With thanks to Alison A.:

Die Welt 21.08.2008

In an interview with Kai Luehrs-Kaiser, the organist and Dieterich Buxtehude specialist, Ton Koopman, casts aspersions on Bach's son, Carl Philipp Emmanuel Bach: "I believe that Carl Philipp Emanuel embezzled the missing end of the 'Art of Fugue' in order to feed the Bach myth. I am convinced that the 'Art of Fugue' was completed. After all Bach only had to work on the notation. Later he began composing the High Mass. I know music experts who - even if they'd never admit it - are secretly scouring the archives to find the end of the 'Art of Fugue'. And they will find it eventually!"

Teri Noel Towe

The Face Of Bach

"Those in charge are odd and ambivalent towards music, which means I have to live with almost non-stop vexation, envy, and persecution."

Johann Sebastian Bach, October 28, 1730

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Die Welt 21.08.2008

In an interview with Kai Luehrs-Kaiser, the organist and Dieterich Buxtehude specialist, Ton Koopman, casts aspersions on Bach's son, Carl Philipp Emmanuel Bach: "I believe that Carl Philipp Emanuel embezzled the missing end of the 'Art of Fugue' in order to feed the Bach myth. I am convinced that the 'Art of Fugue' was completed. After all Bach only had to work on the notation. Later he began composing the High Mass. I know music experts who - even if they'd never admit it - are secretly scouring the archives to find the end of the 'Art of Fugue'. And they will find it eventually!"