greetings expmusic invite.
your humble admin [me] just received this anonymous email, with very specific
[and somewhat alarming] instructions on forwarding this specific bit from it; a
call for participants.
i don't know who these people are. although i am hard-pressed to care much
about anything that happens east of yerba buena island [especially a mysterious
cattle call that's likely a front for an ominous group of heartless promoters] i
felt strangely compelled to forward this, exactly as i was told.
enjoy. or not:
> Oakland's famed Passive-Aggressive Orchestra is seeking Musicians
> to participate in our upcoming Season. Or not.
>
> Please spam Otis McCoppin at otis_mccoppin@... for
> more information on how to assist this venerable Institution
> as it Steps Nimbly toward a new Decade within this fresh Millenium!
>
> Although not _strictly_ suggested, in keeping with the
> Institution's History it is vaguely implied that
> interested parties Google said Institution and possibly
> inspect the Mils Kolege Noo Muzic Liszt for insight and
> something which possibly approximates inspiration.
>
> Or not.
>
> Thank you for your interest! Or not.
>
> The Management
Hi all-
I still have space in my curated set at the Ivy Room Experimental Improv
Hootenany next Monday (11/16). In particular, I would like have a string player
and/or percussionist. This is a purely improvisation set, no rehearsals, but I
will send out some guidelines in advance.
I will be performing laptop/synthesizer/small percussion, and Drew Ceccato
will be sitting in with his Electronic Valve Instrument and other electronics.
The performance will be at 9PM at the Ivy Room, 858 San Pablo Ave, Albany.
Please let me know if you are interested by tomorrow (Thursday) evening.
Thanks
-Amar
_______________
Amar Chaudhary
amar@...http://www.amarchaudhary.com
An electro-acoustic band called Reconnaissance Fly, consisting
presently of flutist/bass flutist/spoken wordist/singer/frontwoman
Polly Moller (me), pianist/electronics wizard Amar Chaudhary,
and bassist Tim Walters, seeks two more members to make the band a quintet.
We're currently working on a communally composed, long-form,
multi-movement "spong cycle" entitled Flower Futures. It will be
performed live (a lot, we hope) and recorded to be our first CD
released on Edgetone Records.
Candidate must-have traits:
- Electric guitar player
- Drummer with a kit
- Team player
- Enthusiastic about writing pieces and improv frameworks in support of spoetry
- Drummer likes to keep time as well as freely improvise
Very desirable traits:
- guitarist creative with pedals, looping, etc.
- drummer creative with objects, toys, etc.
- both candidates not in 10 other bands already
Desirable traits:
- Won't bring pineapple pizza to rehearsal
- Won't laugh when the frontwoman bends over
If you are interested, please write back to me off the list.
Thanks!
Cheers,
Polly Moller
--
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http://pollymollerjournal.blogspot.com
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Seeking performers/composers for:
The Pmocatat (prerecorded music onto cds and tapes and things) Ensemble and Chorus
Thursday, December 10th, 9pm
Luggage Store Gallery San Francisco
1 Practice required (Probably Saturday, December 5th in the afternoon)
The rules:
Instead of bringing your instrument, bring recordings of yourself
playing one or more "real" acoustic instruments. The recordings can be
on record, tape, cd, or a portable device like Ipod (no laptops). We
will perform loose compositions written by ensemble for this specific instrumentation.
Chorus?
I'd like a few of the compositions to include vocals, which will be
pre-recorded in the same format as the instruments. (In other words, no
live singing.)
The recordings should be mostly simple musical gestures, recorded with
the intention of being mixed with the sounds of other instruments at
the live show. You should be the performer of the instruments heard,
but it doesn't have to be an instrument you're known for playing.
You're welcome (and encouraged) to bring recordings of more than one
instrument.
At the performance, you're encouraged to play your recorded media with
the level of attention that you'd pay to a "real" instrument. You'll
be using the play and pause buttons, fiddling with the volume,
skipping ahead to certain sections of tracks, scratching the records,
etc. We're NOT going to simply let the recordings play by themselves
or on shuffle play. Regarding effects, they should be minimal - no
samplers, loopers or laptops. I'd say just volume pedal, reverb and
pitch bender allowed, and most frequently going "au natural". There
may be one song where we use distortion.
Once I know who's participating and what instruments you're bringing
recordings of, I'll probably split the show up between different
instrument combinations, such as all acoustic guitars for one song,
woodwinds for another, and sax/bass/drums for another.
Advice: CD and tape will probably be the easiest and most fun
instruments. The better cd players have cue and reverse buttons that
are separate from the "previous/next track" buttons. Multi-speed
cassette recorders can be found at radio shack, best buy and a number
of stores. Ipod sounds easy, but will probably be the least flexible
instrument. (That is, unless iphones have some snazzy track
manipulation software I don't know about.) CD-DJ players and such are ok.
Before you ask: No, you can't bring recordings on your laptop and play
your laptop. The instruments you bring recordings of must be real,
natural instruments. You also can't use the "ipiano" or other fake
instruments on the iphone, unless they're modifying your instrumental
source material. An LP must have your own solo instrumental material.
Yes, I know that probably means nobody will be bringing LP.