview of the Condition of Women Musicians in Iran

4.15 - 5.15pm tea/coffee and final discussion session

5.30 - 6.30pm
Evening Recital
Egyptian Oud player Hany El Hamzawi will present a range of performance styles from across the Middle East and beyond

The Middle East and Central Asia Music forum is open to researchers, students and anyone interested in the music and culture of the region. In the spirit of fostering dialogue and interdiscplinarity, we hope that the issues discussed at the forum will be of interest to a broad audience, including musicologists, ethnomusicologists and other researchers in the arts, humanities and social sciences. In addition, we welcome those working on other aspects of Middle Eastern and Central Asian culture broadly speaking (dance, visual arts, media, film, literature, etc.)

Advance booking is requested via Valerie James at music@....uk; a contribution to costs of £10 is requested on the door. Attendance for students and the unwaged is free.

[Non-text portions of this message have been removed]

.

Dear all,

 

I have a question referring the dastgah-e shur which might perhaps seem amateurish to you. But I would appreciate your help. Once I heard that this dastgah is associated with a noble mind and a mature personality but at the same time also with new beginning and spring time. I would like to ask how the idea of the first two terms matches the idea of new beginning. In the CD booklet of Ostad Majid Kianis "Haft-Dastgah-e Musighi-e Iran" I read that the dastgah-e shur is related to the dusk, the start of creation, new birth, continuation of life as well as to the struggle, the search and the yearning for spiritual enlightenment. Is this enlightenment seen as a new creation or in which way is it associated with the genesis?

 

Best regards,

Judith Zech

Dear all,

 

I have a question referring the dastgah-e shur which might perhaps seem amateurish to you. But I would appreciate your help. Once I heard that this dastgah is associated with a noble mind and a mature personality but at the same time also with new beginning and spring time. I would like to ask how the idea of the first two terms matches the idea of new beginning. In the CD booklet of Ostad Majid Kianis "Haft-Dastgah-e Musighi-e Iran" I read that the dastgah-e shur is related to the dusk, the start of creation, new birth, continuation of life as well as to the struggle, the search and the yearning for spiritual enlightenment. Is this enlightenment seen as a new creation or in which way is it associated with the genesis?

 

Best regards,

Judith Zech

Dear members,

Abolhassan Khan Eghbal, one of the most influential singers of Persian classical music, has some records with the famous Armenian legendary of Kamanche monsieur Haik. I can’t specify the exactly date of the record, but I guess it should be around 1930 or this is an realier record.

In such records you hear Eghbal singing differently using Aserbaijanian words and ornaments. The record which I published in the following page is in the mode Bayat-e Qajar in Azerbaijanian music or in mode Bayat-e Tork in Persian music.

http://santoori.com/html/eghbal1.html

I hope you enjoy hearing this record.

If you can share more info about this record it would be appreciated.

Regards,

Your Pooyan Nassehpoor

---

Never miss a thing. Make Yahoo your homepage.

Hello dear members,

here are two new videoclips of the great Azeri Kamancha player, Habil
Aliyev:

http://www.youtube.com/watch?v=VQYcqhxti7E

http://www.youtube.com/watch?v=99hE3VNZ7mQ

Regards,

Parham

Dear members,

I published some words, a nice Photo of Nayyer Azam Rumi as well the
both side of a rare
record of her in the following page:

http://santoori.com/html/rumi.html

I never heard this song elsewhere. I liked it very much, so that I
decided to publish it in my website. I hope you will enjoy it.

Though I would like to thank dear Mr. Amir Mansour because of
publishing the nice photo of Nayyer-Azam in his site.

Additionally I edited my site map in order to find pages much more
easier than the past. Please use this map when you want to find pages
easier especially regarding to Musicians of the Past and free Persian
music download.

http://santoori.com/html/site_map.html

Best regards,

Yours Pooyan Nassehpoor

Dear Members,

I translated some lines about Ostad Sa'id Hormozi in my webpage under
the following link:

http://santoori.com/html/hormozi.html

An Audio sample is uploaded too.

Does some body have any photo from Arsalan Khan Dargahi? It's really
appriciated. I will refrence the name of the donator as a matter of
course.

Best regards,

Yours Pooyan Nassehpoor

An: persian_music@yahoogroups.com
Von: bahman panahi bahmanpanahi@...
Datum: Wed, 14 Nov 2007 17:05:26 -0800 (PST)
Betreff: [persian_music] Bahman Panahi in Concert & Exhibition in Paris

Bahman PANAHI, iranian music player (Tar & Setar) will be in concert with group "Safar" in Paris in 23 November 2007,
An exhibition of his Calligraphy's artworks also will be organise in the same place,
Adresse:
Conservatoire Henri Dutilleux, Place Jules Hunebelle, 92140, Clamart,
information and reservation: robabculture@yahoo.fr

.

	klassie muziek uit iran Mohammad Motamedi & Ensemble
22 November, Tropentheater, Amsterdam 23 November, Doopsgezinde Kerk, Middelburg 24 November, De Doelen, Rotterdam 25 November, RASA, Utrecht	De oude Perzische poëzie is een schier onuitputtelijke bron voor klassieke liedteksten. Een lenige stem als die van de jonge zanger Mohammad Motamedi is het instrument bij uitstek om deze liederen te verklanken. Motamedi is een van de aanstormende talenten in de wereld van de Iraanse vocale muziek. Zijn handelsmerk is de tahrir, de elegante Iraanse ‘jodeltechniek’, die hij schijnbaar moeiteloos weet uit te voeren. Mohammad Motamedi heeft zich omringd met instrumentalisten die de klassieke Perzische traditie hoog in het vaandel dragen, zoals Ehsan Zabihifar op kamanche (vedel), Ali Rahimi op tonbak (bekertrommel) en Imân Vaziri op tar (langhalsluit). Hoewel gecomponeerde neo-klassieke muziek in het huidige Iran de mode is, bewijst dit jonge ensemble dat de aloude geïmproviseerde muziek, mits in handen van talentvolle musici, anno 2007 allerminst aan kracht heeft ingeboet.   Mohammad Motamedi - vocal Ehsan Zabihifar - kamanche Ali Rahimi - tonbak Iman Vaziri - tar
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