You'd be surprised at how inexpensive rebinding a book can be compared to the cost of replacing the discography. Ron L ... From: RedHotJazz@yahoogroups.com...
8263
hans.eekhoff
Jan 13, 2011 9:34 pm
In an article on the relation between the Goldkette Band and McKinney's Cotton Pickers, which has just appeared in VJM magazine and was written by Nick Dellow...
8264
Mordechai Litzman
folke613
Jan 20, 2011 3:23 am
Came across this two part movie about how a 78 RPM record is made. I found it fascinating and would like to share it with the group. The title is in German, ...
A complete, maybe better copy of the original can be watched/downloaded from http://www.archive.org/details/CommandP1942 What I am curious to know, and is...
8267
Mike Amato
vintagetenor
Jan 20, 2011 5:43 pm
Hi Mordechai, Â If you are talking about the early OKeh label, a product of the General Record Co., then the production process would doubtless have been...
8268
Randy Skretvedt
forwardintot...
Jan 21, 2011 5:02 pm
As far as I know, the Columbia records with a cardboard core and laminated surface were introduced during WWII as a way to combat the shortage of shellac,...
8269
Mike Amato
vintagetenor
Jan 21, 2011 5:37 pm
Hi Randy,  Ditto for the fine quality of laminated Columbia 78s!   But I'm certain that I've seen broken/damaged c. 1923 "flag" labeled Columbias with...
8270
hans.eekhoff
Jan 22, 2011 8:37 am
All true what you say Randy, except that 1920's Columbias (and later OKehs when Columbia owned the label) use an early plastic for their record surfaces, which...
8271
hans.eekhoff
Jan 22, 2011 10:14 am
I have meanwhile found the source for Redman's statement. It comes, via Daniel Nevers, from the famous French jazz researcher, critic and writer Charles...
8272
Nick Dellow
nick.dellow
Jan 22, 2011 6:51 pm
The information in Daniel Nevers' letter as well as a considerable amount of new and relevant material are discussed in detail in Part Two of the article "Jean...
8273
hans.eekhoff
Jan 23, 2011 9:56 am
Dellow, Haim and Berresford (the latter is the editor of VJM) have not responded to private emails to them in which I pointed out the error in their article,...
8274
Nick Dellow
nick.dellow
Jan 23, 2011 3:19 pm
Hans Eekhoff writes, "However, from Nevers' letter it is by no means clear what Redman himself exactly said about these sides." The section concerning "My...
8275
hans.eekhoff
Jan 23, 2011 6:20 pm
"Daniel Nevers said that Delaunay said that Don Redman said....." etc. etc. I repeat, it is by no means clear what Redman SPECIFICALLY said about any other...
8276
Nick Dellow
nick.dellow
Jan 23, 2011 8:38 pm
Mr Eekhoff complains that the assignment of McKinney’s Cotton Pickers musicians to the Goldkette recordings of "My Blackbirds Are Bluebirds Now" and "Don't...
8277
hans.eekhoff
Jan 23, 2011 10:15 pm
Mr. Dellow, this is alas getting personal, because you are too impolite to answer emails which I send you - forcing this discussion to continue in public. That...
8278
patrice.champarou@...
patrice_champ
Jan 23, 2011 10:46 pm
I suspected that something nasty might happen when I saw the beginning of this thread, unfortunately it did. I do not think that a discussion involving...
8279
hans.eekhoff
Jan 24, 2011 7:02 am
And I mentioned it myself in my previous posting - I tried to have this discussion in private (it did not start there). Anyway, the main point should be clear...
8280
Michael Rader
armstark2000
Jan 24, 2011 11:03 am
Cliffhangers seem to be the latest device in discographical research - maybe a method of attracting interest and selling copies when the suspense is resolved? ...
8281
patrice.champarou@...
patrice_champ
Jan 24, 2011 11:21 am
Maybe I should insist that I do not intend to stop or ban the thread in itself, which is an interesting one. Otherwise, I would have erased the whole of it by...
8282
David Brown
dvd.brown
Jan 24, 2011 3:32 pm
I return to the original rather provocative header. I agree Patrice that aggression and insult have no place in the discussion of music but I think the...
8283
hans.eekhoff
Jan 24, 2011 4:57 pm
I very much agree with Dave that it is an important issue. Again I would again like to point out the great detail with which Redman described the occasion -...
8284
David Weiner
djwein
Jan 24, 2011 5:10 pm
Of course, the arrangements couldn't be more different! But the distinctive sound of Nat Natoli's "nanny-goat" vibrato leading the trumpet section on "Italian"...
8285
Howard Rye
howardrye
Jan 24, 2011 5:22 pm
... Not really, Dave, just a little local difficulty in their application. Traditions don¹t cease to exist because they overlap at times. No one doubts that...
8286
JamesJazz
jimjazzdet
Jan 25, 2011 8:26 am
May I introduce myself. My name is Jim Gallert. Lars Bjorn and I wrote "Before Motown: A History of Jazz in Detroit, 1920-1960." This discussion is exactly...
8287
David Brown
dvd.brown
Jan 25, 2011 9:28 am
Hello Howard The history of early jazz big band is indeed not a black & white issue. Sudhalter makes, although does not prove, a case for Redman, the...
8288
Howard Rye
howardrye
Jan 25, 2011 12:25 pm
on 25/01/2011 09:28, David Brown at johnhaleysims@... asks: ³ Does the confusion between Goldkette and MKCP not suggest that the deciding factor was...
8289
Michael Rader
armstark2000
Jan 25, 2011 1:01 pm
Dave, Apart from history, the DTD set Howard quotes shows that Steve Brown wasn't even the first slap bass player to be heard on recordings: That honour...
8290
hans.eekhoff
Jan 25, 2011 3:21 pm
Hello Jim, Yes you're absolutely right, there is no single reason to assume that Redman was making it all up - quite the contrary. Aural evidence, also...
8291
David Brown
dvd.brown
Jan 25, 2011 3:49 pm
"Steve Brown was the one everybody listened to" Milt Hinton assured us. He recalled his own youth in Chicago, standing outside the Midway, unable to enter...
