Standard tuning you mean, EADGBE - that combo of
notes spells either:

1. an Em11, or
2. an A9sus, or
3. a G6 add9 with E in the root, or
4. a D6 sus with E in the root.

Maj7 sus2 sus4 - dude??? A sus2 is nothing more than a
sus4 (or just sus) in 1st inversion. A Csus2 (CDG) is
a Gsus (GCD) in 1st inversion. The tendency of those 3
notes wants to resolve to a G major, or change to a C
major. You might as well call the notes ACE a C6 with
no 5th - no, it's an Amin. No offense, you would never
see the spelling you have below.

A sus2 chord was named by someone who didn't
understand how chords are built and named, and it's
existence has been propulgated ever since. You don't
give new chord names to chord inversions. Why make
things more difficult?

Jim

--- "John Q. Public" <numbchuck1982@...> wrote:

> ever try a Maj7Sus2Sus4 sounds worse then it is
>
> ---x- e
> -x--- B
> ---x- G
> --x-- D
> -x--- A
> -x--- E
>
> --- "Jim K." <jkernix@...> wrote:
>
> > Well, that's what I said below - I did build them
> > for
> > a comprehensive list. I searched for a total list
> > because I kept stumbling upon a new chord that
> > wasn't
> > in my master List." For example a 7sus b9 - that
> is
> > one bad-ass chord, a chord with a bad attitude.
> >
> > "If you want anything done right - do it
> yourself."
> >
> > I built every chord imaginable from the major
> scale,
> > harmonic & melodic minor scales, and half-whole
> > diminished scale - totally got
> obsessive-compulsive.
> > I
> > then mapped everyone of them out on fretboard
> > diagrams
> > I have so that I could find new closed voicings.
> >
> > I'm in the process of mapping out every open chord
> > with at least 2 notes in it from standard E tuning
> -
> > EADGBE - or Em11.
> >
> > I have also made my own chords to fit my songs. I
> > love
> > finding a "new" chord that sounds real unique.
> >
> > Jim
> >
> > --- "John Q. Public" <numbchuck1982@...>
> > wrote:
> >
> > > Why try to remember it all at once, knowing how
> to
> > > build them tends to work best, like a Em11
> taking
> > > the
> > > major scale use the 1st,a flatten 3rd since its
> a
> > > minor, a 5th(me i omit or leave it out sounds
> > > better),a flatten 7th, ending with an 11th or
> > > octaved
> > > 4th i believe. and knowing the notes it
> contains
> > > E,G,D,A find the notes on fretboard and find the
> > > interval pattern best suited for the music. I
> just
> > > find knowing the fretboard and formula's is the
> > > easist
> > > and fastest to way to learn. Since if you know
> how
> > > to
> > > build em you know what goes with what like what
> > > scale
> > > can be played with an Em11 being first of the
> top
> > of
> > > my head Aeolian(natural minor) or the 6th mode
> of
> > > the
> > > major. But thats just me dont just want to play
> > but
> > > attain to be a musician.
> > >
> > > --- "Carl, Asst Groundskeeper"
> > > <jamokernix@...> wrote:
> > >
> > > > Interesting. I ran into the same problem and
> > ended
> > > > up doing the same thing -
> > > > compiled a total list. Kool.
> > > >
> > > > Jim
> > > >
> > > >
> > > > --- In The-Guitar-Cafe@yahoogroups.com,
> > > > "everychordandscale"
> > > > <everychordandscale@y...> wrote:
> > > > >
> > > > > It is a well known fact that the path to
> being
> > a
> > > > truly great guitar player is to
> > > > have a vast
> > > > > working knowledge of the chords, scales and
> > > modes.
> > > > What can make a
> > > > player stand out is
> > > > > their creative use of the language of music.
>
> > > > >
> > > > > During my own self-education, I realized
> that
> > I
> > > > really wanted a guide that
> > > > simply had
> > > > > every chord, scale and mode and nothing
> else.
> > I
> > > > discovered that a guide
> > > > such as this
> > > > > didn't exist, and that is why I compiled an
> > > ebook
> > > > that has absolutely every
> > > > chord, scale,
> > > > > and mode, all in easy to download and print
> > > > document. I've been using this
> > > > book for a
> > > > > while now, and it has helped me greatly. It
> > is
> > > > useful at every level and and I
> > > > know it will
> > > > > help you too! What used to be hidden
> within
> > a
> > > > lot of other information or
> > > > scattered
> > > > > across multiple books is now in this well
> > > > organized, ultimate guitar-player's
> > > > reference
> > > > > guide-- and you don't even need to read
> music!
> > > > >
> > > > > For way less than a new guitar cable, you'll
> > > get:
> > > > >
> > > > > -EVERY CHORD (in every position)
> > > > >
> > > > > -EVERY SCALE, including the jazz and blues
> > > > scales-(each in three
> > > > positions)
> > > > >
> > > > > -ALL THE MODES
> > > > >
> > > > > -LITERALLY EVERYTHING YOU NEED TO KNOW -
> This
> > is
> > > a
> > > > reference guide
> > > > that will serve
> > > > > you for years to come!!
> > > > >
> > > > >
> > > > >
> > > > > See a free sample at:
> > > > >
> > > > >
> > >
> <http://webpages.charter.net/everychordandscale/>
> > > > >
> > > > >
> > >
> <http://webpages.charter.net/everychordandscale/>
> > > > >
> > > > >
> > >
> <http://webpages.charter.net/everychordandscale/>
> > > > >
> > > > > Good luck and God Bless!
> > > >
> > > >
> > > >
> > >
> > >
> > >
> > >
> > >
> >
> ____________________________________________________
> > > Start your day with Yahoo! - make it your home
> > page
> > > http://www.yahoo.com/r/hs
> > >
> > >
> >
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam
> protection around
> http://mail.yahoo.com
>