I apologize for the short notice about this event, but better late than
never.  I also apologize for any duplicate postings.

Tonight, July 17, 2003, at 8:00, as a part of the International Keyboard
Institute at the Mannes College of Music, 150 West 85th Street, New York, NY
10024, a tribute will be held to honor the great American pianist, Rosalyn
Tureck.
This tribute is open to the public, and I understand that admission is free.

In addition to a selection of video excerpts and recordings of Rosalyn
performing, there will be several live performances by students and friends of
Rosalyn's, and three long time friends and colleagues will speak about various
aspects of her life and career.

Rosalyn, who, sadly, is not well, will not be able to attend the evening, but
I understand that she has prepared a greeting to the audience, which will be
read on her behalf by her long time friend, Michael Charry.

The Master of Ceremonies for the evening is David Dubal, pianist, author,
lecturer, and the host of the WQXR program "Reflections from the Keyboard".

I look forward to seeing you at this event honoring one of the greatest
keyboard players of the 20th century and of all time.

TNT




[Non-text portions of this message have been removed]

Rosalyn Tureck requested that there be no funeral, but she did provide for a
memorial service, which will be held at the Lowenstein Auditorium of Temple
Emanu-El, 10 East 66th Street, New York, NY, at 5:00pm on Tuesday, September 9,
2003. Friends, family, colleagues, and music-lovers, are invited. Donations to
the Tureck Bach Research Institute, Inc., a New York not-for-profit
corporation, founded and authorized by Rosalyn Tureck, will be accepted in her
name at
2500 Johnson Avenue, 17A, Riverdale, NY 10463. For questions about donations,
email: <A HREF="mailto:Bachalia14@...">Bachalia14@...</A>. Website: <A
HREF="http://www.tureckbach.com">http://www.tureckbach.com</A>.





[Non-text portions of this message have been removed]

Hello,

This email message is a notification to let you know that
a file has been uploaded to the Files area of the goldbergvariations
group.

   File        : / Excellent Info for People Considering OnLine Dating
   Uploaded by : juzavadiho3564 <juzavadiho3564@...>
   Description :  If You Are Serious about finding a date Online

You can access this file at the URL

http://groups.yahoo.com/group/goldbergvariations/files/%20Excellent%20Info%20for\
%20People%20Considering%20OnLine%20Dating

To learn more about file sharing for your group, please visit

http://help.yahoo.com/help/us/groups/files

Regards,

juzavadiho3564 <juzavadiho3564@...>

Hello....I'm new/back to this group. Just thought I'd perhaps start a
little(?) discussion. I think Gould butchered as many Bach pieces as
he did wonderfully. Sometimes WAY too fast; other times distractingly
too slow. I will, however, admit that his definition of note and line
was never blurred in either his slow or fast transgressions.

Fire back when ready.

I forward this announcement for the benefit of those of you who might be
interested in bidding.  I apologize to those who already have received it,
either
directly or at other lists.

TNT

In a message dated 12/11/2004 9:46:28 AM Eastern Standard Time,
WandaLandowska@... writes:

> Greetings:
>
> As a part of the settlement of the Estate of Denise Restout, tangible
> personal property that belonged to her and that she inherited from Wanda
Landowska
> will be sold at auction at Bradford's Galleries, Ltd., a distinguished
> auction gallery in Sheffield, Massachusetts, USA, on New Year's Day, January
1,
> 2005, beginning at 10:30 AM.
>
> While I am uncertain of the details, the auction is likely to include
> furniture and decorations that were used by Wanda Landowska during the decade
that
> she lived at Oak Knoll, on Millerton Road, in Lakeville, CT.  Among the items
> likely to be included in the sale on January 1, 2005, are the Victorian
> expanding table that Wanda Landowska used as a desk, the bookcases in which
she
> housed her extensive library, and the dining table and chairs that she and her
> household used on a regular basis.
>
> Bradford's holds preview exhibitions for several days prior to its auctions,
> and the Gallery has the policy of offering items not included in the
> auctions for sale at fixed prices at the previews.  It therefore is likely
that
> personal property associated with Wanda Landowska will be available for
purchase
> at the previews before the New Year's Day sale.
>
> For the convenience of those who might be interested in purchasing
> furnishings, decorations, and other items of tangible personal property
associated
> with Wanda Landowska and Denise Restout, here is a link to the website for
> Bradford's:
> Bradford Galleries - Schedule
>
> I am confident that Bradford's, a gallery with a distinguished reputation,
> will be happy to help those who are interested in identifying specific items
> that came from the Landowska household.
>
> For those who are concerned and interested, Landowska's Pleyel harpsichords,
> Challis clavichord, and Steinway piano (the instrument on which she made her
> RCA Victor piano recordings), her scores, her personal papers, her library,
> several of other concert gowns, other items of her tangible personal
> property, and important material relating to Landowska's life and reception
history
> that were gathered together by Denise Restout are now at the Library of
> Congress, in the Music Division.  In addition, important documentation of
Denise
> Restout's life, including her correspondence files and the meticulous diaries
> that she kept throughout her life now are on deposit of the Library of
> Congress.  It will be a long time, of course, before this extensive archive
can be
> made ready for scholars to use it, but the legacy is safe and will be made
avai
> lable to future generations for research purposes.
>
> All of us who revere the artistry of Wanda Landowska will be eternally
> grateful to Denise Restout for devotedly and unswervingly maintaining and
> augmenting the Landowska Legacy and to Denise Restout's executors for making
sure
> that Denise's wishes regarding the preservation of that legacy are fulfilled
as
> she intended.
>
> Please pass this e-mail on to others whom you think may be interested in
> acquiring souvenirs and mementoes of Wanda Landowska and Denise Restout, and I
> apologize to any of you who receive multiple copies of this announcement.
>
> My best always,
>
> Mamusia's Ghost
>



JohSebastianBach@...
is an e-mail address used by Teri Noel Towe.



[Non-text portions of this message have been removed]

In a message dated 12/26/2004 4:40:33 AM Eastern Standard Time,
michaelk@... writes:

> Subj: [BachAndHandelResearchResources] New book on The English Bach
> Awakening
>  Date: 12/26/2004 4:40:33 AM Eastern Standard Time
>  From: michaelk@...
>  Reply-to: BachAndHandelResearchResources@yahoogroups.com
>  To: BachAndHandelResearchResources@yahoogroups.com
>  Sent from the Internet
>
>
>
>
>
> The English Bach Awakening: Knowledge of J. S. Bach and his Music in
> England, 1750-1830, has been published by Ashgate. Hitherto this
> subject has been called 'the English Bach revival', but that is a
> misnomer. 'Revival' implies prior life, yet no reference to Bach or
> to his music is known to have been made in England during his
> lifetime.
>
> The book begins with a comprehensive chronology of the English Bach
> Awakening, Eight chapters follow, written by Michael Kassler, Philip
> Olleson and Yo Tomita, which treat particular parts of the Awakening
> and show how they developed. A focus of the book is the history of
> the manuscripts and the printed editions of the '48' (the Well-
> tempered Clavier) in England at this time, and its culmination in
> the 'analysed' edition that Samuel Wesley and Charles Frederick Horn
> published in 1810-1813 and later revised. Wesley's multifaceted role
> in the Bach Awakening is detailed, as are the several efforts that
> were made to translate Forkel's biography of Bach into English. A
> chapter is devoted to A. F. C. Kollmann's endeavour to prove the
> regularity of Bach's Chromatic Fantasy, and the book concludes with a
> discussion of portraits of Bach in England before 1830.
>
> An order form offering a 15% discount for this book is available on
> the Ashgate Web site at https://www.ashgate.com/shopping/title.asp?
> key1=&key2=&orig=results&isbn=1%2084014%20666%204
>
>



JohSebastianBach@...
is an e-mail address used by Teri Noel Towe.



[Non-text portions of this message have been removed]

What's your favourite fugue of both books of Bach's Well-Tempered
Clavier?

thanks

Dani

Thanks to all,
  summing up all answers from the groups where this little poll was posted,
the results so far are:
  book I:
  C minor - 5 votes
C# minor - 3
Db major - 1
E major - 1
F minor - 2
F# major - 2
F# minor - 1
Ab major - 1
B minor - 1
  book II:
  D minor - 1
Eb major - 2
E major - 1
G minor - 3
Ab major - 2
Bb minor - 1
B major - 1
  C minor (book I) and G minor (book II) are therefore the most appreciated.
Fugues in minor keys got 17 votes (61%) while fugues in major ones received
11 (39%). Is beauty more easily found in music in minor keys...?
  Well, since the number of answers is low we shouldn't extract any clear or
remarkable general preference, but it probably might give a first glance to
what the average taste would be. Interesting!
  Dani


--
'Want of love is a degree of callousness; for love is the perfection of
consciousness. We do not love because we do not comprehend, or rather we do
not comprehend because we do not love. For love is the ultimate meaning of
everything around us. It is not a mere sentiment; it is truth; it is the joy
that is at the root of all creation.'
-Rabindranath Tagore (1861-1941) Indian philosopher, poet; winner of the
Nobel Prize for literature in 1913


[Non-text portions of this message have been removed]

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