8/1/08
Call For Papers - September 2008 GUBOQS Gazette
To: Harmonetters,SPEBnet,AHSOWnet,BQPA
Bcc: Distr LS
This is the call for papers for the September 2008 issue of the
GUBOQS Gazette*, an independent pro-quartet publication. We publish
success stories describing regular quartet encouragement sessions
held during chapter meetings. We seek creative ideas which influence
SPEBSQSA members to try quartetting.
Do your quartet sessions give every member an opportunity to sing
with three others at every meeting? Email me a one page article
describing your program. The target date for your article is two
weeks from today.
Thank you,
Casey Parker
Editor
GUBOQS Gazette
mailto:caseypar@...
*PS - Subscriptions ($12 via US mail) are available from:
C. Parker, Editor
305 Vineyard Twn. Ctr. #113
Morgan Hill, CA 95037
-------------------------
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barbershopper's voice". We conduct polls and advise Society
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-----Original Message-----
From: Jack Sturm <supenau@...>
Sent: Sat, 2 Aug 2008 6:11 pm
Subject: RE: [barbershopquartet] dear friend you can add me msn:l.uck118@...
Get lost. This web site is for barbershoppers. Lets keep it that way.
I wanted to ask you good people about how to keep looking for my
first quartet......I'm getting very discouraged.
I'm running out of good ideas on 'how to make it happen'. I have
been a barbershopper for 4 years and have tried:
1) 'rubbing elbows' at every Spring and Fall competitions in my
district: NED
2) placing Classified Ads in our District e-newspaper, the
Nor'Easter
3) visiting adjacent chapters to sing with them at their events in
which they request support from other chapters.
4) talking with members of the popular existing quartets in Maine,
asking their advice and support.....trying to get the word out that
I'm interested in replacing a retiring Bass or starting up a brand
new quartet
....etc. et al.
Anybody got a 'HOW TO START UP YOUR QUARTET' manual out there for me?
I'd appreciate the help.
Best Regards,
Ed Headley
Portland Downeasters Chorus
I suggest taking a careful look at email before responding. If it's from a group like barbershopquartet@yahoogroups.com, that means the message was sent to everyone on the list. If you respond to that address, you are yourself sending to everyone on the list.
I doubt any legit barbershoppers are sending SPAM to the list. Bear in mind that spammers have tricks to find email addresses and also to disguise the source by changing the "FROM" or "REPLY-TO" addresses, to keep themselves from getting caught or taking the heat from irate recipients.
When SPAM does leak into the group, it's probably best to just ignore it. Replying to the group with complaints just creates a snowball effect, especially when people respond to the responders.
If there's an individual you want to comment to (another responder or perhaps the
moderator), see if you can find THAT PERSON'S email and send your response directly to them.
I'd also add as someone receiving the group emails in Daily Digest form, that it would help if you left the email thread (all the previous emails) off of your own. They just add to the email volume. But that's a personal opinion.
The group moderator, John, may have a different spin on these suggestions. Just my two cents worth.
Allow me to say this about that, Ed. Finding the right quartet combination can be a very frustrating and time consuming passtime (but then it seems you already knew that).
I have been involved in barbershop for 32 years and have been almost constantly in at least one quartet, at times in two. My quartets have won the MAD Southern Division quartet 7 times, placed as high as 3rd at District, nearly always a finalist and one eventually competed at the Senior International once coming home with a bronze medal. I have sung, so far, in 75 quartet contests, counting as one the contests in which I was entered in two quartets.
My first quartet lasted 14 years tho only the tenor and I were together for the duration. We had three different baris and three basses.
Some of the same personnel of quartet one formed the second quartet that was around almost 16 years and sang for the entire time with the same four personnel, something few, if any quartets of that duration can say. I became very "spoiled" on having a quartet.
During the last several years of the second group we were senior competitors only and they encouraged me to participate in more than one quartet since I was (and am still) working 100 miles from home four days per week. So within the past 6 years I have sung in four other quartets primarily at that out of town away from home location.
Formed one quartet where a tenor and I borrowed the bass and bari from two other existing quartets. After the first competition, tho we qualified to go on to the next contest (District) both borrowed members dropped out leaving us high and dry and unable to compete at the next level even tho the Q had qualified for District after only six weeks of rehearsal. Even tho this was in the Washington DC/northern VA area where there are any number of chapters we found it difficult to network to find the right personnel to replace them and that process took nearly six months of earnest searching. That quartet lasted another 3 years. In the end the tenor left and after six months of searching for his replacement, I convinced a friend from a former quartet (100 miles away again) to sub in the quartet. We sang for District and made the finals, then after that contest closed up shop.
Then the bari and I began searching for a tenor and bass to form a new group. That process took us another several months but we now have a new group formed in January (see below) comprised of all chapter members of the Alexandria Harmonizers. Last week we sang on our first Harmonizer performance and were a hit with the audience, enough so that we garnered at least one show bid invitation from a nearby smaller chapter.
My point? Tho the process can be arduous and frustrating, persist. The results can be quite rewarding. My advice is continue to go to your conventions and visit other chapters and go out afterwards with the taggers. After you've sung a few share with them your interest in being in a quartet and have some cards handy with your email address to pass out freely. If you do not already know them learn your part and perhaps another in all of the barberpole cat songs. Also, find the materials and learn four parts to as many tags as possible so when you do as I said above you can teach.
Also, contact directly the members of other quartets in your district. Our current tenor had contacted me directly. Eventually, if you're good enough to be considered for a quartet, not everyone is, someone will contact YOU.
Tenors are always in demand. We basses seem to be a dime a
dozen.
My advice to you is learn all the tenor parts to the polecats …
even if you can’t sound like a natural tenor, you will always be in demand for
a pick up quartet.
Start with a quartet that is almost right, not a perfect fit …
eventually things will sort themselves out, and you will end up with 3 other
fellas you want to work hard and long with.
Best of luck!
Dale Steinmann
With Relish Quartet
Far Western District
San Rafael, Ca.
415-507-6787
From: barbershopquartet@yahoogroups.com
[mailto:barbershopquartet@yahoogroups.com] On Behalf Of Bob Caldwell Sent: Monday, August 04, 2008 6:46 AM To: barbershopquartet@yahoogroups.com Subject: [barbershopquartet] Re: advice about joining a quartet or
forming a new one
Allow
me to say this about that, Ed. Finding the right quartet combination can
be a very frustrating and time consuming passtime (but then it seems you
already knew that).
I
have been involved in barbershop for 32 years and have been almost constantly
in at least one quartet, at times in two. My quartets have won the MAD
Southern Division quartet 7 times, placed as high as 3rd at District, nearly
always a finalist and one eventually competed at the Senior International once
coming home with a bronze medal. I have sung, so far, in 75 quartet
contests, counting as one the contests in which I was entered in two quartets.
My
first quartet lasted 14 years tho only the tenor and I were together for the
duration. We had three different baris and three basses.
Some
of the same personnel of quartet one formed the second quartet that was around
almost 16 years and sang for the entire time with the same four personnel,
something few, if any quartets of that duration can say. I became very
"spoiled" on having a quartet.
During
the last several years of the second group we were senior competitors
only and they encouraged me to participate in more than one quartet since
I was (and am still) working 100 miles from home four days per week.
So within the past 6 years I have sung in four other quartets primarily at that
out of town away from home location.
Formed
one quartet where a tenor and I borrowed the bass and bari from two other
existing quartets. After the first competition, tho we qualified to
go on to the next contest (District) both borrowed members dropped out
leaving us high and dry and unable to compete at the next level even tho the Q
had qualified for District after only six weeks of rehearsal. Even tho
this was in the Washington DC/northern VA area where there are any number of
chapters we found it difficult to network to find the right personnel to
replace them and that process took nearly six months of earnest
searching. That quartet lasted another 3 years. In the end the
tenor left and after six months of searching for his replacement, I convinced a
friend from a former quartet (100 miles away again) to sub in the
quartet. We sang for District and made the finals, then after that
contest closed up shop.
Then
the bari and I began searching for a tenor and bass to form a new
group. That process took us another several months but we now have a
new group formed in January (see below) comprised of all chapter members of the
Alexandria Harmonizers. Last week we sang on our first Harmonizer
performance and were a hit with the audience, enough so that we garnered at
least one show bid invitation from a nearby smaller chapter.
My
point? Tho the process can be arduous and frustrating, persist. The
results can be quite rewarding. My advice is continue to go to your
conventions and visit other chapters and go out afterwards with the
taggers. After you've sung a few share with them your interest in being
in a quartet and have some cards handy with your email address to pass out
freely. If you do not already know them learn your part and perhaps another
in all of the barberpole cat songs. Also, find the materials and learn
four parts to as many tags as possible so when you do as I said above you can
teach.
Also,
contact directly the members of other quartets in your district. Our
current tenor had contacted me directly. Eventually, if you're good
enough to be considered for a quartet, not everyone is, someone will contact
YOU.
I am today responding to/continuing dialogue with friends I made at Harmony University 2008 and before, and Bob's message inspires me to keep those friends informed about songs I'm getting/have off paper, currently "Don't Be a Baby Baby," and "Who Will Buy," and wanting to know what they are working on, so that when we meet again we might quickly ring chords beyond those wonderful polecats.
Bob and my HU friends and chapter friends inspire me to contribute to several ongoing quartets, whenever I can. It won't be easy, but I'm gonna' do it.
Thanks, Bob, for a plan I cannot execuate alone yet fully think will happen.
Subject: [barbershopquartet] Re: advice about joining a quartet or forming a new one
Allow me to say this about that, Ed. Finding the right quartet combination can be a very frustrating and time consuming passtime (but then it seems you already knew that).
I have been involved in barbershop for 32 years and have been almost constantly in at least one quartet, at times in two. My quartets have won the MAD Southern Division quartet 7 times, placed as high as 3rd at District, nearly always a finalist and one eventually competed at the Senior International once coming home with a bronze medal. I have sung, so far, in 75 quartet contests, counting as one the contests in which I was entered in two quartets.
My first quartet lasted 14 years tho only the tenor and I were together for the duration. We had three different baris and three basses.
Some of the same personnel of quartet one formed the second quartet that was around almost 16 years and sang for the entire time with the same four personnel, something few, if any quartets of that duration can say. I became very "spoiled" on having a quartet.
During the last several years of the second group we were senior competitors only and they encouraged me to participate in more than one quartet since I was (and am still) working 100 miles from home four days per week. So within the past 6 years I have sung in four other quartets primarily at that out of town away from home location.
Formed one quartet where a tenor and I borrowed the bass and bari from two other existing quartets. After the first competition, tho we qualified to go on to the next contest (District) both borrowed members dropped out leaving us high and dry and unable to compete at the next level even tho the Q had qualified for District after only six weeks of rehearsal. Even tho this was in the Washington DC/northern VA area where there are any number of chapters we found it difficult to network to find the right personnel to replace them and that process took nearly six months of earnest searching. That quartet lasted another 3 years. In the end the tenor left and after six months of searching for his replacement, I convinced a friend from a former quartet (100 miles away again) to sub in the quartet. We sang for District and made the finals, then after that contest closed up shop.
Then the bari and I began searching for a tenor and bass to form a new group. That process took us another several months but we now have a new group formed in January (see below) comprised of all chapter members of the Alexandria Harmonizers. Last week we sang on our first Harmonizer performance and were a hit with the audience, enough so that we garnered at least one show bid invitation from a nearby smaller chapter.
My point? Tho the process can be arduous and frustrating, persist. The results can be quite rewarding. My advice is continue to go to your conventions and visit other chapters and go out afterwards with the taggers. After you've sung a few share with them your interest in being in a quartet and have some cards handy with your email address to pass out freely. If you do not already know them learn your part and perhaps another in all of the barberpole cat songs. Also, find the materials and learn four parts to as many tags as possible so when you do as I said above you can teach.
Also, contact directly the members of other quartets in your district. Our current tenor had contacted me directly. Eventually, if you're good enough to be considered for a quartet, not everyone is, someone will contact YOU.
----- Original Message ---- From: Dale Steinmann <dale.steinmann@...> To: "barbershopquartet@yahoogroups.com" <barbershopquartet@yahoogroups.com> Sent: Monday, August 4, 2008 1:01:52 PM Subject: RE: [barbershopquartet] Re: advice about joining a quartet or forming a new one
Ed:
Tenors are always in demand. We basses seem to be a dime a dozen.
My advice to you is learn all the tenor parts to the polecats … even if you can’t sound like a natural tenor, you will always be in demand for a pick up quartet.
Start with a quartet that is almost right, not a perfect fit … eventually things will sort themselves out, and you will end up with 3 other fellas you want to work hard and long with.
Best of luck!
Dale Steinmann
With Relish Quartet
Far Western District
San Rafael, Ca.
415-507-6787
From: barbershopquartet@ yahoogroups. com [mailto:barbershopq uartet@yahoogrou ps.com] On Behalf Of Bob Caldwell Sent: Monday, August 04, 2008 6:46 AM To: barbershopquartet@ yahoogroups. com Subject: [barbershopquartet] Re: advice about joining a quartet or forming a new one
Allow me to say this about that, Ed. Finding the right quartet combination can be a very frustrating and time consuming passtime (but then it seems you already knew that).
I have been involved in barbershop for 32 years and have been almost constantly in at least one quartet, at times in two. My quartets have won the MAD Southern Division quartet 7 times, placed as high as 3rd at District, nearly always a finalist and one eventually competed at the Senior International once coming home with a bronze medal. I have sung, so far, in 75 quartet contests, counting as one the contests in which I was entered in two quartets.
My first quartet lasted 14 years tho only the tenor and I were together for the duration. We had three different baris and three basses.
Some of the same personnel of quartet one formed the second quartet that was around almost 16 years and sang for the entire time with the same four personnel, something few, if any quartets of that duration can say. I became very "spoiled" on having a quartet.
During the last several years of the second group we were senior competitors only and they encouraged me to participate in more than one quartet since I was (and am still) working 100 miles from home four days per week. So within the past 6 years I have sung in four other quartets primarily at that out of town away from home location.
Formed one quartet where a tenor and I borrowed the bass and bari from two other existing quartets. After the first competition, tho we qualified to go on to the next contest (District) both borrowed members dropped out leaving us high and dry and unable to compete at the next level even tho the Q had qualified for District after only six weeks of rehearsal. Even tho this was in the Washington DC/northern VA area where there are any number of chapters we found it difficult to network to find the right personnel to replace them and that process took nearly six months of earnest searching. That quartet lasted another 3 years. In the end the tenor left and after six months of searching for his replacement, I convinced a friend from a former quartet (100 miles away again) to sub in the quartet. We sang for District and made the finals, then after that contest closed up
shop.
Then the bari and I began searching for a tenor and bass to form a new group. That process took us another several months but we now have a new group formed in January (see below) comprised of all chapter members of the Alexandria Harmonizers. Last week we sang on our first Harmonizer performance and were a hit with the audience, enough so that we garnered at least one show bid invitation from a nearby smaller chapter.
My point? Tho the process can be arduous and frustrating, persist. The results can be quite rewarding. My advice is continue to go to your conventions and visit other chapters and go out afterwards with the taggers. After you've sung a few share with them your interest in being in a quartet and have some cards handy with your email address to pass out freely. If you do not already know them learn your part and perhaps another in all of the barberpole cat songs. Also, find the materials and learn four parts to as many tags as possible so when you do as I said above you can teach.
Also, contact directly the members of other quartets in your district. Our current tenor had contacted me directly. Eventually, if you're good enough to be considered for a quartet, not everyone is, someone will contact YOU.
From:
barbershopquartet@yahoogroups.com [mailto:barbershopquartet@yahoogroups.com] On
Behalf Of Bob Caldwell Sent: Monday, August 04, 2008 10:11 AM To: barbershopquartet@yahoogroups.com Subject: [barbershopquartet] With Relish?
With
Relish
Quartet?
[|;^}ox
[|;^}0x
[|;^}Dx
[|;^})x
Ed,
be careful you to not get involved with a bunch of "hot dogs" like
Dale did. ROFL
----- Original Message ----
From: Dale Steinmann <dale.steinmann@...>
To: "barbershopquartet@yahoogroups.com" <barbershopquartet@yahoogroups.com>
Sent: Monday, August 4, 2008 1:01:52 PM
Subject: RE: [barbershopquartet] Re: advice about joining a quartet or forming
a new one
Ed:
Tenors are always in demand. We
basses seem to be a dime a dozen.
My advice to you is learn all the tenor
parts to the polecats … even if you can’t sound like a natural
tenor, you will always be in demand for a pick up quartet.
Start with a quartet that is almost
right, not a perfect fit … eventually things will sort themselves out,
and you will end up with 3 other fellas you want to work hard and long with.
Best of luck!
Dale Steinmann
With Relish Quartet
Far Western District
San Rafael, Ca.
415-507-6787
From:
barbershopquartet@ yahoogroups. com [mailto:barbershopq uartet@yahoogrou ps.com] On Behalf Of Bob
Caldwell Sent: Monday, August 04, 2008 6:46 AM To: barbershopquartet@ yahoogroups. com Subject: [barbershopquartet] Re: advice about joining a quartet or
forming a new one
Allow me to say this about that, Ed. Finding the
right quartet combination can be a very frustrating and time consuming passtime
(but then it seems you already knew that).
I have been involved in barbershop for 32 years and
have been almost constantly in at least one quartet, at times in two. My
quartets have won the MAD Southern Division quartet 7 times, placed as high as
3rd at District, nearly always a finalist and one eventually competed at the
Senior International once coming home with a bronze medal. I have sung,
so far, in 75 quartet contests, counting as one the contests in which I was
entered in two quartets.
My first quartet lasted 14 years tho only the tenor
and I were together for the duration. We had three different baris and
three basses.
Some of the same personnel of quartet one formed the
second quartet that was around almost 16 years and sang for the entire
time with the same four personnel, something few, if any quartets of that
duration can say. I became very "spoiled" on having a quartet.
During the last several years of the second group
we were senior competitors only and they encouraged me to participate in
more than one quartet since I was (and am still) working 100 miles from
home four days per week. So within the past 6 years I have sung in four
other quartets primarily at that out of town away from home location.
Formed one quartet where a tenor and I borrowed the
bass and bari from two other existing quartets. After the first
competition, tho we qualified to go on to the next contest (District) both
borrowed members dropped out leaving us high and dry and unable to compete at
the next level even tho the Q had qualified for District after only six weeks
of rehearsal. Even tho this was in the Washington DC/northern VA area
where there are any number of chapters we found it difficult to network to find
the right personnel to replace them and that process took nearly six months of
earnest searching. That quartet lasted another 3 years. In the end
the tenor left and after six months of searching for his replacement, I convinced
a friend from a former quartet (100 miles away again) to sub in the
quartet. We sang for District and made the finals, then after that
contest closed up shop.
Then the bari and I began searching for a tenor and
bass to form a new group. That process took us another several
months but we now have a new group formed in January (see below) comprised
of all chapter members of the Alexandria Harmonizers. Last week we sang
on our first Harmonizer performance and were a hit with the audience, enough so
that we garnered at least one show bid invitation from a nearby smaller
chapter.
My point? Tho the process can be arduous and
frustrating, persist. The results can be quite rewarding. My advice
is continue to go to your conventions and visit other chapters and go out
afterwards with the taggers. After you've sung a few share with them your
interest in being in a quartet and have some cards handy with your email
address to pass out freely. If you do not already know them learn your
part and perhaps another in all of the barberpole cat songs. Also, find
the materials and learn four parts to as many tags as possible so when you do
as I said above you can teach.
Also, contact directly the members of other quartets
in your district. Our current tenor had contacted me directly.
Eventually, if you're good enough to be considered for a quartet, not everyone
is, someone will contact YOU.
Yes but as we all know, only Sweet Adelines basses can cut the mustard!!
(awaiting a "chili" response to her quip)
:D
Melinda MIller
Bass
Lone Star Chorus
Fort Worth, TX
In a message dated 8/4/2008 1:18:36 P.M. Central Daylight Time, dale.steinmann@... writes:
Hey, we sing WITH RELISH, baby!
Dale Steinmann
415-507-6787
Ops (Latin) : the Roman goddess of abundance
From: barbershopquartet@yahoogroups.com [mailto:barbershopquartet@yahoogroups.com] On Behalf Of Bob Caldwell Sent: Monday, August 04, 2008 10:11 AM To: barbershopquartet@yahoogroups.com Subject: [barbershopquartet] With Relish?
With Relish Quartet?
[|;^}ox
[|;^}0x
[|;^}Dx
[|;^})x
Ed, be careful you to not get involved with a bunch of "hot dogs" like Dale did. ROFL
----- Original Message ---- From: Dale Steinmann <dale.steinmann@...> To: "barbershopquartet@yahoogroups.com" <barbershopquartet@yahoogroups.com> Sent: Monday, August 4, 2008 1:01:52 PM Subject: RE: [barbershopquartet] Re: advice about joining a quartet or forming a new one
Ed:
Tenors are always in demand. We basses seem to be a dime a dozen.
My advice to you is learn all the tenor parts to the polecats … even if you can’t sound like a natural tenor, you will always be in demand for a pick up quartet.
Start with a quartet that is almost right, not a perfect fit … eventually things will sort themselves out, and you will end up with 3 other fellas you want to work hard and long with.
Best of luck!
Dale Steinmann
With Relish Quartet
Far Western District
San Rafael, Ca.
415-507-6787
From: barbershopquartet@ yahoogroups. com [mailto:barbershopq uartet@yahoogrou ps.com] On Behalf Of Bob Caldwell Sent: Monday, August 04, 2008 6:46 AM To: barbershopquartet@ yahoogroups. com Subject: [barbershopquartet] Re: advice about joining a quartet or forming a new one
Allow me to say this about that, Ed. Finding the right quartet combination can be a very frustrating and time consuming passtime (but then it seems you already knew that).
I have been involved in barbershop for 32 years and have been almost constantly in at least one quartet, at times in two. My quartets have won the MAD Southern Division quartet 7 times, placed as high as 3rd at District, nearly always a finalist and one eventually competed at the Senior International once coming home with a bronze medal. I have sung, so far, in 75 quartet contests, counting as one the contests in which I was entered in two quartets.
My first quartet lasted 14 years tho only the tenor and I were together for the duration. We had three different baris and three basses.
Some of the same personnel of quartet one formed the second quartet that was around almost 16 years and sang for the entire time with the same four personnel, something few, if any quartets of that duration can say. I became very "spoiled" on having a quartet.
During the last several years of the second group we were senior competitors only and they encouraged me to participate in more than one quartet since I was (and am still) working 100 miles from home four days per week. So within the past 6 years I have sung in four other quartets primarily at that out of town away from home location.
Formed one quartet where a tenor and I borrowed the bass and bari from two other existing quartets. After the first competition, tho we qualified to go on to the next contest (District) both borrowed members dropped out leaving us high and dry and unable to compete at the next level even tho the Q had qualified for District after only six weeks of rehearsal. Even tho this was in the Washington DC/northern VA area where there are any number of chapters we found it difficult to network to find the right personnel to replace them and that process took nearly six months of earnest searching. That quartet lasted another 3 years. In the end the tenor left and after six months of searching for his replacement, I convinced a friend from a former quartet (100 miles away again) to sub in the quartet. We sang for District and made the finals, then after that contest closed up shop.
Then the bari and I began searching for a tenor and bass to form a new group. That process took us another several months but we now have a new group formed in January (see below) comprised of all chapter members of the Alexandria Harmonizers. Last week we sang on our first Harmonizer performance and were a hit with the audience, enough so that we garnered at least one show bid invitation from a nearby smaller chapter.
My point? Tho the process can be arduous and frustrating, persist. The results can be quite rewarding. My advice is continue to go to your conventions and visit other chapters and go out afterwards with the taggers. After you've sung a few share with them your interest in being in a quartet and have some cards handy with your email address to pass out freely. If you do not already know them learn your part and perhaps another in all of the barberpole cat songs. Also, find the materials and learn four parts to as many tags as possible so when you do as I said above you can teach.
Also, contact directly the members of other quartets in your district. Our current tenor had contacted me directly. Eventually, if you're good enough to be considered for a quartet, not everyone is, someone will contact YOU.
Hello everyone! We are an experienced Tenor, Bari and Bass from upper
New York State/Southern Ontario province, all with some International
quartet (SAI) competition experience, who are seeking a dynamic Lead
(HI or SAI) who shares our passion for competing, performing, singing
a variety of different music and having fun! We want to hear from you!
Please contact us at harmony4joy@ yahoo.com for more information.
Hello everyone! We are an experienced Tenor, Bari and Bass from upper
New York State/Southern Ontario province, all with some International
quartet (SAI) competition experience, who are seeking a dynamic Lead
(HI or SAI) who shares our passion for competing, performing, singing
a variety of different music and having fun! We want to hear from you!
Please contact us at harmony4joy@ yahoo.com for more information.
Hello everyone! We are an experienced Tenor, Bari and Bass from upper
New York State/Southern Ontario province, all with some International
quartet (SAI) competition experience, who are seeking a dynamic Lead
(HI or SAI) who shares our passion for competing, performing, singing
a variety of different music and having fun! We want to hear from you!
Please contact us at harmony4joy@ yahoo.com for more information.
I would be very interested in seeing if we are a good fit. You can either email me at trubador@... or phone me at 610-763-3489. I am willing to travel for the right group
Thanks,
Tony Petro Lead/Mainline Chord Company
----- Original Message ----- From: harmony4joy <susiesings4u@...> Date: Tuesday, August 5, 2008 2:19 pm Subject: [barbershopquartet] Lead Wanted To: barbershopquartet@yahoogroups.com
> Hello everyone! We are an experienced Tenor, Bari and Bass from upper > New York State/Southern Ontario province, all with some International > quartet (SAI) competition experience, who are seeking a dynamic Lead > (HI or SAI) who shares our passion for competing, performing, singing > a variety of different music and having fun! We want to hear from you! > Please contact us at harmony4joy@ yahoo.com for more information.
Hi Tony. Sorry, but "HI" is short for "Harmony Incorporated" and "SAI" for "Sweet Adelines International." We are women.
--- On Tue, 8/5/08, trubador dejazzd.com <trubador@...> wrote:
From: trubador dejazzd.com <trubador@...> Subject: Re: [barbershopquartet] Lead Wanted To: barbershopquartet@yahoogroups.com Date: Tuesday, August 5, 2008, 4:21 PM
Hi Guys,
I would be very interested in seeing if we are a good fit. You can either email me at trubador@dejazzd. com or phone me at 610-763-3489. I am willing to travel for the right group
Thanks,
Tony Petro Lead/Mainline Chord Company
----- Original Message ----- From: harmony4joy <susiesings4u@ yahoo.com> Date: Tuesday, August 5, 2008 2:19 pm Subject: [barbershopquartet] Lead Wanted To: barbershopquartet@ yahoogroups. com
> Hello everyone! We are an experienced Tenor, Bari and Bass from upper > New York State/Southern Ontario province, all with some International > quartet (SAI) competition experience, who are seeking a dynamic Lead > (HI or SAI) who shares our passion for competing, performing, singing > a variety of different music and having fun! We want to hear
from you! > Please contact us at harmony4joy@ yahoo.com for more information.
--- In barbershopquartet@yahoogroups.com, LSDIVERGAL@... wrote:
>
> Yes but as we all know, only Sweet Adelines basses can cut the
mustard!!
> (awaiting a "chili" response to her quip)
Certainly Sweet Adelines can cut the mustard!
Just look at these:
http://www.dbmasters.com/stuff/whistlejunction.jpg
- Ron
I realized that aftr I sent the email. I was at work when I saw the message and didn't read it fully. Good luck with your search.
Tony
From: barbershopquartet@yahoogroups.com [mailto:barbershopquartet@yahoogroups.com] On Behalf Of Sue Melvin Sent: Tuesday, August 05, 2008 4:26 PM To: barbershopquartet@yahoogroups.com Subject: Re: [barbershopquartet] Lead Wanted
Hi Tony. Sorry, but "HI" is short for "Harmony Incorporated" and "SAI" for "Sweet Adelines International." We are women.
--- On Tue, 8/5/08, trubador dejazzd.com <trubador@dejazzd.com> wrote:
From: trubador dejazzd.com <trubador@dejazzd.com> Subject: Re: [barbershopquartet] Lead Wanted To: barbershopquartet@yahoogroups.com Date: Tuesday, August 5, 2008, 4:21 PM
Hi Guys,
I would be very interested in seeing if we are a good fit. You can either email me at trubador@dejazzd. com or phone me at 610-763-3489. I am willing to travel for the right group
Thanks,
Tony Petro Lead/Mainline Chord Company
----- Original Message ----- From: harmony4joy <susiesings4u@ yahoo.com> Date: Tuesday, August 5, 2008 2:19 pm Subject: [barbershopquartet] Lead Wanted To: barbershopquartet@ yahoogroups. com
> Hello everyone! We are an experienced Tenor, Bari and Bass from upper > New York State/Southern Ontario province, all with some International > quartet (SAI) competition experience, who are seeking a dynamic Lead > (HI or SAI) who shares our passion for competing, performing, singing > a variety of different music and having fun! We want to hear from you! > Please contact us at harmony4joy@ yahoo.com for more information.
Quartet Request: Wedding, October 4th, 3:30, Atlantic Highlands, NJ
Message List
A Wedding couple just called to ask about a quartet for October 4th,
around 3:30pm.
Yes, I know, this is the weekend of the Mid-Atlantic District's Fall
Convention.
If available, let me know. I just pass these things through.
Ideally, you should have a web site, sound clips and a price to quote
as I'll pass this on to the couple.
David
david@...
8/15/08
Second Call For Papers - September 2008 GUBOQS Gazette
NOTE: THERE IS ROOM FOR YOUR ARTICLE. CP
To: Harmonetters,SPEBnet,AHSOWnet,BQPA
Bcc: Distr LS
This is the call for papers for the September 2008 issue of the
GUBOQS Gazette*, an independent pro-quartet publication. We publish
success stories describing regular quartet encouragement sessions
held during chapter meetings. We seek creative ideas which influence
SPEBSQSA members to try quartetting.
Do your quartet sessions give every member an opportunity to sing
with three others at every meeting? Email me a one page article
describing your program. The target date for your article is two
weeks from today.
Thank you,
Casey Parker
Editor
GUBOQS Gazette
mailto:caseypar@...
*PS - Subscriptions ($12 via US mail) are available from:
C. Parker, Editor
305 Vineyard Twn. Ctr. #113
Morgan Hill, CA 95037
-------------------------
Subscribe free to the Society member's listserve, SPEBnet: "The
barbershopper's voice". We conduct polls and advise Society
management of poll results.
HOW TO SUBSCRIBE TO SPEBnet
1. Send the following email: [click the blue]
mailto:SPEBnet-subscribe@yahoogroups.com
2. In the Yahoo! reply, use this method to subscribe:
"(1) Go to the Yahoo! Groups site by clicking on the blue link: "
3. DO NOT USE THE 'REPLY' METHOD!
4. In the "comment to owner" block, enter your
real name and SPEBSQSA member number.
5. Complete the form & click "Join" at the end.
You will receive a confirming email.
Thank you for your cooperation.
Casey Parker
SPEBnet Moderator
PS - If you are not now a member of
any Yahoo! group, please first join Yahoo! at.
http://groups.yahoo.com/2/4/08
My wife and another couple have decided to form a mixed quartet, but
don't really know how to get started. Does anyone know of any good
online resources that would help us out? Lingering questions...who
sings which parts? Is is just traditional SATB? Is there barbershop
style music specific for mixed QT? Can we use standard barbershop
arrangements? If so, who sings which part? Does it matter? Are
there learning tracks available for mixed QT? Any help or advice would
be appreciated.
Glenn
I got to know a mixed quartet at Harmony University this summer, also two couples. One husband sang lead, the other bass, one wife sang tenor the other bari.
They sang a couple traditional barbershop charts; but, the bulk of their rep was doo-wop and novelty charts which seemed to work well for the voicing. I asked them what their rep search was like and they said experimentation was the biggest thing. So, be adventurous with it.
Tim Warwick will make learning tracks for any voicing all the way up to SSAATTBB. As far as existing tracs for the voicing, I can't be sure.
My wife and another couple have decided to form a mixed quartet, but don't really know how to get started. Does anyone know of any good online resources that would help us out? Lingering questions...who sings which parts? Is is just traditional SATB? Is there barbershop style music specific for mixed QT? Can we use standard barbershop arrangements? If so, who sings which part? Does it matter? Are there learning tracks available for mixed QT? Any help or advice would be appreciated.
Glenn
Be the filmmaker you always wanted to be—learn how to burn a DVD with Windows®. Make your smash hit
I'm not experienced with mixed quartetting but you might want to check out:
mixedbarbershop.com
The organization appears to be small and informal (and compatible with the major organizations - one of their founders, Jerry Orloff, is a champion recruiter for SPEBSQSA), but they probably can give you informed answers and help plug you into the mixed barbershop community.
You may want to approach John and Maureen Coffin and the Jamison's in the RMD. They have done many arrangements.
--- On Mon, 9/1/08, Brett Auttonberry <opus27no2@...> wrote:
From: Brett Auttonberry <opus27no2@...> Subject: RE: [barbershopquartet] Mixed Quarteting To: barbershopquartet@yahoogroups.com Date: Monday, September 1, 2008, 10:41 AM
Hi, Glenn.
I got to know a mixed quartet at Harmony University this summer, also two couples. One husband sang lead, the other bass, one wife sang tenor the other bari.
They sang a couple traditional barbershop charts; but, the bulk of their rep was doo-wop and novelty charts which seemed to work well for the voicing. I asked them what their rep search was like and they said experimentation was the biggest thing. So, be adventurous with it.
Tim Warwick will make learning tracks for any voicing all the way up to SSAATTBB. As far as existing tracs for the voicing, I can't be sure.
To: barbershopquartet@ yahoogroups. com From: redsteelers@ yahoo.com Date: Mon, 1 Sep 2008 17:18:45 +0000 Subject: [barbershopquartet] Mixed Quarteting
My wife and another couple have decided to form a mixed quartet, but don't really know how to get started. Does anyone know of any good online resources that would help us out? Lingering questions... who sings which parts? Is is just traditional SATB? Is there barbershop style music specific for mixed QT? Can we use standard barbershop arrangements? If so, who sings which part? Does it matter? Are there learning tracks available for mixed QT? Any help or advice would be appreciated.
Glenn
Be the filmmaker you always wanted to be—learn how to burn a DVD with Windows®. Make your smash hit
Don't ya think if the society could expand their scope to support the mixed bshopping more it could help the membership woes as well? They have contests for youth choirs now and college quartets, why no expand to the mixed genre. Could even help some of the small choruses who are struggling for members.
What do you think?
Bruce Richardson
Considering starting a mixed group and or inviting wives to learn one or two numbers for next year's show.
Send Email
Cool link: 
