... list ... showed ... a ... nail ... and ... i take it you found the "margo" or vos-based curve more appealing? that was your "appetizer" -- the chef would...
... Ah, yes! I was so busy reading the menu that I hadn't noticed that ... 1/(m*n) ... much ... While different quantitatively, it does have the same...
... (for ... yes, but i specifically offered it to her not because of the position of the global maximum of discordance (which i wasn't even looking at at the...
Hello, This email message is a notification to let you know that a file has been uploaded to the Files area of the harmonic_entropy group. File :...
harmonic_entropy@yaho...
Jul 3, 2002 1:56 am
605
hey george, take a look at this curve: http://groups.yahoo.com/group/harmonic_entropy/files/dyadic/secortst.g if i left it unlabeled for your fun and amusement...
... importance ... more ... the ... ratios). ... local ... what ... I think we're talking about the same thing, but I just didn't say it the right way. By...
I've had a few free days this week and wanted to program the harmonic entropy algorithm(s) in TrueBasic. Alas, I couldn't find them in the list archives; can...
John, I've posted my code to this list on 1 Feb. 2001. For the error function I use an approximation, this is the code: function Erf (Of_Number : Long_Float)...
Hello, This email message is a notification to let you know that a file has been uploaded to the Files area of the harmonic_entropy group. File :...
harmonic_entropy@yaho...
Jul 8, 2002 9:55 pm
610
... and ... than ... bumps ... it ... but ... translate ... actually, it doesn't work that way in the harmonic entropy model. firstly, hearing harmonics is not...
... thanks manuel -- john, let us know if this can be clarified. i've also made a number of posts that sketch, conceptually, how harmonic entropy is calculated...
Manuel, Paul, etc. Thanks, I may be contacting you personally if I can't find the relevant posts or understand them. I've been experimenting with the Tonicity...
... make ... I ... making ... I guess you could put it that way. But I would like the curve to correspond to what is actually heard with musical tones (i.e.,...
Hello, This email message is a notification to let you know that a file has been uploaded to the Files area of the harmonic_entropy group. File :...
harmonic_entropy@yaho...
Jul 9, 2002 7:57 pm
615
... not ... So ... the ... tones ... human voices, bowed strings, brasses, all of these can have audible harmonics into the 40s. but again, this doesn't...
... even ... We seem to be looking at this in two different (but related) ways: you're considering the tones in the intervals as partials over a missing...
... would ... consonance. ... in ... to ... waveform). ... audible ... *heard ... with ... if consonance were simply a matter of coincident partials, then ...
... a ... would ... If we're only considering intervals, then otonal/utonal has no bearing. Do you also have a calculation of harmonic entropy for chords? ...
... a ... even ... exactly. you seem to be missing my point. read it over again. are you saying that completely different factors are at work in determining...
One comment: I don't see why one would expect otonal and utonal chords spanning the same interval to be equally consonant under either Helmholztian or...
... over a ... fundamentals with ... even ... would ... determining ... assume ... Of course the same factors are at work. We perceive dissonance as ...
... chords ... intervals are ... take ... 7/4 ... beat ... band ... Sethares's ... suspect ... Whether ... the ... involved ... from ... The difference in...
... chords ... intervals are ... take ... 7/4 ... beat ... band ... Sethares's ... suspect ... Whether ... this was my real point, john. it's not enough, not...
... related) ... then ... there ... partials ... yes, i believe that the virtual pitch phenomenon (measurably distinct from combinational tone effects), which...
... theories ... 7/5 ... hz ... tonal ... in ... away ... and ... is ... note ... interval ... i'm 100% with you so far . . . ... produce ... in ... be. it's...
... so ... other ... Could you tell me what some of those "other tetrads" were? But whatever they were, I suspect that we are not in disagreement on this,...
... concordant, ... the ... look at joseph pehrson's "tuning lab" page on mp3.com. ... on ... the question of primality (absolute primality, that is) doesn't ...
Here are my 2 cents worth of ideas about the problem you describe (you know my "obsession" with combination tones ;-)) : The highest amplitude combination...
HPBOHLEN@...
Jul 21, 2002 6:59 pm
629
... = 5, f1 - ... how do you derive that? in a dyad, the highest amplitude combination tone is most commonly 2f1 - f2, not f2 - f1 . . ....
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