An offshoot of the Tuning Group, this group is focused on the mathematical modeling of musical consonance; specifically, the component of consonance that is not due to the critical-band roughness discussed by Plomp and Sethares, but an additional component related to the salience of the perception of a chord as a segment of a harmonic series -- as Parncutt discussed.
right..."since many aspcects of percetion are related to proportional change, logarithmic scales are common in psychophysics" (Sound and Hearing website, on
... We all know that certain properties hold for mistunings. That's the whole point of temperament. What you said is that the precise tuning doesn't matter.
Hi Kelly- ... There's nothing I can see here against harmonic entropy. ... "Tonal structure" sounds to me like it almost could be referring to functional
hi Carl. One reference to this issue occurs in Richard Parncutt's important 1988 "Revision of Terhardt's Psychoacoustical Model of the Root(s) of a musical