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Messages 29632 - 29668 of 78776   Oldest  |  < Older  |  Newer >  |  Newest
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29632
You need to check the ohmage of the speaker and match the amp output. I have heard of people trying this with mixed results. You could blow your speakers. ...
Glen Nazaruk
glen_nazaruk
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Jul 1, 2004
9:45 am
29633
Hey guys, I know Brad Mehldau and Kurt Rosenwinkel have played together on a few albums, can anyone point me to some good ones? I'm particularly interested in...
Ernesto Schnack
e_schnack
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Jul 1, 2004
9:46 am
29635
eScribe Server Hard Disk Issues The eScribe server began to experience a series of hard disk errors and went offline. Scott is currently attempting to run...
YJGG Moderator
jazzguitargroup
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Jul 1, 2004
10:40 am
29636
Also Turner's later one, In This World -that has some awesome stuff; my favorite Turner disc. Pete ... can't...
Petri Krzywacki
petegtr_1971
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Jul 1, 2004
11:44 am
29637
Thanks for putting this up, Pete – sounds really nice. What guitar are you using? Bill Williams <On a Clear Day gtr.mp3 An acoustic archtop version of my...
Bill Williams
liam_mac_liam
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Jul 1, 2004
1:08 pm
29638
Do not take one speaker out of your amp and run it with only one. This is a tube amplifier with an output transformer that is designed for 4 ohms - two 8 ohm...
Richard L Meyer
rmeyer1234
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Jul 1, 2004
1:23 pm
29639
Not that I found anywhere. In most cases he advocates using a mode of melodic minor or major or diminished instead. Actually, that book was a bit of a...
jeff29_b
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Jul 1, 2004
3:18 pm
29640
Ron...I can't imagine that Mark Levine had never listened to Johnny Smith, who, in his book, never mentions the melodic minor scale...rather, the harmonic...
JoePass
jcanslim
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Jul 1, 2004
3:34 pm
29641
I don't practice the Harmonic and Melodic Minor. I think (when I have to) in terms of Key structure, modal Tonal Centers within the Key Structure, and...
Dave Woods
davec7b5
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Jul 1, 2004
3:46 pm
29643
On 6/30/04 7:44 PM, "jazz_guitar@yahoogroups.com" ... Hi Joe, I think you did, partly at any rate. I've spent perhaps the past 30 years trying to formulate...
Zeek Duff
zeekd2
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Jul 1, 2004
5:21 pm
29644
... OK, I just skimmed through the harmonic minor part of his book. Basically what he is saying is that jazz musicians rarely play the "entire scale". He does...
kuboken1
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Jul 1, 2004
5:30 pm
29645
I think the problem with these scales/theory threads are that oftentimes, people just don't know what they need to know. Early on when people are beginners...
kuboken1
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Jul 1, 2004
6:12 pm
29646
Hi Bill, and thanks for the kind words! I played the arrangement on my archtop made by a Finnish luthier (here in Helsinki) called Juha Lottonen, who makes...
Petri Krzywacki
petegtr_1971
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Jul 1, 2004
6:32 pm
29647
Thanks Ken (and Clif)! I talked to a friend who works at Sibelius and he helped me out. I can use their G7 guitar product (cheaper) or their full-on notation ...
mctechwrite
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Jul 1, 2004
8:31 pm
29648
I agree with Richard. Used to own a Twin and then a Deluxe. I now own an old Super. GEt a smaller amp. Deluxes are good. I have seen people take the...
Glen Nazaruk
glen_nazaruk
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Jul 1, 2004
8:31 pm
29651
... are ... Yeah, I guess so... I don't know. but I could think of a couple of Joe Pass lines that use the entire diminished scale, altered scale, ...
kuboken1
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Jul 1, 2004
10:11 pm
29652
Sean: I think the best way to find out is to go to KCSM.org and check their JazzDateBook for the days you'll be in the Bay area. Some musicians don't post to...
guitarjazz77
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Jul 1, 2004
10:12 pm
29653 guitarjazz77
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Jul 1, 2004
10:12 pm
29655
My 2 cents: I think the biggest problem with an exclusively "modal" approach that Levine seems to advocate is this: if you try to find only scales (tonesets)...
Petri Krzywacki
petegtr_1971
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Jul 1, 2004
10:29 pm
29656
... Ken, Well, I was looking for something different beyond ii-V-I, or a chord isolated by itself. Most of what I saw in his book was exactly what you just...
jeff29_b
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Jul 1, 2004
10:51 pm
29657
... I am with you Pete. That was my impression of his whole methodology, in that he doesn't consider the tonal centers or when to use lydian dominant or the...
jeff29_b
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Jul 1, 2004
10:54 pm
29658
... that ... Yeah, I agree with this comment for sure, but I never thought that Levine advocates an exclusive modal approach to playing. I think this sort of...
kuboken1
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Jul 1, 2004
11:20 pm
29659
... I took a jazz theory class from Levine at the local JC and he taught that you play Dorian over all m7 chords. I queried him specifically about that because...
bausin@...
steveg_94521
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Jul 1, 2004
11:41 pm
29660
... story. ... Wow, that's kind of scary... Ken...
kuboken1
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Jul 2, 2004
12:28 am
29663
Hi Guys: I want to thank you for the interest and lively discussion I generated with my remarks regarding the Mark Levine book and the lack of use of the...
Ron Perry
perrysc2004
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Jul 2, 2004
1:37 am
29664
... me ... use ... the ... Yeah, I've heard things that made me go "huh!?" even from guys like Garzone, Crook, Werner (from people who've studies with them)...
kuboken1
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Jul 2, 2004
2:51 am
29665
I just watched Frisell's 'instructional' video (by Rittor Music '96) and it is great (borrowed it from someone so sorry, can't lend it!). He goes through...
kuboken1
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Jul 2, 2004
3:09 am
29666
Ken, Thanks for the long review of the Frisell video. I've been on a real Frisell kick of late, so the timing is quite good for me personally. I highly...
Jeff Shirkey
jcshirke
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Jul 2, 2004
3:57 am
29667
... Well hey man, it says so right on page 236 of the theory Bible so it must be so... *kidding* Really though, why is dorian suggested as the best scale for...
Chris Smart
chris_s@...
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Jul 2, 2004
4:52 am
29668
Hmm, I always assumed it was the warble of a chorus effect that did the detune effect. I wonder if he is cursed with perfect pitch? I am, and I've never felt ...
Chris Smart
chris_s@...
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Jul 2, 2004
4:52 am
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