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Re: Mouthpiece acoustics   Message List  
Reply | Forward Message #7091 of 7755 |
Re: Mouthpiece acoustics

--- In MouthpieceWork@yahoogroups.com, "lcchtt" <Letydan@...> wrote:
The program I use is called COMSOL maybe someone here knows how to use it better
than me :).

This looks like a very useful program.
Thu Jul 9, 2009 1:51 pm

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lancelotburt
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Forward 		Message #7091 of 7755 |
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thank you toby, All the best, Danny...
lcchtt
Offline Send Email 		Jul 5, 2009
12:07 pm

... The program I use is called COMSOL maybe someone here knows how to use it better than me :). This looks like a very useful program....
lancelotburt
Offline Send Email 		Jul 9, 2009
1:51 pm

... Most consider "stock" as the mouthpiece that comes free with the sax. But you are probably looking for a relatively low cost factory-made MP. I presume...
Keith Bradbury
kwbradbury
Offline Send Email 		Jul 5, 2009
7:43 pm

Thanks. I mean the widest at the tip. From any manufacturer. Who is making the most of standard reed width at the tip. I know I have to trim reeds down on...
lancelotburt
Offline Send Email 		Jul 6, 2009
4:29 am

Easy... the Vandoren bari lol... DannyG...
lcchtt
Offline Send Email 		Jul 6, 2009
6:45 am

Otto Link STM NY have little or no overhang if you open them up a bit....
frymorgan
Offline Send Email 		Jul 6, 2009
10:05 pm

I put a Link to the Wyman paper on the Yahoo Mouthpiece Work site a while back.  It really is a gem and is a fairly easy read IMO.   I was just surfing the...
Keith Bradbury
kwbradbury
Offline Send Email 		Jul 6, 2009
2:05 am

... I don't know. You said it Mojo, "Experimentation leads the way and the theory lags behind." The artists lead the way by demonstration and the theorists...
lancelotburt
Offline Send Email 		Jul 6, 2009
3:58 am

For me the theory and the hands-on should be complementary. Obviously the physical modeling is always going to be imperfect, but it can provide us with some ...
kymarto123@...
kymarto
Offline Send Email 		Jul 6, 2009
7:33 am

Perhaps a thorough and comprehensive study of physics or acoustics would yield the the ideal mouthpiece design. We already have a number of different...
Greg Wier
gregwier
Offline Send Email 		Jul 6, 2009
12:09 pm

Yes, the ideal mouthpiece for playing classical music... DannyG...
lcchtt
Offline Send Email 		Jul 6, 2009
12:21 pm

That also is a matter for debate and taste. Look at the square chambered Selmer S80, the biggest selling mouthpiece ever. Considered and used by very many...
Greg Wier
gregwier
Offline Send Email 		Jul 6, 2009
12:30 pm

WOW!!!! I am downloading everything. They made many interesting things. I should have studied acoustic :))). Keith we should organize a meeting to show and...
lcchtt
Offline Send Email 		Jul 6, 2009
6:44 am

As long as we are sharing links, all of Fletcher's papers including those on musical acoustics, are available here: ...
kymarto123@...
kymarto
Offline Send Email 		Jul 6, 2009
7:22 am

I saw one of those the other day...I think it was a Sugal, maybe. ... From: kymarto123@... <kymarto123@...> Subject: Re: [MouthpieceWork] Re:...
Tom Tapscott
sonusrepair
Offline Send Email 		Jul 7, 2009
1:07 pm

Gary Sugal made some in that configuration. There were also some (I think) Dukoffs made that way in the distant past. From: MouthpieceWork@yahoogroups.com...
STEVE GOODSON
saxgourmet
Offline Send Email 		Jul 7, 2009
3:15 pm

I saw one ebonite piece made this way some year ago but I don't remeber the manufacturer. Some time ago I was thinking to do the same with rails. Microgrows...
lcchtt
Offline Send Email 		Jul 7, 2009
6:10 pm
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