Version 1.11 of poodles & flan: Act I has been posted with a new gallery of sample compositions. This version fixes some "crashing" bugs. One user also tells...
Hello, This email message is a notification to let you know that a file has been uploaded to the CNFractal Music Forum Warehouse Site at ArtSong.org file...
fractalv@...
Mar 2, 2003 12:17 am
8255
Hi Bob & all, ... Bob, your new piece is really nice. Many thanks for posting it. : - ) Best regards, Steve ... To: cnfractal_music@yahoogroups.com Subject:...
Hi Bob & all, ... Bob wrote: "Thank, Steve! You should know that I really did not touch one note after generating!!! So most of the credits go to Paul's new...
Stephen is right--it is your music. Your are composing at a higher level than just notes. By defining the palettes, note strings and instrumentation you are ...
Hi Bob VB & All, Ensuite.mp3 is really nice. I don't like pieces that are all challenge and no familiarity. This one just skirts the edges. I'm surprised to...
Hi Bob & all, I enjoyed "Ensuite" very much. An intriguing yet pleasing piece. I've tried Poodles & Flan a few times & like it already - just hoping for some...
Hello, This email message is a notification to let you know that a file has been uploaded to the CNFractal Music Forum Warehouse Site at ArtSong.org file...
fractalv@...
Mar 3, 2003 3:57 am
8262
... Hi all Here is my latest piece. This uses my newly installed Tascam M-512 Mixer console. I have to tell you...what a difference!! Algorithmics was AEX (...
Bob and all ... Finally had a listen. Very nice indeed! Its what I would call "incidental" music, something you would hear in a soundtrack. very contemplative...
Hi Tim & All, Nice job on Orion. Very atmospheric. Love the sounds you chose, and nice production balance all round. The guitar type sound is outstanding. I...
... Thanks Martin, even for the "contructive" critisms:-) I tend to totally improvise my "melodies" so it does give an appearence of Aimlessness ( and perhaps...
Discussion thought: That all depends very much on the software used and the intervention of the said composer. I very much like what Tim and others do -...
PhilJackson
pjackson1@...
Mar 4, 2003 6:05 am
8267
A fellow by the name of Paul R. Martin used p&f to compose the following piece: http://music.planetz.com/pulsar/PaulRMartin_Stroke.mp3 This is a single p&f...
Hi all, Can't really add much to your thoughts, Phil. However. Tim: It's interesting that Martin felt Orion to be "aimless" (can't comment just yet, as it is...
Hi Tim, I greatly enjoyed "Orion" - perfect after a long day. Also definitely ideal for playing on the stereo in the Space Ace spaceship - assuming that mp3...
Hello All, (1) Been playing with Poodles & Flan. Paul, this is one fun program! I've got some lovely modern jazz type progressions from it from which I will...
... Hi Martin Thanks for these comments. In analyzing my own music, I seem to start slow and moody , build up to a climax ( whatever that may be) and then go...
Paul 'n' All, ... Is this a question whose answer you don't know? Or are you simply furthering a discussion? But seriously, damned if I know. I think both. I...
Hello everybody, I think, in music "aim" is not "structure", although your aim can be just the expression of structure. Structure is order: a kind of matrix of...
Hi all, Reading over some interesting posts...I tend to agree with Diego's interpretation of "aimlessness". It seems to imply lack of intent. Lot's of music...
... Chinese and other languages sound like nonsense to me. Perhaps things that appear aimless are merely speaking in a language you aren't familiar with. ...
... Chinese and other languages sound like nonsense to me. Perhaps things that appear aimless are merely speaking in a language you aren't familiar with. ...
Good morning folks, I believe that development (that is linear development that progresses through time) is not absolutely necessary in music. I believe that...
Hi em All, Now here is the difference between music and spoken-written language: Music, in spite of any associations, does not "represent" something, aside...
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