I've always felt that that live burial of La
pietra fatal (sorry, I'm not good on titles and don't
want to look them up) and O terra addio on the
Bjoerling-Milanov recording is a blend of voices unlike most other
Aidas I've heard. And the best of the Callas Aidas,
that of Mexico City with MdM, still doesn't have the
magic resignation and triumph that this M-B recording
has. Milanov is a current very favorite target.Don't
discount her.<br>A Callas-nut myself,<br>Yoel