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  • Members: 3934
  • Category: Education
  • Founded: Dec 26, 1998
  • Language: English
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#23491 From: djembe-l@yahoogroups.com
Date: Tue Jan 5, 2010 12:17 am
Subject: CLS: Houston, TX Authentic West African Djembe Drumming, 1/6/2010, 7:00 pm
djembe-l@yahoogroups.com
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Reminder from:   djembe-l Yahoo! Group
 
Title:   CLS: Houston, TX Authentic West African Djembe Drumming
 
Date:   Wednesday January 6, 2010
Time:   7:00 pm - 8:30 pm
Repeats:   This event repeats every month on the first Wednesday.
Location:   Temples Gate, 625 W. 19th St., Houston, TX 77008
Notes:   HOUSTON--Authentic West African Djembe Drumming

Date: Thursday June 5, 2008
Time: 7:00 pm - 8:30 pm
Repeats: This event repeats every week.
Location: Temples Gate, 625 W. 19th St., Houston, TX 77008 (in the Heights)
Street: 625 W. 19th St. (1/2 block east of N. Shepherd)
City State Zip: Houston, TX 77008 (in the Heights)
Phone: 713-863-0525 (Temples Gate or 713-521-7240 (Baba Abubakr)
Notes: Djembe drumming taught by Baba Abubakr Kouyate, master drummer--40 years experience. Bring a djembe or borrow one of his. Your spirits will soar!

 
Copyright © 2010  Yahoo! Inc. All Rights Reserved | Terms of Service | Privacy Policy

#23492 From: "aminaaddy" <amina@...>
Date: Sun Jan 3, 2010 7:07 am
Subject: Ghanaian drummer Yacub Addy's beautiful new web site
aminaaddy
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http://www.yacubaddy.com      Take the time to go through the menu of this site
which has a wealth of videos, etc on respected senior Ghanaian drummer Yacub
Addy's work, including new video by his exceptional ensemble Odadaa! with a
taste of their new song "Momo  Obama", a full page on his collaboration with
Wynton Marsalis, a video on Ga culture shot in Ghana, links for purchasing their
releases, etc.

#23493 From: failladrum <failladrum@...>
Date: Sun Jan 10, 2010 12:28 am
Subject: AD: A tool to help emerging drummers of any age.....
failladrum
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Hey drummers, 

I have been teaching rhythm and drum classes for several years to people with a wide range of talent, desire, special needs and common doubts.  It is our most natural voice, but people seem intimidated at first.  We've created a tool to teach djembe rhythms to everyone (left and right handers) regardless of ability, age, or native language. 

The Drummin' Buddies Hand Charts is a full-color book containing 39 hand drumming patterns. Each pattern or rhythm is shown with pictures rather than written notation. It’s like drumming with the right brain. Just follow the pictures, which show where to place your hands, and you'll be able to play any rhythm quickly and easily. 

This book has been proven to work with children, adults, special needs populations and international students. The book includes right and left handed versions of each rhythm and  audio samples on the accompanying CD.  It doesn’t get any easier than this. Just play it.

There are sample pages on our website.  Please share your comments and questions!  








#23494 From: "mmsscc88" <mxchurch@...>
Date: Sun Jan 10, 2010 12:20 am
Subject: Drumming Classes: Worcester, MA
mmsscc88
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Wednesday nights 6:30 - 7:30 PM with Jali Jaboteh.  Master drummer from Senegal
teaches traditional W. African djembe in Worcester, MA  $10.  See: 
http://www.myspace.com/jalikunda  email Michael for more info.
<mxchurch@...>
--
Edit by Mod.

#23495 From: Denis Robinson <dj.robinson@...>
Date: Sun Jan 10, 2010 2:26 am
Subject: djembe heads
zinzanzen
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This is a re-send of a message which after two days seems not to have gotten through (more recent messages appearing). Apologies for inconvenience. I have changed the subject line in case the message was getting spam-filtered. 

Cheers,

D



Hi guys,

after a period of inactivity I am getting back into djembe and have got to reskinning my best 3 djembes. 

Amongst the skins at my disposal is a specially thick goat skin (African, hair on, dark brown) which seems of good quality, fairly even thickness, etc. Possibly the thickest goat skin I've seen, setting aside very uneven skins with a great thick section on the upper spine, thin elsewhere. 

One of the drums I need to re-skin is a tall narrow hardwood djembe, unusually dense and heavy. It can give cracking slaps but does not do well with a thin skin, best results in past have been with medium thick goat skin. I've never tried a goat skin this thick on this or any djembe for that matter. I've often been tempted to put a really thick skin on this drum and crank it way, way up to see how it performs (I've got 36 top ring loops for about a 12 inch diameter head so can put lot of tension on it!). 

What I want to know is whether it is possible to get good loud cracking slaps at all with a really thick goat skin? If that can't happen I'll save the skin for another big-bowled djembe which usually works best as a bass djembe anyway. Don't want to waste my time trying for something that can't be done. 

I'm eager to hear advice from fellow djembe-l listers.

best wishes and season's greetings from New Zealand,

Denis




****************************************************
Denis Robinson

Email:

Phone:
(64) (9) 3737599 ext 87445 (w)
(64) (9) 3737599 ext 87491 (secretaries)
(64) (9) 8284455 (h)

Fax
(64) (9) 3737408

Mail:
c/o Philosophy,
University of Auckland,
Private Bag 92019,
Auckland, 1142
New Zealand.

****************************************************






#23496 From: Dirk Brinker <mail@...>
Date: Sun Jan 10, 2010 9:53 am
Subject: Re: djembe heads
risottodirk
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Hello Dennis,

> Amongst the skins at my disposal is a specially thick goat skin
> (African, hair on, dark brown) which seems of good quality, fairly
> even thickness, etc. Possibly the thickest goat skin I've seen,
> setting aside very uneven skins with a great thick section on the
> upper spine, thin elsewhere.

congrats!


> One of the drums I need to re-skin is a tall narrow hardwood
> djembe, unusually dense and heavy. It can give cracking slaps but
> does not do well with a thin skin, best results in past have been
> with medium thick goat skin. I've never tried a goat skin this
> thick on this or any djembe for that matter. I've often been
> tempted to put a really thick skin on this drum and crank it way,
> way up to see how it performs (I've got 36 top ring loops for about
> a 12 inch diameter head so can put lot of tension on it!).

Imho its easier with thicker skins to achieve good sounds (especially
open tones). But I heard folks play on cowskin djembes with fantastic
slaps! I rather look for thicker skins. I've been playin a cowskin
djembe for a while and I'm happy with it, though my slaps are not
fantastic, but thats a matter of technique.
Maybe one thing to keep in mind is that your hands get more
resistance on thicker skins ...

To answer your question: I would give it a try, it's worth trying!

regards

dirk

#23497 From: Denis Robinson <dj.robinson@...>
Date: Sun Jan 10, 2010 3:17 am
Subject: Re: djembe heads
zinzanzen
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Hi Shorty!

Thanks for your useful advice.

This particular drum is so solid I don't think it would warp. And it's quite
circular. (The first djembe I ever got was oval but very good-sounding!)

However after looking at some more skins and making comparisons I've realized
this particular skin is unusually stiff as well as unusually thick. So I'll save
it for the bigger boomy drum which will probably suit it better, and my strong
but slender beauty will get a medium-weight skin so she can sound to best
advantage :) ... I'll conduct the super-thick skin very-very-very tight on small
radius head experiment another time..,

Still interested to hear others' opinions/experience on this.

best to all.

Denis



On 10/01/2010, at 3:38 PM, shorty@... wrote:

> hi dennis and all
> i have found the thicker skins pulled really tight on a drum can warp the
shell.they will sound good. all the drums that i have seen that were oval
sounded great. i just think that a medium or lighter skin will get you some good
slaps. probably wont last as long but will sound good more then likely will not
warp the head. .
> happy drumming and new year to all
> shorty
> www.goatskins.com

****************************************************
Denis Robinson

Email:
	 dj.robinson@...

Phone:
	 (64) (9) 3737599 ext 87445 (w)
	 (64) (9) 3737599 ext 87491 (secretaries)
	 (64) (9) 8284455 (h)

Fax
	 (64) (9) 3737408

Mail:
	 c/o Philosophy,
	 University of Auckland,
	 Private Bag 92019,
	 Auckland, 1142
	 New Zealand.

****************************************************

#23498 From: "Johanna" <merveilles.info@...>
Date: Mon Jan 11, 2010 1:59 am
Subject: Fara Tolno's classes changing location
johannaj23
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Greetings Everyone!
The studio where Fara has been teaching for the last several years has been sold
and will no longer be operating as a dance studio. This week we will be having a
"trial" class and if the landlord deems the sound is not too much this will
become our new home for Tuesday and Friday classes.

The Studio is called Elite. This is their info.
3005 Sterling Circle
Boulder, CO 80301-2329
(303) 442-3745

This tuesday (1/12) Fara will have his first trial class there from 6:30-8:00
p.m. for $12. If both parties are happy with the new situation then we will
announce a full schedule (including beg. Friday classes) after tuesday. Hope to
see you there!
For further questions and information about Fara's classes, please contact
kissidugu@...
Please pass this on to anyone you know who is not on this list! Thanks!

#23499 From: Beverly Nadelman <PrismConcept@...>
Date: Mon Jan 11, 2010 1:24 am
Subject: Cracking slaps
prismconcept
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I am not sure what you mean by "cracking" slaps. Good slaps come from good technique. It is possible to get very good slaps from a table top. However thinner skins do give a higher, thinner slap than do thicker ones. Thing conga. Although the technique is different for normal conga slaps, there is an open slap on those drums as well. I would not call it "cracking."

Beverly

Walk in beauty on your path.



#23500 From: "drumdanpam" <drumdanpam@...>
Date: Mon Jan 11, 2010 1:14 am
Subject: Event: West African Drum & Dance with Sogbety Diomande 1/30/2010 Belleville Ohio
drumdanpam
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Sogbety Diomande will be presenting West African Drum & Dance
Jan 30, 2010 Saturday  All Day
Bellville Opera House, 142 Park Place Bellville, OH
Tickets: $10 for each event $5 students/ event 13 and up.  12 and under free.

Master drummers and dancers from the Ivory Coast will teach and perform.
Drum Class 1:00 pm
Dance Class 2:30 pm
Performance  4:00 pm

Mod Note: phone number? website? Contact info?

drumdanpam@...

#23501 From: "Mista Alan" <Alan@...>
Date: Mon Jan 11, 2010 6:35 am
Subject: Re: djembe heads
alanrtauber
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hey Kevin,

I know you didn't ask for all this but here goes...

A few things. In the old days, we would use antelope skins and they tend to be
thicker. I use thick goat skins or medium thick for great sound and overall good
use and wear. Some of the drumming greats use a calf skin on the djembe
sometimes. It gives you a richer tone sound while retaining the high pitch of
the slaps. Make sure your djembe can handle a thicker head as some wood is too
thin to hold its round and can warp the bowl.

I agree with Beverly that great slaps come from relaxed technique and not
cracking the drum with a heavy hand. When you are young, it is easy to fall into
this style of playing but as you develop, you will find gravity and a relaxed
attitude to your technique a good friend. You can play faster with the same
volume as you stay relaxed. Your slaps will be brighter (higher pitched) and
your feel will be better.

Yes, there is a time to play heavy when you need to. To produce a round tone
that will cut through with volume but not so much with slaps. The more muscle
the more sound is only sometimes true.

Best to you.

Alan (mod squad)
http://www.drumconnection.com

PS Remember Happy!

#23502 From: Denis Robinson <dj.robinson@...>
Date: Mon Jan 11, 2010 9:48 am
Subject: Re: djembe heads
zinzanzen
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Hi Beverley,

thanks for your reply

I didn't make my query very clear. I'm not a newbie and I don't have trouble
playing slaps. I have several quite good djembes and have been playing for over
a decade (since way back when I used to have debates with Lilian, remember?).

The djembe I was talking about, as I should have explained, is rather
distinctive. I've had several good heads on it and it is usually easy to get
good slaps from (tones can be more of a mission).

When you know this drum you can easily get slaps with  – and here's the point –
a rather distinctive sound quality. I don't know how to describe it but I used
the word "cracking", which has failed to get the message across. All I can say
is that there is a whip-crack quality to the sound of slaps on this drum which
is rather distinctive and slightly different from most drums I've heard. It is
an unusual djembe, very hard and dense, heavy, and rather narrow and elongated
(and finely crafted). Beautiful, slender, quite sculptural, and very plain (no
ornamentation).

So I guess on reflection, what I was really wondering about was whether using a
very thick skin would affect the tonal quality or timbre of the slaps on this
particular drum. Maybe that's a silly question (since you guys don't know the
drum). Never mind, worth a try I guess.

Best wishes to all,

Cheers,

Denis

> I am not sure what you mean by "cracking" slaps. Good slaps come from good
technique. It is possible to get very good slaps from a table top. However
thinner skins do give a higher, thinner slap than do thicker ones. Thing conga.
Although the technique is different for normal conga slaps, there is an open
slap on those drums as well. I would not call it "cracking."
>
> Beverly
>
> Walk in beauty on your path.
>

#23503 From: Michael Goude <earthtribepercussion@...>
Date: Mon Jan 11, 2010 3:23 pm
Subject: Re: djembe heads
earthtribepe...
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Hey Denis. I would say that the slaps would not be what you call cracking with a
really thick skin. But the tones would be huge. I like thick. It is not as
"cracking" as a medium skin but I like the sound better. The slaps will be dryer
and short in response. If you are also asking "can you get it cranked up?",
absolutely. I have a domestic cow skin on a mali djembe that is higher than the
goat skin I play, which are cranked. But I do not like one over the other. It
just different. In fact if I am in dance class I like to have both. Solo on one
then totally change my sound and play the other.  It is harder on the hands to
play a super thick skin, particluarly cow, and does not have the same give but I
like it. You can get thick skins really tight as long as they don't break. Just
don't crank it all in one day. Let if get there over time. But as with any drum
each has a voice and each sounds different with different skins. Sometimes shell
sound is maximized by a certain skin. Sometimes you are just looking for a sound
rather than what "maximizes" volume etc. In the end you just need to do the work
even if it doesn't have the result if you want to see. On my own drums it is
worth it to find out. If it doesn't work out that sucks. if it does, how can you
measure a djembe that has the sound you are looking for? My 2 cents....

Michael

#23504 From: Maria Wander <emergencygirl@...>
Date: Tue Jan 12, 2010 6:48 pm
Subject: seeking NYC teacher
mariaescudero
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Newbie drummer seeking NYC teacher! Links found here seem old:
 
Many thanks,
Maria

#23505 From: "Somesh" <someshdeswardt@...>
Date: Tue Jan 12, 2010 12:01 am
Subject: The Rhythm Cafe Launch on 12th February 2010 in Camden, London
someshdeswardt
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THE RHYTHM CAFÉ
CREATING A CENTRE FOR WORLD MUSIC AND RHYTHM IN LONDON

OUR VISION:

Our vision is to facilitate our joining together for rhythmical empowerment &
uplifting joy using the power of music & dance; sharing musical gifts that bring
us beauty, confidence, connection & self-expression. Gifts that transcend
cultural difference, linguistic barriers, gender & age!

To create a space in London, where people who love connecting through the drum
and rhythm can hang out, meet others, network, relax, drink something warm on a
cold night in a beautiful space, listen to great music, dance, sing, be
entertained, feel good & be creative.

WHAT DOES IT LOOK LIKE:

The Rhythm Cafe will include a shop where you will be able to buy musical &
percussion instruments including drums, shakers etc. You will be able to buy
drinks like coffee and teas, and some organic raw food snacks. Comfortable
chairs and sofas, will make it feel like a home away from home. Drums will be
provided for you to jam with, and there will be times when people will
spontaneously jam and make music. In the evenings we will have various
entertainment including World Music Groups, World Music Jams, Facilitated Drum
Circles, Drumming Workshops, Talks and Movie Evenings. The decorations will be
influenced by music and culture around the world, India, Morocco, Brazil and
Africa.

TOGETHER WE CAN MAKE THIS DREAM A REALITY - A GLOBAL RHYTHMS VENUE IN LONDON!

The Launch will take place on Friday the 12th February 2010

Venue:
The Pirates Castle
Oval Rd
Camden
London
UK

TIME: 7pm to 1am

PROGRAM:
Performances by 'Beats Ecstatic' and other World Music Bands
Jamming, dance and song
Chill Out Space
Drumming workshop
Open Mic
Bar
Snacks
Organic Food
Talks
Movies
DJ's into the night

Cost: £7

More info:
http://www.facebook.com/group.php?gid=276779805644#/group.php?v=info&gid=2767798\
05644

Please spread the word and get involved.
www.therhythmcafe.com
coming soon!

#23506 From: "tom harris" <tom.harris@...>
Date: Sat Jan 16, 2010 9:27 pm
Subject: Djembe performance in Washington, D.C.
tomharrisdrums
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I will be bringing up some of the kids I work with to perform on the main stage
of the Kennedy Center in DC at around 4PM on Sunday, February 21st.  They will
be smokin' hot by then, and are set to close a 2 1/2 hour show by high school
student groups from all over the country.  If any of you djembe-l'ers are in
that area and send me your name, I can get you free tickets to see the show. 
Let me hear from you.

Tom Harris
Therapeutic Drumming Manager
Youth Villages, Inner Harbour Campus

#23507 From: "markw11235" <theorem@...>
Date: Sat Jan 16, 2010 7:55 pm
Subject: African things to do in London 19th ans 20th of January
markw11235
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Hi African music and dance lovers,

Next week (19-20 january) I will be in London staying in the city centre. I was
wondering wether there are any African percussion and/or dance performances I
could visit? Or jam sessions?

I would be grateful for any suggestions.

regards
Mark

#23508 From: "drumwoulf" <drumwoulf@...>
Date: Thu Jan 21, 2010 3:03 pm
Subject: Re: djembe heads, -width and sound!
drumwoulf
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...rather narrow and elongated (and finely crafted). Beautiful, slender, quite
sculptural, a slaps, there is an open slap on those drums as well. I would not
call it "cracking."
> >
> > Beverly


Hi Denis
IMO the clue to your "good slaps, not-so-great tones" is in your statement "it's
(the drum is) rather narrow and elongated." Because the narrower a drum is, the
more it will usually play like this...

For instance with Remo Djembes (and yes, I do play one occasionally), the wider
the head the harder it is to get a good sound out of it! (IMO!)
I'm able to get fairly decent sounds out of my 12" Remo, but only by tightening
it way, way up and then dampening it's ringing by using a small dab (or several
dabs sometimes) of sticky window insulation foam under the head. But I've
discovered that the 10" narrower Remos have IMO a much better sound (when
tightened), so the stickies under the head are not even necessary!

I once played a friends much smaller and narrower 10" head Boogeraboo that she'd
changed over from cow to goatskin and then tightened up. It didn't sound at all
like my conga-sounding Boog with it's 12" cow skin hair head, and I was
delighted to discover that I could make it sound like a quieter, but very good,
djembe by just finger-playing it!

Namaste,
~Skip~  ">})
(Greywoulf)

#23509 From: "drumwoulf" <drumwoulf@...>
Date: Thu Jan 21, 2010 6:47 am
Subject: Djembe tuning methods and names?
drumwoulf
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Currently I'm in the process starting a drum choir in my UU church in Lincroft,
NJ (UUCMC), and have begun teaching many new people djembe rhythms. -Great fun,
and very satisfying for me!

However several of my newbies have been asking me about tuning up their djembes,
and I've been showing them my method (learned from Shorty a long time ago, BTW),
which has always been over two (verticals) to start, back thru the middle, and
around under two! (And I've always thot this was the "Mali Weave...?)

But recently I saw on the web some people teaching how to tune djembes using the
opposite method: UNDER two to start, around thru the middle, then OVER two! And
they're calling THIS method the "Mali Weave.." -So if this is the "Mali Weave",
what is the method I use to pull diamonds called?

Also, is there any advantage of one over the other of the two methods?

Anyway, HI ALL! -Haven't posted here in a while..!

Namaste,
~Skip~  ">})
(Greywoulf)

#23510 From: "Glyndwer" <glyndwer@...>
Date: Thu Jan 21, 2010 12:39 pm
Subject: Hawkfest 2010! Feb 18-21st, 2010!! Almost here!
glyndower2001
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http://hawkfestdrumanddancegathering.com/?page_id=11

Entry fees:

Currently all tickets will be sold at the gate.
(no credit card & no checks will be accepted)

FULL FESTIVAL PRICE: $40.00 per person/18 or over (seasoned veterans excluded
with parent/guardian )

VENDOR FEE: $30.00

DAY PASSES are available for any SINGLE day from Noon until 2:00 AM the
following morning: $25.00. If you decide to stay after 2:00 AM, there will be an
additional $15 charge which allows you to stay for the rest of the event.
After 4:00 PM Saturday, February 20 overnight stay: $30.00 per person

BEFORE/AFTER: Early arrival is permitted after noon on Wednesday at a charge of
$10/person. ALL Participants must be off-site by 2pm on Sunday!

WRISTBANDS : must be worn and visible at all times. We ask your cooperation with
our staff if they request to see your wristband. Remember, they are doing their
jobs— serving the Hawkfesters!

#23511 From: Michael Goude <earthtribepercussion@...>
Date: Fri Jan 22, 2010 6:04 am
Subject: RE: [Djembe-L] Djembe tuning methods and names?
earthtribepe...
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Yes there is a difference. Over two is hard. Under two is easy. I just call it tuning or pulling diamonds. I don't really know anyone from Senegal, Guinea, Mali or even the states that refers to it as a mali weave. But I do know I have seen that online. As far as I know there is not a name for different methods. You can go under 4 and pull 2 pairs. That is a very hard pull and the skins tightens FAST. I only do this in a pinch like minutes before a gig. You can go under 3 and pull 2 then do it again. This way lets you go around and not pull as much tension like if it is getting to pitch and the metal ring is coming down too much. Use this method and you can get a more level ring and not get the skin too tight. It looks cool too but takes longer. Haven't seen any other way than these. I have built well over 1500 drums in my time in over ten years of building for a reference to my experience. And if anyone has seen me tighten a drum they know I can go very fast. Just a few minutes to pull a dozen knots. The under 2 method is quick and easy. Way longer and harder to go over. My opinion is why do more work for the same results? Some people say it flips over when you go under. If the drums is built "right" and with thicker rope it won't. If it does want to flip back just use your finger with a little pressure and it holds. I have seen many swear by over method. Power to you. But I don't want to more work. call me lazy. 
Michael 
 
 

#23512 From: "kw" <freakyqi@...>
Date: Fri Jan 22, 2010 1:19 pm
Subject: Re: Hawkfest 2010! Feb 18-21st, 2010!! Almost here!
freakyqi
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Hawkfest is in FLORIDA, USA... just so people know.

:)

#23513 From: Beverly Nadelman <PrismConcept@...>
Date: Fri Jan 22, 2010 3:41 pm
Subject: Djembe tuning
prismconcept
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Skip wrote (Hi Skip)

"... I've been showing them my method (learned from Shorty a long time ago, BTW), which has always been over two (verticals) to start, back thru the middle, and around under two! (And I've always thot this was the "Mali Weave...?)
...But recently I saw on the web some people teaching how to tune djembes using the opposite method: UNDER two to start, around thru the middle, then OVER two!"


I call the method you use, going over, the LOCKING weave and the method going under the RUNNING weave. That is just my own terminology for what actually happens. I usually start a row with one locking weave, the over one, but continue with the running weave, the under one. Yes the rope flips in the opposite direction, but I don't mind that.

Each weave has advantages. As Michael said, the running weave is faster and easier, and when you have to take down the drum to rehead it or tighten the verticals, you can pull out several weaves at the same time. When you take down the weave with the rope going over first, pretty much each has to be removed separately. But if your verticals are very tight and you crank the drum up, there will come a point at which there is so much tension on the rope that the running weave, the one going under first, simply won't hold the verticals crossed in place. It pulls back out. I have even gotten drums to rehead where the person had used string to hold the verticals crossed. No need.  At the point at which the weave won't hold, I simply switch to the weave going over first because that locks the verticals so that they cannot slip backwards. Frequently from that point onward I do one running weave on which I snug up the rope but don't attempt to pull the diamond, and next one locking weave. Then I pull both at the same time. I actually like the opposite twist of the verticals but many people don't even notice it.

Beverly

#23514 From: Ed Haggard <edhaggard@...>
Date: Fri Jan 22, 2010 1:53 pm
Subject: Re: [Djembe-L] Djembe tuning methods and names?
edhaggard
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Bowing to your greater experience. I've only skinner and tuned 150 drums maybe. I use a lever to pull diamonds when doing the over two method and it's easy...and holds well, but yes it does depend on the bowl's shape as to how hard it is and how well it holds.
Ed

On Jan 22, 2010, at 12:04 AM, Michael Goude wrote:

s. The under 2 method is quick and easy. Way longer and harder to go over. My opinion is why do more work for the same results? 


#23515 From: "kw" <freakyqi@...>
Date: Fri Jan 22, 2010 1:16 pm
Subject: Re: Djembe tuning methods and names?
freakyqi
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--- In djembe-l@yahoogroups.com, "drumwoulf" <drumwoulf@...> wrote:
>
> Currently I'm in the process starting a drum choir in my UU church in
Lincroft, NJ (UUCMC), and have begun teaching many new people djembe rhythms.
-Great fun, and very satisfying for me!
>
>......
>
> Namaste,
> ~Skip~  ">})
> (Greywoulf)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


I want to scream **HI!!!** and hope you'll hear me from down the road, lol! I'm
a NJ UU person who goes to the UUC in Montclair. You're starting a drum choir??
Can I come?? Seriously, I am about to look up how far Lincroft is from me...
:)

#23516 From: "nickhall54" <nickhall54@...>
Date: Fri Jan 22, 2010 5:19 pm
Subject: AD Wholesale hi quality hardwood djembes from just 92 dollars!!
nickhall54
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High quality hardwood drums built in Dakar with wood from Guinea , Mali and
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www.skinsandstrings.com

New west coast U.S. retail outlet coming soon , stay tuned ...

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All enquiries nickhall54@...

Stock up for the summer , happy drumming ;)

Dieudieuf!!

Nick+Fatou

Tradeafro
Skinsandstrings

#23517 From: "shorty@..." <shorty@...>
Date: Fri Jan 22, 2010 6:15 pm
Subject: Re: [Djembe-L] Djembe tuning methods and names?
shortyskins
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hi all
i am an over kind of guy, i do use a lever puller for my diamonds which now can be seen in a demonstration on you tube. the reason i like over is when pulling it down it binds up on the rope itself causing the diamond to stay low. the under method is easier but i can not get diamonds to stay as low. my 2 cents,
shorty


--- On Fri, 1/22/10, Ed Haggard <edhaggard@...> wrote:

From: Ed Haggard <edhaggard@...>
Subject: Re: [Djembe-L] Djembe tuning methods and names?
To: djembe-l@yahoogroups.com
Date: Friday, January 22, 2010, 8:53 AM

--- Mod Note - I became an over guy too back about 13 years ago when someone showed it to me. You get a tight pull and it holds automagically! I agree with Shorty on this one. I almost always agree with Shorty! But I have seen so many techniques that no one is right for everyone. Alan (mod squad)

#23518 From: "drumwoulf" <drumwoulf@...>
Date: Fri Jan 22, 2010 7:39 pm
Subject: Re: Djembe tuning methods and names?
drumwoulf
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Hi all...

Didn't realize I was opening such a can of good worms here. ">})
Okay, I guess the name of the diamond pulling style isn't important, but I think
I do like Beverly's "locking" and "running" weave names, and I may now try both
on the same drum now (like her), just to see what that's like?

I don't have a cranking lever tool and am getting older (aren't we all?), so
sometimes the "over" method is hard (but not impossible,) with my
semi-arthritic, occasionally hurting hands! ">})

However one helpful method I've found is to fill a 12" to 14" piece of steel
plumbers pipe with sand and cap it on both ends with pipe caps, then wrap sticky
velcro around the pipe. This makes an ideal heavy and firm pulling tool when you
wrap the rope ends around it!
I usually put the drum on the floor, put my foot on it, and then pull with
gloves on and the rope around this pipe.
-Works pretty good, but I wouldn't carry this tool of mine onto any airplane
tho; the thing looks just like I imagine most folks would think a pipe bomb
looks!

And hey, hello again to all my good drumming friends; longtime no see with far
too many of you! -So tell me, whatever happened to the MA Earth Drum Council; I
never hear of them anymore, are they still operating? (Hopefully they didn't go
the way of Ted Kennedy's seat?!)

Namaste,
~Skip~  ">})
(Greywoulf)

#23519 From: "drumwoulf" <drumwoulf@...>
Date: Fri Jan 22, 2010 8:07 pm
Subject: Lincroft, NJ, UUCMC drum choir...
drumwoulf
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> I want to scream **HI!!!** and hope you'll hear me from down the road, lol!
I'm a NJ UU person who goes to the UUC in Montclair. You're starting a drum
choir?? Can I come?? Seriously, I am about to look up how far Lincroft is from
me...
> :)
>

Hi

Rehearsals for our UUCMC drum choir (called "Roots and Wings") are on the 2'nd
and 4'th Monday evenings of each month, from 7-9PM, at our  UUCMC Meeting House
in Lincroft, NJ. You should check ahead (with me) before coming though, because
sometime these dates and times can be changed. (For February/March 2010 they're
okay..)

Drummers who are not members of our UU congregation are always welcome to join
us, but need to respect that this is not a drum circle where one can jam freely,
but a true drumming choir where we are learning, practicing, and rehearsing
(mostly) West African rhythms and following the direction of the choirmaster.

There is no charge for attending but you need to bring your own drum(s). Almost
all kinds of hand-played drums are okay (including congas), but no drum set
stuff, no stick-played snares or toms, are considered acceptable.

Namaste,
~Skip~  ">})
(Greywoulf)

#23520 From: patrick muer <NightHawk420@...>
Date: Sat Jan 23, 2010 2:27 am
Subject: RE: [Djembe-L] Re: Hawkfest 2010! Feb 18-21st, 2010!! Almost here!
NightHawk420@...
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There is also a Hawkfest Drum and dance in Texas May 13th-16th more info on that later!!!
 
                                  Peace,
                                  Nighthawk
 

To: djembe-l@yahoogroups.com
From: freakyqi@...
Date: Fri, 22 Jan 2010 13:19:26 +0000
Subject: [Djembe-L] Re: Hawkfest 2010! Feb 18-21st, 2010!! Almost here!

 


Hawkfest is in FLORIDA, USA... just so people know.

:)




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