HA

man, we are two peas in a pod!

I always go passive and have no knobs or switches on my instruments. and wide
spacing is a blessing.

I've forgotten the actual ctc distance of the two models but when I put the
17mm spaced bridge on my GT it was a real difference. the Dickens model I played
was substantially tighter.

I was a real serious neck-through snob until I played several of Bill
Conklin's different instruments. the first 2 basses he made me were neck-through
but the new one will be a bolt-on.

Stew

schwesteringeborg <schwesteringeborg@...> wrote:
THANKS STEW,
that is very helpful. I personally never use a preamp ans apart from
good pickups don't care about electronic voodoo. So the "organic
tone" of a GT7 is fine for me. (My philosophy is if you can't make
the bass sing--unplugged--with your own two hands you haven't
mastered the instrument}. A couple of questions on the finish: I
take maybe the GT7 has an oiled neck, and the GTBD overall
gloss/poly? Also if anyone could chime in on the string spacing; as
far I'm concerned the wider (i.e. more conventional) the better.
Anyone have measurements? I only ever played full/XL scale and my
right hand technique is reaaally physical (old school geezer here).
Stewart, and anyone else please speak up; this is helpful. I might
just go for a GT7 and not sweat my old neck-thru orthodoxy.
Thanks man,
Tosh


-----

'Uh, your pants or mine?'

-- Bootsy Collins from "Butt Funkin'"

http://www.subcontrabassist.com
http://groups.yahoo.com/group/subcontrabassist/
http://www.myspace.com/stewmckinsey
http://www.cafepress.com/subcontrabass
http://www.cafepress.com/subcontratoo

[Non-text portions of this message have been removed]