Okay friends, here's the Seattle Times' take on Linda's appearance
at Wintergrass with the Bluebirds.

Erik
********************
Tuesday, March 1, 2005 - Page updated at 12:00 a.m.

Female singers join for dazzling show of harmony

By Patrick MacDonald

Seattle Times music critic

Concert Review



Talk about going out in style!

The 12th edition of Wintergrass, Tacoma's annual celebration of
bluegrass and acoustic music, ended its four-day run Sunday with a
historic, once-only performance by the BlueBirds, a joining together
of the great pop singer Linda Ronstadt with her longtime friend and
fellow pop singer, Maria Muldaur, and Laurie Lewis, one of the top
female artists in bluegrass. They were backed by five musicians,
most of them from Lewis' band.

The concert was held in a packed Bicentennial Pavilion, which is
just across a courtyard from the Wintergrass headquarters, the
Sheraton Tacoma Hotel. It was standing room only, with all seats
filled and every spot along the walls and the back taken.

An almost palpable feeling of excitement could be felt in the crowd
prior to the show, mostly because of Ronstadt, who had never before
sung bluegrass music in public. That pent-up excitement erupted in
wild applause and a standing ovation when Ronstadt finally sang a
lead, in the fourth song in the set. It was "High Sierra," which she
originally recorded with Dolly Parton and Emmylou Harris on the
1999 "Trio II" album.

Her velvety smooth voice was in perfect form, with the same vocal
power that has marked her singing for more than 35 years. She got
another whistling, stomping, standing ovation when she hit some
impossibly high notes on "Rank Stranger."

"Can you imagine what our rehearsals were like?" Lewis said after
that song. "I cried every time she hit those notes. And here I am
doing it again."

A highlight for Muldaur was "My Tennessee Mountain Home," a Parton
song she recorded in 1974 with Ronstadt. Their harmonizing was as
warm and buttery as it was then.

The show was actually more about harmony than lead singing, and the
three sounded especially good together, with Ronstadt's deeper tones
contrasting with Muldaur's higher ones, and Lewis' mid-range adding
balance. Lewis shined on her popular song, "Texas Bluebonnets." And
she teared up again when Ronstadt said that it was her favorite
Lewis song.

The crowd loved the classic country songs in the set,
including "I'll Fly Away" and the closer, the sorrowful but
beautiful "Hard Times Come Again No More." The person most
associated with that song is country great Ralph Stanley, who was
the one who suggested to Muldaur that she round up Ronstadt and
Lewis for the Wintergrass gig.

The show was so good, it's too bad it happened only once. With that
crowd reaction, however, the BlueBirds may be inspired to do it
again.

Mountain Heart preceded the BlueBirds with an entertaining set of
well-played bluegrass. It was the first time at Wintergrass for the
six-piece from the Appalachian Mountains. Hopefully, they'll be
back, too.

It was one of the best Wintergrass festivals ever, not only because
of the BlueBirds and Mountain Heart, but also for such stellar
artists as David Grisman, J.D. Crowe, Tony Rice, Seldom Scene, The
Grascals and Rhonda Vincent & the Rage — not to mention all the
jam
sessions that broke out all over the hotel, and out into the
courtyard.
********************

Wow, sounds incredible!  I wish I could have been there.

Thanks, Erik, for that info.

At 09:41 AM 3/1/2005, you wrote:

>Okay friends, here's the Seattle Times' take on Linda's appearance
>at Wintergrass with the Bluebirds.
>
>Erik
>********************
>Tuesday, March 1, 2005 - Page updated at 12:00 a.m.
>
>Female singers join for dazzling show of harmony
>
>By Patrick MacDonald
>
>Seattle Times music critic
>
>Concert Review
>
>
>
>Talk about going out in style!
>
>The 12th edition of Wintergrass, Tacoma's annual celebration of
>bluegrass and acoustic music, ended its four-day run Sunday with a
>historic, once-only performance by the BlueBirds, a joining together
>of the great pop singer Linda Ronstadt with her longtime friend and
>fellow pop singer, Maria Muldaur, and Laurie Lewis, one of the top
>female artists in bluegrass. They were backed by five musicians,
>most of them from Lewis' band.
>
>The concert was held in a packed Bicentennial Pavilion, which is
>just across a courtyard from the Wintergrass headquarters, the
>Sheraton Tacoma Hotel. It was standing room only, with all seats
>filled and every spot along the walls and the back taken.
>
>An almost palpable feeling of excitement could be felt in the crowd
>prior to the show, mostly because of Ronstadt, who had never before
>sung bluegrass music in public. That pent-up excitement erupted in
>wild applause and a standing ovation when Ronstadt finally sang a
>lead, in the fourth song in the set. It was "High Sierra," which she
>originally recorded with Dolly Parton and Emmylou Harris on the
>1999 "Trio II" album.
>
>Her velvety smooth voice was in perfect form, with the same vocal
>power that has marked her singing for more than 35 years. She got
>another whistling, stomping, standing ovation when she hit some
>impossibly high notes on "Rank Stranger."
>
>"Can you imagine what our rehearsals were like?" Lewis said after
>that song. "I cried every time she hit those notes. And here I am
>doing it again."
>
>A highlight for Muldaur was "My Tennessee Mountain Home," a Parton
>song she recorded in 1974 with Ronstadt. Their harmonizing was as
>warm and buttery as it was then.
>
>The show was actually more about harmony than lead singing, and the
>three sounded especially good together, with Ronstadt's deeper tones
>contrasting with Muldaur's higher ones, and Lewis' mid-range adding
>balance. Lewis shined on her popular song, "Texas Bluebonnets." And
>she teared up again when Ronstadt said that it was her favorite
>Lewis song.
>
>The crowd loved the classic country songs in the set,
>including "I'll Fly Away" and the closer, the sorrowful but
>beautiful "Hard Times Come Again No More." The person most
>associated with that song is country great Ralph Stanley, who was
>the one who suggested to Muldaur that she round up Ronstadt and
>Lewis for the Wintergrass gig.
>
>The show was so good, it's too bad it happened only once. With that
>crowd reaction, however, the BlueBirds may be inspired to do it
>again.
>
>Mountain Heart preceded the BlueBirds with an entertaining set of
>well-played bluegrass. It was the first time at Wintergrass for the
>six-piece from the Appalachian Mountains. Hopefully, they'll be
>back, too.
>
>It was one of the best Wintergrass festivals ever, not only because
>of the BlueBirds and Mountain Heart, but also for such stellar
>artists as David Grisman, J.D. Crowe, Tony Rice, Seldom Scene, The
>Grascals and Rhonda Vincent & the Rage — not to mention all the
>jam
>sessions that broke out all over the hotel, and out into the
>courtyard.


[Non-text portions of this message have been removed]

LINDA RONSTADT LIVE ATLANTA 1977 DVD

Plus recent Linda 2004 shows on DVD!

email

RockFilmsLTD
@cs.com

for details!

Just wanted to post on a brief but interesting Linda mention I heard
on the radio.. NPR was having an interview with Linda Thompson, who
was relating how her health and career starting falling apart after
her husband left her suddenly shortly after she gave birth to their
child. It had gotten to the point where she was lying drunk and
drugged in a gutter in LA when our Linda literally picked her up and
took her home and nursed her back to health.. the two remained friends
and have appeared together on albums, recently on the Cajun
compilation album Evangeline.

Robert

That is SO special. Thanks for sharing that info with us, Robert. Just one more
reason to admire la diva Ronstadt.

Victoria

Robert Axelrod <robertaxel@...> wrote:



Just wanted to post on a brief but interesting Linda mention I heard
on the radio.. NPR was having an interview with Linda Thompson, who
was relating how her health and career starting falling apart after
her husband left her suddenly shortly after she gave birth to their
child. It had gotten to the point where she was lying drunk and
drugged in a gutter in LA when our Linda literally picked her up and
took her home and nursed her back to health.. the two remained friends
and have appeared together on albums, recently on the Cajun
compilation album Evangeline.

Robert




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[Non-text portions of this message have been removed]

In a message dated 3/9/05 8:26:14 PM, phanphotog@... writes:


> interesting Linda mention I heard
> on the radio.. NPR was having an interview with Linda Thompson,
>
**Thanks for that-- I had read earlier that LT had credited Linda with
support, but didn't realize the extent.   Ed


[Non-text portions of this message have been removed]

Pophall, The Popular Music Hall of Fame & Museum has now opened the
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If you think you know your popular music trivia, then you could very
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............................................................

PopHall is owned and operated by PopHall, Inc., a non-profit
corporation, duly registered with, and recognized by, the Secretary
of State in the Commonwealth of Massachusetts.

When Linda quit the Stone Pony's to go Solo how did the band feel
about her quiting them.
I know if it had been reverse Linda, Would had felt happy for them.
But were they happy for them.

We may had touch this question before don't remember,

If Linda had stayed with the Stone Pony's would she had going as far
as she did. I felt she made a good choice in going solo.
I don't feel Linda, would had going as far with the Stone Pony.


Terry Arceneaux

I think what disheartened her the most about the Stone Poneys was
that they were always breaking up for various reasons, including
poor record sales and having to be opening acts for artists they had
nothing in common with (they even once opened up for the Doors [no
pun intended]).

Also, they were still something of a sligtly more upbeat version of
Peter, Paul, and Mary, very much in the acoustic folk-rock pattern,
but Linda's tastes were leaning more and more towards contemporary
country music, albeit a kind of country far removed from Nashville.
Linda may not have been looking for a solo career outwardly, but
subliminally she knew that the Stone Poneys were only a temporary
thing.

Erik

--- In lindaronstadtclub@yahoogroups.com, "Terry Arceneaux"
<arceneaux436@y...> wrote:

When Linda quit the Stone Pony's to go Solo how did the band feel
about her quiting them. I know if it had been reverse Linda, Would
had felt happy for them.  But were they happy for them.

We may had touch this question before don't remember,

If Linda had stayed with the Stone Pony's would she had going as far
as she did. I felt she made a good choice in going solo.
I don't feel Linda, would had going as far with the Stone Pony.

Capitol signed the Stone Poneys fully knowing along with the Stone Poneys
themselves that Linda was what they were after and she was to become a solo act
at some point. Mike

virek213 <no_reply@yahoogroups.com> wrote:
I think what disheartened her the most about the Stone Poneys was
that they were always breaking up for various reasons, including
poor record sales and having to be opening acts for artists they had
nothing in common with (they even once opened up for the Doors [no
pun intended]).

Also, they were still something of a sligtly more upbeat version of
Peter, Paul, and Mary, very much in the acoustic folk-rock pattern,
but Linda's tastes were leaning more and more towards contemporary
country music, albeit a kind of country far removed from Nashville.
Linda may not have been looking for a solo career outwardly, but
subliminally she knew that the Stone Poneys were only a temporary
thing.

Erik

--- In lindaronstadtclub@yahoogroups.com, "Terry Arceneaux"
<arceneaux436@y...> wrote:

When Linda quit the Stone Pony's to go Solo how did the band feel
about her quiting them. I know if it had been reverse Linda, Would
had felt happy for them.  But were they happy for them.

We may had touch this question before don't remember,

If Linda had stayed with the Stone Pony's would she had going as far
as she did. I felt she made a good choice in going solo.
I don't feel Linda, would had going as far with the Stone Pony.




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[Non-text portions of this message have been removed]

LR has also always said  that she wasn't ready to be a solo act when she
became a solo act.  I think she probably always felt more comfortable in
the company of a ensemble of musicians.  This is what she was so delighted
about when she performed in Joe Papp's "Pirates" in the early '80s.

At 01:22 PM 3/17/2005, you wrote:

>Capitol signed the Stone Poneys fully knowing along with the Stone Poneys
>themselves that Linda was what they were after and she was to become a
>solo act at some point. Mike
>
>virek213 <no_reply@yahoogroups.com> wrote:
>I think what disheartened her the most about the Stone Poneys was
>that they were always breaking up for various reasons, including
>poor record sales and having to be opening acts for artists they had
>nothing in common with (they even once opened up for the Doors [no
>pun intended]).
>
>Also, they were still something of a sligtly more upbeat version of
>Peter, Paul, and Mary, very much in the acoustic folk-rock pattern,
>but Linda's tastes were leaning more and more towards contemporary
>country music, albeit a kind of country far removed from Nashville.
>Linda may not have been looking for a solo career outwardly, but
>subliminally she knew that the Stone Poneys were only a temporary
>thing.
>
>Erik
>
>--- In lindaronstadtclub@yahoogroups.com, "Terry Arceneaux"
><arceneaux436@y...> wrote:
>
>When Linda quit the Stone Pony's to go Solo how did the band feel
>about her quiting them. I know if it had been reverse Linda, Would
>had felt happy for them.  But were they happy for them.
>
>We may had touch this question before don't remember,
>
>If Linda had stayed with the Stone Pony's would she had going as far
>as she did. I felt she made a good choice in going solo.
>I don't feel Linda, would had going as far with the Stone Pony.


[Non-text portions of this message have been removed]

Yes, Linda has stated more than once that she was one comfortable
being a member of a group.

Robert

-- In lindaronstadtclub@yahoogroups.com, Karen <karens@c...> wrote:
>
>
> LR has also always said  that she wasn't ready to be a solo act
when she
> became a solo act.  I think she probably always felt more
comfortable in
> the company of a ensemble of musicians.  This is what she was so
delighted
> about when she performed in Joe Papp's "Pirates" in the early '80s.
>
> At 01:22 PM 3/17/2005, you wrote:
>
> >Capitol signed the Stone Poneys fully knowing along with the Stone
Poneys
> >themselves that Linda was what they were after and she was to
become a
> >solo act at some point. Mike
> >
> >virek213 <no_reply@yahoogroups.com> wrote:
> >I think what disheartened her the most about the Stone Poneys was
> >that they were always breaking up for various reasons, including
> >poor record sales and having to be opening acts for artists they
had
> >nothing in common with (they even once opened up for the Doors [no
> >pun intended]).
> >
> >Also, they were still something of a sligtly more upbeat version of
> >Peter, Paul, and Mary, very much in the acoustic folk-rock pattern,
> >but Linda's tastes were leaning more and more towards contemporary
> >country music, albeit a kind of country far removed from Nashville.
> >Linda may not have been looking for a solo career outwardly, but
> >subliminally she knew that the Stone Poneys were only a temporary
> >thing.
> >
> >Erik
> >
> >--- In lindaronstadtclub@yahoogroups.com, "Terry Arceneaux"
> ><arceneaux436@y...> wrote:
> >
> >When Linda quit the Stone Pony's to go Solo how did the band feel
> >about her quiting them. I know if it had been reverse Linda, Would
> >had felt happy for them.  But were they happy for them.
> >
> >We may had touch this question before don't remember,
> >
> >If Linda had stayed with the Stone Pony's would she had going as
far
> >as she did. I felt she made a good choice in going solo.
> >I don't feel Linda, would had going as far with the Stone Pony.
>
>
> [Non-text portions of this message have been removed]

Don't know if anyone saw this when it happened:

March 7, 2001
Web posted at: 5:30 p.m. EST (2230 GMT)

(CNN) -- Here are the "Songs of the Century," as compiled by the Recording
Industry of America and the National Endowment for the Arts:

<snip>

320. "WHEN WILL I BE LOVED"         LINDA RONSTADT

       *****

Now, when is she going to get into the R&R Hall of Fame?  I know LR doesn't
care, but her fans do!

Karen

Yes, I do recall this, and I also would love to see her in the 'Hall
of Shame'... SO much more worthy than many already in there.

Robert

--- In lindaronstadtclub@yahoogroups.com, Karen <karens@c...> wrote:
>
> Don't know if anyone saw this when it happened:
>
> March 7, 2001
> Web posted at: 5:30 p.m. EST (2230 GMT)
>
> (CNN) -- Here are the "Songs of the Century," as compiled by the
Recording
> Industry of America and the National Endowment for the Arts:
>
> <snip>
>
> 320. "WHEN WILL I BE LOVED"         LINDA RONSTADT
>
>       *****
>
> Now, when is she going to get into the R&R Hall of Fame?  I know LR
doesn't
> care, but her fans do!
>
> Karen

here´s the new message board
http://www.12bb.de/phpBB2/index,503.htm


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[Non-text portions of this message have been removed]

Yes, I have always felt that Linda understands rock and roll much,
much more than she lets on.  I would consider her version of "When
Will I Be Loved?" to be a modern rockabilly rendition, which would
explain why it was such a huge pop AND country hit.

And of course, I'd like to see her enshrined in Cleveland one of
these days--provided that the H.O.F. head honchos get their thumbs
out of their collective a**es!

Erik

--- In lindaronstadtclub@yahoogroups.com, "Robert Axelrod"
<robertaxel@y...> wrote:

Yes, I do recall this, and I also would love to see her in the 'Hall
of Shame'... SO much more worthy than many already in there.

Robert

I am going to Stevie Nicks show on May 11th in Vega's. It's my birthday present
from a good friend, and how she got these tickets I have no idea. Any other
Stevie fans?

Johnpaul

Dan Winters <dan_wntrs@...> wrote:


here´s the new message board
http://www.12bb.de/phpBB2/index,503.htm


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[Non-text portions of this message have been removed]








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[Non-text portions of this message have been removed]

Yes Karen we do care.  Is there anything that a grassroots movement could do?? 
Is there one to contact???  How do you do a grassroots movement????   john


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[Non-text portions of this message have been removed]

In a message dated 03/20/2005 9:36:35 AM Pacific Standard Time,
no_reply@yahoogroups.com writes:
Yes, I have always felt that Linda understands rock and roll much,
much more than she lets on.  I would consider her version of "When
Will I Be Loved?" to be a modern rockabilly rendition, which would
explain why it was such a huge pop AND country hit.

And of course, I'd like to see her enshrined in Cleveland one of
these days--provided that the H.O.F. head honchos get their thumbs
out of their collective a**es!

Erik
I've always liked Linda's version of When will I be loved. We all know the
song was first recorded and made famous by the Everly Brothers.. no doubt Linda
hit one out of the park with her version years later.
I also noticed last week on American Idol (the theme was 60's music) a
contestant,Carrie Underwood chose to sing "When will I be Loved" by the Everly
Brothers... the arrangements, however, sounded much more like Linda's 70's and
version than the EB's.... that line "tell me, when will I be loved" sure sounded
as though Carrie's influence on that song was more Ronstadt than Everly. LOL

Dianna


[Non-text portions of this message have been removed]

>contestant,Carrie Underwood chose to sing "When will I be Loved" by the
Everly
>Brothers... the arrangements, however, sounded much more like Linda's 70's
and
>version than the EB's.... that line "tell me, when will I be loved" sure
sounded
>as though Carrie's influence on that song was more Ronstadt than Everly.
LOL



I'd be willing to bet that Carrie had never heard the song by the Everly
Brothers, and was happy to find a familiar song among these 1960s
nuggets.  I was listening to the Everly version today, and yes, that
arrangement was totally Ronstadt-- yet of course that was never mentioned.

But she was not the only contestant to take a song from the '60s and
perform it as as '70s song.  The version of Knock on Wood was
the '70s disco version, and the version of Breaking Up is Hard to Do
was the slowed-down ballad remake version that Neil Sedaka did
during his '70s comeback.

But wow!  that Nadia Turner did a fantastic job on Dusty Springfield's
"You Don't Have to Say you Love Me."   She will surely be one of
the final contenders, along with Mario and Bo and maybe Carrie if
she can get it together.   Well, not Mario.  I had already bet in the
office pool that he would be the final winner... then he dropped out.

True.  I was irked, however, when I read that Paula Abdul, one of
the judges there, considered Carrie's choice "safe."  Okay--it's a
song first done by perhaps the single most influential duo in rock
music history in 1960, then remade in rockabilly fashion by
undoubtedly one of the single most influential female singers in
rock music history in 1974, and it has a long-standing and imposing
reputation.  What exactly is "safe" about doing that song anyway?!

Erik

--- In lindaronstadtclub@yahoogroups.com, dpdiamonds@a... wrote:

I also noticed last week on American Idol (the theme was 60's music)
a contestant,Carrie Underwood chose to sing "When will I be Loved"
by the Everly Brothers... the arrangements, however, sounded much
more like Linda's 70's and version than the EB's.... that line "tell
me, when will I be loved" sure sounded as though Carrie's influence
on that song was more Ronstadt than Everly. LOL

Dianna

She may have been referring to the fact that her arrangement was not
that different from Linda's.

Robert

--- In lindaronstadtclub@yahoogroups.com, virek213 <no_reply@y...>
wrote:
>
> True.  I was irked, however, when I read that Paula Abdul, one of
> the judges there, considered Carrie's choice "safe."  Okay--it's a
> song first done by perhaps the single most influential duo in rock
> music history in 1960, then remade in rockabilly fashion by
> undoubtedly one of the single most influential female singers in
> rock music history in 1974, and it has a long-standing and imposing
> reputation.  What exactly is "safe" about doing that song anyway?!
>
> Erik
>
> --- In lindaronstadtclub@yahoogroups.com, dpdiamonds@a... wrote:
>
> I also noticed last week on American Idol (the theme was 60's
music)
> a contestant,Carrie Underwood chose to sing "When will I be Loved"
> by the Everly Brothers... the arrangements, however, sounded much
> more like Linda's 70's and version than the EB's.... that
line "tell
> me, when will I be loved" sure sounded as though Carrie's influence
> on that song was more Ronstadt than Everly. LOL
>
> Dianna

In a message dated 03/22/2005 7:19:44 AM Pacific Standard Time,
no_reply@yahoogroups.com writes:
True.  I was irked, however, when I read that Paula Abdul, one of
the judges there, considered Carrie's choice "safe."  Okay--it's a
song first done by perhaps the single most influential duo in rock
music history in 1960, then remade in rockabilly fashion by
undoubtedly one of the single most influential female singers in
rock music history in 1974, and it has a long-standing and imposing
reputation.  What exactly is "safe" about doing that song anyway?!
LOL,  I usually take P. Abdul's comments "with a grain of salt." .. besides,
It seems as tho she is overly medicated these days.

Dianna


[Non-text portions of this message have been removed]

At 04:26 PM 3/22/2005, you wrote:

>LOL,  I usually take P. Abdul's comments "with a grain of salt." ..
>besides,  It seems as tho she is overly medicated these days.
>
>Dianna

I'm sure I don't know what you mean by "overly medicated."


[Non-text portions of this message have been removed]

Sorry and I could not resist that one... but watching Paula Abdul on American
Idol .. she just seems a little "loopy" to me .. not all there... which is
why I assume that she might be on something.. but who knows. LOL
Dianna


[Non-text portions of this message have been removed]

> True.  I was irked, however, when I read that Paula Abdul, one of
> the judges there, considered Carrie's choice "safe."

Can you imagine Paula Abdul singing "When Will I Be Loved"?
Or any song for that matter that is not based on choreography?

partridge@... wrote:

."

Can you imagine Paula Abdul singing "When Will I Be Loved"?
Or any song for that matter that is not based on choreography?

My Reply: Terry Arceneaux

I'm not that much of a Paula Abdul fan but ( When wil I be Loved ) She might be
able to pul it off. just wouldn't be as good.

I think there a lot of song other female artist can sing of Linda's just not as
well. They would have to really jam to do as well as Linda and still not touch
her.



Terry Arceneaux



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[Non-text portions of this message have been removed]

Abdul singing "When will I be loved?" yikes. Even if the offer was made to
her I would think she would have enough sense to decline for obvious reasons.
You've got to be "top drawer" vocally to tackle anything Linda has touched...

Dianna


[Non-text portions of this message have been removed]

I don't even want to imagine her SPEAKING the words :}

Robert


--- In lindaronstadtclub@yahoogroups.com, dpdiamonds@a... wrote:
> Abdul singing "When will I be loved?" yikes. Even if the offer was
made to
> her I would think she would have enough sense to decline for
obvious reasons.
> You've got to be "top drawer" vocally to tackle anything Linda has
touched...
>
> Dianna
>
>
> [Non-text portions of this message have been removed]

> > Abdul singing "When will I be loved?" yikes.
>

> I don't even want to imagine her SPEAKING the words :}
>
> Robert
>
>
**Really :)!   What an 'orrible thought-- gives me chills (& NOT in a good
way)!!   What's next?   Hilary Duff doing "Poor Poor Pitiful Me" or Brittany
Spears "Try Me Again"??   Shudder. Ed
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