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Snare Experiences   Message List  
Reply | Forward Message #31015 of 31205 |
Did I overstep my bounds?

Sorry, didn't mean to kill the conversation.
Just trying to help.


Gundorps




--- In drumzillaslair@yahoogroups.com, "gundorps" <gundorps@...> wrote:
>
> Seems not all of my reply made it into the post, so here's the rest of it....
>
> Depth can effect the presence and where in that note range the drum will
prefer to speak in.
> Deeper snare drums tend to sound a bit darker and want to speak in the lower
range of that range of notes.
> A "deeper" sound, if you will.
> Presence is effected because the material used to contruct the drum has a
greater distance to span and its increased size yields greater mass. This
creates a situation where the drum is less resistant to movement, thus the whole
thing becomes more "wobbly", if you will, making the whole unit more of a "sound
enhancer", as opposed to the smaller, shallower snare drum, which would more
resistant to movement, thus the sound has to penetrate drum more, in order to
reach your ears (hopefully that makes sense).
> The shorter version is that your 14x4 should be more sensitive and eminate a
brighter sound, compared to your 14x5, but because of the materials they're made
of, you might not notice it as much as you would if both drums were made of the
same material.
>
> Re: tuning
> Tuning is generally a rather personal thing. Everyone wants their drums to
sound a certain way.
> It's their "voice".
> There are situations where a different sound than what you might prefer is
needed (such as a "suggestion" from a producer during a recording project).
> Putting that particular situation by the wayside, though, I think most people
tune mainly for sound, with feel coming in second.
> It seems most people feel a very staccatto sound needs to come from a snare
drum, so they'll have a tendency to tension the heads much tighter (compared to
the rest of the kit) in order to help achieve this.
> What I've found out is that if you tune the snare drum like the rest of your
toms (i.e., more relaxed tension of the heads and snare), the drum speaks
"nicer" to my ears.
> If I need to dry it out, I'll tape my wallet to the batter head, or throw a
muffling ring on it.
> Makes the drum more versatile (in my mind) doing it that way, as well, because
you now have a wider array of sound characteristics at your disposal, that can
be changed very quickly.
>
> Ok, I think that about covers it.
> Hope you found this helpful.
>
>
> Gundorps
>





Wed Jul 15, 2009 11:38 pm

gundorps
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Message #31015 of 31205 |
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I would like your experiences in tuning snares and why. Do you tune high or low? Why? Does the snare need it or do you? What I am really looking for is the...
S.C. Shephard
scshephard
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Jul 10, 2009
11:51 am

i tune my snares for different situations and different sounds. I sometimes like to bring out the ping of my solid brass snare for instance. Sometimes i try...
Tony
voodoodauley
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Jul 11, 2009
12:30 am

... Man, there's a few questions in there, so lets break it down. Re: Differences in shell materials This relates to the general sound heard from the snare...
gundorps
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Jul 13, 2009
5:38 pm

Seems not all of my reply made it into the post, so here's the rest of it.... Depth can effect the presence and where in that note range the drum will prefer...
gundorps
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Jul 13, 2009
5:39 pm

Sorry, didn't mean to kill the conversation. Just trying to help. Gundorps...
gundorps
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Jul 15, 2009
11:38 pm
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