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#2037 From: rick sanchez <micadvancement@...>
Date: Wed Oct 29, 2008 3:08 am
Subject: New Mav track feat west coast legends Mc eiht, Kam, Trap free dl here
micadvancement
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Independent artist Mav is set to release his mixtape "Still MicAdVancin" in the coming weeks. One of the songs featured on the mixtape is "Quick Money", for which the Arizona rapper reached out to West Coast legends and The Warzone members MC Eiht and Kam as well as rapper Trap. The beat for "Quick Money" was provided by Aktion Beats.
listen to the track at www.mavmc.com
listen to and dl the track free here
http://www.zshare.net/audio/504777147f061e77/
check out the track and let me know what u think

#2036 From: shaimesh@...
Date: Sun Oct 26, 2008 4:35 pm
Subject: Universal Zulu Nation Anniversary 11/6 to 11/9/08 - Daily Event of activities
shaimesh
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Greetings Hip Hop Nation:

Click link below for Event Daily Activities for the Universal Zulu Nation 35th Anniversary.  Do browse the website which contain various interviews with Afrika Bambaata, YouTube's of Soul Sonic Force, a great article written by Mr. DaveyD.  Do Bring a friend to the event and experience various B-Boy/B-Girl & DJ Battles in the Birth Place of this Hip Hop Culture, THE BRONX.  The Temple of Hip Hop & The Stop the Violence Team & Rock Steady will be in the Building!.  Various Hip Hop Vendors will be on siteThis 4-Day event will take place at various venues, so do make note on your calendars.    The Universal Zulu Nation has been working tirelessly to put this awesome program together.   I had the honor of attending last years anniversary in which I was so blown away--it was my first time attending.  To experience Hip Hop Legends like Grand Wizard Theodore, scratching & mixing WITH A BLIND FOLD ON! How in the world can you DJ with a blindfold on???   I had read about Grand Wizard's skills in BlackDot's book "Hip Hop Decoded," but to see it in person, was absolutely mind blowing.   So I highly recommend those who can attend, do come and do bring the Youth who need to meet Great Legends of Hip Hop Like Afrika Bambaata, Grand Wizard Theodore, Grand Master Caz, Whodini, Chuck D, PopMaster Fabel, etc.  These cats are not just Hip Hop Icons you see in Hip Hop documentaries, they still walk amongst us!
http://communityconsciousculturalevents.com/events_-_nyc

In my own words, this is Hip Hop's Family Re-union.  No one should miss their family reunion!  These are historical moments in Hip Hop that you do want to miss, TRUST ME ON THAT!

Sista Shai
 ____________________________________________

Greetings everyone,

Its almost that time.  Just a gentle reminder to spread the word:    The Universal Zulu has been holding Hip Hop down for 35 LOOONG years.   Least we can do is come and show our support with our presence and our financial support.  Do click the link below or copy to your browser.


Look forward to seeing all your faces in the building.  You may RSVP thru the NY Hip Hop Meetup website or you may come with your admission of $20 per day for this 4-day event.   Vending is $50 per day.  

You coming right?

Sista Shai (Shy-ee)
347-432-1597 - cell
718-529-2010 - office
http://hiphop.meetup.com/264/
Stop the Violence
Zulu Nation/Temple of Hip Hop



McCain or

#2035 From: "mumbles" <recordpromo@...>
Date: Sat Oct 25, 2008 5:16 am
Subject: MUMBLES HIP HOP CLOSING DOWN SALE! UP TO 90% OFF!
mumbleshipho...
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Mumbles Hip Hop is closing down its store after 6 years of being in
business.  Check out the sale, up to 90% off!  We got CDs, Vinyl, DVDs,
Gear, etc.

http://www.mumbleshiphop.com/store2

#2034 From: shaimesh@...
Date: Wed Oct 22, 2008 3:48 am
Subject: Gentle Reminder: of the Universal Zulu Nation 35th Anniversary - NY
shaimesh
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Greetings everyone,

Its almost that time.  Just a gentle reminder to spread the word:    The Universal Zulu has been holding Hip Hop down for 35 LOOONG years.   Least we can do is come and show our support with our presence and our financial support.  Do click the link below or copy to your browser.


Look forward to seeing all your faces in the building.  You may RSVP thru the NY Hip Hop Meetup website or you may come with your admission of $20 per day for this 4-day event.   Vending is $50 per day.  

You coming right?

Sista Shai (Shy-ee)
347-432-1597 - cell
718-529-2010 - office
http://hiphop.meetup.com/264/
Stop the Violence
Zulu Nation/Temple of Hip Hop


#2033 From: "nswritie" <writestuff@...>
Date: Tue Oct 21, 2008 11:36 am
Subject: MTV Base announces nominees for Africna award
nswritie
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A little plug here: I think Movaiz'Haleine are currently perhaps
Africa's best Hip-Hop act. They are in the running for a Best Video
award for the track "Nous" (us). Check it out here and then drop over
the MTV award site if you think it's worth digging up.

http://www.music-wire.com/

#2032 From: "Greg Schick" <greg@...>
Date: Mon Oct 20, 2008 3:25 pm
Subject: [World Hip Hop Market] Global Hip Hop show at CMJ this week!
gschick27
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Peace to my global hip hop family!

 

It’s been a minute since my last email, and global hip hop moves forward. The site is still not completely updated but there is too much great stuff going on to wait for that.

 

EVENTS

 

Thursday, October 23rdGlobal Hip Hop Throwdown (New York City) – Nomadic Wax and The Bloom Effect put together the first and only global hip hop showcase for the CMJ Music Marathon. Featured artists at DROM (East Village) include Blitz the Ambassador (Ghana), Mr. Reo (Haiti), King Reign (Canada), Empire Isis (Canada), Chachi (Cape Verde) and Too Many Fish (France). DJ Boo (Filipino-American) and DJ Soulscape (Korea) will be on the turntables. V.J Kwon (Korea) will set the tone and visuals for the night. World Hip Hop Market is sponsoring this event!  Read more about it here: http://www.worldhiphopmarket.com/blog/?p=269

 

Friday, October 24thFrench Hip Hop Showcase (New York City) – organized by The Bloom Effect and part of the 3-week French cultural celebration “I Kiffe New York”, at the HIRO ballroom featuring La Caution, Mangu and Wax Tailor. Read all about it here: http://www.worldhiphopmarket.com/blog/?p=306

 

Saturday October 25thZimbabwe Legit will perform on an amazing bill that includes the reunion of STETSASONIC, Jungle Brothers, YZ, People Under the Stairs, Cadence and hosted by Just-Ice and DJ Babu. At the Knitting Factory (New York). Should be hot!

 

Saturday, October 25thAll Targets Leveled (Atlanta) – 1-on-1 international b-boy battle. Bringing the big b-boy battle back to Atlanta for the first time since Breaklanta ’06, All Targets Leveled will be judged by Ken Swift, Aruna (Holland) and Totem (ATL). Hosted at Ambient + Studio starting at 8 pm. More info www.alltargetsleveled.com

 

 

NEWS

 

Giggs Wins Best UK Hip Hop Act at BET Awards

 

Free South African Hip Hop Album from Adult Swim

 

Uganda: Using holy hip-hop to win some for Jesus Christ

 

FEATURES

 

Roots Manuva (UK) Releases new album

 

Fred Fades: Norwegian Hip Hop Producer Drops new 7” EP

 

Interview with South African emcee Zuluboy

 

 

FREE MUSIC

 

Foreign Beggars ft. Kyza and Dubbledge – “Gash Remix” - http://www.zshare.net/audio/205798445797dd18/

 

Hong Kong hip hop label Fu©Kin Music is offering free mixtapes: http://fkmusic.org/fuckinmusic.html

 

 

Email me if you hear any great new global hip hop music!

 

Peace.

 

Greg Schick / Old School G
World Hip Hop Market www.worldhiphopmarket.com
MySpace + Facebook + LinkedIn + eBay

 


#2031 From: shaimesh@...
Date: Mon Oct 6, 2008 2:41 pm
Subject: BlastMaster KRS-One Confront Fake DeeJays !!!
shaimesh
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From:  info@...,

Target Media Group
Temple of Hip Hop / Shadesradio.com
logo-shades
 
 
 
Blastmaster Confronts Fake Deejays
Waking up the underground right now is a single on DJ Revolution's new project King of the Decks. Other's as well have been inquiring about the song above ground. The song is called 'The Deejay',  On it KRS ONE "goes completely in" according to artist Bow Wow . The cut is a straight forward challenge to deejays to express their skillz and not fall off for the money. The Teacha, goes in saying, "When KRS comes to spit, them deejays wit no breaks, I don't even wanna hear that shit. The radio, I can't even bear that shit...they no longer fans of it. They wanna use it, so they can get a grand and shit. The program directors handin em scripts, make em play whack shit and lie from they lips...you're job is to break new records...seemless mixes, blends undetected."  
Target Media Group
Newark, New Jersey 07102
973.622.7752


#2030 From: "Masha Ioveva" <mashayov@...>
Date: Mon Sep 29, 2008 3:03 am
Subject: Seeking Rhymes
mashayov
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Hi all,

We're digital designers/artists, and are working on a project about
Hip Hop in the Bronx. We're marking significant locations in the
neighborhood with posters that have rhymes printed on them. The rhymes
convey the details of that site - that Afrika Bambaataa played parties
in the PS 63 school yard, for example. And, the posters invite people
to respond with their own rhymes by TXT message. We are then archiving
these rhymes and displaying them on a website.

So - we need  rhymes! If you're interested in the project, and want to
contribute rhymes, please let us know. We'll tag the rhyme with your
name, so you'll get credit and exposure. Please contact Masha at
ioveva@....

We hope to hear from you!

#2029 From: rick sanchez <micadvancement@...>
Date: Fri Sep 12, 2008 1:58 am
Subject: sol camp debut single "shes a g" taking over free dl here
micadvancement
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sol camps major hit single debut "shes a g" free track
Whats up im hitting you up to bring you Sol Camps debut single "shes a g".  This
song is already gaining ground being played on radio stations in Arizona Texas
New Mexico and all over the internet.  click here to check out the song which is
a sound that will put Southwest latino hip hop on the hip hop radar. 

sol camp-shes a g
off the "es oh el" album
 
sol camp bio

 Arizona is known for being the hottest state in the country. That is why
it is no surprise that the hottest up and coming hip hop group resides in the
Valley of the Sun. El Campo del Sol, SOL CAMP, is taking over the city like a
fire storm. SOL CAMP is a group of Latino MC’s working to put Phoenix on the map
in the hip hop community. The group consists of 6 Members who were doing things
independently before joining talent and becoming what is now known as SOL CAMP.
The group members are Mav, Chino D, B-Staks, Skunk One, Dj Vilin, and Sal. Each
camp member brings their own unique style to the table, and together they have
created a sound that is envied throughout the hip hop community. They are a force
to be reckoned with in the ever evolving hip hop industry. With the recent
explosion of Latino MC’s emerging, there is no doubt that SOL CAMP is one of the
best additions yet. After joining forces in late 2005, they compiled some hits
and put out their first mix tape in less than a week. With the release of the
first mix tape, SOL CAMP created a major buzz in the Phoenix Hip Hop world and
received much love from major radio stations Power 98.3 and Latino
Vibe 95.1. SOL CAMP was requested to do several radio drops for the DJs,
promotions for various events, and was later added to the rotation with their hit
singles. With the fast as fire popularity, on May 5, 2006, SOL CAMP dropped their
2nd mix tape, "THE FUTURE NOW MIXTAPE VOL 2" and received rave reviews from
various hip hop publications. SOUTHWESTHIPHOP.COM dubbed them as "Arizona's
Terror Squad". SOL CAMP has had the privilege of performing with some leaders in
the hip hop industry and well respected emcees. Too Short, Ludacris, KRS-ONE,
Lil’ Rob, Pitbull, Devin the dude, Omar Cruz, Nina Sky, Joell Ortiz, Chingo
Bling, and Mack 10 are only a handful of the acts that SOL CAMP has been on the
bill with. That experience has allowed the camp to master their skills and record
some of their best work yet. Keeping true to the city that brought them together,
SOL CAMP is always working to put Phoenix on the map. Most recently, they were
responsible for making Phoenix the runner up in MTV’s My Block competition which
aired on mtv and mtv2. SOL CAMP members were promoting the series by doing local
television and radio interviews. SOL CAMP also had cameos in KRS ONE'S new video
"hip hop lives" and was a finalist in the Cuerveton Contest in 2007. SOL CAMP
members have also been profiled and interviewed by a huge list of local
publications showcasing their success. There is no doubt that SOL CAMP is blowing
up and they are ready to spread their wings and let the world know that PHOENIX
not only gots heat, but it gots fire. Promotions are in the works in different
major cities such as Chicago, LA, and New York just as SOL CAMP is again hard at
work to put out their first album. One thing is for sure, there is no stopping
them now in their quest for greatness. Remember the name “SOL CAMP”. To get the
latest information about upcoming shows and releases, you can visit
 
http://www.zshare.net/audio/185044042f8742c0/
sol camp-shes a g
off the "es oh el" album

#2028 From: shaimesh@...
Date: Thu Sep 11, 2008 4:42 pm
Subject: The Birth Place of Hip Hop: Photographs of the South Bronx, 1979–1987 by Lisa Kahane
shaimesh
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From:  toolsofwar@...,


Do Not Give Way to Evil (cover art)

powerHouse Books is pleased to announce the release of


Do Not Give Way to Evil:
Photographs of the South Bronx, 1979 -1987

By Lisa Kahane


A Miss Rosen Edition


The Bronx had almost stopped burning by 1979. The intensity and extent of the devastation permeated the landscape. It was an awesome mess, not just another neighborhood, but another realm, visible but incomprehensible. The Bronx came undone in a confluence of unfortunate circumstances: the life cycle of community, rampant city planning, economic change, racism, poverty, failed hopes, drugs, crime, abandonment, counterproductive government response. It was destroyed for profit. The entire story has yet to be told.

A friend suggested to photographer Lisa Kahane that she record it for a time when it would be a memory, which was then impossible to imagine. The ruins of the immediate past overwhelmed any idea of a future. Ironically, Kahane had a good time in the Bronx. People smiled and said, "Throw me a photo!"  Few objected to having their picture taken and no one tried to take her camera away. They wanted their story told. Any discomfort the camera might inflict was nothing compared to what they'd endured.

The result, Do No Give Way to Evil: Photographs of the South Bronx, 1979-1987, is an extraordinary document of devastation and rejuvenation, as Kahane records the first seeds of rebuilding. Throughout this desolate world, the people live alongside abandoned buildings and debris-strewn lots, carrying on their business with civic pride. Though the buildings may be ghosts of their former selves, the spirit of the people holds strong.

With an essay by Peter Frank and text by the photographer, John Ahearn, CRASH, DAZE, Jane Dickson, Stefan Eins, John Fekner, Joe Lewis, SHARP and Rigoberto Torres.

ABOUT LISA KAHANE: Lisa Kahane, a working photographer for over 25 years, specializes in documentary work and portraiture.  She publishes worldwide in trade and consumer magazines, newspapers and books. A native New Yorker, educated at Barnard College, Columbia University and The New York Studio School, she has worked on location in western and eastern Europe and Central and South America.  During the 90's she photographed the impact the wars in Yugoslavia had on ordinary lives.  In addition to solo shows depicting art and culture in New York City in the 80's, her work was included in The Downtown Show at The Grey Art Gallery, featured in Urban Mythologies at the Bronx Museum and included in documentation for The American Century at The Whitney Museum.  Her photographs are in private collections as well as the permanent collection of the New York Public Library, the Fales Library at NYU and the Library of Congress.  With support from the Hudson River Museum and a private foundation, she runs a photography workshop for kids at risk.


DO NOT GIVE WAY TO EVIL photo

Crotona Park East, 1982. Between 1970 and 1981,
 the Bronx lost over 100,000 apartments.


Do Not Give Way photo

Talent, 1981. ZEPHYR, LEE, LADY PINK,
DAZE, DONDI, LALI, FUTURA 2000 & more.



Falsa Promises

Falsas Promesas, 1980. Two of many stencils by
artist, John Fekner done in NYC in the 1980's.


Join the Tools of War grassroots Hip Hop mailing list

DO NOT GIVE WAY TO EVIL: Photographs of the
South Bronx, 1979 - 1987
by Lisa Kahane

NEW YORK CITY/
PHOTOGRAPHY
HC, 11 x 8.25 inches
136 pages
56 four-color images and
59 duotone photographs
ISBN:978-1-57687-432-5      $35.00

powerhousebooks.com

Contact: Sara Rosen
Publicity Director,
powerhouse Books
37 Main Street
Brooklyn NY 11201
212.604.9074 x 105
212.366.5247
sara@...


Miss Rosen Editions
,

a division of powerHouse Cultural Entertainment, spotlights contemporary urban culture with titles including Public Access: Ricky Powell Photographs 1985-2005; Bombshell: The Life and Crimes of Claw Money; It's All Good by Boogie; Bears by Kent Rogowski; Hamburger Eyes: Inside Burgerworld by Ray Potes; New York State of Mind by Martha Cooper; Belgrade Belongs to Me by Boogie; We Are Experienced by Danielle Levitt; Vandal Squad: Inside the New York Transit Police Department 1984-2004 by Joseph Rivera; Pillage by Brantly Martin; and FUN! The True Story of Patti Astor. Publisher Sara Rosen, Publicity Director of powerHouse Books since 2000 and editor of powerHouse Magazine since 2006, also curates exhibitions at The powerHouse Arena.




#2027 From: shaimesh@...
Date: Sat Aug 16, 2008 3:18 pm
Subject: Reminder: KRS-One Lectures "What Makes a Great MC?" 8/23/08 @1p to 10p - Harlem NYC
shaimesh
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Hotep Family,

The NY Hip Hop Meetup & Alxtr Crowley Project welcomes the BLASTMASTER KRS-ONE to lecture on 8/23/08 on "What Makes a Great MC" @ the Harriet Tubman Learning Center in Harlem.  Click link below for further information.

http://communityconsciousculturalevents.com/events_ny_-_18


We highly encourage Hip Hop vendors to participate (setup time 9am - 12pm).   The program for the day will consists of Def Poets, Performances (Supa Nova Slom & NYOIL) & 2 Hip Hop Film Screenings, the Lecture with a Q&A.  Hip Hop Legends of the Universal Zulu Nation, Temple of Hip Hop & Rock Steady Crew have been invited to attend.   Also Sponsors are highly welcomed (accept alcohol & tobacco companies).

Seating is limited to 400 so do make your payment on line.   We will be accepting your tax deductible payments online & at the venue until the venue is filled.  All major credit card will be accepted.  Seating & vending is on a first come first serve basis.  Adults $20, Teens $10, Children Free (must sit on lap).  Vending is $25 for the day (vending space is limited & I highly encourage you to bring your own vending table.  A limited amount of tables will be available for rent for $5.00).

Most times KRS-One (Tha Teacha) comes to perform.   This time, we will experience the teaching side of him.  We've been trying for quite sometime to make this happen so do come out to support.  Each month the NY Hip Hop Meetup focuses on Hip Hop Legends teaching the history of one of the elements of Hip Hop.  The month of August 2008 will focus on the MC.  For more information on the NY Hip Hop Meetup and our Board of Advisors to go:

www.communityconsciousculturalevents.com - click on NY Hip Hop Meetup tab.

The year 2008 is dedicated to the learning and understanding the 5+ elements of Hip Hop.   So do check out the NY Hip Hop Meetup to learn about our Hip Hop 101 course of study.  This platform was created so that the Hip Hop Legends can come forth and teach True Hip Hop History and Culture.   Better yet, click link below:

NY Hip Hop Current Course of Study
Hip Hop 101 with consists of the following
YouTube:  KRS-One:  Hip Hop Beyond Entertainment
Part I
Part II
Documentary:  "5 Sides of a Coin"
click link below to trailer:
http://www.youtube.com/watch?v=nozyOqgrK-U

Any questions, do feel free to contact me asap.

The Real Hip Hop is Ova Here!!!
Sista Shai (Shy-ee)
Cultural Events Planner
347-432-1597 (cell) or 718-529-2010 (office)
NY Hip Hop Meetup
http://hiphop. meetup.com/ 264/?gj=sj6
Member Temple of Hip Hop-NYC & Universal Zulu Nation-NYC

#2026 From: shaimesh@...
Date: Thu Aug 14, 2008 1:49 pm
Subject: Zulu Nation Newsletter - August 2008 - Battle OCTAGON (BELGIAN)
shaimesh
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From:  ZuluStaff@...,




Newsletter - AUGUST 2008 
THIS SPECIAL NEWSLETTER IS BROUGHT TO YOU BY LIVE N DIRECT, STREET KNOWLEDGE TV & ZULU NATION BELGIUM CHAPTER
1983 - 2008 25 YEARS OF HIP-HOP Culture in BELGIUM !
 
THE ANNIVERSARY PARTY IS COMIN' ON-SEPTEMBER 27th 2008 IN BRUSSELS ... MORE INFO ARE COMIN' !!!
 
15/08/2008 - OCTAGON BATTLE + GRASSHOPPER + 2000WAT & PHARAOH MONCH (USA) - PETROL CLUB ANTWERP
Peace to all, 
Take part of the BATTLE OCTAGON feat. ALIEN NESS
The Zulu Nation Belgium & Holland collaborates withEastpak & The Club Petrol& nbsp;in the fourth edition of ILL-CITY in a special Hip-Hop event in Antwerp on August 15th.
PHARAOH MONCH en de " Antwerpse 2000WAT"will hit the stage after the OCTAGON BATTLE (B-Boys Battle) will hit the Floor. the legendary ALIEN NESS (US) will be in the place to be to host the contest.
Every B-Boy can ta ke part in this Battle ... to enter the Battle just hit us back ! the winner will go to London in december for the Final of the throw-down event !!
More info over the program ... checkwww.petrolclub.be and over the Battle Ruleshttp:// e-eastpak.com/octagontour/
 
12/09/2008 -  PHAT UNDA PARTY featuringAFRIKA BAMBAATAA - La RaffinerieBrussels
The Zulu Nation Belgium & Souterrain Production will put their force together to organize a special Phat Unda Party on September 12th 2008 @ la Raffinerie in Brussels.
The special guest will be nobody else than AFRIKA BAMBAATAA himself.
After a few years, Bambaataa will come back in town to celebrate with us 25 years of Hip-Hop culture in Belgium !
La Raffinerie - Rue de Manchester - 1080 Brussels (Belgium)

 
 
 
© 2007 Zulu Nation asbl - All rights reserved - info@... - Design By Masta Julian R



#2025 From: "mdsteve7" <mdsteve7@...>
Date: Fri Aug 1, 2008 3:46 pm
Subject: Still Alive Heads To Telemundo TV
mdsteve7
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"STILL ALIVE," the international Reggaeton and Hip-Hop group
from Cali, Colombia, is putting down all the funky beats & Latin
rhymes like never before... are scheduled to appear on Telemundo's
Discontrol TV program on 8-6-2008 in LA, California and scheduled for
other appearances in LA that week...please see our Myspace for more
details....

SUNDAY, MAKLIKY, BIGDAY, AND RJ, who are all family related, make up
this unique and hot Reggaeton/Hip-Hop music group called "STILL ALIVE."
"We got the 'Flo' and now we are in the playoffs, and its time to get real
serious and take this thing to a whole different level," states SUNDAY, lead
singer for STILL ALIVE. The group has been performing and blowing-up the
clubs in Phoenix, AZ since arriving in AZ. Group arrived into AZ 6-2008 after
performing/marketing out in Miami, FL and surrounding areas. STILL ALIVE
continues to stay busy and in the mix- scheduled for a big event in
Richmond, VA in the later part of 8-2008.

Patrón Records CEO, Abel Romero, states, "Yeah, we are real busy now;
we have our plate full, but we are focused and determined. We are on a
collision-course to move-up in the music industry.... We are getting things
done in a timely manner. Company wise, we have more representation and
promotion going on now.... We always keep our options open and continue
to expand; we are looking for creative new talent for 2009. We are expanding
more now and so we are accepting offers and submitting offers (sending a
message) to all music Labels, companies, and investors - "If you are interested
in doing a business deal, collaboration, and/or investment with our label
(and artists) please let us know and forward your info and offer to me
at label@... "

With the completion of their first CD, "Un Nuevo Estilo," (a new style) STILL
ALIVE continues to write and create their own original and cutting-edge music;
they are presently working on over 400 songs....

Their high-energy, originality, sound & style are catching people's attention
across the country and even around the world; world radio stations are
requesting their music and National Record Pools have already categorized
their music as a 'Pick Hit'- a 'BIG Hit'....

The Cutting Edge....The group cuts and mixes Hip-Hop, R&B, Latin rhymes,
and various Spanish music styles with their own unique style of Reggaeton
  so def that party-goers and clubs can't get enough....requesting STILL
ALIVE to play more of their songs before they get off the stage....Still Alive
has nearly one million hits on their Myspace- "PatronRecordsInc" Their Single
Debut, "Lady," with their stylish "LADY" remix video, which was shot on location
in Colombia and which has lots of gorgeous (hot) Colombian Lady's , and are
making some lasting impressions on the music scene and every where they
go and perform.....

http://www.blastro.com/player/stillaliveladyremix.html? "LADY"
(remix video)
http://www.myspace.com/patronrecordsinc
http://www.cdbaby.com/stillalive

#2024 From: "Greg Schick" <greg@...>
Date: Wed Jul 23, 2008 1:05 am
Subject: RE: ''I Love Hip Hop in Morocco'' outdoors at the Queens Museum this Friday 7/25!
gschick27
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For my two cents, this is a great movie! I saw it last year at the Atlanta Hip Hop Film Festival where it took home the award for best feature length documentary. If you have a chance go see this film. It follows two guys as they try to put together the first hip hop festival in Morocco. Several well known Moroccan hip hop acts are also followed closely and it really gives you a great sense of how their culture and hip hop culture butt heads. Some very dope music as well (which I have yet to track down…).

 

Here is a great article about the film: http://www.worldhiphopmarket.com/blog/?p=30

 

Here’s an excerpt of the review I did for the ATL hip hop film fest: http://www.worldhiphopmarket.com/blog/?p=24

Finally we watched a very well produced film called I Love Hip Hop in Morocco. The film followed DJ Key and Josh the American as they spent six months planning a free three day hip hop festival, in three cities, on three days, called I Love Hip Hop in Morocco. Each city was headlined by a well known local group, and two were heavily featured: H-Kayne and Fnaire, both groups who rapped in Arabic, as well as Brown Fingaz, a Marrakech MC who raps in English, and Mot de Passe, a male-female duo who rap in French.

The conservative Muslim culture of Morocco was presented as even more oppressive than Turkey’s. Two topics you were never to speak about were religion and the king. There was no freedom of speech. Cursing was frowned upon. At one point, several of the rappers seemed seriously worried when their friend was speaking negatively about the king and the government. One promoter told a story of 14 rock musicians who were imprisoned for a year simply for performing hard rock music. Rappers repeated made statements that the common people in Morocco did not have anything. They said they write raps in double meanings and hidden messages to avoid government problems. However, they claimed that if they had money like American artists, they would probably also rap about girls.

Perhaps the strongest moment of the film came from Fati Show, the female half of Mot de Passe. People yelled “you should be ashamed” when she walked down the street with her rhyme partner. And at the show, the crowd booed her when she walked on stage. She told them she didn’t care, then proceeded to tear up the beat with her lyrics. And the crowd came to its feet and cheered her loudly when she was done. Effecting change, fo sho.’

 

Peace.

 

Greg Schick / Old School G
World Hip Hop Market www.worldhiphopmarket.com
World Hip Hop Radio www.live365.com/stations/osg1971
"Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
MySpace Profile www.myspace.com/worldhiphop
eBay Auctions
stores.ebay.com/World-Hip-Hop-Market


From: globalrap@yahoogroups.com [mailto:globalrap@yahoogroups.com] On Behalf Of shaimesh@...
Sent: Tuesday, July 22, 2008 2:19 AM
To: smaitawi@yahoogroups.com; Luv4self_Network@yahoogroups.com; therapgame101@yahoogroups.com; undergroundhiphopstudios@yahoogroups.com; globalrap@yahoogroups.com; Blackest@yahoogroups.com
Subject: [globalrap] ''I Love Hip Hop in Morocco'' outdoors at the Queens Museum this Friday 7/25!

 

From:

  I Love Hip Hop in Morocco <info@ilovehiphopinmorocco.com>

Come one, come all, bring friends, bring pets, bring picnics and popcorn!

This Friday, July 25, Queens Museum of Art (Flushing Meadows - Corona Park).

Live music and dance at 630,  film starts at 8. 

Hope to see ya there!

More info: http://www.queensmuseum.org/education/special_events4.htm#

And stay tuned for the upcoming release of the official "I Love Hip Hop in Morocco" DVD
Exclusively at:

www.ilovehiphopinmorocco.com
www.myspace.com/ilovehiphopinmorocco


#2023 From: shaimesh@...
Date: Tue Jul 22, 2008 6:18 am
Subject: ''I Love Hip Hop in Morocco'' outdoors at the Queens Museum this Friday 7/25!
shaimesh
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From:
  I Love Hip Hop in Morocco <info@...>

Come one, come all, bring friends, bring pets, bring picnics and popcorn!

This Friday, July 25, Queens Museum of Art (Flushing Meadows - Corona Park).

Live music and dance at 630,  film starts at 8. 

Hope to see ya there!

More info: http://www.queensmuseum.org/education/special_events4.htm#

And stay tuned for the upcoming release of the official "I Love Hip Hop in Morocco" DVD
Exclusively at:

www.ilovehiphopinmorocco.com
www.myspace.com/ilovehiphopinmorocco
I LOVE HIP HOP IN MOROCCO logo.jpg


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#2022 From: shaimesh@...
Date: Mon Jul 21, 2008 3:51 am
Subject: KRS-One Lectures for NY Hip Hop Meetup 8/23/08 - Harlem NYC
shaimesh
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Hotep Family,

The NY Hip Hop Meetup & Alxtr Crowley Project welcomes the BLASTMASTER KRS-ONE to lecture on 8/23/08 on "What Makes a Great MC" @ the Harriet Tubman Learning Center in Harlem.  Click link below for further information.

We highly encourage Hip Hop vendors to participate.   The program for the day will consists of Def Poets, Performance (Supa Nova Slom & NYOIL) & 2 Hip Hop Film Screenings, the Lecture with a Q&A.  Hip Hop Legends of the Universal Zulu Nation, Temple of Hip Hop & Rock Steady Crew have been invited to attend.   Also Sponsors are highly welcomed (accept alcohol & tobacco companies).

http://communityconsciousculturalevents.com/events_ny_-_18

Seating is limited to 400 so do make your payment on line.   We will be accepting your tax deductible payments online & at the venue until the venue is filled.  All major credit card will be accepted.  Seating & vending is on a first come first serve basis.  Adults $20, Teens $10, Children Free (must sit on lap).  Vending is $25 for the day (vending space is limited & I highly encourage you to bring your own vending table).

Most times KRS-One (Tha Teacha) comes to perform.   This time, we will experience the teaching side of him.  We've been trying for quite sometime to make this happen so do come out to support.  Each month the NY Hip Hop Meetup focuses on Hip Hop Legends teaching the history of one of the elements of Hip Hop.  The month of August 2008 will focus on the MC.  For more information on the NY Hip Hop Meetup and our Board of Advisors to go:

www.communityconsciousculturalevents.com - click on NY Hip Hop Meetup tab.

The year 2008 is dedicated to the learning and understanding the 5+ elements of Hip Hop.   So do check out the NY Hip Hop Meetup to learn about our Hip Hop 101 course of study.  This platform was created so that the Hip Hop Legends can come forth and teach True Hip Hop History and Culture.   Better yet, click link below:

NY Hip Hop Current Course of Study
Hip Hop 101 with consists of the following
YouTube:  KRS-One:  Hip Hop Beyond Entertainment
Part I
Part II
Documentary:  "5 Sides of a Coin"
click link below to trailer:
http://www.youtube.com/watch?v=nozyOqgrK-U

Any questions, do feel free to contact me asap.

DON'T FORGET ROCK STEADY CREW'S ANNIVERSAL 7/24/ TO 7/27.  Go to www.rocksteadycrew.com  !!!!!

The Real Hip Hop is Ova Here!!!
Yvonne Shai Hankins
a.k.a. Sista Shai (Shy-ee)
Cultural Events Planner
347-432-1597 (cell) or 718-529-2010 (office)
NY Hip Hop Meetup
http://hiphop. meetup.com/ 264/?gj=sj6
Member Temple of Hip Hop-NY & Universal Zulu Nation

#2021 From: "Greg Schick" <greg@...>
Date: Thu Jul 17, 2008 3:00 pm
Subject: [World Hip Hop Market] Online radio interview today!
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Peace! Just wanted to let everyone know that I will be interviewed on Heart & Soul in Progressive Radio Network (www.progressiveradionetwork.com) today at about 3:30 pm. We will be talking about global hip hop and World Hip Hop Market. This is a great radio program with host Kompalya Thunderbird who spends a lot of shows exploring international hip hop. Her show is every Thursday from 3 to 4 pm and you can listen live and free by clicking on the above link. The show will also be archived if you can’t listen it today.

Greg Schick / Old School G
World Hip Hop Market www.worldhiphopmarket.com
World Hip Hop Radio www.live365.com/stations/osg1971
"Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
MySpace Profile www.myspace.com/worldhiphop
eBay Auctions
stores.ebay.com/World-Hip-Hop-Market

 


#2020 From: "Greg Schick" <greg@...>
Date: Wed Jul 16, 2008 4:11 pm
Subject: The Destruction of World Hip Hop Market
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If you have logged into World Hip Hop Market in the last few weeks you might have encountered some strange graffiti, and not the hip hop type. My site seems to be the dumping grounds for a bevy of hackers – many from Turkey for some reason – including ChiLekeSH, DarKhack3R, The.Bilen, KanunSuZ, and Lord Voldemort (no relation to Harry Potter). One of them even tagged “Turkish Hip Hop Rules!” Despite my own feeble efforts to clean up their mess, their flurry of hidden text, tags and Trojans culminated a few days ago with the deletion of my entire product database and hijacking my images folder for malevolent purposes. Google has temporarily delisted my blog and my ISP has frozen my images folder.

 

So, until further notice, the “Where in the World is Hip Hop?” blog will be the default for the site (since that was mostly untouched). I am taking this as an opportunity to rebuild World Hip Hop Market (and secure it better) so a new design is forthcoming. To all the artists who I am selling your products, I apologize for the hiccup in listings and I will work to get your products back online as soon as I can. I am also looking for someone who can help me design and implement the site, so give me a holler if you know anyone that can help (experience with osCommerce and Wordpress would be wonderful).

 

I’ll be updating the blog as I can (look for more frequent updates in August). I promise the site will be back bigger and better than ever.

 

Peace.

Greg Schick / Old School G
World Hip Hop Market www.worldhiphopmarket.com
World Hip Hop Radio www.live365.com/stations/osg1971
"Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
MySpace Profile www.myspace.com/worldhiphop
eBay Auctions
stores.ebay.com/World-Hip-Hop-Market

 


#2019 From: "mdsteve7" <mdsteve7@...>
Date: Wed Jul 9, 2008 6:38 pm
Subject: "How Can I Keep Him..." - Lorraine Reid
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Lorraine Reid: How Can I Keep Him Lovin' Me?
A Review by Mark Kirby

Over a decade ago, rappers Chuck D and Public Enemy asked,
"Who Stole the Soul?" Today, after Christina Aguilera's R&B-infused
Back To Basics double CD and the Amy Winehouse soul explosion, the
real question is, "Who stole it back?" Part of the answer can be found in
Lorraine Reid's single "How Can I Keep Him Lovin' Me?"

It always comes as a surprise when I hear a modern R&B singer who has
both the pipes to belt out with intensity and the good taste to let the song
tell the story, choosing to not over-saturate a classic melody with vocal
gymnastics. Reid dazzles her listeners with the perfect balance of vocals,
just like the classic soul, rock and pop singers did back in the day. This
timeless track by the Canadian, 7-time Juno nominee would fit right in
with the best of soul and funk in any age.

"How Can I Keep Him Lovin' Me?" begins to amaze listeners with its
instrumentals -- the keyboard starts with mellow soul chords and is
followed by gently plucked guitar and sparse bass that flows with
restrained energy even while in ballad mode. The drums play a beat
that has previously anchored old pop and soul songs as well as bawdy
stripper show tunes; it's a beat that is part-waltz, part-easy-going phat
back groove. While this stew is bubbling, Ms. Reid tells the story: "No
more than 15 but grown before her time / This young girl was seekin'
love from men who would dim the lights / How can I keep him lovin'
me? / Here she was still seeking love / it was no where to be found."
Aside from the modern beat of the drums and the contemporary soul
sound, the track is undeniably old school because it deals with real people
and real-life issues, concepts that are often lost in mainstream music today.

The sales of R&B records -- as with those of hip-hop and most other
genres -- continue to slump. Illegal downloads aside, the vast majority
of these records deal with unattainable fantasies of sex, glamour, white
linen suits and matching Bentleys. People who have just been laid off,
had their benefits run out, or their home foreclosed don't want to hear
about such lavish topics. And they can't even afford to buy overpriced
CDs, anyway. That's why real people, especially women, like Mary J. Blige's
tales of being a survivor. Like Blige, Reid tells a tale of survival and, like
the best soul and gospel singers, past and present, she goes beyond this
simple tale: "At 22, a mom of two, but she was still a child / Her mama's
advice to her was a message meek and mild / what this baby boy sees in
you I tried my whole life to find / so dry your tears, my baby girl, you're
lookin' at piece of mind." Throughout the song, Reid's vocals follow the
lyrics and melody on a rollercoaster of emotion, saving the soaring peaks
of her sweet yet powerful voice for the pinnacles of the song, especially the
last lines. By the end of "How Can I Keep Him Lovin' Me?", the sadness becomes
both redemption and a spiritual epiphany -- all because of the power of love.
Now ain't that what soul music is all about?
http://www.myspace.com/lorrainereid

#2018 From: shaimesh@...
Date: Thu Jul 3, 2008 1:59 am
Subject: Rock Steady 31st Anniversary July 24 - 27th, 2008 - NYC !!!!!
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From:
  rscevents@...Hide
                                                    
 

RSC 31ST ANNIVERSARY JULY 24-27, 2008
 
 
Thursday, July 24
Location:  The Cage – West 3rd Street & 6th Avenue (New York, NY)
Time: 11:00AM – 3:00PM
Celebrity Benefit Basketball Challenge
Come watch members of the Hip-Hop and Film community compete for bragging rights.
 
Against The Grain: Concrete B-boy / B-girl battle.
B-boys & B-girls from all over the world battle it out for the $500 prize.
DJ:  Servin’ Ervin
 
Workshops:
Location: Red Bull Building – 15 Watts (by W. Broadway)
Time: 1:00 PM – 5:00PM
*Popping / Locking: Mr. Wiggles, Fabel, Suga Pop
*B-boy / B-girl: Crazy Legs, Servin’ Ervin, Bonita and Ynot.
You want to know how it’s done?  These speakers are the best at what they do and share insight on how they make their magic happen.
 
       
“For The Funk Of It” Funkstyles Party
Location: Redbull Building – 15 Watts (New York, NY)
Time: 9:00 PM – 1:00AM
DJ:  Doc
Self explanatory.  Come get loose and show us what you got.
 
Live Performance By “Kurtis Blow”
 
 
 
Friday, July 25
Location: 101 River View at Grand Hall – 101 Sixth Ave. (btwn. Grand & Watt)
Time: 3:00PM – 9:00PM
Hosted By: Crazy Legs
DJ: Crazy Legs & Red Alert (Celebrating 25th Anniversary of DJing) 
 
Frienemies:
 
This event will bring an underground event to crown  1 B-boy/1 B-girl as the BEST.  Each one has to represent the most effectively throughout the day in a STRICTLY CIPHER driven event.
 
 
 
 
 
 
 
 
Frienemies is about representing in the ciphers.  Every B-boy and B-girl is on their own!  No preset battles.  In the early to mid 80’s, breaking was at an all time high throughout the world.  Crews were rolling thick and a lot of them were at peace.  The only time they didn't get along was when it was time to battle in the club.  Rock Steady Crew and New York City Breakers were going to places like Negril, The Roxy, Kennedy High School and other places where jams
were going down.  No one was worried about hurting someone’s feelings or concerned with battling their own friends, but rather battled with a fierce will to win. We were all "FRIENEMIES". â€Frienemies” is the place to battle that person that you chill with on a regular basis and show him/her that they’re not as good as they brag about all the time.
 
 
UK B-boy Championships US Qualifier:
U.S. contestants go at it to see who will represent the U.S. in the UK B-boy Championship.
 
 
 
 
Saturday, July 26
Location: 101 River View at Grand Hall – 101 Sixth Ave. (btwn. Grand & Watt)
Time: 3:00PM – 9:00PM
Hosted By: Crazy Legs
DJ:  DV One & Skeme Richards
Official Rock Steady Crew Day In NYC, as proclaimed by Mayor R. Bloomberg
Spy Awards : The Spy Award is being presented to Bebe of GROUND ZERO
 
5 vs 5 Crew Battle
 
 
Sunday, July 27
Location:  Lincoln Park – 1 Lincoln, Newark, NJ (Broad St. & Clinton Ave.)
Time: 12:00PM – 8:00PM
3rd Annual Lincoln Park Music Festival
Free Outdoor Concert & Food Drive
In Memory of “Frosty Freeze”
Hosted by:  E.O.W.
DJ’s Confirmed:  JS-1, Eclipse & Sucio
Beat Battle: Meet The Producers vs. Big Tune 
Em Cee’s:  Beatnuts, Buckshot, Craig G & Marley Marl, Sadat X, Soul Sonic Force, Positive K, Grand Master Caz, DJ Premier  feat. NYG’z & Blaq Poet, Termanology & DJ Statik Selektah, A-OK, Akrobatik, Skyzoo, Double Barrel, Female Cypha - Lyrics, Mala Reignz & Patty Dukes
 
 
Official After Party
Location: Red Bull Building – 15 Watts (by W. Broadway)
Time: 9:00PM – 1:00AM
DJ’s:  Evil Dee
 
 
 
Venues subject to change.  Check www.rocksteadycrew.com for updates.

#2012 From: "Greg Schick" <greg@...>
Date: Thu Jun 12, 2008 4:06 pm
Subject: [World Hip Hop Market] Euro 2008 Edition
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Peace to all my global hip hop heads around the world!

 

If you are into soccer (football/futbol/voetbal) like I am, then you are probably following the 2008 European Championships in Austria & Switzerland. So this newsblast is in honor of the tournament. (Condolences to those in England…)

 

NETHERLANDS – The Dutch team is my favorite (non-US) team and they are looking awesome this summer! And my men Baba Israel and Yako 440 will be touring Netherlands and Czech Republic over the next couple of weeks with legendary Australian emcee Morganics. The 11-day tour starts TODAY (June 12th) in Amsterdam, then goes on to Prague and elsewhere. Check the schedule at http://www.myspace.com/subphonikforces and if you want to hook up with them, email baba@.... They are an ill hip hop crew with massive talent in beatboxing and freestyle (in fact, Baba was featured in the movies Freestyle and Breath Control). They have just re-released their amazing album Beatbox Dub Poetics and finished their video for “Runnin Outta Time” (http://www.youtube.com/watch?v=OuN1n74npLE). They will also be in UK in August for Process 08, a hip hop theatre festival (http://www.breakingcycles.co.uk/).

 

PORTUGAL – The first team through to the second round after dismantling Russia and Czech Republic. Yow! Well, I was blessed to see Portugese superstar Sam the Kid and his entourage rock the show at the Trinity International Hip Hop Festival in March. He told me that Portugese hip hop is barely known outside of Portugal, but he was part of an amazing European group called Diversidad Experience (http://www.myspace.com/diversidadexperience). French producer Spike Miller put together an all star European lineup to promote European unity. It included Sam the Kid and DJ Cruzfader (Portugal), Promoe (Sweden), Curse (Germany), Akhenaton and Skurik’n of IAM (France), Abd Al Malik (France), Mikk Furie (France), Baloji (Belgium) and Noora Noor (Norway) and Mucho Muchacho of 7 Notas 7 Colores (Spain). Download the single and video free on their MySapce site. If that’s noit enough, they are having a festival at the end of June in Vienna which will include everyone listed PLUS the entire Looptroop Rockers (Sweden), the entire 7 Notas 7 Colores (Spain), Texta (Austria’s biggest group), Waxolutionists (Austrian turntablist crew), my man DJ Cut-Ex (Austria), Porta (Spain) and Colle De Fomento (Italy).

 

 

MY RECENT ARTICLES

 

Check out my profile of Taiwanese trio Tripoets on Flight 808.com: http://www.flight808.com/?p=247

 

On Aussie site Planet Urban, I break down some of the unexpected pleasures of the Trinity International Hip Hop Festival: http://www.planeturban.com.au/node/4023

 

 

RECENT GLOBAL HIP HOP ARTICLES:

 

MOROCCO: Female rappers win Morocco’s first national hip-hop competition

CANADA: Abstract Rude: Passion for Hip Hop

UK: Breakin’ Convention thrills to a Brazilian beat

UK: The Master of Grime: Dizzee Rascal tones down his gritty, jagged hip-hop style

UGANDA: Ndugga Spreads the Hip Hop Gospel

RWANDA: Hip Hop Dominating Music Industry

YEMEN: Yemeni rapper meshes cultures through music

YEMEN: Hip Hop Comes Alive in Yemen

LEBANON: DJ Lethal Skillz Pushes Arab Hip Hop

SAUDI ARABIA: Saudi Hip Hop’s Painful Birth

 

 

Until next time, go Holland!

 

g

Greg Schick / Old School G
World Hip Hop Market www.worldhiphopmarket.com
World Hip Hop Radio www.live365.com/stations/osg1971
"Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
MySpace Profile
www.myspace.com/worldhiphop
eBay Auctions stores.ebay.com/World-Hip-Hop-Market

 


#1987 From: shaimesh@...
Date: Tue Jan 1, 2008 10:44 pm
Subject: Davey D's 2007 End Of Year Hip Hop Awards
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From: mailto:mrdaveyd@aol.commrdaveyd@aol.com
 
 
Davey D's 2007 End Of Year Hip Hop Aawrds


Well folks it's that time of year again for the annual Davey D 2007 End of Year Hip Hop Awards. This is where we dig deep and reward those for their distinguished and dubious accomplishments within the world of Hip Hop and urban music. Let's get right to it and kick things off...

Can't Get Rid of You Award: This is for the artist who seemingly showed up everywhere from award shows to guest spots on people's records. Leading the pack were artists like T-Pain who did songs with everyone from Kanye West to Twista to R.Kelly to Fabolous just to name a few. We had the Dark Prince of Senegal- Akon who sung hooks on songs put out by everyone from Snoop Dogg to David Banner to 50 Cent to Wyclef Jean to Joell Ortiz

Now T-pain tried to keep himself in the spot light by making some bugged out comments earlier this year. Y'all may recall long before embattled Idaho Senator Larry Craig played footsies with another man in a bathroom stall and then held a press conference declaring that He was not Gay, we had T-Pain make the same assertions. T-Pain's 'I'm Not Gay' remarks came on the heels of him watching the infamous Ray-J-Kim Kardashian sex tape video and than publicly commenting on how he was impressed with the size of Ray-J's private parts. Hell let's give T-pain the 'The No Homo But...Award'

On the rap side we had Lil Wayne who is rumored to have done guest spots on people's records for free. He got down with everyone from Fat Joe to Enrique Iglesias to Jay-Z to Scarface. Of course we can't forget the mega hit he had called 'Duffle Bag Boy' with Playaz Circle Simply put, dude was everywhere. I counted over 21 different artists Lil Wayne teamed up with in 2007.

Now intially I was gonna give this award to Akon as he seemed seemed to be ahead of the pack but that all changed when we opened up the new Britney Spears album 'Blackout' and saw Lil Wayne cheesing it up and rapping on the remix of her hit song 'Gimme More'. Lil Wayne and Britney? Need I say more? Dude went there.

Winner: Lil Wayne

Also we can't front. While I will emphatically disagree with Lil Wayne's mis-guided assertion that he's the greatest rapper alive, I will have to say he did step his rap game up considerably. He gets 'Most Improved Artist of the Year Award'

The How Da Hell Did that Make It Big? Award: Every year we experience a crazy gimmicky type song or artist who comes along and momentarily captures our imagination. They either have a crazy hook or saying or they have a weird look or they act strange. But in any case they leave us scratching our collective heads asking 'How' and 'Why'. Case in point was the 2006 DJ Webster and Young B 'Chicken Noodle Soup' song. We were all left wondering how that made it on the charts.

This year the theme was to dumb it down and keep it simple. Thus we looked at several songs including Hurricane Chris's 'A Bay Bay' which spawned several spin-offs and parodies. Also in the running was that mega smash hit 'Dance Like a Cholo' by Down aka Kilo.

The cut that absolutely took the cake and left many of us scratching our heads was one that even sparked an in-depth Village Voice newspaper article. This write up came complete with pie charts, graphs and analysis of the song's lyrics. The song I'm talking about came from a gifted rapper who can really spit.

In 2007 this particular artists decided to prove an important point which was by completely dumbing down your lyrics and flowing over a hot beat can not only get you a hit song, but sadly can leave even the best among us singing along.

Winner: Mims 'This is Why I'm Hot'

Cha Cha Electric Slide Award: This goes to the artist who got all of us doing the updated version of the urban line dance called the Electric Slide. In 2007 we saw ourselves doing variations of the 2 Step thanks to artists like Oakland's Clyde Carson '2 Step' and Atlanta's Unk's '2 Step' which was a step up from last year's hit song 'Walk It Out'. Of course we can't forget Philly rapper Cassidy who upped the ante a bit and told us to hold our drink while we 2 Stepped (My Drink N My 2 Step)

But in spite of the 2 Step craze, this year's winner brought to the table a more energetic dance. Unlike in years past where the urban line dances are enjoyed by all generations at weddings and family functions, this year's winner provided us with a song and dance that seemed specifically designed for those under 30. Anyone older caught doing the dance around this song will be seriously questioned and will lose quite a bit of status. No matter what you say or think there is simply no justification for anyone over 30 to be yelling and jumping around like superman.

This years winner Hands down we have to give it to Soulja Boy and that annoying song 'Crank Dat Souljah Boy'. There's even a version for women called 'Soulja Girl'... and if that's not enough we have Bay Area artist Ashkon and his recently released politicized version of the song called 'Soldier Boy' which embraces an anti-war theme.

Winner: Soulja Boy 'Crank Dat Soulja Boy'

Nice Guys Finish Last Award: There's an old saying, 'No good deed goes un-punished and that was definitely the case for Monie Love. Folks may know her for the hit song 'Monie in the Middle'. She was also the sister who rapped alongside Queen Latifah on the female anthem 'Ladies First'.

Well earlier this year Monie Love who had traded in her emcee mic for a radio host mic was interviewing Atlanta rap star Young Jeezy on a Clear Channel owned radio station WUSL in Philly. During their conversations things got heated and bit ugly when the topic of whether or not Nas was right when he said Hip Hop was dead. Monie who is long time respected vet in the game tried to gently school Jeezy as to Hip Hop's history and what Nas really meant when he coined the phrase Hip Hop was dead. Unfortunately, Young Jeezy wasn't trying to hear it or respect Monie Love.

Word of the debate spread around the industry like wild fire. The next thing you know Monie Love was unceremoniously let go with many speculating that Young Jeezy's record label Def Jam having something to do with it. Of course it's an allegation that both Def Jam and Clear channel deny. Monie for her part has remained silent although you can read between the lines when she gives interviews and know that the circumstances surrounding her sudden dismissal were foul. Is Hip Hop dead? Apparently it is in the corporate media world of Clear Channel and in the mind of Young Jeezy at least when it shows up in the form of Monie Love.

Winner: Monie Love

What the Hell Were You Thinking? Award: This award is pretty self explanatory. 2007 was the year a lot of folks simply made a lot of dumb moves that left us asking 'Why Lord Why? Case in point earlier this year, G-Unit artist Tony Yayo rolled up and smacked the 14 year old son of 50 Cent's arch rival Jimmy Henchman who is also manager to The Game. It was a foul move that sparked a protest and left us asking what was dude thinking?

Another dumb move was Cam'ron sitting up on 60 Minutes acting all smug while doing an interview about the Stop Snitching Movement. Instead of taking advantage of being in front of a large nationwide audience and talking about all the scenarios where hundreds of innocent people get locked up on the coerced & false testimony by government informants who oftentimes have questionable and shaky backgrounds, he tried to act cool and wound up making us all look bad and sound stupid when he said he would never snitch even if it was a child molestor living next door to him. All sorts of folks got on Cam'ron's case after the show aired and he later apologized, but the damage was done and all of us were left asking 'What the hell was he thinking?

Next we have Brooklyn rapper Ms Foxy Brown who had a long list of transgressions. First, she decided to violate her parole by leaving the state without permission, second, she almost running down a woman with her range rover. Third, she refused to show up to court on time for her hearing until she changed her outfit and did her hair. It angered a judge who was going to be sentencing her. If that wasn't enough, after amassing a lengthy record of violations that seemed certain to send her to jail for a year or so, Ms Brown then announced that she was pregnant as a ploy to gain sympathy from the sentencing judge. Foxy was NOT pregnant. What was she thinking? We gotta give Foxy Brown the Bad Girl Gone Wild Award

A close runner up to this award and someone who gets honorable mention for the What the Hell Were You Thinking Award goes to Remy Ma who is accused of shooting her best friend Makeda Barnes-Joseph this past summer outside of a Manhattan nightclub after 2000 bucks came up missing. She supposedly did this in front of a dozen witnesses. Later Remy was accused of witness tampering after one witnesses' boyfriend got assaulted. Now for the record Ms Ma has pleaded innocent to all charges, but many of us within the Hip Hop world know not to mess with that woman's money. Again we ask 'What the Hell Were You Thinking?

With all that being said we have to give this award to our hands down winner Atlanta rapper T.I.. He started off this year on a serious roll. He had a slamming album TI vs.TIP and high profile movie roles in flicks like 'American Gangster'. He was starting to garner favorable press for his charity work in the aftermath of Hurricane Katrina and for his entrepreneurial endeavors. T.I. owns his own successful construction company. He was doing it big in 2007.

Sadly just hours before he was to appear on the BET Hip Hop Awards this past October, he got arrested for allegedly trying to purchase machine guns from an under cover cop. What made this even worse is that T.I. is a convicted felon. To top it off, it was his bodyguard of two months who set him up and dropped a dime on him. Many of us are still scratching our heads wondering how a street wise cat like T.I. could slip and let his new bodyguard in on something that should've been done on the extra down low? We also are hard pressed wondering why he allow himself to even get in this dire situation when he had so much going for him?

Winner: T.I. Getting Arrested for allegedly trying to purchase Machines Guns

The Rapper Gone Wild Award or the Stand Your Ground Award: Goes to the colorful and engaging Mississippi native David Banner. Banner is a large man who is passionate and speaks forcefully about things he believes in including an artist's right to express himself. He prides himself on standing up to today's power brokers and establishments that he feels maligns the young, poor and disenfranchised. He'll even go at it with other rappers who he feels may be misconstruing or stepping on the toes of other artist's right to express themselves. This was demonstrated when he sat on a panel with Master P during All Hip Hop Week. He got into a somewhat heated back and forth with P. Banner is seen by many as a humanitarian who gives unselfishly back to the community, while those in power see him as a rapper gone wild...

Case in point his war of words with Civil Rights leader Al Sharpton who he felt wanted to censor artists. Banner via the press said Sharpton was out of touch and the only worthwhile thing he could do was orally stimulate his private parts. Sharpton's camp infamously responded by thanking Banner for the offer but declined citing that the good reverend often receives sexual advances, but he's not gay and therefore could not accommodate Banner… That retort gave Sharpton the coveted 'Comeback Response of the Year Award'.

Some more colorful words were exchanged and soon Banner set his sights on Jesse Jackson who he also feels is also out of touch. During an interview Banner asserted that Jesse needs to get his butt kicked but since he has respect for his elders, Banner offered to roll up and slap Jesse's son Congressman Jesse Jackson Jr. His assertions drew lots of howls and gleeful laughter until it was pointed out that Jesse Jr is a martial arts expert (3rd degree Black belt) who trains regularly. We haven't heard too many remarks about boxing since this was made known.

In spite of these mis-steps we still celebrate Mr Banner. He appeared on the cover of the Source Magazinewhere he talked about politics. He is shown in a recently released popular You Tube video giving away money and lots of toys deep in the hoods of Mississippi with his Heal the Hood Foundation.Here he challenges fellow gansta rappers and so called civil rights leaders to follow suit. Check the video out here...
http://uk.youtube.com/watch?v=u5falXw8md8

Winner: David Banner

Feud of the Year: So what would Hip Hop be without a feud? We already highlighted the feud between David Banner and Civil Rights leaders. Now lets be clear there's a difference between a feud and a battle. A feud in Hip Hop is a battle gone bad. Battles are good. They're healthy. They test our skillz, sharpen our wit etc, but feuds on the other hand, they unfortunately tend to be conflicts designed to capture the public's attention which then oftentimes leads to their un-invited involvement.

Case in point was several years back at a concert in LA where fans of 50 Cent squared off against fans of The Game. Anyway 2007 had its share of feuds. We saw feuds within the ranks of Dipset. Jim Jones vs. Cam'ron. This came on the heels of the spirited exchange between 50 Cent and Cam'ron. We saw tension within the ranks of G-Unit with Young Buck supposedly having issues with 50 and the crew. Remember how the public clamored for that to explode? We saw 50 take shots Nas and Diddy. But should we be surprised.

The most over-hyped up feud of the year went to 50 Cent vs. Kanye West. Many people saw this as an epic battle between two of rap's biggest superstars who were releasing their albums on the same day-September 11th. At first Kanye tried to duck a challenge issued by 50 who wanted to see who would sell the most albums that week. Kanye wisely told the public September 11th should be viewed as a day when people have an opportunity to purchase good music.

50 on the other hand saw this as a great marketing opportunity and raised the stakes by offering to quit if Kanye outsold him. This bold assertion set the marketing wheels in motion at Universal records which is the parent company for both artists. Once their gears started running, the 'epic' battle between 'Fiddy' and 'Ye' got projected as Gangster rap vs. Backpack rap. Negative Hip Hop vs. Positive Hip Hop or Street Rap vs College Rap. Kanye's eventual victory was seen as a referendum against gangsta rap. The 50 vs. Kanye battle became the topic de jour on MTV, BET and damn near every major news network. For many this was a nice distraction and a great water cooler topic. The reality is it was a great marketing gimmick for Universal who saw them sell more albums between their two stars then was initially expected. We'll give 50 cent the Marketing Genius of the Year Award

Over hyped feud of the Year: 50 Cent vs Kanye West

One of the dumber feuds that comes to mind is the 'epic battle' was producers Timbaland vs. Scott Storch. These two exchanged a few barbs in songs with Timbaland maybe edging out Mr. Storch by calling him 'Piano Man'. Actually I don't think being called Piano Man is that bad. After all, Storch is nice on the keyboards. Anyway it was a pointless feud. Both are good producers but I'll be honest, I'll take a DJ Premier or Dr Dre track over any of theirs any day. And hey if we really wanna keep it real, if Storch or Timbaland were to pass away tomorrow, I just can't see fans riding for them like they did the late J-Dilla. Nope, I just can't see legions of people wearing t-shirts saying Scott Storch or Timbaland changed my life...

Dumb Feud of the Year: Timbaland vs.Scott Storch

The Feud of the Year:Lupe Fiasco vs. Tribe Called Quest & Hip Hop backpack fans. Who could forget that one? It was a bloggers dream as hordes of scorned backpack fans screamed, howled and disowned Lupe forever.

This memorable feud started out during this past fall's VH1 Hip Hop Honors when Lupe was asked to take part in a tribute for Tribe Called Quest. For many of us it seemed like a natural fit considering the type of vibe and heady lyrics Lupe kicks. Many saw Lupe as the re-emergence of the Native Tongue, tribe vibe era in Hip Hop

The problem was Lupe admitted in a blog prior to the performance that he never listened to Tribe and didn't really check for their music that much. That became apparent when he fluffed some of the lines to their songs during the performance. This enraged fans from coast to coast. As people got on Lupe's case, Lupe he became defiant and repeated his claim of not listening to Tribe. He went a step further, by saying that he was from the Westside of Chicago land grew up listening to artists like Spice 1 and other gangsta rappers. He then went on to say that Q-Tip reached out and asked him to do the performance. This was something that annoyed Q-Tip who said he never did any such thing, and that it was the record label and VH1 folks that insisted that Lupe be a part of the performance.

To make a long story short, things got heated, backpackers all around the world united and said 'Fuck Lupe'. They felt he was exploiting certain symbolisms that one may associate with Tribe and groups like them. On the other hand, Lupe raised some valid points about fans unfairly putting him in a box. He rejected the notion that he or any other rapper had to adhere to what he saw as a false set of standards in terms of who one listens to or embraces. Although Lupe didn't come right out and state it, this feud revealed a generational divide of sorts within Hip Hop. Many people seem to forget that Lupe was 11 or 12 when Tribe was at their height and so its understandable why he may not have come up without checking for Tribe.

At the end of the day, Lupe Fiasco went and released his new album 'The Cool' and many of those same Lupe haters have been secretly buying the album and singing Lupe's praises. You simply can't deny good music.

Feud of the Year: Lupe Fiasco vs Backpack Tribe Called Quest Fans

R&B Meets Hip Hop Award: I recall a time in Hip Hop when having R&B artists on the song singing the hook was seen as treason of the highest degree. I've attended music conventions where topics like R&B singers diluting Hip Hop were discussed. In 2007 that has all changed. Today, many R&B singers seem to kick a lot more flava then their Hip Hop counterparts. Yep I will take a Jill Scott, Erykah Badu, Anthony Hamilton or Amy Winehouse or even a Beyonce track over whole lot of mediocre cats who dropped 'Hip Hop' albums this year.

2007 had some memorable moments of R&B artists shining on Hip Hop records. I enjoyed Diddy getting down with Keyisha Cole on the song 'Last Night'. She really stood out on the song 'Dreamin' with Young Jeezy. R. Kelly got down with Snoop Dogg on the cut 'That's That Shit'. Hell Snoop caught the R&B bug and went out and sung his own hooks on the song 'Sexual Eruption' and came off sounding like T-Pain. Check out the video here: http://uk.youtube.com/watch?v=-lgGzgX5LlI

Speaking of which, T-Pain was everywhere but really shined on Kanye's joint 'Good Life'. We also have to give up to soul singer Dwele who got down on Kanye's song 'Flashing Lights'.

Jill Scott teaming up with Lupe Fiasco for the song Day Dreamin' was a good look.

Amy Winehouse was huge. Her hooking up with Jay-Z and Ghostface on separate cuts was a nice look. Her 'Back to Black' album was incredible and earns her 'Breakout Album of the Year Award' You listen to this joint and its style and sound takes you back to a time and place where music had special meaning above and beyond album sales.

Also we can't forget Justin Timberlake. The man who supposedly brought sexy back did his thing with Timbaland and 50 Cent.

Nas had a couple of R&B flavored cuts that stood out in 2007 including 'Let There be Light' featuring newcomer Tre Williams who sounds like Anthony Hamilton. The other one the Nat King Cole inspired 'Can't Forget About You' featuring Chrisette Michelle.

I loved Pharoahe Monch's joint 'Desire' which features his back up singers Mela Machinko and Showtyme. The gospel-like vocals is what made this an off the hook song coming off one of the better albums of the year.

We can't forget Ludacris and Mary J Blige. They hooked up and did a heartfelt socially conscious song called 'Runaway Love'. That was definitely nice.

But the award has to go to Rihanna and Jay-Z for the monster smash Umbrella. How can you deny the potency of that cut? The Cinderella remix featuring Jay-Z and Chris Brown was equally dope. Rihanna was this year's R&B Queen.

R&B Meets Hip Hop Award: Rihanna w/ Jay-Z 'Umbrella'

The R&B king for 2007 has to go to Akon who can seemingly do little wrong as a guest performer or producer. This year he hooked up with artists like 50 Cent and Bones Thugs & Harmony and gave life to their songs. Now Akon may do lots of harm at a show. Just ask singer Gwen Stefani or that fan he tossed off the stage. Better yet listen carefully to his song 'Sorry Blame it On Me'. Hell I think I'm gonna give Akon the 'Worlds Most Dangerous Performer Award'


Hip Hop Song of the Year: This was tough to decide. 2007 presented a whole lot of memorable moments. Singles ruled the day as way too many artists put out subpar albums. On the mainstream side we had a host of gimmicky songs like 'Lip Gloss' by Lil Mama, and Soulja Boy's 'Crank Dat Soulja Boy'. Those were balanced out by some dope songs like UGK's 'International Player's Anthem' featuring Outkast or Chamillionaire's 'Hip Hop Police'. I was also feeling Crime Mob's 'Circles' as well as Common's two stand out jams the Gil Scott inspired 'The People' and 'I Want You'. Hip Hop artists who embraced melodies and harmonies are what caught my ear this year.

On the underground tip, cuts like Brother Ali's heartfelt cuts 'Faheem' and 'Walk Away' stayed locked in my CD player.

KRS-One & Marley Marl's autobiographical cut 'Rising to the Top' was on point. He and Marley also killed it with the controversal hard hittin' song.

Nas' Let There Be Light' was dope and a big hit on my station Breakdown FM. Scarface's joint 'Never' was a chart topper as was Oakland native Jennifer John's tribute to Hip Hop DJs' 'For the Love of the DJ'.

I have to give a shout out to another Oakland based group Christion who dropped a gem of a song warning us about the dangers of the streets called 'No Place'. Its off the Project Plato album.

Another stand out song came from Public Enemy who celebrated their 20th anniversary. 'Harder than You Think' was a throwback to the hey days of this legendary group.

We have to give Brother J of the group X-Clan major dap for his slept .. 'Prisons' featuring jazz artist Christian Scott. This was off the album 'Return to Mecca'.

NY Oil formerly known as Kool Kim of the UMCs shook things up in '06 with his controversial song and video 'Y'all Need to Get Lynched'. As many of y'all recall he took shots at gangsta and negative rappers and images and put them on full blast. In 07 he came back with a heartfelt song and video dedicated to Black women called 'You're a Queen' Check out the video here: http://vids.myspace.com/index.cfm?fuseaction=vids.individual&VideoID=6167767

We also have to put a spot light on Queen Nasim out of Portland, Oregon she had a couple of cuts off her independently released album 'Fresh' including the fun, old school inspired 'Pumps (In my B-Girl Stance)' and her recently released Trip Hop inspired 'Get Down'

A dope Hip Hop song that seized the time and made its mark came from the city of Pittsburgh, Pennsylvania. It was from Jasiri X who is a minister in the Nation of Islam and a member of the community police watch group One Hood. He delivered a stinging song called 'Free the Jena 6' which got national attention when radio talk show host Michael Baisden started playing it.

Using a slamming beat from famed producer Jus Blaze, Jasiri summed up everything that was going on in the case and how the rest of the nation was feeling in less then 4 minutes. He gets the Hip Hop Political Song of the Year Award check out the video here:http://uk.youtube.com/watch?v=Pjv8jHiRETY

For me the song of the year a favorite for many of us who get to program radio, but rarely saw the light of day because folks were too scared to go there. I'm giving the award to Pharoahe Monch and his incredible jam 'Push'. The lyrics to the song set the theme for this year encouraging us to put our shoulders to the grind and push for new heights. A big gas face goes out to all those who slept on this song and let it go by.

Winner: Pharaohe Monch 'Push'


Video of the Year: I'm not the biggest video fan in the world. It just seemed like I seen one two many that harked on the I Got Money or I Got Girls theme. At least thats what I tend to see when I watch the popular video channels. But the one video that stood out and really caught my eye was from Chamillionaire. The video for his song 'Hip Hop Police' featuring Slick Rick was absolutely brilliant. Its off his album 'Ultimate Victory' which is pretty damn good. He proved to everyone that you don't have to course and act all gangsta to have a slamming album. He brought forth the type of creativity that has long been missing. At the same time he made a serious social-political statement without being preachy. Check out the video and give Chamillionaire his props...

http://uk.youtube.com/watch?v=oQlgJQgoytk

Winner: Chamillionaire 'Hip Hop Police'

Album of the Year: 2007 was a year for mediocrity. It just felt like a lot of folks weren't putting in the work. There was a time that people spent a year or two working on an album, nowadays cats spit these things out in two weeks and sell that as a major accomplishment. You can't deliver a masterpiece which will have us wanting to rewind every song and pay close attention to the lyrics as well as embrace and explore the concepts behind a project when you put something out that quick.

Far too many people try to be like Jay-Z who supposedly doesn't write down his rhymes and records albums like 'American Gangster' in 3 weeks time. I always like to point out that Jigga sold himself short. If AG was a good album-and it is. It by far one of the better albums for 2007, but I can't help thinking that it could've been so much better had he taken more time. In other words, his album is good, but it was mediocre for a guy of his talents especially when compared to some of his other albums. We've heard and seen jigga do all this before. The bottom line is fine wine doesn't come in two weeks time and neither does a great album.

With that being said…I've been re-listening to all the stand out albums that came out this year. They include;

Common's excellent 'Finding Forever'. Common is consistent. he year after year delivers good product. This album has some solid songs-many of which I like and play. I still think he has yet to reach his peak. There's a missing ingredient with him and I think all of us are waiting for him to take us there and give us that ultra classic album that is on par with landmark offerings like Paid in Full, Takes a Nation of Millions or 36 Chambers. Now that he's getting more into acting, it'll be interesting to see if Common continues to deliver on the level he has in years past.

Kanye West's ok 'Graduation'. I like Kanye and this album was pretty cool. While he did resonate with fans more than 50 in their much lauded 'battle', he still fell short of the mark when you compare this album with his last one 'Late Registration'

Talib Kweli's pretty good 'Eardrum'. Talib seems to finally be coming into his own. He along with his partner Corey Blacksmith started their own label, signed a strong stable of artists including Jean Grae and Strong Arm Steady. Then Talib did what any President of a label should do, he kicked things off and set the standard with his best album in years.

Pharoahe Monch's slept on 'Desire'. I have no idea why this album which came out on SRC/ Universal was underplayed. What more did they want Pharaohe to do. The man had a great band, great back up singers, did great shows, ghost wrote for a few mega-stars and delivered one of the dopest albums to come out in years. Unfortunately far too many taste-makers and program directors would rock Mr Monch in their cars and not on the radio. His album was Hip Hop's Best kept Secret in 2007

M.I.A.'s incredible 'Kala' How can one go wrong with M.I.A.? Her album didn't penetrate the mainstream the way it should, but within other circles this was top notch. Her cuts push the envelop as far as U.S. ears are concerned and hopefully in time what she brings to the table will be commonplace. M.I.A. has a world wide sound that is infectuous. Favorite cuts include 'Come Around' w/ Timbaland and 'The Turn'

KRS-One & Marley's hard hitting, on point 'Hip Hop Lives'. This album came right on time and reminded us that while Nas made valid points about Hip Hop being dead because of corporate takeover, that as long as you have legends like KRS and Marley Marl in the building the only thing dead will be wack emcees and the foolish people who market them.

Public Enemy's 20th Anniversary landmark Gem 'How to Sell Soul to a Souless People Who Sold Their Soul'. Too bad we allowed outside forces to define Hip Hop in such narrow terms. Hence Hip Hop stars when they celebrate their 20th anniversary its placed far in the back burner with radio programmers and consultants claiming that such groups are too old for their audience. Contrast that with their rock counterparts. The agism that exist within Hip Hop led to this brilliant album slipping through the cracks. That has got to change in 08.

We be remised if we did not give special mention to the Public Enemy led project 'A Tribb to JB' which is to date the only Tribute to the late great Godfather of Soul James Brown. They use the name The Peeps of Soul Funk and it features Public Enemy, artists off Chuck D's Slam Jamz label and their back up ban the The Banned getting busy recreating James brown classic. Special shout out to Johnny Juice who held down the production. Yes folks PE did big things in 07.

Jennifer John's incredible 'Painting on Wax'. She made the Bay Area proud and is well on her way to redefining what it it means to be a Hip Hop Queen. She has an incredible voice that will send chills up your spine. Her flava is intoxicating. Rarely does her album leave my CD player.

Lupe Fiasco's triumpheth album 'The Cool' As I mentioned earlier. All those backpack Tribe Called Quest fans who swore to forever disown Lupe, have now quietly placed his picture back upon the mantle. This man refused to be denied in 2007.

Amir Sulaiman's slept on 'Like a Thief in the Night'. If you can find this album pick it up and trut me you will not be disappointed. Amir brings serious heat like no other. And for those of you who ignorantly claim spoken word artists aren't emcees, you will be forced to change your mind after listening to this album which features the Last Poets and Mos Def among others.

Marco Polo's Under rated 'Port Authority' I loved this joint and can't believe more people didn't know about it.

Redman's pretty damn cool 'Redman Gone Wild'. Way too many people including his Def Jam label slept on this guy who delivired an excellent album. This was big miss for the marketing department and now former President Sean Carter.

DJ Jazzy Jeff's Magnificent 'Return of the Magnificent'. DJ Jazzy Jeff is a long time fixture in the game who has quietly innovated (brought us the transforming scratch) and pushed Hip Hop to new heights. We all know and love him as the sometimes 'sidekick' of Will Smith when he was known as the Fresh Prince. The irony is when they first started it was the other way around. It was Jazzy Jeff and his incredible deejaying that drew the large crowds.

Nowadays Jazzy has gotten behind the mixing and production boards and delivered groups and albums that remind us just how good Hip Hop can be. This years album lived up to its name. He brought the best qualities out of the many artists featured on this LP including Method Man, De La Soul, Jean Grae, Big Daddy Kane and J-Live to name a few.

Kellie Maize's Woman centered strong album 'Age of Femine' (She's the pride and joy of Pittsburgh and the head of the Nokturnal Movement which empowers women artists. She rolls with a serious crew of female emcees and singers who have proven time and time again in their home town they are the truth. Look for her to blow up in 2008.

50 Cent's disappointing 'Curtis'. 50 said earlier that he was going back to his grandma's house and was gonna lock himself in the basement and deliver us an album that brought out the emotions and vibe he was experiencing when he was just coming up. I don't know what happened, but this could not possibly be that album. This guy has lots of talent and he seemed to be lazy on this 'highly anticipated offering.

Blu & Exile's 'Below the Heavens' is the best debut album of 2007. I will have to go along with the good folks over at Okayplayer.com who gave them Rookie of the Year. We're giveing this dynamic duo from Los Angeles the same honor..

This is just a few of the many albums that came across the decks this year..

As for the album of the year, I'm gonna have to give it up to Brother Ali out of Minneapolis's Rhymesayers camp. His landmark album 'Undisputed Truth' was an important shot in the arm. He reminded everyone that Hip Hop has a lot of responsibility to speak truth to power in the most compelling way.

You listen to Brother Ali and you feel that every word he utters has meaning. All the songs on this album served a purpose. In other words he was not rhyming for the sake of riddlin' and he didn't provide us with tons of filler material. He delivered a masterpiece. From songs like 'Walk Away' which explains in great detail the demise of his ten year marriage to the politically laced songs like 'Letter to Government', to the stinging barb blasting the US government 'Uncle Sam Goddamn' to the moving ode to his son 'Faheem'. Brother Ali was the absolute truth in 2007 Enuff said.


Hip Hop Book of the Year: 2007 was a great year for Hip Hop scholars and writers. More and more classes are being taught at Universities and along with those classes are more books being written about Hip Hop and Hip Hop related topics. In 2007 we say books like 'Know What I Mean?: Reflections on Hip Hop' by Michael Eric Dyson. 'Check the Technique (Liner Notes for the Hip Hop Junkie)' by Brian Coleman. 'Total Chaos: The Art And Aesthetics of Hip-hop' by esteemed author Jeff Chang, Born in the Bronx by Joe Conzo and The Hip Hop Education Guidebook Volume 1 by Marcella Runell & Martha Diaz are just a few of the stand out publications I peeped this year...

The book that gets the award hands down is Snitch (Informants, Cooperators & the Corruption of Justice) by Ethan Brown. Many of y'all may know Ethan for his excellent book 'Queens Reigns Supreme'. This book breaks down the entire Stop Snitching ethos and how and why it came about via the government. Ethan should've been on 60 Minutes explaining things and not Cam'ron. This is a must read book for anyone and everyone within Hip Hop. The most compelling chapter is the story behind the shooting of 2Pac and the role snitching played. It'll blow you away...

Winner: Ethan Brown 'Snitch'

Hip Hop Documentary of the Year: This year I saw several that really stood out. One of my favorites was Bling: a Planet Rock featuring Raekwon, Tego Calderon and Paul Wall is incredible. A look at this film will make you re-think wearing diamonds. Big shout out to director Raquel Cepeda who put this together. Major shout out to Paul Wall who came back and completely changed the way he does business in the diamond industry. Check out an excerpt here: http://uk.youtube.com/watch?v=4NGNbC4bons

Bastards of the Party is a dope documentary with serious impact. It goes into great detail showing how the Bloods and Crips came about. It traces the direct links back to the Black Panther Party and the FBI's Cointel-Pro program. Big shout out to Blood gang member Bone who put this together its a must see film for anyone who likes to talk about gang banging and street culture in their rhymes...Check out clips here: http://uk.youtube.com/watch?v=4NGNbC4bons

We have to pay homage to the documentary 'The Otherside of Hip Hop' which was put out by famed Hip Hop photographer Ernie Paniciolli. It features Afrika Bambaataa, Chuck D and many others and was recently featured at the Tribeca Film Festival and it was awarded Best Documentary in the Big Apple Film Festival. Now that's major. check out
www.ourgang62.com

There were two excellent documentaries that took on Hip Hop media and showed us how things operate behind the scenes. Both documentaries were done guerilla style with very little money but had great impact. The first one is 'Turn Off Channel Zero' featuring Professor Griff of Public Enemy.

The concept behind this documentary came about when people on the popular Luv4Self Listserve started expressing their frustrations and disappointment with the VH1 reality show Flava of Love. People from all over the country decided to pool their resources and up and coming film maker Opio Oskoni made it happen. He held screenings all over the country and got people fired u p as he exposed many of the ways corporate media works in distorting Hip Hop culture and Black people. The film takes aim at viacom chairman Sumner Redstone Check the excerpts here: http://uk.youtube.com/watch?v=3vNBVDr6jZk

The other documentary was the infamous 'Confessions of a BET Producer' by former BET programming assistant D Brad. He does the ultimate expose and tells us how things really go down behind the scenes at Black Entertainment Television. He exposes the payola practices, the questionable decision making process. He even talks about being sexually harrased by his former boss Stephen Hill. This made for Youtube documentary was off the hook.

Shortly after D Brad posted things on line, BET came after him and tried to prevent him from posting things up on Youtube and myspace. So you may have to check around for viable links to see all 4 parts. We gonna give D Brad the Blow the Whistle Like Too Short Award.. 'cause homeboy really did blow up BET's spot in a big way.

Check out the excerpts here: http://uk.youtube.com/watch?v=lm0mEfL8S9s

The winner of this years award is Hip Hop beyond Beats and Rhymes by Byron Hurts. This documentary kicked things off in a major way as Hip Hop went on a journey of self examination. Hurts does a great job dealing with the issue of misogyny within Hip Hop culture and helps get us to change our ways. The highlights of the film was his the conversation he had with young rappers in front of Power 105 in New York who explained the type of pressure they were under by mega corporations to produce certain material. The other highlight was Hurts confronting music mogul Russell Simmons and BET's VP of programming Stephan Hill Check out the excerpts here: http://uk.youtube.com/watch?v=53tvVk8jxi0

Five Low Moments in Hip Hop in 2007:

1)Hip Hop pioneer Afrika Bambaataa was not voted not the Rock-N-Roll Hall of Fame this year. It was a big disappointment especially when you consider all that Bam has done. Here's a guy who helped spearhead the movement to turn gangs around and make them productive.

We all know the story behind the notorious Black Spades that routinely terrorized the Bronx back in the 1970s becoming first the Organization and later Mighty and now the Universal Zulu Nation. We know about Bam introducing Hip Hop not only around the world, but also introducing the early Hip Hop crowds to world music like Fela Kuti. back in the days Bam was known as the Master of Records because of his wide range of musical tastes and influences.

We know that Bam was a positive force who used his music and popularity to raise money for Nelson Mandela and the African National Congress when South Afrika was under Apartheid Rule. We also know that Bam was the first in Hip Hop to do a song with James Brown. He later went on to push the envelop by teaming up with Punk Rockers like Johnny Rotten and later on Funkateers like George Clinton. This is just small portion of the many things Afrika Bamabaataa has done..

The Gas Face goes out to the Rock-n-Roll Hall of Fame and all those who voted. How can you not put one of the founders for the biggest music genres in the world inside the Rock-n-Roll hall of Fame? Talk about Disrespect

2)1) One of Hip Hop's lowest moments came in January of 2007 when the RIAA (Recording Industry Association of America) teamed up with the police to raid the offices of DJ Drama and DJ Cannon in Atlanta. It was a foul move when you consider that for years the industry especially on the Hip Hop side has depended upon mixtape deejays who usually at great expense to themselves have gone out and literally laid the foundation and blown up the careers of the artists they featured.

Mixtape deejays have long been a bigger asset then the marketing departments at many of these labels Drama and Cannon are the best of the best and too see and hear about their offices getting raided and them getting arrested was about one the lowest moments we had this year. In my opinion the motivation behind the raid was about exerting control, not loss of revenue.

Nowadays the RIAA wants to bring their gestapo tactics to the average consumer. They are now pushing a case through the court system to make it illegal for purchasers of a CD to copy music onto their computer. How low and how sad is that?

3)The death of soul legend and longtime James Brown sidekick Bobby Byrd. Folks within Hip Hop know Byrd best for the song 'I Know You Got Soul' which was immortalized by rap stars Eric B & Rakim.

4)3)The untimely death of Kanye West's mother Dr Donda West. For people who had an opportunity to meet her she was a down to earth incredible woman who had made name for herself teaching for 31 years in the Chicago school system. Many of us felt we knew Dr West personally because Kanye always talked about her and even wrote a heartfelt song about her. Our hearts broke alongside the young rapper when it was learned she died during a routine surgical procedure.

5)The sudden death of rap star Pimp C. He was an icon who was one half of the group UGK. They are credited with helping establish southern rap. When Pimp C wound up going to jail he sparked a two or three year campaign with fellow rappers and fans calling for his freedom. He was released this year and quickly made noise by giving colorful interviews where he spoke out against phony rappers who he felt were soiling the game and diluting the music. UGK along with fellow southerners Outkast had one of the hottest songs of the year with 'International Players Anthem (I Choose You)'. Pimp was on a roll and his death came as a huge shock to his peers and fans.


Ten High Moments in Hip Hop for 2007

1)Master P stepping up, apologizing to Black woman and making a promise to turn things around and release positive music. He came across as an esteemed elder statesman and repped us well during the contentious Congressional Hearings last Summer.

2)Byron Hurt's award winning documentary Hip Hop Beyond Beats & Rhymes which addressed misogyny in Hip Hop and forced us all to take along hard look.

3)The Paid Dues and Rock the Bells Tour. These two concerts sold out in many cities and let us clearly know that Hip Hop was alive and well inspite of dire predictions from so called experts and critics. The highlight of these tours was seeing all the great acts that now have stellar back up bands...

4) KRS-One, Lord Cashus D and the Chicago Hip Hop community that came out in full force and lit things up at the FCC hearings around the issue of media consolidation in Chicago. There were attempts to stifle voices but folks in the The Chi weren't having it.. Hip Hop was in the building. You can peep KR%S speaking at those hearings here:
http://odeo.com/audio/16884193/view

Big shout outs are in order to the Seattle Hip Hop community who followed suit and came out in force at the FCC hearings in Chicago. 206 Zulu Nation members came through and let the FCC Commissioners know that Hip Hop folks were alive and active and very much against the type of dribble being offered up daily on commercial stations.

5)Watching Mos Def on Bill Maher show alongside Dr Cornel West speaking out and let the world know about the plight of the San Francisco 8 political prisoners. as well as the Jena 6. Maher tried to over talk Mos Def and throw all sorts of crazy arguments his way, but Mos swatted them away and went on repped for us real hard. It was beautiful thing.
check out the video here:http://uk.youtube.com/watch?v=EvO5kD4yr1Y&feature=related
A couple of months later Mos Def showed up in Jena, Louisana to show support for the Jena 6 and then upon seeing that many of his fellow artists weren't there he went ahead an organized a nationwide school walk out.

A couple of months after that Mos Def came to San Francisco and put on a benefit concert to raise money for the SF8 who he feels are being unfairly prosecuted and railroaded for crimes they were aquitted of over 3o years ago.

Mos not only put on a full fledged 3 hour concert complete with a dope back up band, but he also held a standing room only town hall meeting in one the housing projects in the Filmore section of SF to bring attention to this issue. He had two of the SF8 on stage with him. Mos for President in 08.

6) In the same vein props goes out to Talib Kweli who started off the year by completing his Right to Return Tour which was designed to bring attention to the plight of those displaced by the floods in the aftermath of Hurricane Katrina. Like Mos Talib did fund raising concerts and then held well attended town halls.

7)The Freedomland Project Out of New Orleans. Say what you want about the 504, but many of the artists from that area stepped it up and put in work to save lives at the height of the Katrina floods and many are on the ground putting in work now. The Freedomland Project pulled to9gether many of the city's grimiest artists and had them put together a heartfelt song that expressed the angst frustrations and hope they have in the aftermath of Katrina. The project and video are off the chain. Its a shame so many slept on this.
Check out the video and tell me that ain't fresh...
http://uk.youtube.com/watch?v=gDEqm9VNm_Y

8)In the same vein we have to give it up to New Orlean artists like Sess 4-5 who not only dropped some lyrical bombs with songs like 'Stayed in the Ghetto' and 'Blackman', but he was one of those artists who has long put his money where his mouth was. When I was out there in August for the Hurricane Katrina Tribunal he was out there leading the march through the ravaged lower 9th Ward. He was out there standing tall with the people helping lead the charge to stop the recent demolition of public housing. WSe give Sess 4-5 The Unsung Heroe Award

9) Long time Hip Hop head and professor Jared Ball entering into the Presidential race. This past summer Jared Ball who is best known throughout the Washington DC area for his Freemix Mixtape Radio show announced that he would be running for President under the Green Party banner. He is our first Hip Hop presidential candidate. No, Ball doesn't get regular press on the nightly news,nor does he get quoted in the NY Times every week, but his ideas and concepts are so on point and resonate with all who hear him. He inspires hope and people should definitely give him a listen..
http://uk.youtube.com/watch?v=-TBSSaaeR0c

10)The formation of the Hip Hop Chess Federation in the Bay Area and witnessing Rza and his fellow Wu-Tang family members Gza and Black Monk take the championship for the federation's first tournament. Big shout out to long time journalist Adisa Banjoko who put this together. he brought together a gang of chess playing Hip Hop artists ranging from Casual of Heiro to Paris to pioneers like Popmaster Fabel to DJ Q-Bert to Raaka from Dilated Peoples to Sunspot Jonz of Living Legends along with martial arts experts and chess masters to go head to head in the ultimate thinking game. Things went so well this past summer that HHC is gearing up for a own's chess tournament called the Queens Invitational. Banjoko noted that its important to get people to think long term and if they're gonna battle, battle on the 64 squares as you comtemplate your next move opposed to having meaningless battles in the streets over nonsense. Check out Rza winning the tournament.
http://uk.youtube.com/watch?v=LEa8aOZYcTY







#1985 From: "Greg Schick" <greg@...>
Date: Fri Dec 28, 2007 3:42 pm
Subject: [World Hip Hop Market] New contest, news and radio updates
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January Giveaway: Just send an email to contest@... (with “giveaway” as the subject) by January 18th, 2008, to be entered in a drawing for our Intricate Minds prize pack. Intricate Minds are a dope Canadian crew consisting of Synaptix, Verse, Justin Crates, Prof and DJ Kalo. In 2007, they signed on to the newly re-launched Rawkus Records as part of their “Rawkus 50”. Our prize pack includes a copy of their CD “Self Hypnosis” and a copy of their 12” single “To the Letter”, a real banger produced by Oh No! More Information on Intricate Minds. Disclaimer: by entering the contest you are also agreeing to sign up fort he World Hip Hop Market email newsletter.

 

Best of 2007: There is still time to submit your top 10 list of the best international hip hop releases of 2007. Email your list by January 1st, 2008, to be included (by name and with link) in the Best of 2007 posts on World Hip Hop Market.

 

World Hip Hop Radio: Going strong for 2008! I’m looking for new music and drops for the January rotation. If you have any recommendations for artists or songs, please email me. If you are an artist, label or DJ and would like to do a drop for the radio program, just make sure to include your name, city/country, and “World Hip Hop Radio” in the audio file and email it to me. Thanks!

 

Latest Global Hip Hop News:

 

In Senegal, Hip Hop is About Social Change, Dec. 19, 2007
A hip hop foreigner in Gaza, Dec. 16, 2007
Loving Hip-Hop in Morocco, Dec. 15, 2007
MTV Looks to Conquer Middle East Market, Dec. 15, 2007
Uganda: Spreading the Gospel Hip Hop Style, Dec. 15, 2007
Laos youth hip-hop to a local beat, Dec. 14, 2007

 

Trinity International Hip Hop Festival: Mark you calendars for Americas first and largest international hip hop event! The third annual Trinity International Hip Hop Festival will be held April 4 - 6, 2008, in Hartford, Connecticut, at Trinity College. World Hip Hop Market will be there again along with loads of great performers, films, panels, workshops and new this year: a $500 b-boy battle! Keep watching for more information! www.trinityhiphop.org

 

Greg Schick
World Hip Hop Market www.worldhiphopmarket.com
World Hip Hop Radio www.live365.com/stations/osg1971
"Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
MySpace Profile www.myspace.com/worldhiphop
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#1980 From: shaimesh@...
Date: Tue Dec 11, 2007 11:18 pm
Subject: Breakdown FM: The Origins & Evolution of the Hip Hop Police
shaimesh
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The Origins and Evolution of the Hip Hop Police
 
By Davey D


M
any people have long believed the first Hip Hop cop came out of New York City and recently arrived on the scene sometime after 9-11.Much of this is centered on the Hip Hop's infamous Hip Hop task force whose existence was initially denied by law enforcement but later discovered to be run by former NYPD detective Derek Parker. Things really hit the fan so to speak when it was discovered that this NYPD task force had amassed a 500 page dossier that detailed the comings and goings and other sensitive detail of some of Hip Hop's biggest stars. Parker and his task force have since been the subject of several high profile news stories, a documentary and a book he authored.

However, long before Parker and the Hip Hop Task Force came along I was aware of another Hip Hop cop whose name was shrouded in mystery but he was known among law enforcement as the go to guy when it came to dealing with gangster rap. His name is Ron Stallworth and he came straight outta Salt Lake City, Utah. In my mind he is Hip Hop's first cop and he is the author of 4 books including; 1)Gangster Rap: Music, Culture & Politics, 2)Significant Developments in Gangster Rap Music Since the Rodney King Uprising, 3)Bringin' The Noise--Gangster Rap/Reality Rap in the Dynamics of Black Revolution, and 4)Real Niggas: Gang Bangin' To The Gangsta Boogie in AmeriKKKa.

If that's not enough Stallworth has testified before Congress and the Senate Judiciary Committee where he submitted some very compelling papers. Currently he is retired but still lectures to law enforcement communities around the country about Hip Hop.

A Brief History of Blacks Being Surveilled

Now before we move on lets look at rappers being watched by the police and put things in some sort of historical perspective. This means that we have to go back to dates and times that predate Hip Hop.

Organized and institutionalized surveillance of the Black community, Black organizations and Black men in particular has been around ever since we were dragged here from the shores of Africa in chains and made slaves. Whether it was the threat and fear of revolting slaves on the plantation or freedom fighters like Marcus Garvey, Martin Luther King, the Black Panthers or Malcolm X revolting against the system in more contemporary times, Black folks who chose to stand up and take on 'the system' have always been watched by those in power.

As KRS-One eloquently put it in his song 'Sound of the Police', once upon a time we had overseers watching the Black slaves on the plantation. Today that overseer has turned into the officer who is now charged with watching over Black folks in the hood.

For those who think this is exaggeration, all you have to do is look to the 'hey day' of the Civil Rights and Black Power Movements in the 60s and 70s where you'll find the enactment of the FBI concocted a program called COINTEL-Pro.Then FBI director J Edgar Hoover felt that many of the freedom fighting organizations like SNCC, The SCLC, the Black Muslims and the Black Panthers were a threat to national security and thus needed to be infiltrated and monitored In fact at one point some of these groups were labeled terrorists.

The leaders of these groups sparked a deep seeded fear in Hoover who stated that it was important that the US government contain militant groups and watch out for the rise of a Black messiah. The FBI used all sorts of tactics to disrupt the unity and organizing efforts these groups attempted to forge. The FBI became really concerned when these groups and leaders reached out and attempted to form bridges with urban street gangs or in the case of King and Malcolm X attempted to reach out and identify with freedom fighters on the international stage.

The Cointel-pro program was supposedly dismantled in the 70s as the Black Panthers and other Black Power organizations were dismantled, neutralized or outright destroyed but many believed surveillance of Black leaders and groups still continued in some form or fashion-under another name.

With respect to Hip Hop, law enforcement definitely had its scope locked on folks because Hip Hop emerged from gang culture. Under the guise of restoring 'law and order' and maintaining public safety many of the large street gangs coast to coast that came up in the aftermath of the Panthers demise found themselves at war with law enforcement. In New York City gangs like the Black Spades where a young Hip Hop pioneer Afrika Bambaataa served as a war lord were definitely being watched.

Bam confirmed this in a recent interview when he noted that back in the pioneering days as gang culture was giving way to Hip Hop; the NYPD had a ruthless anti-gang squad called the Purple Hearts who would routinely come out and harass and shoot gang members. He noted things really got out of hand when some of those gangs including his Black Spades surrounded the police station and physically confronted police to protest the brutality. Bam also noted that although the gangs were essentially outlaws, they were still influenced by the Black Panthers and that willingness to stand up for Black Power was reflected in the rebellious spirit of the gangs. So in a nutshell if Cointel-pro was designed to destroy the Panthers it didn't succeed in killing the spirit.

In the early 70s the Black Spades under the leadership of a politicized Bambaataa began to change their ways and became the Organization. The Organization later morphed into the Mighty Zulu Nation with the emergence of Hip Hop culture as a backdrop. The Zulus who took their name from the South African tribe that fought against Dutch Rule in South Africa, went on to become Hip Hop's earliest and now oldest organization. Although it took a long time and many meetings, Bam's goal was to get some of the rough and rugged gang members to turn a new leaf and start cleaning up the projects and become a international organization. With all this in mind, it would be naĂŻve to think that law enforcement surveillance suddenly stopped because people were not actively gang banging.

If anything more surveillance was likely to befall groups like Zulu Nation because they were politicizing the gangs. Many speculate it was this sort of politicizing activity that led to the assassination of former Black Panther leader Fred Hampton in Chicago who was trying to link the Black Panthers with Chicago street gangs like the Black Stone Rangers and the Black Disciples. We now know that he and the panthers in Chicago were constantly being watched.

If we chronicle some of the biggest street movements within Hip Hop you'll find that it wasn't too far removed from the street gangs. You can look at the new era of Hip Hop ushered in by acts like Eric B and Rakim when they dropped their Paid in Full Album and see right there on the back of their album cover the notorious Fort Greene Crew which included legendary stick up kids like the original 50 Cent. You don't think the police weren't keeping an eye and ear out on those guys?

If we fast forward into the so called Golden era of Hip Hop in the late 80s and early 90s when groups like Public Enemy, X-Clan and Brand Nubian hit the scene when can again see that important connection to the streets, gangs and organizing. And yes, there is no doubt that these groups were being watched. It may have come in the form of the 98 Posse and Nation of Islam with groups like Public Enemy, the 5% Nation with groups like Brand Nubian or Poor Righteous Teachers or Blackwatch with X-Clan. On the west coast you had groups like N.W.A. and Ice T who helped introduce the world to Southern Cali's gang culture which included the Bloods and Crips. We also can't forget the 1992 Rodney King Uprisings where Hip Hop was a main catalyst in helping spark the gang truces. It is on this west coast connection where Ron Stallworth comes in..

His books were written when gangsta rap first started to come out of Los Angeles and LA gang culture began to makes its way to Utah in the late 80s and early 90s. He continued to update his findings till the day he retired two years ago. His books are department issued self-publications which have been read widely by his fellow officers. They are extremely thorough, very detailed and have a keen political analysis that would actually shock most people outside of law enforcement because of some of the positions and conclusions Stallworth takes.

In addition to breaking down the lyrics, street culture and gang connections behind the songs and groups Stallworth and is Utah based unit (Department of Public Safety) kept tabs on, his books gave prophetic warnings as to what would likely happen if certain suppression based policies and practices weren't changed or completely eradicated. Stallworth felt that it was important his fellow officers had a clear understanding of the socio-economic and political conditions that gave rise to some of the material put out by so called gangsta rappers and Afro-centric socially conscious rappers. He let his fellow officers know why some of the rap songs being put out advocated for harm and outright killing of police. In a recent interview Stallworth noted that some of his analyses did not always fit well with his brethren, but he vowed to remain objective and speak the truth.

I first became aware of Stallworth's existence back in 93-94 when I sat on a Hip Hop panel at Laney College in Oakland alongside an Oakland police officer who was also on the panel. This particular officer happened to have a copy of his first book 'Gangster Rap: Music, Culture & Politics' He let me look at the book for a few minutes and as I thumbed through the pages I was blown away by the amount of detail it had on popular gangsta rap acts at the time like Eazy E and NWA, DJ Quik, Ice T and others. When I say detail, I mean it would mention the artists and note his gang affiliation and had lyrics to his songs with explanations as to what the artists was saying and what he was really meant. At that time I had not seen any book out like that…

Just as I was starting to really get drawn into things the panel started and the officer told me I could no longer look at the book because it was just for officers in the Oakland police department. I asked him where he got the book and he became real vague. He said the book wasn't available for the public and that it was just for police officers and that the guy who wrote it was a Sergeant out of Utah. He told me the guys name was Ron 'Shuttlesworth' and told me to look him up on the Utah police department.

Now, here's a few things that were running through my mind at that time. First I kept asking myself, who in the world would ever think a police officer from Utah would be up on gangsta rap? Second, it blew me away while at the same time it left me impressed that OPD had such in depth details about rap. The author of this book from what I read seemed to know a hell of a lot more than most people who were in the industry itself. Over the years I would tell people to be aware that OPD had some sort of book detailing all the rappers and that folks needed to be aware and careful about the things they said and did.

Lastly I never was able to get a hold of Sergeant 'Shuttlesworth' because years later I discovered the Oakland police officer had given me the wrong name and telephone number. Over the years, I tried in vain to track down this book with no luck. Every time I would ask officers who were guest on my radio shows about this book on gangsta rap, they would look at me and say they didn't know what I was talking about. It became a running joke of sorts because usually when I had Oakland officers on to talk about some sort of topic connected Hip Hop they would display a great deal of knowledge about the genre and I would always comment that it was because of Stallworth's book. They would in turn always emphatically deny having these books. I even asked former Oakland Police Chief Richard Ward about the books and he too denied their existence.

It got to a point where I had so many officers look me in the eye and say there was no such book on gangsta rap, that I began to wonder if I had actually seen the book.

I finally got confirmation about three or four years ago when my old DJ partner started working for the sheriff department. He saw the book and told me that there were updated versions of what I had read and they were pretty detailed. He went on to add that he could not bring them to me because they were only for the police department and as a rookie officer he did not wanna risk getting in trouble.

I felt somewhat vindicated, but it wasn't until I read an article on the AP wire about Stallworth retiring from the Utah police force that I felt completely vindicated.

His name came up in the most usual way. You see about 30 years ago Stallworth made a name for himself by infiltrating the Ku Klux Klan in Colorado Springs.

That in itself is a crazy story. How in the world did a brown skin Black man infiltrate the Klan? What's even more bugged is that Stallworth was so good at his job that he was even offered the position of Klan chapter leader. His Klan membership card was issued by to him personally by KKK leader David Duke whom he once bodyguard. His incredible police work led to the eventual dismissal of Klan members who had joined the United States Army with a couple of members actually working at NORAD. (North American Aerospace Defense Command (NORAD).

This is a story that is so unbelievable that in many ways eclipses Stallworth's work in Hip Hop. In fact it was at the end of this article of him joining the Klan that there was a one line sentence stating that Stallworth was an expert in gangsta rap. Hours after I posted a blog running down my long search for Stallworth that I got an email and eventual phone call from him where he gave me the run down of what led him to becoming an expert on gangsta rap. We eventually connected face to face and did this incredible interview

In part 1 of our Breakdown FM Interview we talked with Stallworth about his adventures with the KKK and how after 27 years David Duke is just finding out he had been duped. What's even crazier is that on the back of the KKK membership card which Stallworth is shown holding in the photo above the first rule that all Klansmen are obliged to follow is to -Never talk to undercover cops... It looks like David Duke violated his own rules. Maybe he needs to be kicked out.

Breakdown Interview Evolution of the Hip Hop Police pt2

In our interview explained that he had no intention to become any sort of expert or to keep tabs on rappers. He's an old school type of cat who was working in Utah department of Public Safety.

One of the things this department was charged with doing was engaging the youth gangs. In the late 80s and early 90s Stallworth noted that many of the white Mormon kids started to associate themselves with Crip and Blood culture out of South Central LA and Compton and thus formed gangs. This sort of attachment puzzled Stallworth who eventually made trips to Los Angeles and teamed up with gang task force leaders to see first hand how gangs were operating and how and why they had such a hold on white kids in Utah. He eventually discovered that gangster rap via groups like NWA is how these white Mormon kids were getting their leads and cues. They were fascinated with what they concluded was 'black culture'.

Out of necessity Stallworth had to become an expert in this new subgenre of Hip Hop. The rest they say is history. Stallworth felt it was important to truly understand the culture of He then began to see how police misconduct had fueled a lot of the rage being expressed in the songs. This led to Stallworth writing a ten page paper which contained his conclusions and observations became the basis for his first book.

In this interview Stallworth breaks down the methods he used to gather intelligence. He said it was all about connecting the dots and that ironically many of the rappers themselves through their lyrics and album covers which showed graffiti, street signs and other key indicators provided all the information he and other law enforcement officials needed to paint a picture.

He talks about how the biggest challenge he faced was explaining to other officers the perspective of the rappers and how and why law enforcement needed to change some of their approaches. He wanted the police to study the artists, and find common ground which he felt could lead to better relationships in the community.

He admitted that many officers were invested in maintaining a negative outlook and too often over reacted to situations that could best be diffused with better understanding. In our interview Stallworth referenced a situation in Detroit involving NWA where plain clothes officers rushed the stage after the group attempted to perform the song 'Fuck tha Police'.

In order for Stallworth to maintain what he saw as an objective outlook he would write the books that was issued to the department on his own time and publish them with his own money and resources.

During our interview we discussed the history of surveillance in the Black community in particular Cointel-Pro. Stallworth explained in great detail how and why what he was doing was not the same as Hoover. First and foremost he felt Hoover crossed the line and violated the constitution. In fact he noted that Hoover needed to be jailed. With respect to his operation, he basically listened to the material put out by the artists and then cross referenced things with police resources. In other words if a rapper said he was down with gang, then Stallworth would check that out and see if it was true or not. If an artist took a picture of a street sign and put it on his album cover, he would check it out and see what the deeper significance behind it. In short many rappers were telling on themselves.

Breakdown Interview Evolution of the Hip Hop Police pt3

We conclude our three part conversation with retired Sergeant Ron Stallworth. Here we talk about the 4 books he's written on Hip Hop and Gangsta Rap. We pay particular attention to the book he wrote on Hip Hop activism.

He spoke about the things he saw and heard within Hip Hop that predicted what would eventually take place during the Rodney King rebellion in 1992.

Stallworth noted that today rap music has been neutralized and has lost a lot of its urgent message. He says today kids are all about making money and that's clearly reflected in many of the songs that are commercially viable. Says we live in a time when people want to escape poverty.

We spoke about the Stop Snitching Movement. He personally finds it disgraceful; however he understands the sentiments behind it. He says people in the community are getting the wrong message when they are being asked to tell while Congressmen remain silent when they are asked to speak out.

We talked about studio gangsters. Stallworth said there are a number of rappers who say lots of things in records that don't add up when he checked them out. He cited Snoop Dogg and Ice T are glaring examples. He also talked about the 2Pac case and Suge Knight. He said if he was running the investigation into Pac's killing he would start with Suge. He then talked about the Death Row organization and it being a unique in the sense that it was represented by both Bloods and Crips.

Lastly we talked about the music industry and the role that street gangs played and how they are perceived by law enforcement versus traditional organized crime like the Mafia. We talked about how and why the street gangs came under surveillance and why we don't hear as much about the mob.




#1978 From: shaimesh@...
Date: Mon Dec 10, 2007 9:13 pm
Subject: Dropping Serious Gems-Ani vs KRS-One: The Lost Interview
shaimesh
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From: mailto:mrdaveyd@aol.commrdaveyd@aol.com
 
 Ani vs KRS-One: Dropping Serious Science-the Lost Interview

Ani vs. KRS-ONE: The Lost Interview

by ani yapundzhyan


My KRS-ONE plates got stolen at an Afrika Bambaataa show. When I bought my brand new Honda Civic at age 18, I was more excited about getting my customized KRS-ONE license plates than I was about the actual car itself.

I thought those plates would be my and Hip Hop's little secret. I initially expected a few hardcore heads to know what was up, but never did I imagine the impact that those plates, and thus the man himself, would have on people.

In the three years that I drove the KRS mobile around, before I got carjacked at that Bam party, I got stopped hundreds of times on the street by fans-and never have I seen such a diverse group of people so passionately express their appreciation for an artist.

Latinos, blacks, white people, old and young, would pull me over every day and shout out from their windows, "I love KRS-ONE, that is so cool!"

His impact on society was made obvious to me one day when an old Cadillac convertible with two blondie surfers inside, armed with their boards, motioned for me to roll my window down and the girl actually stood up in the car and screamed to me, "Oh my god, he's my favorite rapper!"

'Oh my God, he's my favorite rapper.'

Word?

I was astounded. I realized, gleefully, that the 'underground emcee' known as KRS-ONE had gone far beyond the realms of Hip Hop; his music, his philosophies and his ideals had engulfed mainstream America, and even more amazing, America understood him.

All this without mainstream marketing and promotion.

His constant (and rightful) criticism of American society and his keen understanding of the impact of speech has me thinking that KRS-ONE is the Noam Chomsky of the Hip Hop culture.

Chomsky is one of the ten most-quoted writers of all time, just behind Plato and Freud as the 8th most intellectual luminary of all eras. At age 79, he is a self-proclaimed anarchist and one of the world's leading linguistics experts.

This year KRS-ONE celebrates Boogie Down Productions' 20th anniversary as a true OG in the game. Whether it be his early recordings as an originator of gangsta rap where he outlined the problems of his community, or his later recordings as 'Tha Teacha' where he went on to address the problems of society-and Hip Hop-on a larger scheme, KRS-ONE has spit some of the most intellectual and important verses in Hip Hop history.

"You Must Learn" is a quote made famous by KRS, and it is the essential message that Noam Chomsky has been spreading for decades and decades.

Perhaps the most similar characteristic between the two intellectuals is their understanding of linguistics. KRS-ONE comprehends the fact that as an emcee, it is not just what you say that matters, but how you say it: the tone of your voice, the pace of your speech, the velocity. And like Chomsky, KRS knows that speech patterns are a tool of control.

Conversing with KRS and his emcee friend Triune, I get right down to it and ask him why there is so much structure in the American education system.

"'Cause they want to control you," KRS responds immediately, "Structure is Powa, and they want you to stay in the boundaries of their powerfulness and your powerlessness."

He takes on a very low, comforting tone, "Be an idiot for me, I need you to be an idiot. I need you to be my slave right now." KRS looks me deep in the eyes, which is his hint that I need to be paying sharp attention to his words, "If you ask somebody politely to be your slave, they'll just be your slave. If you keep saying it politely, 'thank you, I can't live without you, you're my best slave', I'll bet they'll just be like, 'awww'."

Triune jumps in, "Will they give you a slavery certificate when you graduate?"

KRS laughs, "I'll give you Master's degree!"

Triune: "You are a master slave!"

KRS: "I'll give you Master's degree."

"It's all vibration," KRS explains, "Word combinations give your thing value or decrease your value."

It is in this ironic way that KRS gets his points across. "Today's American education is training the student for the job market, and the job market basically leads to nowhere," he continues, "We're being bred more accurately, for the job market. I wish there was real job training going on in the colleges and universities. We're being bred to take decisions, we're being bred to not think, to obey, follow the rules. But you can get out, because the whole system is fake: that's the freedom." He points across the room, "If all of this is a fraud, then you're free."

I mention that his philosophy sounds very Eastern and Buddhist.

"No doubt its Eastern," KRS agrees, "but its also the effects of an uninstatutionalized mind, if I may be very Zen. Nonetheless, this is how you get out: by realizing that college is not the end-all-be-all. That's the trap, to believe in the authority of college over your awareness, over your education."

I immediately feel proud to be a college dropout, somehow it means more when KRS speaks of it than say, Kanye. I begin to realize that maybe my dropping out is not such a big coincidence, considering I grew up on the man's music.

I mention that college is a privilege. "Knowledge is a privilege," KRS adds, "This is the truth: quit school and become a dj. You know of anybody who would say that? I quit school in the ninth grade, I studied in the public library, now I teach at Harvard at least three times a year. This Hip Hop shit is crazy. This whole thing is corrupt, you can educate yourself. The human mind is intelligent at birth. Can we really talk like that on Oprah? She'd be like, 'you mean drop out? Get off the couch.'"

There is a certain word that keeps popping up in our interview. When I ask him why gangsta rap gets blamed for highly-publicized acts of violence in this country, instead of the marines or the army who breed killers every day, the first word out of KRS' mouth is "Denial."

"America's number one disease is denial," KRS emphasizes, "we're all suffering from it. 32 people just got killed [in the Virginia Tech shootings] and they're not blaming that on rock music or skateboarding or whatever he's into. Whatever the school's into, they're not blaming it on that. 'He was just a strange guy killer.'

The same reason that's going on," he continues, "that's the same reason black people are shocked at Imus. Denial. Imus comes out, he speaks his mind, 'Nappy headed hoes!', he loses his job. But Stephen Hill, the program director at BET-a black man, by the way-programs that station to influence Imus' statement everyday on television, keeps his job…in fact, he gets a raise. We. Livin'. In. Denial. We don't want the truth. We want our emotions caressed."

If a society as a whole would rather have 'emotional caressing' than truth, then we can't be mad when programs such as "Fox News" are established, to give the population unfair and biased information that only confirms their ignorant views.

"Fox News is the CIA," KRS says very seriously, "That's government propaganda. Nazi Germany...but to even know that its bullshit is a privilege. Don't' give that privilege away so quickly."

According to KRS, America is still not ready to look at 9/11, as the news media labeled him a terrorist and anarchist when he voiced his opinions after the attacks. "When they called me an anarchist on the evening news," he recalls, "I was like, 'Thank you, at least you got that part right.' It's better than being a part of this bullshit. Its better than being geared up and jumpin' out of a tank in Iraq, that's what its better than. 'All I wanted to do was get a job and pay for somethin' and now I'm busting a big gun…' But we're in denial. "Terrorists" killed over 5,000 people at 9/11. the act of killing those people makes them a terrorist. Mass murder makes them a terrorist. Bush lies about the war, its clear. How many are dead…you stopped counting."

Me: You hear people complaining every day about the dead American soldiers (up to 3,000 now) who signed up on their own accord-

KRS: -to kill

Me: -but nobody complains about the fact that there are between 62,000 and 650,000 dead Iraqi civilians who had no choice in the matter. And the reason there is such a gap in the numbers is because Bush has made it illegal to count the Iraqi casualties, so no one knows for sure.

KRS: Oh yeah, of course, we're not even gonna go there 'cause that's straight barberism. And its denial. And this is why you cannot put your vote down on a system that refuses to correct itself. And rehabilitate itself. Fuck all these candidates, Barak Obama as well. Until these cats step to people like me and you…you had a rhyme (speaking to Triune)

Triune: Until Bush meets deep in my community, I'm hustling for mine until I get an opportunity.

KRS continues, "That sums up the whole of America. That sums up my America, the America that I live in. And I tell you, its denial.

You look at Mexicans for instance. White people are so terrified, (in a whisper) 'Mexicans are comin' across the border, oh God!' (screams) 'We're gonna dieeeee!' You already got Mexicans in your house…like what don't Mexicans run in California? From the government to breakin' into your house. This is my point, denial…

You know who made the streets? Who actually carved the streets, it's the Mexican population that makes the streets, the actual sidewalk. you know what kind of skill you gotta have to carve a road? Man, if you got knowledge like I do, and some kind of experience where you know that's Math. That's math and motion that Mexicans seems to have in their blood.

Mexican spacial awareness without measurements is some fascinatin' shit. But look, do Mexicans know it? Do they act like they're special? See, we go back to that again. Will one or two Mexicans out of 20 step up and say 'Nah man, fuck this, I come from a great civilization and I'm gonna do something with myself'? Same thing with whites, blacks, Asians. Our people are lost. Every single one of our people are lost. And you know what the shining light is? Hip Hop. That is it, man. I don't see nothing else that's uniting our people, lifting our people up. We have a 10.5-billion dollar culture."

Me: But the majority of Hip Hop today is not uplifting. In your speeches, you've mentioned the "kids of 2020." Where will their generation end up if they're growing up on Young Jeezy, Lil' and Wayne?

KRS: They'll be exactly where you are. You grew up in a time similar to now [late '90's], it wasn't as ignorant, but nonetheless the 'Golden Age' was ignorant too. We had all kind of stupidness going on in our culture, but somehow it's your character, not the music, not the culture-forget Hip Hop right now for a second, hard for me to do- but who are you inside?

Some people gravitate toward robberies. They like robbing people, they get a thrill out of stealing. Some people get a thrill out of lyin', they just like to lie. They don't even have to, they just like to. Some people get a thrill out of God. Some people love knowledge, love wisdom. Some people love Love. No reason. You can't judge, you can't point a finger, because he's a pimp and she's a ho or vice versa, that's what they chose to be with their being. But here's who I am. Let me not get caught up in that, that's not who I am.

I'll put it this way: One Dead Prez to ten Young Jeezys. That's what the ratio is though, but that's the strength. For every one KRS, it will take ten Jeezys to match my One rhyme. One. One lyric with one sixteen-bar rhyme out of my mouth to a crowd, even his crowd. Thugs. He'll be rhyming "Everybody ride up. Everybody g'd up." KRS comes out, and be like, "Yo be a father to your child," all G's go like this (slumps down in his chair with a sheepish look on his face) "Yo man, let me go call my baby motha, man."

Everybody gonna break down because the truth is what it is. A kid hungry in the street, a murderer understands that. A rapist understands that what he or she is doing is wrong. They understand it. And so you must have compassion, for those who jump out there and say, ' I'm killin' everybody, I'm the crack cat on the block.' We done seen Biggie already, Tupac done taught that lesson ten years ago, you don't know? You don't know that lesson already? Have mercy on their souls, don't judge them or criticize them, they're on their way to the cemetery. They're on their way to prison. We've already seen it.

Me: A lot of times, people use the beat as a scapegoat to justify listening to wack shit. 'I don't like Puffy but I like his beats.' Okay, in that case, why is it that artists such as Dead Prez have not reached that commercial level of success even though a lot of their beats are bangin' and could be played at the club?


KRS: You don't go to the club to be taught, you go to the club to bug out.

Me: You can still bug out to Dead Prez

KRS: You can.


Me: If I can put aside my pride and integrity as a conscious woman and dance to Snoop saying 'Put it in your mothafuckin' mouth', why can't these guys do the same with some conscious shit? Who has more at stake?

KRS: It's obvious to you because you have a higher conciousness. But lets now step out of our obviousness. (takes on the tone of a 'thug'), 'I didn't come out here, spend $25 to hear some cat tell me that everything I do in my life is wrong. I'm spending $25 cause (singing): 'I'm a flirt, boom boom, I'm a flirt, goddamn right I'm a flirt!' I'm a flirt and I wanna hear that in the club.'

(voice gets serious) Now if I'm a Revolutionary, I wanna hear that in the club. But revolutionaries don't really be in the club. Revolutionaries are doin' somethin', they got somewhere to go. If you're at the club, you're there with a friend, your favorite artist is there. You're there for a reason. You're not there to pick up a guy, you're not a flirt! You're not goin' there like that, you're not…well, most of the time…

(laughs real loud)… because I've been some situations, even as a married man, where I'm like 'Man, did I just get off the stage with a whole revolutionary message, and these girls are still trippin'?' I will say though, they say the fastest way to get a woman undressed is to spit knowledge.

Me: Isn't it better for a woman to respond to your mind over your body?

KRS: It's the same willpower. 'This man is safe for me. I'm going to deal with him.' Okay, conscious guy is safe for you, (taking on the tone of a woman) 'The thug with the gat and the pistol smellin' like weed, that's safe for me as a woman, that was my father, that was my older brother. That's what I grew up in. so even though I know these cats really dog me out and they treat me like shit, that's still my fathah. See it even goes back to that, like how were you raised, what man did you see growin' up? What's in your mind?

It really hits women hard because we live in a masculine society, so boys kind of get the whole society to fall back on, if you ain't had a father you can kind of still be a man, in this society…I grew up without as father. And I consider myself a man, no doubt, but I could see where a lot of it had to do with society. I went to the public library, and I could read about all the men, and I had Martin Luther King and Malcom X, there were other things in society…

As a woman? Nah, man. Society is not kind to women. And that's why women are fighting for their rights, it's unfair to women. Its an injustice to women, this society that we live in. Christian ethics are an injustice to femininity and womanhood. An injustice. And I like Christian ethics, by the way. I like it. As a man, I believe that my wife should serve me, no doubt.

Me: As you should serve her too…

KRS: Christians say the man is the head of the household and the woman is subservient to him. He is the Christ, the head. And the woman is the body, the home. Now of course no man on this planet could even live with a woman under that kind of archaic philosophy, women are not that.

Me: I mean in the beginning, Eve supposedly bit the apple, and its automatically her fault from the get green, but lets get back to Hip Hop… you started in the game making street music, there is a consenses that 'The Blueprint' really was the blueprint-to gangsta rap. What were the key differences between the "gangsta rap" y'all were making as BDP and the 50 Cent kind?

KRS: There's not many differences, and here's why. Everything you do today, its instantly YouTubed, ituned or mtv'd. When we did it, you couldn't see it. So you hear about 50 Cent's shootouts…well in our day you heard about ours. There was no news camera. It was ghetto news. We had beef with Shan okay? That was never on the news on the tv, but cats in the hood was like, (Fat Albert-type voice) 'Yo yo yo, did you hear the latest? KRS went up to Queensbrige and dissed Shan, did you hear? Shan was over in the Bronx, Red Alert and Marley Marl.'

Now the difference is, everything we do today is instantly heard around the world. So it only appears that Young Jeezy and others who may be 'gangsta rappers' or labeled as that, are doing something so crazy. To be honest with you, they're like kittens compared to the roaring that went down in the '80's. 2000, the new millennium is nothing compared to the '80's. West Coast 80's is legendary. Okay. East Coast 80's is legendary. Miami? In the '80's? Leeeegendary.

Everything cool though, we gettin' money today. Everybody gettin' money today. You really don't have too many murders today, crews runnin' up on crews, there is a respect that has been established today. 50 Cent and others would never disrespect KRS-ONE and I would never disrespect 50 Cent, but notice what I said:

They would never disrespect KRS-ONE. Never. In a million years. Not because they're afraid, not because they not men either, but because there is a respect for the OGs. There is a real OG respect from one G to anotha'. There's people still walkin' around with lumps on their head because of that KRS-ONE [Criminal Minded] over there. Now, he chooses to clean his life up like we all really want to do. He's doing what every thug really wants to do; go from Criminal Minded to Spiritual Minded…

But why do I get the respect? Not because of my Philosophies. Not because I have conscious lyrics. No, its because I threw PM Dawn off the stage, its because of the battles…I can say 'Yo, you wanna hear somethin'? E equals Emcee Squared. That means all you emcees, y'all need to really pay attention to what mc means scientifically..it means Light. Energy, Mass, mc. Matter and Light. C is light.' Cats will be like, 'Alright Kris, ummmm…I'm gonna go play By All Means Necessary, I respect you, but its all good'…but if I go, 'You know what I really feel like doin' is jumpin' across the table and beatin' your fuckin' ass!' Suddenly, my philosophy's become cleara'. Suddenly, when I show up to the club in New York with fifty thugs, and we all dressed in black, and nobody's smilin', suddenly, you understand what 'Stop the Violence' means. Suddenly, peace, love, unity, and havin' fun is obvious now. When I came to you as a philosopher, humble, you can't hear me. But if I come and say, 'Listen, one more word out of you, and you're not gonna have a mouth no more!' suddenly, its 'Yo, I get it.'

Now why is human nature like that? Why does the philosopher have to have an army? Why do we have to run up on your crew and prove that we are superior warriors?…don't you realize that real Gs, real cats, ese, they study this. They're not tattood up cause they look good, these are war scars…that's where respect come from, you talkin' to a real G, you watch what you say, you watch how you say it because he knows how to fight. Hand-to-hand, he knows how to fight. He knows how to break you down, with his hands. Not no gat, you gonna get broke. So you watch how you talk around him. Or her. Watch how you talkin' around a real G.

And I bring that up why? Because these cats are fake Gs, that's the difference between then and now. Real Gs care for their community. You ask any Crip, Blood, you ask Tookie Williams, 'What was it about?'

'We was tryin' to lock down our community. These cops was buggin', the drugs was buggin', the government didn't care. It just got out of control.'

Ask the Black Panthers, 'What were you tryin' to do?' 'Lock down our community.'

me: Until they got shut down…

KRS: But look how they got shut down. East Coast/West Coast. That's the first East Coast/West Coast beef. Fred Hampton on the East coast, Huey P on the West coast, locally. F.B.I. was all in it. How long we gonna keep going for that shit? How long is the black and brown gonna keep fightin'? That's why I say, your people goin' to jail? My people goin' to jail. For some reason, you and I are sittin' here in Heaven. We in the kingdom of heaven. Be thankful that your role is what it is.

You ask anybody, ask anyone in jail, 'How'd you get here?' the ultimate answer, (hushed whisper.) 'I don't knowwww. I know I killed somebody, I know I did.' But when you dig deep deep deep deep deep, like why'd you kill to kill to kill to kill to kill, 'I don't knowwww…' Be thankful that the universe has made you an oracle and not a murderer. Be thankful that nature has made you a wise woman, and not an idiot.

Me: You did a show tonight and there were a lot of children at the theatre…

KRS: My rhymes will be focused on five and six year olds this year. Hip Hop Lives (see sidebar) focuses on the adult hip hoppa, but my personal rhymes will focus on young, young, children. I wanna apply my emcee skills in that way. I wanna show young kids what it means to be an emcee, and have them be inspired by that…the way a doctor feels that everybody should know something of medicine? I'm an emcee. I think everybody should rap…every single human being on the planet should know how to rap.
And that's my life's mission.

KRS speaks his last words truly as 'the Teacha'. "I believe rhyming is healthy for you, I believe it helps you think faster, I belive it helps your vocabulary, it helps you read faster as well. I think that every adult, every child, should learn how to emcee. E-M-C-E-E."

If Chomsky is the intellectual luminary, KRS-ONE is a cultural luminary. His Hip Hop roots allow him to communicate the same message his counterparts are spreading, but to the hood.

The motherfuckin' hood better be listening.

words/article by: ani yapundzhyan






#1975 From: "Greg Schick" <greg@...>
Date: Sat Dec 8, 2007 2:44 pm
Subject: RE: World Hip Hop - update Dec 2007
gschick27
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UPDATE: This was supposed to ask for your top 10 international hip hop releases from 2007, not 2006. Thanks and I look forward to your opinions!

 

Greg

 

 


From: Greg Schick [mailto:greg@...]
Sent: Friday, December 07, 2007 8:14 PM
To: 'greg@...'
Subject: World Hip Hop - update Dec 2007

 

Here’s the latest in international hip hop from World Hip Hop Market. Peace to all my friends and customers for your support and please keep checking out the site, blog and radio show.

 

 

BEST OF 2007: It’s time again for our poll of the Best of International Hip Hop, 2007 edition. I'd love for anyone/everyone to email me your top 10 international (non-US) hip hop albums of 2006 (or EP/singles if there was no album). And for kicks add your top 5 US albums of 2007 too. Our list this year will include some familiar names (Hilltop Hoods, K’naan, Promoe) and some new ones (Bob Da Rage Sense, Klashnekoff, Verb T & The Last Skeptik). School us on your favorites and we’ll put you in the article! Last year we had a nice response and it looked like this: http://blog.myspace.com/index.cfm?fuseaction=blog.view&FriendID=67396923&blogMonth=1&blogDay=6&blogYear=2007

NEW PLAYLIST FOR WORLD HIP HOP RADIO: All new music for December! This month’s artists are from Australia (Bias B, Pegz, Hilltop Hoods, Art of War, DJ Bonez, Vents), Canada (Moka Only, Phenomenal Three), Congo (GG Pooh), Czech Republic (Spatnej Wliw, Prago Union, Indy & Wich), Finland (Iso H, Cheek), France (TTC, Haroun, Adil, Pejmaxx, Cremefreshcrew), Germany (DJ Stylewarz, Aleksey, Marcelemcy & DJ T Rox, Bass Sultan Hengzt), Greece (Stichoima), Japan (Muro feat Gore Tex), Kenya (K-Nel), Netherlands (Opgeduveld, Nicolay & Kay, Salah Edin), Nigeria (Eedris Abdulkareem), Poland (Grammatik), Portugal (DJ Bomberjack, Bob Da Rage Sense), Serbia (Hain Teny), Sierra Leone (Dry Yai), Somalia (K'naan), Spain (El Chojin, Ari), Sweden (Promoe), Switzerland (Emm, Drüklang), UK (Kashmere, Stig of the Dump, Foreign Beggars, Dr. Syntax, Dubbledge, Tuskan Coalition, DJ IQ, Verb T & The Last Skeptik, Dizzee Razcal, Pat D & Lady Paradox, Braintax, Joe Buddha/Klashnekoff), Zimbabwe (Zimbabwe Legit). Listen in at http://www.live365.com/stations/osg1971

WHERE IN THE WORLD IS HIP HOP? It’s in Gaza City according to our latest blog. The first public rap performance in years in Palestine. Read about it here: http://www.worldhiphopmarket.com/blog/?p=26

 

 

Until next time!

Greg Schick
Old School Hip Hop Vinyl
and the Best in International Hip Hop
World Hip Hop Market 
www.worldhiphopmarket.com
World Hip Hop Radio www.live365.com/stations/osg1971
"Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
MySpace Profile www.myspace.com/worldhiphop
eBay Auctions
stores.ebay.com/World-Hip-Hop-Market

 


#1965 From: shaimesh@...
Date: Sat Oct 20, 2007 1:42 pm
Subject: LEGENDS OF HIPHOP...SLIDESHOWS AND INTERVIEWS
shaimesh
Online Now Online Now
Send Email Send Email
 
#1964 From: "Nicola Daniele" <ndmattopazzo@...>
Date: Sat Oct 20, 2007 11:27 am
Subject: Re: World Hip Hop Radio Updated for September!
ndmattopazzo
Offline Offline
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am just listening to your radio station, great stuff, keep up the good
work!
nicky

>
>
> Greg Schick
> Old School Hip Hop Vinyl
> and the Best in International Hip Hop
> World Hip Hop Market www.worldhiphopmarket.com
> World Hip Hop Radio www.live365.com/stations/osg1971
> "Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
> MySpace Profile www.myspace.com/worldhiphop
> eBay Auctions stores.ebay.com/World-Hip-Hop-Market
>
>   _____
>
> From: globalrap@yahoogroups.com [mailto:globalrap@yahoogroups.com]
On Behalf
> Of Nicola Daniele
> Sent: Saturday, October 20, 2007 4:51 AM
> To: globalrap@yahoogroups.com
> Subject: [globalrap] Re: World Hip Hop Radio Updated for September!
>
>
>
> hey Greg
>
> Drüklang are actually from Switzerland.
>
> nicky
>
> > World Hip Hop Radio <http://www.live365.
> <http://www.live365.com/stations/osg1971> com/stations/osg1971> is
> still here
> > until the FCC bankrupts us! Save Internet Radio! Drop us a line to
> say what
> > you're feeling and check out the newly redesigned web site
> > www.worldhiphopmarket.com <http://www.worldhip
> <http://www.worldhiphopmarket.com/> hopmarket.com/> .
> >
> > Playing this month:
> >
> > Austria (Auf Pomali, Texta), Bosnia (Sarajevo Kids), Canada (DJ
Alibi),
> > Chile (Cenzi, Makiza, Nemesis), Cuba (Bajo Mundo), France (MC Arabica,
> > Assassin, Haroun, Papifredo, MC Solaar, Cremefreshcrew, Kalash,
> Adil, Ghetto
> > Fabulous Gang), Germany (DrÜklang, Spezializtz, Rec.on Roll, Bass
Sultan
> > Hengzt, Dable, Samy Deluxe), Greece (Stichoima), Guadalupe (Gwada
> Nostra),
> > Italy (Dabol, O Zulu, DJ Núcleo, DJ Manueli), Japan (Yokohama
> All-Stars),
> > Mexico (Bocafloja), Netherlands (Salah Edin), Nigeria (Eedris
> Abdulkareem),
> > Portugal (Sp & Wilson, Bob Da Rage Sense), Senegal (Gokh Bi
System, BBC
> > Sound System), Serbia (Hain Teny), Sierra Lionne (Dry Yai), South
Africa
> > (Hip Hop Panstsula), Sweden (Promoe), Switzerland (Liricas Analas), UK
> > (Million Dan, Braintax, Dizzee Razcal, DJ IQ, Verb T & The Last
Skeptik,
> > Niyi, Dubbledge, Phi Life Cypher, Klashnekoff, Pat D & Lady Paradox).
> >
> > World Hip Hop Radio on Live 365: http://www.live365.
> <http://www.live365.com/stations/osg1971> com/stations/osg1971
> >
> > I hope you get to hear some of these choice cuts this month. A lot
> of great
> > music has been released in the last couple of months. My man Cenzi
> > <http://www.myspace. <http://www.myspace.com/cenzistiles>
com/cenzistiles>
> hooked me up with some
> fantastic hip
> > hop from Chile. France seems to be running crazy with long time
> favorites MC
> > <http://www.myspace. <http://www.myspace.com/laarso> com/laarso>
Solaar
> and Assassin
> > <http://www.myspace. <http://www.myspace.com/assassinfrance>
> com/assassinfrance> , plus newcomers like Haroun,
> > Papifred. I found a nice new Japanese album by the Yokohama All-Stars.
> > Portugal holds it down with SP <http://www.myspace.
> <http://www.myspace.com/spandwilson> com/spandwilson> &
> > Wilson teaming with Afu-Ra and Bob da Rage Sense
> > <http://www.myspace. <http://www.myspace.com/bobdaragesense>
> com/bobdaragesense> with an incredible album (I
> feature
> > his song with Swedish ace Promoe <http://www.myspace.
> <http://www.myspace.com/promoe> com/promoe> ).
> Finally,
> > the UK has a host of great new releases including mixtapes from
> Million Dan
> > <http://www.myspace. <http://www.myspace.com/milliondan>
com/milliondan>
> and DJ IQ
> > <http://www.myspace. <http://www.myspace.com/mancanmusic>
com/mancanmusic>
> , and cds from Verb T
> > <http://www.myspace. <http://www.myspace.com/verbt> com/verbt> &
The Last
> Skeptik and Pat
> > <http://www.myspace. <http://www.myspace.com/kindofpeace>
com/kindofpeace>
> D & Lady Paradox. Slammin!
> >
> >
> >
> > Greg Schick
> > Old School Hip Hop Vinyl
> > and the Best in International Hip Hop
> > World Hip Hop Market www.worldhiphopmarket.com
> > World Hip Hop Radio www.live365.com/stations/osg1971
> > "Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
> > MySpace Profile www.myspace.com/worldhiphop
> > eBay Auctions stores.ebay.com/World-Hip-Hop-Market
> >
>

#1963 From: "Nicola Daniele" <ndmattopazzo@...>
Date: Sat Oct 20, 2007 11:00 am
Subject: Re: World Hip Hop Radio Updated for September!
ndmattopazzo
Offline Offline
Send Email Send Email
 
--- In globalrap@yahoogroups.com, "Greg Schick" <greg@...> wrote:
>
> Hey Nicky, thanks man. It's hard for me to tell sometimes. ;-)

yeah, same for me when it comes to Canadian and US I spose!

peace out

nicky

>
>
>
> g
>
>
>
> Greg Schick
> Old School Hip Hop Vinyl
> and the Best in International Hip Hop
> World Hip Hop Market www.worldhiphopmarket.com
> World Hip Hop Radio www.live365.com/stations/osg1971
> "Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
> MySpace Profile www.myspace.com/worldhiphop
> eBay Auctions stores.ebay.com/World-Hip-Hop-Market
>
>   _____
>
> From: globalrap@yahoogroups.com [mailto:globalrap@yahoogroups.com]
On Behalf
> Of Nicola Daniele
> Sent: Saturday, October 20, 2007 4:51 AM
> To: globalrap@yahoogroups.com
> Subject: [globalrap] Re: World Hip Hop Radio Updated for September!
>
>
>
> hey Greg
>
> Drüklang are actually from Switzerland.
>
> nicky
>
> > World Hip Hop Radio <http://www.live365.
> <http://www.live365.com/stations/osg1971> com/stations/osg1971> is
> still here
> > until the FCC bankrupts us! Save Internet Radio! Drop us a line to
> say what
> > you're feeling and check out the newly redesigned web site
> > www.worldhiphopmarket.com <http://www.worldhip
> <http://www.worldhiphopmarket.com/> hopmarket.com/> .
> >
> > Playing this month:
> >
> > Austria (Auf Pomali, Texta), Bosnia (Sarajevo Kids), Canada (DJ
Alibi),
> > Chile (Cenzi, Makiza, Nemesis), Cuba (Bajo Mundo), France (MC Arabica,
> > Assassin, Haroun, Papifredo, MC Solaar, Cremefreshcrew, Kalash,
> Adil, Ghetto
> > Fabulous Gang), Germany (DrÜklang, Spezializtz, Rec.on Roll, Bass
Sultan
> > Hengzt, Dable, Samy Deluxe), Greece (Stichoima), Guadalupe (Gwada
> Nostra),
> > Italy (Dabol, O Zulu, DJ Núcleo, DJ Manueli), Japan (Yokohama
> All-Stars),
> > Mexico (Bocafloja), Netherlands (Salah Edin), Nigeria (Eedris
> Abdulkareem),
> > Portugal (Sp & Wilson, Bob Da Rage Sense), Senegal (Gokh Bi
System, BBC
> > Sound System), Serbia (Hain Teny), Sierra Lionne (Dry Yai), South
Africa
> > (Hip Hop Panstsula), Sweden (Promoe), Switzerland (Liricas Analas), UK
> > (Million Dan, Braintax, Dizzee Razcal, DJ IQ, Verb T & The Last
Skeptik,
> > Niyi, Dubbledge, Phi Life Cypher, Klashnekoff, Pat D & Lady Paradox).
> >
> > World Hip Hop Radio on Live 365: http://www.live365.
> <http://www.live365.com/stations/osg1971> com/stations/osg1971
> >
> > I hope you get to hear some of these choice cuts this month. A lot
> of great
> > music has been released in the last couple of months. My man Cenzi
> > <http://www.myspace. <http://www.myspace.com/cenzistiles>
com/cenzistiles>
> hooked me up with some
> fantastic hip
> > hop from Chile. France seems to be running crazy with long time
> favorites MC
> > <http://www.myspace. <http://www.myspace.com/laarso> com/laarso>
Solaar
> and Assassin
> > <http://www.myspace. <http://www.myspace.com/assassinfrance>
> com/assassinfrance> , plus newcomers like Haroun,
> > Papifred. I found a nice new Japanese album by the Yokohama All-Stars.
> > Portugal holds it down with SP <http://www.myspace.
> <http://www.myspace.com/spandwilson> com/spandwilson> &
> > Wilson teaming with Afu-Ra and Bob da Rage Sense
> > <http://www.myspace. <http://www.myspace.com/bobdaragesense>
> com/bobdaragesense> with an incredible album (I
> feature
> > his song with Swedish ace Promoe <http://www.myspace.
> <http://www.myspace.com/promoe> com/promoe> ).
> Finally,
> > the UK has a host of great new releases including mixtapes from
> Million Dan
> > <http://www.myspace. <http://www.myspace.com/milliondan>
com/milliondan>
> and DJ IQ
> > <http://www.myspace. <http://www.myspace.com/mancanmusic>
com/mancanmusic>
> , and cds from Verb T
> > <http://www.myspace. <http://www.myspace.com/verbt> com/verbt> &
The Last
> Skeptik and Pat
> > <http://www.myspace. <http://www.myspace.com/kindofpeace>
com/kindofpeace>
> D & Lady Paradox. Slammin!
> >
> >
> >
> > Greg Schick
> > Old School Hip Hop Vinyl
> > and the Best in International Hip Hop
> > World Hip Hop Market www.worldhiphopmarket.com
> > World Hip Hop Radio www.live365.com/stations/osg1971
> > "Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
> > MySpace Profile www.myspace.com/worldhiphop
> > eBay Auctions stores.ebay.com/World-Hip-Hop-Market
> >
>

#1962 From: "Greg Schick" <greg@...>
Date: Sat Oct 20, 2007 10:17 am
Subject: RE: Re: World Hip Hop Radio Updated for September!
gschick27
Offline Offline
Send Email Send Email
 

Hey Nicky, thanks man. It’s hard for me to tell sometimes. ;-)

 

g

 

Greg Schick
Old School Hip Hop Vinyl
and the Best in International Hip Hop
World Hip Hop Market 
www.worldhiphopmarket.com
World Hip Hop Radio www.live365.com/stations/osg1971
"Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
MySpace Profile www.myspace.com/worldhiphop
eBay Auctions
stores.ebay.com/World-Hip-Hop-Market


From: globalrap@yahoogroups.com [mailto:globalrap@yahoogroups.com] On Behalf Of Nicola Daniele
Sent: Saturday, October 20, 2007 4:51 AM
To: globalrap@yahoogroups.com
Subject: [globalrap] Re: World Hip Hop Radio Updated for September!

 

hey Greg

Drüklang are actually from Switzerland.

nicky

> World Hip Hop Radio <http://www.live365.com/stations/osg1971> is
still here
> until the FCC bankrupts us! Save Internet Radio! Drop us a line to
say what
> you're feeling and check out the newly redesigned web site
> www.worldhiphopmarket.com <http://www.worldhiphopmarket.com/> .
>
> Playing this month:
>
> Austria (Auf Pomali, Texta), Bosnia (Sarajevo Kids), Canada (DJ Alibi),
> Chile (Cenzi, Makiza, Nemesis), Cuba (Bajo Mundo), France (MC Arabica,
> Assassin, Haroun, Papifredo, MC Solaar, Cremefreshcrew, Kalash,
Adil, Ghetto
> Fabulous Gang), Germany (DrÜklang, Spezializtz, Rec.on Roll, Bass Sultan
> Hengzt, Dable, Samy Deluxe), Greece (Stichoima), Guadalupe (Gwada
Nostra),
> Italy (Dabol, O Zulu, DJ Núcleo, DJ Manueli), Japan (Yokohama
All-Stars),
> Mexico (Bocafloja), Netherlands (Salah Edin), Nigeria (Eedris
Abdulkareem),
> Portugal (Sp & Wilson, Bob Da Rage Sense), Senegal (Gokh Bi System, BBC
> Sound System), Serbia (Hain Teny), Sierra Lionne (Dry Yai), South Africa
> (Hip Hop Panstsula), Sweden (Promoe), Switzerland (Liricas Analas), UK
> (Million Dan, Braintax, Dizzee Razcal, DJ IQ, Verb T & The Last Skeptik,
> Niyi, Dubbledge, Phi Life Cypher, Klashnekoff, Pat D & Lady Paradox).
>
> World Hip Hop Radio on Live 365: http://www.live365.com/stations/osg1971
>
> I hope you get to hear some of these choice cuts this month. A lot
of great
> music has been released in the last couple of months. My man Cenzi
> <http://www.myspace.com/cenzistiles> hooked me up with some
fantastic hip
> hop from Chile. France seems to be running crazy with long time
favorites MC
> <http://www.myspace.com/laarso> Solaar and Assassin
> <http://www.myspace.com/assassinfrance> , plus newcomers like Haroun,
> Papifred. I found a nice new Japanese album by the Yokohama All-Stars.
> Portugal holds it down with SP <http://www.myspace.com/spandwilson> &
> Wilson teaming with Afu-Ra and Bob da Rage Sense
> <http://www.myspace.com/bobdaragesense> with an incredible album (I
feature
> his song with Swedish ace Promoe <http://www.myspace.com/promoe> ).
Finally,
> the UK has a host of great new releases including mixtapes from
Million Dan
> <http://www.myspace.com/milliondan> and DJ IQ
> <http://www.myspace.com/mancanmusic> , and cds from Verb T
> <http://www.myspace.com/verbt> & The Last Skeptik and Pat
> <http://www.myspace.com/kindofpeace> D & Lady Paradox. Slammin!
>
>
>
> Greg Schick
> Old School Hip Hop Vinyl
> and the Best in International Hip Hop
> World Hip Hop Market www.worldhiphopmarket.com
> World Hip Hop Radio www.live365.com/stations/osg1971
> "Where In The World Is Hip Hop?" Blog www.worldhiphopmarket.com/blog
> MySpace Profile www.myspace.com/worldhiphop
> eBay Auctions stores.ebay.com/World-Hip-Hop-Market
>


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