Hi and thank's for the help I tried 2 bass and one bari mouthpieces the bari
mouthpiece seemed to brighten all notes .For c I was able to raise the key
almost 1/4" buy pushing under the lever with my index finger that helped however
not particle I will try to adjust. I think the d is just me needing to play more
bass. The instrument is in poor shape It looks like it was originally lacquered,
then painted gold and maintained with a hammer and ceiling wax but I like
messing with it and one day I will get it all fixed up--- In
SaxophoneRepair@yahoogroups.com, saxgourmet@... wrote:
>
> I agree with Lars. The opening should be at least thirty percent of the
diameter of the tone hole.
>
>
>
> Sent on the Sprint® Now Network from my BlackBerry®
>
> -----Original Message-----
> From: "Lars Kirmser" <syrinx@...>
> Date: Sat, 21 Nov 2009 10:42:19
> To: <SaxophoneRepair@yahoogroups.com>
> Subject: Re: [SaxophoneRepair] Buescher True Tone bass sax intonation
>
> My first thought is that the low D# (Eb) and the low C keys may not be opening
enough. (The openings should be in the 8 - 10mm range).
>
> ----- Original Message -----
> From: david
> To: SaxophoneRepair@yahoogroups.com
> Sent: Friday, November 20, 2009 5:24 PM
> Subject: [SaxophoneRepair] Buescher True Tone bass sax intonation
>
>
>
> My C and D always play flat despite my best efforts it has ben mentioned to
me that it might be the instrument. Does anyone have experience with this being
an issue with this saxophone?
>
thanks all- I think the key height may indeed be too low...I'll start with
that.
--- In SaxophoneRepair@yahoogroups.com, "fidlershorns" <grassinospam@...> wrote:
>
> Next, if that does not help, check the body octave pip diameter. There's been
a lot of posts on that. Or try the power pips if you are not worried about
originality??
>
> Third, replace the whole instrument with a Saxgourmet set up of your choice.
That will be sure to improve many things on the MK VI! ;-) A nice Mk VI might
sell for enough to break even on this deal.
>
> E v e r e t t
>
> --- In SaxophoneRepair@yahoogroups.com, "Lars Kirmser" <syrinx@> wrote:
> >
> > Again, verify key-opening. - Lars
> >
> > ----- Original Message -----
> > From: mahnkentom
> > To: SaxophoneRepair@yahoogroups.com
> > Sent: Saturday, November 21, 2009 11:55 AM
> > Subject: [SaxophoneRepair] Mark 6 G2
> >
> >
> >
> > Hello,
> >
> > I have a 1970 Mark VI (new to me) with a G that just doesn't ..well, it
doesn't sing. It's not as strong and clear as the G# of the F#- just sounds a
little restricted, like it's heart is not fully in that octave, and given a
choice it might rather be an octave lower. Is that a good explanation? It's not
terrible, just something I notice. I'm wondering if that is a normal Mark VI
thing, or if there is some other explanation. Pads are sealing well, octave pips
are clean and clear. Maybe it's just an anomaly, one of those things a nice
saxgourmet neck might help with. Anyway, could also be me getting used to it
still also.
> > But I was curious if there were any common complaints about this note.
> > thanks!
> > -tom
> >
>
Next, if that does not help, check the body octave pip diameter. There's been a
lot of posts on that. Or try the power pips if you are not worried about
originality??
Third, replace the whole instrument with a Saxgourmet set up of your choice.
That will be sure to improve many things on the MK VI! ;-) A nice Mk VI might
sell for enough to break even on this deal.
E v e r e t t
--- In SaxophoneRepair@yahoogroups.com, "Lars Kirmser" <syrinx@...> wrote:
>
> Again, verify key-opening. - Lars
>
> ----- Original Message -----
> From: mahnkentom
> To: SaxophoneRepair@yahoogroups.com
> Sent: Saturday, November 21, 2009 11:55 AM
> Subject: [SaxophoneRepair] Mark 6 G2
>
>
>
> Hello,
>
> I have a 1970 Mark VI (new to me) with a G that just doesn't ..well, it
doesn't sing. It's not as strong and clear as the G# of the F#- just sounds a
little restricted, like it's heart is not fully in that octave, and given a
choice it might rather be an octave lower. Is that a good explanation? It's not
terrible, just something I notice. I'm wondering if that is a normal Mark VI
thing, or if there is some other explanation. Pads are sealing well, octave pips
are clean and clear. Maybe it's just an anomaly, one of those things a nice
saxgourmet neck might help with. Anyway, could also be me getting used to it
still also.
> But I was curious if there were any common complaints about this note.
> thanks!
> -tom
>
Subject: [SaxophoneRepair] Buescher True Tone bass sax intonation
My C and D always play flat despite my best efforts it has ben mentioned to me that it might be the instrument. Does anyone have experience with this being an issue with this saxophone?
Check the opening of the G key. It should open as much as the A and the F sharp. This is a common problem. Yes, a Saxgourmet neck will make your VI sound better and improve intonation and quicken response.
Sent on the Sprint® Now Network from my BlackBerry®
From: "mahnkentom" <trailertom@...>
Date: Sat, 21 Nov 2009 19:55:49 -0000
To: <SaxophoneRepair@yahoogroups.com>
Subject: [SaxophoneRepair] Mark 6 G2
Hello,
I have a 1970 Mark VI (new to me) with a G that just doesn't ..well, it doesn't sing. It's not as strong and clear as the G# of the F#- just sounds a little restricted, like it's heart is not fully in that octave, and given a choice it might rather be an octave lower. Is that a good explanation? It's not terrible, just something I notice. I'm wondering if that is a normal Mark VI thing, or if there is some other explanation. Pads are sealing well, octave pips are clean and clear. Maybe it's just an anomaly, one of those things a nice saxgourmet neck might help with. Anyway, could also be me getting used to it still also.
But I was curious if there were any common complaints about this note.
thanks!
-tom
Yes. I have a True Tone Bass and have struggled with this too. Join the Bass
Sax Coop, there is always good advice on the site.
What I have experienced is that your mouthpiece will play a HUGE part in the
intonation on Bass. Is your upper register sharp? True Tone Basses need a
large chamber mouthpiece. However, too large of a mouthpiece can also cause
problems as well. You may need to experiment with several different
mouthpieces, try a bari mouthpiece to see if it improves or gets worse.
Paul Coats can explain the physics behind this much better than I can. Paul are
you out there?
Mike
Sorry for the second comment, but I wanted to point out that G is right at the point where it is at the limit of the lower octave vent; going to A will defer to the upper octave vent. As a result, this G tends to be an acoustically weak note. My former post referred to making sure that the openings (right hand stack) are correct. On an alto, the F# will be set within a range of about 7 - 8 mm's (the rest of the key heights are then calibrated off this reference). - Lars Kirmser
I have a 1970 Mark VI (new to me) with a G that just doesn't ..well, it doesn't sing. It's not as strong and clear as the G# of the F#- just sounds a little restricted, like it's heart is not fully in that octave, and given a choice it might rather be an octave lower. Is that a good explanation? It's not terrible, just something I notice. I'm wondering if that is a normal Mark VI thing, or if there is some other explanation. Pads are sealing well, octave pips are clean and clear. Maybe it's just an anomaly, one of those things a nice saxgourmet neck might help with. Anyway, could also be me getting used to it still also. But I was curious if there were any common complaints about this note. thanks! -tom
First, check your F# pad opening.
--- In SaxophoneRepair@yahoogroups.com, "mahnkentom" <trailertom@...> wrote:
>
> Hello,
>
> I have a 1970 Mark VI (new to me) with a G that just doesn't ..well, it
doesn't sing. It's not as strong and clear as the G# of the F#- just sounds a
little restricted, like it's heart is not fully in that octave, and given a
choice it might rather be an octave lower. Is that a good explanation? It's not
terrible, just something I notice. I'm wondering if that is a normal Mark VI
thing, or if there is some other explanation. Pads are sealing well, octave pips
are clean and clear. Maybe it's just an anomaly, one of those things a nice
saxgourmet neck might help with. Anyway, could also be me getting used to it
still also.
> But I was curious if there were any common complaints about this note.
> thanks!
> -tom
>
I went to the UPS distribution center after receving a string of crushed boxes.
They are brick stacking packages as high as they can. And now that they take up
to 150 lb packages, small boxes get crushed. I was told shippers need to make
sure the inside of the box is crammed tightly full to help support anything set
on top of it. I was also told the last box was the shippers fault for putting
somehing in just a few newspapers in a good cardboard box. After that
conversation, I doubt any instrument not in a case and FULLY surrounded by foam
or peanuts or tightly wadded newspapers will be covered. Be sure to use a full
stated value with some paperwork to verify the value of the contents
E v e r e t t F i d l e r
I have a 1970 Mark VI (new to me) with a G that just doesn't ..well, it doesn't sing. It's not as strong and clear as the G# of the F#- just sounds a little restricted, like it's heart is not fully in that octave, and given a choice it might rather be an octave lower. Is that a good explanation? It's not terrible, just something I notice. I'm wondering if that is a normal Mark VI thing, or if there is some other explanation. Pads are sealing well, octave pips are clean and clear. Maybe it's just an anomaly, one of those things a nice saxgourmet neck might help with. Anyway, could also be me getting used to it still also. But I was curious if there were any common complaints about this note. thanks! -tom
Hello,
I have a 1970 Mark VI (new to me) with a G that just doesn't ..well, it doesn't
sing. It's not as strong and clear as the G# of the F#- just sounds a little
restricted, like it's heart is not fully in that octave, and given a choice it
might rather be an octave lower. Is that a good explanation? It's not terrible,
just something I notice. I'm wondering if that is a normal Mark VI thing, or if
there is some other explanation. Pads are sealing well, octave pips are clean
and clear. Maybe it's just an anomaly, one of those things a nice saxgourmet
neck might help with. Anyway, could also be me getting used to it still also.
But I was curious if there were any common complaints about this note.
thanks!
-tom
Subject: [SaxophoneRepair] Buescher True Tone bass sax intonation
My C and D always play flat despite my best efforts it has ben mentioned to me that it might be the instrument. Does anyone have experience with this being an issue with this saxophone?
My C and D always play flat despite my best efforts it has ben mentioned to me
that it might be the instrument. Does anyone have experience with this being an
issue with this saxophone?
I just ordered two off ebay from you. Please send me a alto and a tenor version.
My e-sax mute is hard to play unless you have little Japanese hands.
From: STEVE GOODSON <saxgourmet@...> To: SaxophoneRepair@yahoogroups.com Sent: Fri, November 20, 2009 12:35:49 PM Subject: RE: [SaxophoneRepair] Saxgourmet Mute video demonstration
they are now on eBay and my blog
From: SaxophoneRepair@ yahoogroups. com [mailto:SaxophoneRe pair@yahoogroups .com] On Behalf Of Mr. Davidson Sent: Friday, November 20, 2009 11:20 AM To: SaxophoneRepair@ yahoogroups. com Subject: Re: [SaxophoneRepair] Saxgourmet Mute video demonstration
please re-send the link. I want to see this in action !
From: STEVE GOODSON <saxgourmet@cox. net> To: SaxophoneRepair@ yahoogroups. com; Paul C. <tenorman1952@ yahoo.com>; saxxsymbol@yahoo. com; cbgroves@ix. netcom.com; francis_l@hammond. org; Tony Dagradi <dagradi@cox. net> Sent: Thu, November 19, 2009 10:12:32 AM Subject: [SaxophoneRepair] Saxgourmet Mute video demonstration
READ MY ARTICLES ON SAXOPHONE DESIGN IN EACH ISSUE OF THE SAXOPHONE JOURNAL The Music Business is a cruel and shallow money trench, a long plastic hallway where thieves
BASIC SHOP RATE........ ........$ 100/HR
IF YOU WATCH....... ......... .....$125/ HR
IF YOU ASK QUESTIONS... ...$150/HR
IF I HAVE TO LISTEN TO A CONCERT
LONGER THAN FIVE MINUTES WHEN
YOU PICK UP YOUR HORN....$250/ HR
The Music Business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There's also a negative side." Hunter S. Thompson
CONFIDENTIALITY NOTICE: This e-mail message, including any attachments, is for the sole use of the intended recipient(s) and may contain confidential and privileged information or otherwise protected by law. Any unauthorized review, use, disclosure or distribution is prohibited. If you are not the intended recipient, please contact the sender by reply e-mail and destroy all copies of the original message.
Assuming everything is tight, that is, not leaking, and there is no other issue like neck fit, G# pad cracking open etc., then suspecting the spring tension/finger pressure of the customer is appropriate. With the customer present I would close the low B pad with a piece of cork or whatever and see if that takes care of the motorboating when they play. If that doesn't stop the warble it would be hard to blame spring tension / too-light-a touch with the low B key. (And, of course, the G# spatula spring is part of that too and may need to be eased.)
A small percentage of my sax customers do cultivate an unusually light finger touch, and I see little pattern regarding hand size, presumed strength etc. However, novices of any age do have more issues with hitting other keys accidentally when going for the low notes, what with all those keys to
close.
I'd keep poking around. There is a solution...or at least a resolution.
--- On Fri, 11/20/09, andy <andrew.collins@...> wrote:
From: andy <andrew.collins@...> Subject: [SaxophoneRepair] YAS62 low B problems To: SaxophoneRepair@yahoogroups.com Date: Friday, November 20, 2009, 9:39 AM
A customer has brought back the alto, which I have just serviced, saying she cannot reach low B without it motorboating. When I play it there is not a problem. I've re-checked the horn for leaks but it is fine. She says the low B key is difficult to press, but again I don't have any problems with this though I have slackened the spring tension. It would appear that females do not have the pinkie strength that us males have! Any suggestions. ...clean please!!
I am no aware of any "off the shelf" low B extensions (Oleg makes one for Bb), but a small lump of epoxy putty may provide just the leverage that is needed
From: SaxophoneRepair@yahoogroups.com [mailto:SaxophoneRepair@yahoogroups.com] On Behalf Of Robert Sass Sent: Friday, November 20, 2009 12:32 PM To: SaxophoneRepair@yahoogroups.com Subject: Re: [SaxophoneRepair] YAS62 low B problems
I would not state it is a male vs. female issues (sure you probably did not mean it that way.). It is probably more of a hand size issue. I have two of my kids who play sax, and my wife also plays sax. We all play very good horns (L.A. Sax 750s mainly, but others as well). I have noticed that for my 11 year old, it is hard for him to use his pinky to hold down the low B-flat key, similar issue. However, he is growing fast, and I doubt that he will have the same problem as he gets bigger. I have heard of extensions for some keys. I am sure Steve Goodson may be of help there. I know Oleg offers things similar to that, but not sure what their exact products are, as I personally am not a huge fan of Oleg (over-priced in my opinion for what you get in terms of quality.) Others are free to disagree.
Bob
--- On Fri, 11/20/09, andy <andrew.collins@norfolk.gov.uk> wrote:
From: andy <andrew.collins@norfolk.gov.uk> Subject: [SaxophoneRepair] YAS62 low B problems To: SaxophoneRepair@yahoogroups.com Date: Friday, November 20, 2009, 11:39 AM
A customer has brought back the alto, which I have just serviced, saying she cannot reach low B without it motorboating. When I play it there is not a problem. I've re-checked the horn for leaks but it is fine. She says the low B key is difficult to press, but again I don't have any problems with this though I have slackened the spring tension. It would appear that females do not have the pinkie strength that us males have! Any suggestions. ...clean please!!
My guess is that the difference in the 2 mouthpieces or mouthpiece placement on the neck will account for the difference (playing for you; not for her). - Lars
A customer has brought back the alto, which I have just serviced, saying she cannot reach low B without it motorboating. When I play it there is not a problem. I've re-checked the horn for leaks but it is fine. She says the low B key is difficult to press, but again I don't have any problems with this though I have slackened the spring tension. It would appear that females do not have the pinkie strength that us males have! Any suggestions....clean please!!
From: SaxophoneRepair@yahoogroups.com [mailto:SaxophoneRepair@yahoogroups.com] On Behalf Of Mr. Davidson Sent: Friday, November 20, 2009 11:20 AM To: SaxophoneRepair@yahoogroups.com Subject: Re: [SaxophoneRepair] Saxgourmet Mute video demonstration
please re-send the link. I want to see this in action !
From: STEVE GOODSON <saxgourmet@...> To: SaxophoneRepair@yahoogroups.com; Paul C. <tenorman1952@...>; saxxsymbol@...; cbgroves@...; francis_l@...; Tony Dagradi <dagradi@...> Sent: Thu, November 19, 2009 10:12:32 AM Subject: [SaxophoneRepair] Saxgourmet Mute video demonstration
READ MY ARTICLES ON SAXOPHONE DESIGN IN EACH ISSUE OF THE SAXOPHONE JOURNAL The Music Business is a cruel and shallow money trench, a long plastic hallway where thieves
BASIC SHOP RATE........ ........$ 100/HR
IF YOU WATCH....... ......... .....$125/ HR
IF YOU ASK QUESTIONS... ...$150/HR
IF I HAVE TO LISTEN TO A CONCERT
LONGER THAN FIVE MINUTES WHEN
YOU PICK UP YOUR HORN....$250/ HR
The Music Business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There's also a negative side." Hunter S. Thompson
CONFIDENTIALITY NOTICE: This e-mail message, including any attachments, is for the sole use of the intended recipient(s) and may contain confidential and privileged information or otherwise protected by law. Any unauthorized review, use, disclosure or distribution is prohibited. If you are not the intended recipient, please contact the sender by reply e-mail and destroy all copies of the original message.
I would not state it is a male vs. female issues (sure you probably did not mean it that way.). It is probably more of a hand size issue. I have two of my kids who play sax, and my wife also plays sax. We all play very good horns (L.A. Sax 750s mainly, but others as well). I have noticed that for my 11 year old, it is hard for him to use his pinky to hold down the low B-flat key, similar issue. However, he is growing fast, and I doubt that he will have the same problem as he gets bigger. I have heard of extensions for some keys. I am sure Steve Goodson may be of help there. I know Oleg offers things similar to that, but not sure what their exact products are, as I personally am not a huge fan of Oleg (over-priced in my opinion for what you get in terms of quality.) Others are free to disagree.
Bob
--- On Fri, 11/20/09, andy <andrew.collins@...> wrote:
From: andy <andrew.collins@...> Subject: [SaxophoneRepair] YAS62 low B problems To: SaxophoneRepair@yahoogroups.com Date: Friday, November 20, 2009, 11:39 AM
A customer has brought back the alto, which I have just serviced, saying she cannot reach low B without it motorboating. When I play it there is not a problem. I've re-checked the horn for leaks but it is fine. She says the low B key is difficult to press, but again I don't have any problems with this though I have slackened the spring tension. It would appear that females do not have the pinkie strength that us males have! Any suggestions. ...clean please!!
A customer has brought back the alto, which I have just serviced, saying she
cannot reach low B without it motorboating. When I play it there is not a
problem. I've re-checked the horn for leaks but it is fine. She says the low B
key is difficult to press, but again I don't have any problems with this though
I have slackened the spring tension. It would appear that females do not have
the pinkie strength that us males have! Any suggestions....clean please!!
please re-send the link. I want to see this in action !
From: STEVE GOODSON <saxgourmet@...> To: SaxophoneRepair@yahoogroups.com; Paul C. <tenorman1952@...>; saxxsymbol@...; cbgroves@...; francis_l@...; Tony Dagradi <dagradi@...> Sent: Thu, November 19, 2009 10:12:32 AM Subject: [SaxophoneRepair] Saxgourmet Mute video demonstration
READ MY ARTICLES ON SAXOPHONE DESIGN IN EACH ISSUE OF THE SAXOPHONE JOURNAL The Music Business is a cruel and shallow money trench, a long plastic hallway where thieves
BASIC SHOP RATE........ ........$ 100/HR
IF YOU WATCH....... ......... .....$125/ HR
IF YOU ASK QUESTIONS... ...$150/HR
IF I HAVE TO LISTEN TO A CONCERT
LONGER THAN FIVE MINUTES WHEN
YOU PICK UP YOUR HORN....$250/ HR
The Music Business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There's also a negative side." Hunter S. Thompson
CONFIDENTIALITY NOTICE: This e-mail message, including any attachments, is for the sole use of the intended recipient(s) and may contain confidential and privileged information or otherwise protected by law. Any unauthorized review, use, disclosure or distribution is prohibited. If you are not the intended recipient, please contact the sender by reply e-mail and destroy all copies of the original message.
READ MY ARTICLES ON SAXOPHONE DESIGN IN EACH ISSUE OF THE
SAXOPHONE JOURNAL The Music Business is a cruel and shallow money trench, a long
plastic hallway where thieves
BASIC SHOP RATE................$100/HR
IF YOU WATCH.....................$125/HR
IF YOU ASK QUESTIONS......$150/HR
IF I HAVE TO LISTEN TO A CONCERT
LONGER THAN FIVE MINUTES WHEN
YOU PICK UP YOUR HORN....$250/HR
The Music Business is a cruel and shallow money trench, a long
plastic hallway where thieves and pimps run free and good men die like dogs.
There's also a negative side." Hunter S. Thompson
CONFIDENTIALITY
NOTICE: This e-mail message, including any attachments, is for the sole use of
the intended recipient(s) and may contain confidential and privileged
information or otherwise protected by law. Any unauthorized review, use,
disclosure or distribution is prohibited. If you are not the intended
recipient, please contact the sender by reply e-mail and destroy all copies of
the original message.
From: SaxophoneRepair@yahoogroups.com
[mailto:SaxophoneRepair@yahoogroups.com] On Behalf Of STEVE GOODSON Sent: Thursday, 19 November 2009 12:32 PM To: STEVE GOODSON Subject: [SaxophoneRepair] Saxgourmet SAXOPHONE MUTES are now in stock!
I predict this will be the “accessory item of the
year”…..we’ve got ‘em for alto, tenor, and soprano
READ MY ARTICLES ON SAXOPHONE DESIGN IN
EACH ISSUE OF THE SAXOPHONE JOURNAL The Music Business is a cruel
and shallow money trench, a long plastic hallway where thieves
BASIC SHOP RATE................$100/HR
IF YOU WATCH.....................$125/HR
IF YOU ASK QUESTIONS......$150/HR
IF I HAVE TO LISTEN TO A CONCERT
LONGER THAN FIVE MINUTES WHEN
YOU PICK UP YOUR HORN....$250/HR
The Music Business is a cruel and shallow
money trench, a long plastic hallway where thieves and pimps run free and good
men die like dogs. There's also a negative side." Hunter S. Thompson
CONFIDENTIALITY NOTICE: This e-mail
message, including any attachments, is for the sole use of the intended
recipient(s) and may contain confidential and privileged information or
otherwise protected by law. Any unauthorized review, use, disclosure or
distribution is prohibited. If you are not the intended recipient, please
contact the sender by reply e-mail and destroy all copies of the original
message.
READ MY ARTICLES ON SAXOPHONE DESIGN IN EACH ISSUE OF THE
SAXOPHONE JOURNAL The Music Business is a cruel and shallow money trench, a long
plastic hallway where thieves
BASIC SHOP RATE................$100/HR
IF YOU WATCH.....................$125/HR
IF YOU ASK QUESTIONS......$150/HR
IF I HAVE TO LISTEN TO A CONCERT
LONGER THAN FIVE MINUTES WHEN
YOU PICK UP YOUR HORN....$250/HR
The Music Business is a cruel and shallow money trench, a long
plastic hallway where thieves and pimps run free and good men die like dogs.
There's also a negative side." Hunter S. Thompson
CONFIDENTIALITY
NOTICE: This e-mail message, including any attachments, is for the sole use of
the intended recipient(s) and may contain confidential and privileged
information or otherwise protected by law. Any unauthorized review, use,
disclosure or distribution is prohibited. If you are not the intended
recipient, please contact the sender by reply e-mail and destroy all copies of
the original message.
I’m going to add a technician directory to one of my web
sites………if you are in the business FULL time (and want to be
listed), please send me the following:
READ MY ARTICLES ON SAXOPHONE DESIGN IN EACH ISSUE OF THE
SAXOPHONE JOURNAL The Music Business is a cruel and shallow money trench, a long
plastic hallway where thieves
BASIC SHOP RATE................$100/HR
IF YOU WATCH.....................$125/HR
IF YOU ASK QUESTIONS......$150/HR
IF I HAVE TO LISTEN TO A CONCERT
LONGER THAN FIVE MINUTES WHEN
YOU PICK UP YOUR HORN....$250/HR
The Music Business is a cruel and shallow money trench, a long
plastic hallway where thieves and pimps run free and good men die like dogs.
There's also a negative side." Hunter S. Thompson
CONFIDENTIALITY
NOTICE: This e-mail message, including any attachments, is for the sole use of
the intended recipient(s) and may contain confidential and privileged
information or otherwise protected by law. Any unauthorized review, use,
disclosure or distribution is prohibited. If you are not the intended
recipient, please contact the sender by reply e-mail and destroy all copies of
the original message.
Just got my computer back from the Geek Squad………..I’ve
been limping along on my old Dell since last Monday………if you
sent anything and did not get a reply, please re-send.
BTW, Geek Squad is a wonderful service……reasonable
in price and quite professional…….the manager at our store told me
they service 400 computers in a typical week at the store we use……..do
the math…..$$$$$$$$$
READ MY ARTICLES ON SAXOPHONE DESIGN IN EACH ISSUE OF THE
SAXOPHONE JOURNAL The Music Business is a cruel and shallow money trench, a long
plastic hallway where thieves
BASIC SHOP RATE................$100/HR
IF YOU WATCH.....................$125/HR
IF YOU ASK QUESTIONS......$150/HR
IF I HAVE TO LISTEN TO A CONCERT
LONGER THAN FIVE MINUTES WHEN
YOU PICK UP YOUR HORN....$250/HR
The Music Business is a cruel and shallow money trench, a long
plastic hallway where thieves and pimps run free and good men die like dogs.
There's also a negative side." Hunter S. Thompson
CONFIDENTIALITY
NOTICE: This e-mail message, including any attachments, is for the sole use of
the intended recipient(s) and may contain confidential and privileged
information or otherwise protected by law. Any unauthorized review, use,
disclosure or distribution is prohibited. If you are not the intended
recipient, please contact the sender by reply e-mail and destroy all copies of
the original message.
i just wanted to pay my respects to all who has served/ and is currantly serving in the U.S.A. armed forces... thankyou for my freedom,, and for all that you do and did..i can never repay you for this..for that i am greatful to you.. god bless you all,,and may peace be with you and yours,,,forever..P.J.