--- In WireHarp@yahoogroups.com, one7thfarmer <one7thfarmer@...> wrote:
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> In case the link didn't come through on the last attempt
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> Carolan's Shoes
> www.folcharp.com/shoes.html
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> James
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James,
I still haven't been able to bring up the link to Carolan's Shoes. Can you post
it in the Files section?
Geri
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--- In WireHarp@yahoogroups.com, "bayharper" <bayharper@...> wrote:
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> --- In WireHarp@yahoogroups.com, one7thfarmer <one7thfarmer@> wrote:
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> > In case the link didn't come through on the last attempt
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> > Carolan's Shoes
> > www.folcharp.com/shoes.html
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> > James
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> James,
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> I still haven't been able to bring up the link to Carolan's Shoes. Can you
post it in the Files section?
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> Geri
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--- In WireHarp@yahoogroups.com, "Peter Wilson" <larixx@...> wrote:
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> Here it is :
> http://www.folcharp.com/shoes.html
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> Peter Wilson
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> --- In WireHarp@yahoogroups.com, "bayharper" <bayharper@> wrote:
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> > --- In WireHarp@yahoogroups.com, one7thfarmer <one7thfarmer@> wrote:
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> > > In case the link didn't come through on the last attempt
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> > > Carolan's Shoes
> > > www.folcharp.com/shoes.html
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> > > James
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> > James,
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> > I still haven't been able to bring up the link to Carolan's Shoes. Can you
post it in the Files section?
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> > Geri
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Thanks, Peter. Got it this time. What an intriguing story!
Among other things, I play melodeons (button accordian, call it what you
will)
John Kirkpatrick has been one of the gods of squeeze box playing in the
UK for years. He once played one of mine, but it didn't seem to make any
difference afterwards...
Regards,
Richard.
one7thfarmer wrote:
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> In case the link didn't come through on the last attempt
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> Carolan's Shoes
> www.folcharp.com/shoes.html
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> James
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At first I thought there had been a discovery of another tune attributed
to Carolan,
Carolan's Shoes
Next, we discover in an ancient manuscript
Carolan's Watch
or
Carolan's Timepiece
also known as
Time for a Blind Drunk.
If they haven't been written yet, I think someone ought to do it.
In a timely fashion, of course. With eyes closed while drinking
Carolan's.
Ellen
On Tue, 7 Jul 2009 17:16:59 -0700 (PDT) one7thfarmer
<one7thfarmer@...> writes:
> In case the link didn't come through on the last attempt
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> Carolan's Shoes
> www.folcharp.com/shoes.html
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> James
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> Yahoo! Groups Links
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I prefer my homemade gin huckleberry cordial, or Chartreuse.
Peter Wilson
--- In WireHarp@yahoogroups.com, Ellen Tepper <etepper@...> wrote:
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> At first I thought there had been a discovery of another tune attributed
> to Carolan,
>
> Carolan's Shoes
>
> Next, we discover in an ancient manuscript
>
> Carolan's Watch
> or
> Carolan's Timepiece
> also known as
> Time for a Blind Drunk.
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> If they haven't been written yet, I think someone ought to do it.
> In a timely fashion, of course. With eyes closed while drinking
> Carolan's.
>
> Ellen
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> On Tue, 7 Jul 2009 17:16:59 -0700 (PDT) one7thfarmer
> <one7thfarmer@...> writes:
> > In case the link didn't come through on the last attempt
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> > Carolan's Shoes
> > www.folcharp.com/shoes.html
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> > ------------------------------------
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> > Yahoo! Groups Links
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> ____________________________________________________________
> Click here for great quotes from top international movers!
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PDZ0gsHO5F1auuK9CQwhAUw/
>
Hmmm.... of what conceivable use would a pocketwatch be to a blind man ? I
doubt that in those days they made them as sturdy as the modern "hand-feel"
watches for blind people.
Pete Heinlein
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I am always HIGHLY suspicious of "this belonged to _________" without solid
documentation, but I don't think that a lack of sturdiness indicates
anything.
As part of my show I use a silver paired case watch from Thos Best of London
and it was made in 1773. It still runs smooth as .errr. clockwork.
My feeling is that the harp on that case might be more political than
musical. 'harp without the crown' and all that? We'll never know.
Robert "Takes a licking and keeps on ticking" Mouland
Hi:
I look in from time to time to see what people are talking about. Glad I caught
this one. OK, on MOST of this story nothing I can say is useful , but as a
metalsmith I can say what the difference is between the sets of shoes.
Annealing with a torch and quenching is going to take most of the stress out of
brass, but not all. The brass will turn brown to black from the air burning some
of the copper.
Furnace annealling will make the brass as soft as possible, and the air in the
furnace is usually "dead" air. Air with most of the O2 used up. Brass can come
out a soft golden color from minor tarnish of the zinc in the alloy migrating to
the surface.
Gold can and will "evaporate" if melted without flux and held at that high heat
for long enough. Anybody refining gold should know this and will work to
prevent it. Gold can be vapor deposited , but not under the normal refiners
conditions.
Last bit , pure gold melts about 400 degrees F higher than brass, so for any
gold vapor to be floating about in the furnace the brass would be a puddle.
Happy to help.
Daniel Tokat
It said it was a "chiming watch" in the article,
more audible than tactile, don't you think?
Hear you later,
Ellen
On Thu, 9 Jul 2009 23:28:45 -0400 peter heinlein <heinpe66@...>
writes:
> Hmmm.... of what conceivable use would a pocketwatch be to a blind
> man ? I
> doubt that in those days they made them as sturdy as the modern
> "hand-feel"
> watches for blind people.
>
> Pete Heinlein
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“Last bit , pure gold melts about 400 degrees F higher than brass, so for any
gold vapor to be floating about in the furnace the brass would be a puddle.”
Of course what Daniel writes is perfectly the case …. but perhaps not all of
the story.
You see, the stock was being prepared in a discarded furnace for making
porcelain dental prostheses. It was discarded for the very reason that when it
had been used to render and cast gold crowns, the ceramic walls of the furnace
had become so contaminated with the gold vapors that the furnace had to be
discarded because it was tarnishing the porcelain.
True enough that porcelain cures at a much higher temperature than will melt
brass or gold. But because the furnace is made of ceramic walls heated by
electrical elements, the temperature where the brass rod rested on the furniture
is considerably cooler than the furnace walls themselves, certainly at least a
400 degree difference. It is quite reasonable that the gold could reach the
heat of vaporization confined in the pores of ceramic walls long before the
brass in the center of the furnace got up to the melting point.
That is just a possible objective counterpoint to Daniel’s objective analysis
of the phenomenon. But you know, I sometimes wonder how far we get when we are
so objective. I am reminded of the Salem witch trials which were brought to a
sudden halt by one single proviso being imposed on the proceedings: the courts
refused to continue admitting spectral evidence. With only objective evidence
to go on, no one could make a case against any of the accused. I’m thinking
of the lines in the folk song “Susana Martin”
“The spectral evidence was weighed and up the parson spoke
‘Thou shalt not suffer witch to live’ ‘tis written in the book”
Like that, when we investigate the essence of the matter of ancient harps, if we
insist on only considering objective evidence, what are we left with? Alas,
there’s nothing more than a very few badly dilapidated, badly “restored”,
modified, instruments that no one can be sure how they were strung, tuned,
played or what motivated their construction. Were they essentially functional,
ornamental, typical?
So we find ourselves admitting spectral evidence. We will look to clues as to
the nature and manner of the ancient harps in stylized stone carvings and
mythology and poetry.
Now, when I played a younger man’s harp, I earned much of my living in the
technical fields and so it is second nature to confine myself to the objective
much as Daniel has done and to disallow spectral evidence. But I feel the
story is incomplete if I do not disclose that on the evening when I was
discussing this with my fellow musician, the metallurgist who made the shoes,
the musical session waxed long and after many, many a tune and when the bottle
had been shortened to that phase of a musical session known as the
“diminished fifth”..... in explaining the change in the shoes I was sure I
caught the word “transmute.”
Or to paraphrase Khayaam’s Rubaiyyat:
“The Harp that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The subtle Alchemist that in a Trice
Life's leaden Metal into Gold transmute.”
James
www.folcharp.com
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