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AMAZING SOUNDS
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No. 73
March 31, 1999
====================
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====================

++++++++++ COMMERCIAL MESSAGE:

AT-MOOSS RECORDS PRESENT SEVERAL PRODUCTIONS OF SELECT
INSTRUMENTAL ELECTRONIC MUSIC THAT ARE AVAILABLE THROUGH THEIR
VIRTUAL SHOP:

http://www.arrakis.es/~at-mooss

====================

CONTENTS:

NEWS

INNOVATIVE WOMEN COMPOSERS: A SILENT MINORITY? (10) In this
chapter: CHEN YI

REVIEWS:
M'LUMBO: "THE BOOK OF NIGHT BURNING IN A GARDEN OF ICE" J-Bird
Records
DAVOL: "OPEN BOOK" Gira Sound & Audio
Various: "A TRIBUTE TO KLAUS SCHULZE" Manikin Records / KDM /
Poeme
EDWARD ARTEMYEV: "ODYSSEY" Hallmark Entertainment Inc. /
Electroshock Records
ARYEH FRANKFURTER: "HARP SONGS OF THE MIDNIGHT SUN" Lionharp Music
KIRILE LOO: "LULLABIES FOR HUSBANDS" Erdenklang
MAGAZINE REVIEW: METAMUSICA-8
MAGAZINE REVIEW: MARGEN-16

====================

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====================

NEWS

NEW RELEASES / RE-RELEASES / DISTRIBUTIONS
(For more information and sound clips, use the links)

Michael Gettel: "Journey North"

http://cdu2.cduniverse.com/asp/albuminfo.asp?lc=83616+47217&frm=lk_amazings/

Laurence Juber: "Altered Reality"

http://cdu2.cduniverse.com/asp/albuminfo.asp?lc=83616+47219&frm=lk_amazings/

Various artists: "Sacred Treasures"

http://www.amazon.com/exec/obidos/ASIN/B000000X8J/thesciencebookboA/

Pullman: "Turnstyles and Junkpiles"

http://www.amazon.com/exec/obidos/ASIN/B00000ADG4/thesciencebookboA/

Inkuyo: "Window to the Andes"

http://www.amazon.com/exec/obidos/ASIN/B00000C2OC/thesciencebookboA/

Joseph Loibant (founder of At-Mooss) has finished a 35-minute
production commissioned by the International Olympic Committee to
create the soundtrack for "Olympic Museum". This production for
the television has been completed in its English, French, Spanish
and Catalan versions. Joseph Loibant personally gave the first
copy to Juan Antonio Samaranch last December 23rd., in his visit
to Barcelona, during an exciting event and as a present for his
meritory task as the president of the I.O.C. Some of the themes of
"Olympic Museum" will be included in a future project by Joseph
Loibant called "Pulse" and which represents the solo continuity of
his first CD "Sine".

Art is said to be multidisciplinary. The composer Bernard Xolotl
appears to confirm this as he successfully works in various
terrains: Music, Writting and Painting. In all fields, his
artistic creativity has always been aimed at metaphysical, cosmic
concepts. Now, a good collection of paintings by him is displayed
at his official website. These paintings are an impressive voyage
throught Xolotl 's imagination and they will like the aficionados
to innovative art and/or the Science Fiction.

http://peakdesign.com/xolotl

The early albums of Adelbert Von Deyen will be re-released in the
next months.

The video "MAGIC MUSIC FROM THE TELHARMONIUM, THE STORY OF THE
FIRST MUSIC SYNTHESIZER" by REYNOLD WEIDENAAR is available at:
Magnetic Music Publishing Co.
20 Jane Street, Suite 2C
New York, NY 10023-1945
Tel. 212-255-8527
Email: weidenaa@...

SOME MUSIC FROM "WOLVES OF THE GODS" ONLINE
Bjorn Lynne has decided to give away two songs from his new album
"Wolves of the Gods" as totally free MP3 songs freely available on
the net. These can be downloaded in "very-near-CD-quality", and
either played through your PC speakers, or even better, recorded
to tape, CD, DAT, MD, etc. The two songs are "The Spirit Rider"
and "Queen Hantilia". They can be downloaded from:
http://www.mp3.com/bjornlynne
or:
http://www.mp3.com/artists/0/bjorn_lynne.html
Lynne has also made some RealAudio from the CD. These RealAudio
files don't sound as good as the MP3 files, but they have no
download time - it starts playing immediately, "live" over the
net. Several songs from the album are available as RealAudio. You
can hear them at:
http://www.us.lynnemusic.com/lynne/wolves.html
The main influences for the music on this album includes Pink
Floyd, Spock's Beard, Flower Kings, Dream Theater, Porcupine Tree,
Mike Oldfield, Landberk, Eloy, ELO, and many others.

====================

THE AMBIENT MUSIC BY ALBERT GIMENEZ
The composer and guitarist Albert Giménez began his musical career
in the '70s. He was a member of the bands Suck Electronic,
Macromassa and Neuronium. In 1979 he turned from electric to
classical guitar, releasing during the following years different
records with his own compositions for soloist acoustic guitar, and
playing in numerous concert tours. In 1995 he returned to electric
guitar so as to continue his research in the new electronic
frontiers that this instrument has to offer.
Read our article-interview about Albert Gimenez.
http://www.amazings.com/articles/article0042.html

CDs by Albert Gimenez available at Amazing Sounds:
"MOSDUM" $15.56 or 13.13 euros or 2100 pesetas
"ZIV" $15.56 or 13.13 euros or 2100 pesetas
Orders:
sales@...

EUROPE Postage Costs:
1 CD: 4.75 euros or $5.63 or 760 pesetas
2 or 3 CDs: 6.97 euros or $8.26 or 1115 pesetas
4 or 5 or 6 CDs: 10.09 euros or $11.96 or 1615 pesetas
3 weeks for delivery

AMERICA Postage Costs:
1 CD: $7.93 or 6.69 euros or 1070 pesetas
2 or 3 CDs: $12.37 or 10.44 euros or 1670 pesetas
4 or 5 or 6 CDs: $22.22 or 18.75 euros or 3000 pesetas
4 weeks for delivery

ASIA AND OCEANIA Postage Costs:
1 CD: $9.70 or 8.19 euros or 1310 pesetas
2 or 3 CDs: $15.63 or 13.19 euros or 2110 pesetas
4 or 5 or 6 CDs: $30.33 or 25.59 euros or 4095 pesetas
5 weeks for delivery

Orders are shipped upon Receipt of Payment. Orders are shipped as
recommended letters to make the shipping as secure as possible.

For orders under $50.00, we prefer you to send the money on cash
in letter (because of the fact that the bank charges in our
country are quite high). However, if you prefer to send us a
check, you may do it (adding $10.00 for bank charges)

If you send us a check in our currency (pesetas or euros), you
don't need to pay us that extra charge. Pay 135 pesetas in place
of every dollar, or 0.84 euros in place of every dollar.

For payments in other currency, ask for an estimate.

Make check payable to Mr. Jorge Munje.

The postal address is:
Jorge Munje
Amazing Sounds (C/O Manuel Montes)
P.O. Box 764
08220 Tarrasa, Barcelona
SPAIN

====================

INNOVATIVE WOMEN COMPOSERS: A SILENT MINORITY? (10)
By Montse Andreu.

One would think that the so long fought for equality of the sexes
should have reached the adequate levels with respect to the
chances that women have to succeed in the field of alternative
musics. This is not so. And nevertheless, there are women who have
devoted part (or all) of their careers to electronic, experimental
composition, who have a great deal of talent. The objective of
this series is to make some of these names known to the interested
readers.

In this chapter: CHEN YI

Born in Guangzhou, China, Chen Yi begins her musical studies
with the piano and the violin at age three, with Zheng Ri-hua and
Lee Soo Sin. During the Chinese revolution of the sixties she
would try to continue with her violin studies, but was deported to
a labour camp. Though the dark period also meant for her the
opportunity to widen her knowledge of the traditional music in her
country. At age seventeen, and once she returns to her home, she
joins the orchestra of a local Beijing Opera Troupe as a
concertmaster and composer. It is then when she started to study
traditional Chinese music, as well as Western and Chinese music
theory under the tutelage of Zheng Zhong.
In 1977, once the educational system of the country resumes
the activity, Chen studies composition at the Beijing Central
Conservatory with Professor Wu Zu-qiang and British composer
Alexander Goehr, while at the same time continuing with her violin
studies, as she also furthers her studies of traditional Chinese
music.
In 1983, Chen composes the first viola concert in China, "Xian
Shi", and in 1986, the Chinese Musicians Association, the Central
Conservatory of Music, Radio Beijing, CCTV and the Central
Philharmonic of China jointly collaborate in a monographic program
devoted to the orchestral works of this composer, since at the
time she is the first woman in China to receive the degree of
Master of Arts in composition.
In 1986, Chen Yi gets to travel to the USA to further her
studies, obtaining a Doctorate in Musical Arts, with distinction,
from Columbia University, in 1993, tutored by Chou Wen-Chung and
Mario Davidovsky. This same year she gets appointed, through the
Meet the Composer New Residencies program, to a three year term as
Composer-in-Residence for the Women's Philharmonic, Chanticleer
and the Aptos Creative Arts Program, all in San Francisco.
In 1996, Chen obtains a clamorous success with three gala
concerts at the Center for the Arts Theater, Yerba Buena Gardens,
SF, performing several of her orchestral works ("Ge Xu", and her
"Symphony No.2"), choral pieces ("Set of Chinese Folk Songs",
"Tang Poems") and the multimedia work "Chinese Myths Cantata",
presented by the Women's Philarmonic, Chanticleer and the Lili Cai
Dance Company. In 1996 the composer becomes a faculty member at
the Peabody Conservatory, of the Johns Hopkins University in
Baltimore.
In 1998, she becomes the Lorena Searcy
Cravens/Millsap/Missouri Distinguished Professor in Composition,
at the University of Missouri-Kansas City Conservatory. Chen Yi
has also been awarded numerous prizes and grants, including first
prize from the Chinese National Composition Competition for her
"Duo Ye" for solo piano, the Lili Boulanger Award, the 1996 Sorel
Medal for Excellence in Music from the Center for Women in Music
at New York University and the 1997 CalArts Alpert Award for
music. She has also received prestigious fellowships from the
Guggenheim Memorial Foundation, the American Academy of Arts and
Letters, and Civitella Ranieri Foundation, and grants from the
National Endowment for the Arts, the Mary Flagler Cary Charitable
Trust, the Fromm Music Foundation, the Koussevitzky Music
Foudation, the San Francisco Art Commission, the Creative Work
Fund, the Ford Foundation, the Rockefeller Foundation, the Aaron
Copland Fund For Music, the NYSCA, Chamber Music America, Carnegie
Hall, New Heritage Music Foundation, the American Guild of
Organists, and the Meet the Composer/Reader's Digest Consortium
Commissioning program in the United States of America. Her music
is published by Theodore Presser Company, and has been released on
different labels, among them the Nimbus (1994), Cala (1996), New
Albion (1996), CRI (1998), CRC (1986, 1990) and Teldec (1997,
1999).
Chen Yi's music gets together the new abstract musical
concepts of the New Music with the essential nature of
traditional music both from China and from the Western countries,
while combining the typical tonalities of traditional Eastern
music with the Western ones, not without a touch of humor, as seen
in the already mentioned works by this artist. In other cases, the
composer appears as a passionate being, and combines this passion
with magical textures, as seen in her piece "Sparkle", or yet in
other cases she meditates on the interaction of ancient cultures
with modern civilization, as illustrated in her work "Near
Distance", where East and West meet in a very successful synthesis
which portrays Chen Yi's wish to create authentic music for the
future generations. Her virtuosity as a composer has led her to
get important commissions from prestigious institutions as for
instance Central Philharmonic of China, Brooklyn Philharmonic,
Women's Philharmonic, Chanticleer, New York New Music Consort, Los
Angeles Philharmonic, San Francisco Contemporary Music Players,
Music From China, SF Citywinds and SF Girls Chorus, Yehudi
Menuhin, Yo-Yo Ma, James Galway Evelyn Glennie and Singapore
Symphony, the Rascher Saxophone Quartet, Stuttgart Chamber
Orchestra, the Kronos and the Ying quartets, the San Jose Chamber
and Oakland Youth orchestras, Bradley University Choir and
Orchestra, Eastman School of Music, Ithaca College, Pro Musicis of
New York, Alea III of Boston, Hong Kong Chinese Orchestra, and
Taipei Municipal Chinese Classical Orchestra, among others. Chen's
compositions have also been programed by the BBC
Philharmonic,Vienna Radio Symphony, National Symphony (US),
American Composers, China National and Shanghai Symphony, NHK
Symphony, Japan Philharmonic Symphony and Tokyo Philharmonic, New
York Philharmonic, and the Hallé orchestras; Iceland, San
Francisco, Sacramento, Long Beach, Duluth, Honolulu, Southbend,
Atlanta, Virginia, Peoria, Taiwan symphonies; Deutsche
Kammerphilharmonie, Symphony II, Berlin Quintet, los Haba and
Stamnic quartets, Chicago Symphony chamber group, Minnesota
Composers Forum, Washington DC Contemporary Music Forum, Aspen
Contemporary Ensemble, CA EAR Unit, CalArts New Century Players,
Ensemble 2e2m, among other prestigious music ensembles.
From 1989, her chamber works have appeared at a documentary
series of 10 chapters on New Music, "Sound and Silence", for the
European television, produced by the International Society for
Contemporary Music, Katherine Adamov Films and the Polish TV. As a
member of ASCAP, American Music Center, among other institutions,
Ms. Chen serves on the Board of Directors of Meet The Composer,
Music From China, and the New Music Consort, also on the Composer
Advisory Board of the American Composers Orchestra, the Barlow
Endowment for Music Composition, and International Alliance of
Women in Music. She is active as a violinist in new music and
ethnomusicologist in Chinese music, and a frequent guest lecturer
in composition workshops throughout the States and China.
Recent world premieres of this composer's works include Golden
Flute by Duluth Symphony in MN and Shanghai Symphony at the 6th
International Radio Music Festival in China (11/97); Spring Dreams
by Ithaca College Choir in New York (11/97); Fiddle Suite by Japan
Philharmonic Symphony Orchestra at Suntory Hall, Tokyo (4/98);
Momentum by Peabody Symphony at its Lincoln Center debut concert,
New York (5/98); Sound of the Five by Mimi Hwang & the Ying
Quartet (11/98); Eleanor's Gift by Paul Tobias and the Women's
Philharmonic in San Francisco (12/98); Romance and Dance by
Stuttgart Chamber Orchestra in Germany (12/98); Japan premiere of
Ge Xu by NHK (Japan Broadcasting Corporation) Symphony Orchestra
in Tokyo after its China tour with satellite broadcasting (12/98);
Feng by San Francisco Citywinds in Berkeley and at the Chamber
Music America's national conference showcase concert in New York
(1/99); Percussion Concerto by Evelyn Glennie and the Singapore
Symphony (3/99).

====================

REVIEWS:

M'LUMBO:
"THE BOOK OF NIGHT BURNING IN A GARDEN OF ICE"
J-Bird Records
Each one of the compositions that integrate the album is a
surprising sonic experience. There are some passages entirely
devoted to experimentation with sonic collages. Others show
complex rhythmic structures, with traits of Psychedelic Rock.
There also are parts that enter Jazz, New Music, and Ambient. The
band M'Lumbo take us into the mysteries of strange urban legends.
The album also contains a CDROM track adapted for PC, in which an
impressive video clip can be found, as well as some information
about the band.

DAVOL:
"OPEN BOOK"
Gira Sound & Audio
Davol, who since he began his musical career in the eighties has
been described as one of the New Instrumental Music leading
artists, has recorded a new album, after a long period of silence.
In the pieces that are included in this CD, the composer gathers
traits from New Instrumental Music and innovative Pop. The
rhythmic part is Pop in style, whereas the melodies fuse
romanticism with slight Classical touches. The music has a
pleasant freshness, thanks to the imaginative melodies and
atmospheres. The synthesizers have quite a leading role, although
they are accompanied by acoustic instruments. In short, a CD that
confirms the positive evolution of this artist.

If you wish to purchase this recording you only have to use this
link:

http://cdu2.cduniverse.com/asp/albuminfo.asp?lc=66991+488&frm=lk_amazings/

If you wish to purchase any recordings by this artist you only
have to use this link:

http://cdu2.cduniverse.com/asp/exactartist.asp?search=Davol&frm=lk_amazings/

Various:
"A TRIBUTE TO KLAUS SCHULZE"
Manikin Records / KDM / Poeme
Like the title suggests, this album is a special homage of several
synthesists to Klaus Schulze, the famous pioneer of modern
electronic music. Many of them claim to have in Schulze one of
their basic influences. Most of these musicians preferred to play
their own compositions, which are very Schulze-influenced. Other
artists did personal versions of some Schulze's themes. Most of
the pieces have upbeat sequenced rhythms, except for some where
there are long soft passages in an Ambient key. Besides the focus
on electronic music near to Berlin School style in a modern form,
part of the music shows a tendency towards Techno and Trance. The
artists here included are: Amp, Laurent Dury, Kazz, Sanjiva,
Kenton Files, Nemesis, Subsonic Affair, Second Culture, Bjorn
Fogelberg, Bondee System, Schulzendorfer Groove Orchester /
Richard Wahnfried.

If you wish to purchase any recordings by Klaus Schulze you only
have to use this link:

http://cdu2.cduniverse.com/asp/exactartist.asp?search=Schulze%2C+Klaus&frm=l
k_amazings/

EDWARD ARTEMYEV:
"ODYSSEY"
Hallmark Entertainment Inc. / Electroshock Records
The soundtrack of the film "Odyssey" (directed by Andrei
Konchalovsky, based on "The Odyssey" by Homer) is released in this
CD that includes 24 pieces, with a total running time of 72
minutes. All the compositions are a clear sample of the talent of
this legendary composer. From the precise instant of the beginning
of the album, we witness a display of creative energy of a high
degree. None of the themes included in the CD goes to waste. In
this work we can listen to Edward Artemyev in his most symphonic
aspects. However, there also are dark, mysterious pieces. Some of
the melodies posses a certain cosmic character, others present a
romantic character, many of them turn out to be epic, majestic,
and others approach World Music. There are slow compositions,
where the melody and the atmospheric environments predominate.
Others have upbeat rhythms. The rhythms are based on classical
percussion mostly. The record has been produced by Artemiy
Artemyev and Vladimir Krupnitsky. The music is performed with
synthesizers and classical orchestra (the London Symphony
Orchestra)

EDWARD ARTEMYEV
Edward Artemyev began to compose electronic music in the early
1960s. He became interested in scholarly classical music and the
most avant-garde Rock. He is the author of about a hundred and
fifty TV and movie soundtracks. He composed the cantata of the
Olympic Games in Moscow in 1980, for a symphonic orchestra,
choirs, a Rock band and synthesizer; a very unorthodox daring for
those times and country. In 1989 he composed a work for the
Bicentennial of the French Revolution, commissioned by the
organisers of the Festival of Electronic Music in Bourges. Some of
his best known works are: "The Seven Gates into the World of
Satori", "Mood-Pictures", "The Warmth of the Earth", "Peregrini",
and of course his movie soundtracks for the films of Andrei
Tarkovski (on whose memorial he composed a special theme), as well
as those of Andrei Konchalovski and Nikita Mikhalkov. He
alternates his studio work periods with frequent trips to the
international festivals where he is invited as a guest artist. He
has received honors in many countries, as for instance the United
States, and he has also been appointed for a variety of important
posts, as for example one in the International Confederation of
Electroacoustic Music, of the UNESCO. He has composed soundtracks
for the movie industry in Hollywood.

ARYEH FRANKFURTER:
"HARP SONGS OF THE MIDNIGHT SUN"
Lionharp Music
In this CD, Celtic harpist and multi-instrumentalist Aryeh
Frankfurter has arranged traditional Swedish and Norwegian folk
songs for the Celtic folk harp. This is the main soloist
instrument in this album, although it is accompanied by other
acoustic instruments such as .guitar, fiddle, viola, cello,
baroque flute, Swedish bagpipes and others. A pleasant, melodic
and very warm music, where the fine arrangements have a
fundamental presence. The heavenly ethereal Harp provide the album
with a halo of emotive spirituality.

If you wish to purchase any recordings by this artist you only
have to use this link:

http://cdu2.cduniverse.com/asp/exactartist.asp?search=Frankfurter%2C+Aryeh&f
rm=lk_amazings/

KIRILE LOO:
"LULLABIES FOR HUSBANDS"
Erdenklang
Kirile Loo is a brilliant composer and singer from Estonia. The
devotion that she feels for Estonian ancient magical Folk, for the
spiritual quest, clearly transpires in this CD. Although the songs
have a melodic make of a diverse nature, it maintains a vital
coherence that leads the listener to think of wide forests full of
mystery. produced by the Estonian violinist and composer Tiit
Kikas, this is an album that no doubt deserves an attentive
listening.

If you wish to purchase any recordings by this artist you only
have to use this link:

http://cdu2.cduniverse.com/asp/exactartist.asp?search=Loo%2C+Kirile&frm=lk_a
mazings/

METAMUSICA-8
Rock Progresivo. In Portuguese.
CONTENTS:
-Editorial.
-Reader's letters.
-Interviews: Rick Wakeman & Iasos.
-Special: Jornal do III Milenio.
-Novidades do Mundo Progressivo.
-Discoteca Básica - Parte 2.
-O Movimento Progressivo Britanico.
-Healing Music.
-Caixas de Música; Pérolas Hard; Jam Session; Shows no Brasil.
-Reviews.
Metamúsica. Marcos Cardozo de Oliveira. Caixa Postal 114545,
28001-970, Campos dos Goytacazes - RJ, Brasil.

MARGEN-16
New Musics. 4 issues/year. In Spanish.
CONTENTS:
-Interviews: French TV; Claude Schryer; Pierre-André Arcand;
Charles Amirkhanian; Bernd Kistenmacher; Marillion; Wendy Carlos;
Fredik Thordental; Fredik Thordental; Klaus Schulze; Haco;
Vartina; Bionaut; Rick Wakeman; Dagmar Krause; Pedro Hurtado; Fred
Frith; Thinking Plague; Zikl; Martin Mayes; Gedafieth..
-Francisco Guerrero, Pandemonium; Fred Frith.
-Jazz Independiente.
-News, Records, Concerts, Correspondence.
Margen. Rafa Dorado & Rogelio Pereira, PO Box 465, 27080 Lugo,
Spain.

====================

++++++++++ COMMERCIAL MESSAGE:

"ASPERSIONS BY INSTINCT" BY IURY LECH

Iury Lech is a multifaceted musician and artist, endorsed by a
wide trajectory as composer, writer and videoartist. His open and
unclassifiable style permeates the tired avant-garde concept by
means of an electronic arsenal build on overwhelming rhythmic
structures, sensual atmospheres and a dense timbrical texture that
brings us a sonic compound based on inflammatory ambient-trance,
hypnotic minimalism and impressionistic experimentalism.

His live perfomances involves a multimedia stage set which, in
addition to different image treatments, makes the most of
interactive and sensorial immersion technology. He played at the
first edition of SONAR, at the Festival of New Musics of Madrid
and Sevilla, at the Mercat de Musica Viva de Vic or at the recent
European Experimental Cycle: Gracia Territori Sonor, while his
audio-visuals works have been selected for festivals as Art
Futura, Ars Electronica or ISEA.

Now Insolit Prodigies presents Iury Lech´s fifth masterpiece,
"Aspersions by Instinct", a provocative shaped 2 CD where he shows
his most energetic, visionary and bewildering side, sequel to an
innovative musical discourse that continues with a restless search
outlined on earlier works as "Music for the End of Chants", "A
Bite in the Common Sense" o "Serial Castrati". With this
imaginative manifestation, Iury Lech opens a new musical frontier
and consolidate himself as a fundamental reference to discover and
understand the musical evolution of the next millenium.

You can find more information about this recording at:

http://www.geocities.com/SoHo/4215/aspersions.html

++++++++++

====================

We are preparing an international directory of record companies,
artists, festivals, radio shows, zines, webs, journalists,
associations, and other organizations & people working in the
field of electronic music, Ambient, New Instrumental,
Experimental, World Music, and so on. The inserts are free. The
persons or firms wishing to be included can send us a file of no
more than 600 words with the data they consider as being of
interest (contact addresses - snail mail, telephone number, fax,
email, URL... -) and an explanatory text on their activities in
English) to: amazings@...

We are also preparing an encyclopaedia of composers of electronic
music. The artists wishing to be included can send us a biography
(with a list of works and contact address if they wish to) of no
more than 900 words, in English, to amazings@.... Inserts
are free.

The persons or firms having a page in internet related in some way
to the alternative musics can communicate the URL, as well as a
brief description of its contents, to webmaster@..., and
we will set a link from our web to theirs (The insert of a link in
our web is free whenever it is corresponded with a similar link
from their web to our web)

====================

Our warmest greetings for our readers and until the next edition
of Amazing Sounds.

====================

For further information about this newsletter and back issues:

http://www.amazings.com/amaze.html

You can access all the contents in Amazing Sounds from the first
articles to the hottest news in our web organized as a directory,
in HTML format, with photos, and with hundreds of links:

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Amazing Sounds is a professional electronic magazine free for the
readers. It is financed only by means of its sponsors. The firms
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Recording companies, artists and other professionals of the
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**********