hello Group. I notice that for simple chords such as 4-5-6, 3-4-5, 5- 6-8, and 4-5-7, that it's the utonal chord version which has a relatively low lowest...
... yet. ... piano.) ... Sure . . . ... 12- ... than ... As far as I know, none of them play a part in pitch perception, though perhaps I'm missing your...
... Exactly. ... The low common overtone doesn't mean there's less clash of overtones overall (try working that out for yourself), and it certainly doesn't ...
... group ... The harmonic entropy model has essentially one free parameter -- the "s" or hearing resolution of the listener. There are other parameters too...
... Sorry. Not pitch perception. I meant to say, to the extent that combination tones are audible and part of the chord sensation (as I believe you have...
Hello. Regarding the chord 3-8-10-15 just mentioned, where you have two pairs of equivalent difference tones (10-3, 15-8 =7; 8-3, 15-10 = 5), which I guess...
Dear paul I want to know how to calculate the dissonace and cocordance with a formula . In persian music we tune instruments in different tunings related to ...
Hi Paul! In Monz' c. 1997 interview with you about harmonic entropy, where you wrote that it is "unclear how to weigh the various subsets' contributrions to...
Hey do any of you play, build or compose for microtonal guitar? I want to hear about it!...
mmelnick
spliffrd@...
Oct 17, 2005 2:17 pm
893
... important ... look ... The relative and absolute loudnesses of the combinational tones (and even the question of whether they're audible at all) depend in...
Does what I wrote below make sense to you? Then how about this: http://launch.groups.yahoo.com/group/harmonic_entropy/message/350 ? ... wallyesterpaulrus ... ...
... Not that I know of, although I'm pretty confident saying it's not a question of "which" but rather "to what extent" for a given chord. Meanwhile, many...
... want to ... Yes, I do. But this tends to be a topic for other lists, especially: http://launch.groups.yahoo.com/group/MakeMicroMusic/ Hope to hear from you...
Hi Paul. "traktus5" wrote: > > is there any new data suggesting exactly which ... the low entropy of their constituent intervals? ... saying it's not a >...
Just saw a post from 2001 (when I wasn't on the lists) about 11:9 having lower entropy than 8:5 with very large s. The thread apparently started here... ...
... to ... The reference for stearns.jpg is to a file on the files list; however, that list says it can't find it. So please do tell us where they are. I'd...
Ok, I stumbled across this group by accident, but it seems extremely similar to stuff I've been trying myself (although I hadn't done any research into this...
... e2- ... 10:24:45? ... each ... Not particularly, though the 9:2 may be simple enough to influence the perceived root. ... on ... I'm not clear on what...
... scientists' ... me ... See http://launch.groups.yahoo.com/group/harmonic_entropy/message/350 Does that help? I'd be happy to fill in any holes you're...
... I will go a bit offtopic here, thinking about n*d. It will probably be a newbie question: As far as I can see, n*d measures how sensitive an interval is to...
... Ah, that is possible. ... Let's take the 5/4 case as an example (I will assume a very bright/sharp timbre in which all harmonics are strong): 5.......:...
... <magnus@s...> ... intervals ... of ... of ... of ... bright/sharp ... I count 9 harmonics in each "period", 2 of which overlap. ... 2/9 = 0.2222 9/40 =...
Hello! One of the things I'm getting out of this acoustic study is, in a piano piece I'm writing, attention to the dynamic of each note in a chord, to enhance...
... is, ... in ... at ... You mean on the c5? ... very ... active? I don't know what you mean. If you mean beating, it takes partials from more than one note...