JAZZAD2, thank you for your reply. There's some food for thought
there for me. I would only disagree with your pick for "LASTUDIO".
This model is quite bright, and sounds to me like an amp with some
kind of tweeter, and is certainly "full-spectrum" sounding, a la
SWR. Further, the Line6 Bass PODxt's manual lists their "LA Studio"
model as an SWR SM500. But I don't know, that's just my guess. Why
do you think it's the Mesa? Oh, and how about the Bassman -- what
leads you to that conclusion (I'm not saying you're wrong, I'm just
wondering)?

Does anyone have any ideas on the ovdrive, distortion and fuzz
effects? What were they modeled after?

Has anyone compared the Pandora to the [Bass] PODxt?

http://line6.com/media/manuals/Bass%20PODxt/BassPODxtManualRevCWeb.pdf

--- In korgbass@yahoogroups.com, JAZZAD2@a... wrote:
> VALVE1: SVT with ULTRA LO engaged
> VALVE2: SVT
> CLASSIC: Fender Bassman 4x10
> SCOOPED: SWR SM900
> LASTUDIO: Mesa Boogie 400+
> GOLDPNL: Eden WT800
> JAZZ: Polytone Minibrute (or Walter Woods, I can't decide)
> STUDIO: Ampeg B-15
> AC100: Vox AC-100
> UKMAJOR: Marshall 200
> SYNTH: whatever
>
> That's what I figured at least, I don't guarantee it's true.
>
>
>
> [Non-text portions of this message have been removed]