Hey,

I'm playing solo Spectre Folk on Brian Farmers show wprb this Saturday night
10pm. Check it out.

-Pete
>From: lathe@yahoogroups.com
>Reply-To: lathe@yahoogroups.com
>To: lathe@yahoogroups.com
>Subject: [ lathe ] Digest Number 394
>Date: 10 Nov 2004 20:52:20 -0000
>
>
>
>There is 1 message in this issue.
>
>Topics in this digest:
>
> 1. Carbon Records Newsletter - November 2004
> From: Joe Tunis <jtunis@...>
>
>
>________________________________________________________________________
>________________________________________________________________________
>
>Message: 1
> Date: Wed, 10 Nov 2004 10:20:35 -0500
> From: Joe Tunis <jtunis@...>
>Subject: Carbon Records Newsletter - November 2004
>
>hey guys,
> some self-promotion here..... here's the latest Carbon Records
>newsletter.
>
>
>welcome to the November 2004 edition of the Carbon Records Newsletter.
>i've condensed the Mailorder section of this newsletter to only include
>the new items added since the last newsletter. the list was just
>getting too long. hope that works ok for you. for a full listing, check
>out www.carbonrecords.com/mailorder/ which is fully searchable.
>
>(if you know someone who wants to be on this list, have them email me.
>if you are on this list and would like to be removed from it, send me
>an email at joe@..., and sorry in advance. ok, on with
>the news:)
>
>
>News:
>====================
>- the 10YR.Series. a collection of 10 CDRs, one released every 36.5
>days throughout 2004 was updated on October 28 at 12am with a new
>release from Howard Stelzer and the Cherry Point. Howie is the brains
>behind the Intransitive label, and he pounds the country into
>submission with this bi-coastal collaboration with the Cherry Point.
>--- Background on the series: The Series will culminate (in Dec) with
>the release of a homemade wooden box to house all 10 releases. Each
>release will be $8, as will be the box. But if you'd like to subscribe
>to the series, you can pay only $64 (the price of 8, essentially
>getting 2 releases and the box for free!). Pay now, and automatically
>get the releases delivered to your doorstep when they are available.
>here is the release schedule:.
>
>01/10/2004 - 12am - Joe+N
>02/15/2004 - 12pm - Mike Shiflet (of Noumena, Gameboy Records)
>03/23/2004 - 12am - Ming
>04/28/2004 - 12pm - Dead Machines (John Olsen of WolfEyes and Tovah
>O'Rourke)
>06/04/2004 - 12am - Crawlspace
>07/10/2004 - 12pm - Coffee
>08/16/2004 - 12am - Tom Carter (Charalambides) and Shawn McMillen
>09/21/2004 - 12pm - Andy Gilmore
>10/28/2004 - 12am - Howard Stelzer and the Cherry Point
>12/03/2004 - 12pm - Blood Stereo (Dylan Nyoukis and Karen Constance)
><---------- NEXT
>
>Check out the 10YR.Series page regularly for updates, etc.
>www.carbonrecords.com/10yr_series/
>
>NOTE: if you haven't subscribed yet, hurry up, so you can take
>advantage of the special price. again, this will include the hand-made
>wooden box that will house the full series (available at the end of the
>year).
>
>
>New Releases:
>====================
>NOTE: For new Carbon releases - check out
>www.carbonrecords.com/mailorder/new.asp
>
>Howard Stelzer and the Cherry Point - Gross (CDR) - Carbon Records $8.00
>10YR.Series.09 - the ninth in the Carbon 10 year anniversary CDR
>series. 46+ minutes of bi-coastal, brutal, tape/electronic fabric.
>full, and right on!
>
>
>and recent releases still in stock:
>
>Andy Gilmore - Lord, hold my hand while i run this race. (CDR) - Carbon
>Records $8.00
>10YR.Series.08 - the eighth in the Carbon 10 year anniversary CDR
>series. a truly magnificant collection of guitar and piano pieces from
>one of the nicest and most creative people i know. Andy creates,
>whether it be with guitar or piano, pencil or ink, word or thought.
>clocking in at over 44min, this release contains 13 tracks, one of
>which is a 14min live piece, each of which exudes the level of emotion
>and delicateness that we've come to expect from Andy.
>
>Joe+N - Crickets and Friends (2CDR) - Carbon Records $12.00
>"my" sounds and "their" sounds.
>this is a recording of a sound-installation created for a photo exhibit
>by Kate Laux, entitled Self-Portrait Collaborations. "the project began
>4 years ago as a way to stay connected with friends and family as i
>moved, travelled and moved. i would mail out rolls of film or
>disposable cameras and ask my collaborators to shoot self-portraits.
>the collaborators were instructed to mail the film back to me. i
>processed/printed their film and mailed them proofs or contact sheets.
>i created a new project by responding to my collaborators work in
>whatever way my collaborator chose, unless they gave no indication of
>how i should respond. my collaborators are aware that these works will
>be exhibited."
>
>borrowing from Kate\'s theme of request-for-submission/collaboration, i
>asked various people i know to record themselves and/or their
>surroundings, and send me the results. I did not restrict them to any
>theme, format or content. i, in turn, recorded my surroundings in the
>weeks leading up to this exhibit. the majority of my recordings were
>based on night-time sounds around my house, primarily crickets. on 3
>straight nights, i recorded the flower garden below my front porch,
>where a cricket set up camp. i used small microphones, which i was able
>to lower into the plant field and maneuver in close proximity to the
>cricket, without disturbing it. aside from the obvious macro-drones of
>the cricket songs, i also heard an entire set of new sounds i've never
>noticed. clicks, pops, static, the sound of the cricket starting and
>stopping its song, anomalies in its rhythm. and other "disturbances." i
>then took these source recordings and laid them out in such a way as to
>juxtapose my friends describing themselves or their surroundings, and
>the cricket "describing" my surrounding.
>check out www.katelaux.com.
>
>Tom Carter and Shawn McMillen - colors for (CDR) - Carbon Records $8.00
>10YR.Series.07 - the seventh in the Carbon 10 year anniversary CDR
>series. a beautiful collection of drones, tones and guitar magic. All
>of what you would expect from Tom Carter (of the Charalambides) and
>Shawn McMillen (Ash Castles On the Ghost Coast, Iron Kite) and more!
>
>A bunch of new releases are coming up soon!!! including releases from
>Chad Oliveiri, various SQ releases, Joe+N CD, 10YR compilation CD,
>joe+n day-tour 2004 DVD-R, joe+n day-tour 2004 HDD, joe+n day-tour
>2004 cdr set of performances, entente cordiale, MP3Series, and of
>course the ongoing 10YR.Series and more.
>
>
>Band Info:
>====================
>- none
>
>
>Shows (Rochester, NY):
>====================
>Sun Jan 2nd - Birchville Cat Motel (NZ), DOnna Parker (Boston), Howard
>Stelzer (Boston) and Joe+N (Rochester) - AV (8 Public Market,
>Rochester) - 9PM
>
>
>you can also check out the Carbon Shows Calendar Site at
>http://www.carbonrecords.com/calendar/ for up-to-the-minute
>additions/changes/etc.
>
>
>
>Media Updates:
>====================
>- a TON of shows have been added to the Photos page, including the Andy
>Gilmore art opening, oVo, 36, Pengo, Blood and Bone Orchestra, Fried,
>Entente Cordiale, A Real Knife Head, Zombie Humano, and pulsoptional.
>
>
>A TON OF NEW Releases since 10/12/2004 (33 items)
>===========================================
>
>Algebrassiere - that\'s irritainment (CDR) - SNSE $8.00
>Algebrassiere is a seven-armed gilamonster, hairy everywhere except on
>it\'s chest, eight cat heads sprouting from it\'s spine. As it lumbers
>through the plasma center, it batters upon musical instruments with the
>severed limbs of Randy Savage. It lives to lick the flames of fire and
>spew stream-of-consciousnesses into a coffee can that doubles as a
>toilet. It longs for love, but will settle for a crooked, gap-filled
>smile from a whiskeystench bum. This album raises a racket that swings,
>12 trax of impromptou fiendrocking fuck rock that makes you more virile
>with each successive listen. Spraypainted, screened, colorcopied that
>shit
>
>
>Ashtray Navigations - to your fucking feather\'d wings (CD) - Gold
>Soundz $10.00
>(CO-RELEASED WITH ABSURD) --- Absurd and Gold Soundz proudly presents a
>slab of acid psychout noise from Ashtray Navigations. Phil Todd has
>been toasting brains for years now with a number of great releases. But
>nothing cuts right into his acid dreams like this smokebomb of pure
>psych-wah. Nearly an hours worth of perfectly fried head AND skull
>music. Definately one to be had...
>
> \"Although it\'s not a daily question for me, I must admit I sometimes
>to wonder about some people. People whose work I strongely admire but
>that somehow seem to disappear. Where are they hiding? One such person
>is Phil Todd, aka Ashtray Navigations. A few years ago he had a stream
>of releases, mostly on CDR or very limited vinyl, but I don\'t recall
>seeing something new from him. So you can\'t believe how delighted I
>was to see this new sign of life, a real CD under the banner \'To Your
>Fucking Feather\'d Wings\' - and I wasn\'t the only since two labels
>are responsible for this release. Maybe I missed a couple in the recent
>years? In case, Ashtray Navigations play lo-fi guitar noise, recorded
>on probably the shittest means around. All in good order to get that
>signature Ashtray Navigations recording sound. I imagine Phill Todd in
>his garage, with his guitar and maybe two effect pedals, a fuzzy amp, a
>cheap microphone and an old reel to reel tape-recorder, playing the
>guitar with fingers, brushes, toys or pieces of scrap metal. Maybe I\'m
>a hopeless romantic fool. There are three tracks here, the first two
>are quite short, but the title piece is some forty-five minute epos of
>guitar scraping. Noisy but minimal, sort of like a solo garage version
>of the \'Theatre Of Eternal Music\'. In these long pieces, Ashtray
>Navigations are at their best. Lengthy psychedelic lofi guitar improv
>noise. Quite a mouthful, but worth every penny. Welcome back.\"
>
> \"Frans de Waard, Vital Weekly 440.
>
>
>Bats\'l Son - music of the highlands of chiapas (CD) - Locust Music
>$12.00
>Legendary downtown New York producer & engineer Richard Alderson
>captured some of the most essential sounds imaginable on tape at the
>dawn of the 1960s by the likes of The Fugs, The Holy Modal Rounders,
>The Godz, Pearls Before Swine, Albert Ayler, Sun Ra, Thelonious Monk
>and a host of others. In the early 1970s, he dropped out of the scene
>and relocated to Chiapas, Mexico. For five years he travelled
>throughout the Chiapas highlands with a microphone in hand, putting to
>tape some of the most stunning music imaginable. Bats\' I Son means
>\'real song,\' and this foundational collection represents the
>culmination of Alderson\'s years spent documenting the raw,
>rarely-heard songs and ritual performances of an acoustic ecology
>that\'s all but disappeared today. Brilliantly remastered from the
>original master tapes at Alderson Acoustics in 2003, Bats\' I Son
>features never-before-published photos, heavily revised liner notes and
>updated track-by-track accounts by Alderson
>
>
>Cotton Museum - Crippled Sloth (10inch) - SNSE $9.00
>Cotton Museum\'s first \"pro-pressed\" release in a limited edition of
>300 on yellow vinyl:
>
> \"This easily will be one of those, “Man, have you heard…?” releases
>because it attains two simple (yet surprisingly difficult to obtain)
>and critical goals: it looks great and sounds great. For looks: hand
>silk-screened two color cover with intricate line art meandering
>between goofy and slightly sick. It reeks of “labor of love,”—a good
>sign.
>
> Audio-wise, Cotton Museum makes a solid effort to deface and remap the
>geography of “noise” music; take flopping oscillators, distorted
>squiddle and skronk, home made equipment hobbling along on last legs,
>and spin that through a dilapidated washing machine and you’re only
>defining a fraction of this 10.” Knots of sound may swing in short
>jerks or hang in the air, yet nothing reeks of “Ooh, look how much I
>can throw at you!” No; all sidestreet detours and U-turns are executed
>for a reason, a key in making Crippled Sloth a deliriously rewarding
>mud sandwich.\" - B Edwards, October 2004
>
>
>D Yellow Swan - Drill Yellow Swans (CDR) - SNSE $8.00
>Gnawing at the heels of the recent and well-received Narnack LP, Bring
>the Neon War Home, this collection of top shelf live tracks was pulled
>straight off the board during the D Yellow Swans 2004 summer tour of
>the US. Dig it:
>
> Wailing, throb coming amidst repetitive yellers stereo panjive circle
>horn test sweep rattle and spurtle doon=doondoon teeth are strong
>pinkill weeearrro weewoo signal slow creep bass now symbol smash
>weeddloweedelooo tiny rhyme time in the airplane delving deep into the
>cavern of smash fate deep woooda wooooda and stereo farm melody of
>field sans hero time tiskstiskstisk smashashsmashsmashverdaverdaverda
>someone\'s playing the laser gun and wailing and wailing and wailing in
>the line into the 666 deamon hell with this save it and unload burda
>desert pick off wait and warm up the arms on top of the sharp TAN an
>exercise in communicado push up against pulla try and fire on all three
>engines say wooop woooop wuuuup wweeeeeeeeee weee weeeeeee-ooooooo
>weee-ooooooooooo
>
>
>David Nzomo Trio - sweet soul of kenya (CD) - Locust Music $12.00
>The Sweet Soul Of Kenya resuscitates a long-lost gem of a disc by the
>East African David Nzomo Trio from 1950s Kenya. Listen in on a glimpse
>of eight beautiful selections of swinging guitar and rich male/female
>harmonizing, sung in the native Kikamba language. Cradled by jazzy
>rhythms and upbeat melodies, The Sweet Soul Of Kenya is a lovely, quiet
>revolt cut at a moment when countrywide rights to organize were illegal
>
>
>Dead Machines - Human Brain Wasting Syndrome (LP) - Ecstatic Peace
>$14.00
>Dead Machines is the lovechild of John Olson of Wolf Eyes and Tovah
>O\'Rourke of Wooden Wand and the Vanishing Voice. John leaves behind
>the Wolf Eyes angst, yet keeps all of the aggression while Tovah adds
>her own version of electronic mayhem and magic. To date, most of their
>releases have been on John’s infamous label, American Tapes, notorious
>for pressing quantities of two to forty-two in packaging that won’t
>conform itself to your music shelf. Ecstatic Peace has provided
>noise-addicts with a rare chance to own one of these LP’s limited to
>1,000 copies.
>
>
>E.W. Hagstrom - Emil and friends (CDR) - e.f. tapes & cdrs $6.00
>Ten collaborations between Emil and his friends. Featuring: Ovo, Mike
>Shiflet, PrairiePusher, Domokos, John Wiese, Gary Glitter\'s Hard
>Drive, Panicsville, Burning Star Core, Shaun Kelly and Tore H. Boe.
>
>
>Francisco Lopez - untitled #119 (3inch CD) - Lapilli $8.00
>After the usual minute or two of silence, the piece starts slowly, and
>little by little things evolve louder and louder. A big machine like
>hum takes over, with a strange stereo sense, which works well when
>played on headphones. Sounds coming in from the left and right, and
>meanwhile in the centre there is this large machine hum. The city
>looked upon from an entirely different angle. There are small, but yet
>clear dramatic changes in the pieces to be noted. Switches in tones and
>textures which happen on a superficial level, so it seems. This is a
>fine Lopez work. Many will find beauty in here, just as I did. -- Frans
>de Waard
>
>
>Frode Gjerstad and Lasse Marhaug - Red Edge (CD) - Carbon Records $8.00
>A unique collaboration between two legends of Norway‘s underground
>music scene. Free-jazz saxophonist Gjerstad has, over the past 40
>years, played with the likes of Evan Parker, Peter Br¿tzmann, William
>Parker, John Stevens, Paul Rutherford and Sabeer Mateen. Noise artist
>Lasse Marhaug is a member of Jazzkammer, DEL and Origami Replika; and
>has collaborated with the likes of Merzbow, Aube, Kevin Drumm and Cock
>E.S.P. \"Red Edge\" is a highly accomplished blend of electronic-noise
>and free-improv, showcasing some of the best work from both musicians.
>Co-released with Sunship, Breathmint, Carbon, Gameboy, and Little
>Mafia.
>
>
>Gastric Female Reflex - moments (CDR) - Gold Soundz $8.00
>Gold Soundz proudly presents 2 new works by canadian psych/ noise group
>Gastric Female Reflex. The music is generally rather low-key with some
>wonderful bursts of noise...All kinds of weird instruments are being
>amplified and recorded through different devices, there\'s a bit of
>tape manipulation and electroaccoustic clatter and rumble... on the
>second album even some voice loops... All mashed together and whipped
>up for your listening pleasure... You get flashbacks of \"classic\" NZ
>noise (Surface of the earth, Sandoz lab tech etc...) and perhaps some
>of that Dylan Nyoukis or American Tapes madness.... Both CDRs come in
>numbered editions of 50 copies, the actual discs are beautifully
>handpainted and the covers are individually made.
>
>
>Gastric Female Reflex - s/t (CDR) - Gold Soundz $8.00
>Gold Soundz proudly presents 2 new works by canadian psych/ noise group
>Gastric Female Reflex. The music is generally rather low-key with some
>wonderful bursts of noise...All kinds of weird instruments are being
>amplified and recorded through different devices, there\'s a bit of
>tape manipulation and electroaccoustic clatter and rumble... on the
>second album even some voice loops... All mashed together and whipped
>up for your listening pleasure... You get flashbacks of \"classic\" NZ
>noise (Surface of the earth, Sandoz lab tech etc...) and perhaps some
>of that Dylan Nyoukis or American Tapes madness.... Both CDRs come in
>numbered editions of 50 copies, the actual discs are beautifully
>handpainted and the covers are individually made.
>
>
>Howard Stelzer and the Cherry Point - Gross (CDR) - Carbon Records $8.00
>10YR.Series.09 - the ninth in the Carbon 10 year anniversary CDR
>series. 46+ minutes of bi-costal, brutal, tape/electronic fabric. full,
>and right on!
>
>
>If, Bwana - I, Angelica (2CD) - Pogus $16.00
>\"Into the rackets are ya, punk?\" \"Yeah, that\'s my story and I\'m
>sticking to it.\" \"Get outta here, ya punk.\" I headed down the steps
>and out the front door. \"!@#$%^&* nogood goddamn !@#$%^&*
>noisemaker,\" I heard them mutter behind my back. (wow - I always
>wanted to write one of these). Yeah, I\'m one of them. So there you
>have it. I, Angelica, the noisy loud new double If, Bwana cd - trying
>to clear a backlog of recordings out - at a not double cd price. I,
>Angelica should be played loud. Real loud. Works for computer,
>electronics, voice (?), guitars, synthesizers.
>
>
> If, Bwana - Clara Nostra (CD) - Pogus $12.00
>The rumbling continued. Matt slowly opened his eyes, then getting out
>of bed (hopefully remembering to put on some underwear) wandered into
>the common area of the loft. &qout;What the !@#$%^&*() is that!&qout;
>\"Clara Nostra\" Matt (his roommate and not his deranged alter
>ego/split personality) replied. \"That tells me alot.\" \"New If, Bwana
>disc\" Matt blurts out, somewhat embarrassed by his obvious poor taste
>in listening habits (not to mention his rather lax attention to
>personal hygiene). \"Well that does explain a lot,\" Matt says as he
>heads back to his room. \"No wonder it doesn\'t go anywhere. Kind of
>annoying isn\'t it?\" Matt looked at Matt just before Matt disappeared
>out of sight. \"I like it.\" Al says \"If 62 minutes of 156,000
>clarinets rumbling and grumbling slowly through your speakers with no
>destination home is for you, well you\'re home. On the other hand if
>that sounds like something to drive you up a wall, well, be seeing
>you.\"
>
>
>KPTMichigan - s/t (CD) - Aesthetics $10.00
>\"Germany\'s Kptmichigan (Michael Beckett) is an exploritory guitarist
>who chooses a variety of diverse musical ideas.\\n\\nCurrently Michael
>is part of Schneider TM\'s live group (they met in 1996 when Michael
>was touring with his band, Tuesday Weld, & Schneider was touring with
>his band, Hip Young Things) as well as the band Beautiful New Born
>Children. \\n\\nTogether, he & Schneider TM released a record on City
>Slang which included a hit cover of The Smith\'s \'There is a light
>that never goes out\', which gained them international recognition. For
>the record, that release was a collaboration, although press has seemed
>happy to date with only giving credit to TM. \\n\\nTuesday Weld
>eventually broke up, leaving Michael without a band & a bitterness
>towards rock music. He started messing around with a sampler and a
>groovebox. This eventually would lead to the creation of \'Hey Love\',
>his 1st record as Kptmichigan. This Kpt. record is the one most
>inspired by electronic music, which is ironic, as it was recorded
>entirely onto a 4 track. \\n\\nAs 2001 rolled around, Kpt was feeling
>bored of the clinical, hi-fi ness of electronic music, which he states
>as having \'no sex & a major lack of attitude\'. \'Player, Player\' his
>debut Aesthetics release, was created with only a 400 mhz/64 mb PC
>along with some other gear. \'Player, Player\' is loud, dirty (with
>hissing throughout) & sexy (the occurances of Jamican frequencies). Kpt
>describes it as \'my statement against the general poo that was going
>on around me\'. It ends with a prophetic song about a man who was about
>to destroy the U.S. & the rest of the planet. \\n\\nOver the years he
>has remixed tracks from: Calexico, Tennis, Shinsei & Schneider TM, and
>has tracks on compilations on Mute, Kraak3 & Tigerbeat6. \\n\\nHe is
>presently working on a collaborative record with Belgium\'s Kohn
>(Kraak3) which will release in 2005, and is producing an album for Mek
>Obaam (Christian of Schneider TM experience).\"
>
>
>Mammal - fog walkers (LP) - SNSE $10.00
>A masked man in a hooded sweatshirt stands over a collection of wires
>and fuzz-emitting gadgetry twisting and turning esoteric switches and
>knobs. Through relentless experimentation with squealing-barking waves
>of distortion (closer to the common crackle of shorted-out circuitry
>than Merzbow feedback), he\'s constructing sonic CODE that directs the
>movement of human limbs reflexively, irrespective of personal will.
>Pioneers like the Gristle and Whitehouse began this work but quickly
>bogged their projects down with syrupy dreams of sociopolitical
>influence and reverberation. Not until very recently with the emergence
>of Forcefield (and by nature their extensions,) and Pleasurehorse has
>groove research of the most fundamental sonic CODING become a reality.
>Now this dude Mammal and his Fog Walkers have arrived with the most
>succinct instructions for antisocial rock \'n\' roll behavior. The
>merciless low-end pounding of the track, \"Fog Rhythm\" should actually
>be called \"Pick the TV Up And Hurl it At Your Mom Then Drink Dad\'s
>beer while Nailing Sis.\" The shuddering \"Tube Fog\" is the
>double-helix of Sabbath\'s debut. And the 13+ minutes of \"Fog Face\"
>are a conglomeration of just about every code needed to precipitate a
>sweat-soaked night of furious punk rock in the basement of the house
>you got evicted from six hours earlier in the day. -J Farrar, June 2002
>
>
>Mouthus - Loam (LP) - Ecstatic Peace $14.00
>Somewhere between electronic noise, drone and psychedelic rock, you
>will find the Brooklyn duo, Mouthus, coiled and ready to strike. On
>Loam, Brian Sullivan’s impenetrable guitar stirs your emotions and Nate
>Nelson bangs a primeval beat that pounds through your chest to your
>very being. Sinister vocal sounds on “Must Anubis” threaten to spin you
>back to your caveman past. The movement of sound from chaos to
>structure is Venus emerging, not from the ocean, but from primordial
>ooze, then melting back into the goo.
>
> …they absolutely destroy. Super great feedback and overload squall w/
>a hep no-wave edge. The label (Psych-O-Path) touts them as a
>brain-gouged cross between Jandek and Fushitsusha but our ears catch
>something more of a Rudolph Grey-jamming-with-Sightings vibe. -Byron
>Coley & Thurston Moore, (Arthur)
>
>
>Nautical Almanac / Vertonen - split (LP) - SNSE $10.00
>Nautical’s side could be considered a potential sound documentary of an
>army of cats in ice skates crashing through a recycling center. How
>carefully those felines climb the mountainous pile of aluminum cans
>before fate sends them slipping down, down, down into glassware and
>truck springs. Vertonen’s side sputters, lurches, and drones until
>reaching an inevitable hallelujah to 60s female vocalists. The aural
>pleasure is akin to that reached when an incandescent strobe light is
>aimed at your eyes while you are restrained on a decrepit
>merry-go-round.
>
>
>Noise Makers Fifes - monomania of instinct (CDR) - Gold Soundz $8.00
>Co-released with Humbug --- Finally this great NMF live recording from
>Stockholm 1998 is seeing the light of day (after many delays). Loosely
>based on Bachelard\'s animalistic aggression theory applied to the
>writings of Lautreamont (\"Les Chants de Maldoror\"), this MS Stubnitz
>live audio-visual performance stands out as one of NMFs perhaps
>strongest live performances. One very long track (65 minutes), it takes
>you from the inaudible to the full-on sense attack and back, it\'s
>exploding with strong emotions... Perfomed partly on homemade sound
>sculptures, they have developed a musical language that is quite
>unique. Edition of 250 numbered copies in fold-out slipcase cover.
>
>
>oVo - vae victis (CD) - bar la muerte $8.00
>Testimony of Greek, Turkish, Bulgarian, Macedonian and Italian tour
>made in 2001, this session was recorded the day after this tourr. OvO
>were in this occasion, beside hosts Stefania and Bruno, also Jacopo
>Andreini (Enfance Rouge, Nando Meet Corrosion, Bz Bz Ueu, etc...) and
>Capoccia (Concrete, Los Vaticanos, Comrades, etc...). The sum is an
>explosive mix of grindcore and improvisation... chaoscore?
>
>
>Pauline Oliveros - no mo (CD) - Pogus $12.00
>\"In the summer of 1966 I worked in the classical Electronic Music
>Studio at the University of Toronto for six weeks. The system I used to
>create No Mo and Something Else consisted of Layfette tone generators,
>noise source and tape delay. In the Fall of 1966 I was the newly
>appointed director of the Mills Tape Music Center formerly the San
>Francisco Tape Music Center and now the Center for Contemporary Music
>at Mills College. Bog Road was created at the Mills Tape Music Center
>in the Summer of 1967 with the Buchla Series 100 Box. The studio
>overlooked a pond where frogs were singing a chorus that inspired a
>series of Bog pieces.\"
>
>
>Pengo - a nervous splendor (LP) - Carbon Records $10.00
>the first full-length (non-CDR) release by this group since 2000‘s
>Climbs the Holy Mountain, and the first release on the new Haoma
>Recordings imprint (with help from Carbon and Breathmint). a collection
>of recordings spanning the years since, showcasing the group‘s use of
>the out/pysch/improv/drone aesthetic. with special guest Nuuj on the
>b-side epic \"What do you mean, Idi Amin?\". edition of 500.
>
>
>pulseprogramming - Tulsa for one second (CD) - Aesthetics $10.00
>Pulseprogramming\'s \'Tulsa For One Second\' is a remarkable record,
>rich and personal with understated textures and wintry elegance while
>presenting an array of styles that reference artists such as Boards of
>Canada, Matmos, early Mouse on Mars, & Telfon Tel Aviv (whose Charlie
>Cooper mixed \'Tulsa\'). On \'Tulsa\' Pulseprogramming have expanded
>their use of vocals (including contributions from Lindsay of L\'altra)
>to create a handful of pop gems that interact with their lingering
>instrumentals and make for a singular listening
>experience.\\n\\n\'Tulsa For One Second\' is a truly unique record,
>offering a musical and emotional range that is unusual for an
>electronic record. \'Blooms Eventually\' opens the record as a superbly
>eager love song with a rhythmic hope that belies the loss it expresses
>(\'precious little time to spend with you/so take my hand/hush now
>before you go\'), while \'Bless The Drastic Space\' closes the record
>flawlessly with a striking, buoyant melody. With richer arrangements
>and detailed rhythmic deftness, Pulseprogramming haven\'t just grafted
>a human element onto their songs, but have permitted warmth that is
>rare in electronic music.\\n\\nThe intent of the packaging (printed on
>Tyvek by Blanchette Press in Canada) is to be a vehicle for
>\'Tulsa\'s\' inviting, intimate qualities while conveying impressions
>of \'home\'. Illustration is used to manifest qualities such as
>tradition, hospitality and to achieve an unassuming, homemade look and
>feel.\\n\\nWith \'Tulsa for One Second\', Pulseprogramming have created
>a defining record for contemporary electronic music in 2003. 1st
>pressing of lp & cd transform into a house. 1st pressing of vinyl is
>also on white vinyl.\"
>
>
>Rollerball / oVo - my first cowboy (CD) - bar la muerte $8.00
>The human and artistic partneship between OVO and Rollerball, sealed by
>3 tours made together, goes on with this split cd featuring 9 tracks
>where OvO play with Rollerball mambers and 7 tracks where Rollerball
>duet with some hot names of NorthWestern American avantgarde, for this
>album coproduced with TMR from USA.
>
>
>Rune Lineblad - death of the moon (Electronic and Concrete Music
>1953-1960) (CD) - Pogus $12.00
>This disc is a reissue of lps on Pogus and Radium. Rune Lindblad
>(1923-1991) was an early pioneer in electronic and concrète music.
>Lindblad did not see these genres as mutually exclusive. Important and
>wonderful works by a composer who represented no institutionalized
>school of thought. At a concert in 1957, the critics called his music
>\"pure torture.\" With a recommendation like that, WHAT ARE YOU WAITING
>FOR?
>
>
>Rune Lineblad - Objekt-2 (CD) - Pogus $12.00
>Volume 2 of the music of RUNE LINDBLAD (1923-1991). This cd consists of
>the remainder of the long out of print Radium double lp. These works
>cover the years 1962-1988. Lindblad, a Swede began composing music in
>1953. Ignored by the musical establishment in Stockholm, Rune went his
>own merry way, composing over 200 works of electronic music. Limited in
>the early years to often primitive equipment, he carved out his own
>musical niche. The sounds were often raw, occasionally sca
>
>
>Sir Richard Bishop - Improvika (CD) - Locust Music $12.00
>By trade Sir Richard Bishop is a dealer of rare occult books and fine
>paper ephemera. For many in the musical cosmos, he has occasion to
>travel the smoke filled carnie circuit as 1/3 of the Sun City Girls
>medicine show.
>
> But in the twilight hours of a shadow world sensed only by few, Bishop
>is a dazzling unaccompanied guitarist. On Improvika, Bishop rides a
>very tall horse through a surrealist\'s cowboy set that\'s 1 part bruit
>Peckinpah muscularity & 2 parts illuminated Jodorowskian symbolism.a
>very strange place, indeed. Armed only with a single steel string
>wooden guitar, bare-knuckled Bishop fends off the horrors & dangers of
>the night with ease as he spits out glorious white robed arabesques,
>django inspired gypsy arcs, & latin terracotta flourishes like so many
>spinning tumbleweeds in a one horse town that is his alone.
>
> Improvika is Sir Richard\'s follow up to his part on locust\'s
>celebrated Wooden Guitar collection and second full length release
>after his debut on John Fahey\'s Revenant label.
>
>
>Smallflowers Press - issue #1 (ZINE) - Smallflowers Press $4.00
>"Debut issue of this Malden-based mag. Features extremely extensive
>interviews with Dredd Foole (whose classic 1995 album In Quest of Tense
>has become some kind of cornerstone), Sunburned Hand of the Man, and
>Chris Corsano. No reviews, almost no ads. Just one piledriving Q and A
>after another" - Forced Exposure
>
> "I spent 2003 interviewing free-folkers (hardy har har) Dredd Foole,
>Chris Corsano, and especially Sunburned Hand of the Man. The result is
>issue one of a zine called Smallflowers Press. It is the most in-depth,
>horse\'s-mouth document to date on what The Wire called "new weird
>america" and features about 200 exclusive photos and 80 pages." -
>Smallflowers Press
>
>
>Thurston Moore / Dylan Nyoukis / Carlos Giffoni - make no mistake about
>it (CDR) - Gold Soundz $8.00
>(CO-RELEASED WITH ECSTATIC PEACE! AND IMVATED) ---- \"Thurston yelling,
>bitching and yodeling along the third track of the Chewing Smoke disc,
>into a hand held recorder while driving his car. Dylan says: \"Pretend
>yr some little fan boy who was stowed away in the back of Ts car, feel
>yr heart sink as yr idol destroys all his cred, like yr paw dancing at
>a wedding...\" Imvated catalog.
>
>
>Uton - XXX (CDR) - Gold Soundz $8.00
>A new great album from the Tampere, Finland psych-noise favourites.
>Quite a bit more intense and claustophobic than many of his previous
>albums. Perhaps somebody\'s put something funny in the drinking
>water... Uton has released many albums the last 2-3 years on Pseudo
>Arcana, Jewelled Antler and his own imprint Haamumaa. Edition of 100
>copies.
>
>
>Various Artists - ElectroAcoustic Music From Argentina (CD) - Pogus
>$12.00
>Seven electroacoustic works by five young Argentinian composers: Daniel
>Schachter, Tiempo Quebrado (1993); Ricardo Dal Farra, …Due Giorni Dopo
>(1988) and Ashram (1991), with Joseph Celli on mukha veena; Martín
>Alejandro Fumarola, Callejuelas (1996) and El peregrinar de la araña
>(1995); Alejandro Iglesias-Rossi: Ascención (1998); and Teodoro
>Cromberg, Mari
>
>
>Various Artists - Wooden Guitar (CD) - Locust Music $12.00
>Back in print! If you missed the numbered, silkscreen edition, here\'s
>another chance to pick up this wonderful compilation. Wooden Guitar is
>an inspired excursion into the creases and folds of modern deltadelica
>and a loosely worn blues by four unaccompanied guitarists doing their
>thing and going it alone for a really long time.
>
> A simple title with a simple idea, Wooden Guitar brings together some
>of our favorite guitarists for a fine tour de force of unaccompanied
>performances. Germany\'s Steffen Basho-Junghans , Seattle\'s Sir
>Richard Bishop (the Sun City Girls), Japan\'s Tetuzi Akiyama and
>Virginia\'s Jack Rose (Pelt) give us a fresh look at a very old
>instrument with a handful of gloriously stretched out solo compositions
>in the spirit of the great Takoma gatherings of years past.
>
>
>
>
>
>
>
>
>
>
>
>====================
>====================
>
>as always, you can mail order Carbon Records releases directly from me.
>send check or money order, payable to Carbon Records, at the address
>below, or use www.carbonrecords.com/mailorder/ for online credit card
>purchases. email me or check out the web site for the current price
>list.
>
>SECURE ONLINE ORDERING is available on the Carbon site!!! Go to
>www.carbonrecords.com/mailorder/ to buy the latest in Carbon releases
>with your credit card. The Secure Online Credit Card transaction is
>handled by PayPal.com (www.paypal.com), a reputable online merchant
>service for individuals and merchants.
>
>
>ok, thanks
>
>joe
>
>
>-------------------------------------------------
>Joe Tunis - Carbon Records
>PO Box 10718 Rochester NY 14610
>joe@...
>www.carbonrecords.com
>
>
>
>
>________________________________________________________________________
>________________________________________________________________________
>
>
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