Happy new year everyone-
I am looking for advice and/or benevolent acts to aid a performance of
Cage's Radio Music in Los Angeles on January 17. Our efforts at interpreting
the score place the frequency range between 1900khz-5400khz (the tuning
numbers in the score range from 55 to 156 -- we assume these are
wavelengths, as the score is from 1956 -- please advise if we are wrong) and
we need up to 8 radios for the performance. Thanks to any who can help.
We will be performing this at ASTO Gallery in Los Angeles on January 17 at 8
p.m.  Other pieces on the program are Steve Reich's Pendulum Music and an
improvisation with cello and laptop.  On January 30, we will perform Cage's
Solo for Cello and a cello/laptop improvisation.  ASTO is in the Artist's
District between Cafe Metropol and R23.  More information can be found on
their web site, www.artst.org.

TONITE: Thursday, January 2, 2003

8:00 PM

Orchestra de Fou: the worlds greatest electronic/improv/jazz/country and
eastern big band! Featuring Dr. George o Mara, Al Margolis, and many many
others!

The Arts Center
265 River St.
Troy, NY
$5/3

YES, folks!  Impulse Response brings in the new year with the crazy onstage
anticks of the Orchestra de Fou!

The o de fou has been playing in the Kingston N.Y. Area for the past year.
Originally formed as the backing ensemble for Dr. George O Maras epic
electronic video puppet opera "THE 23rd TOAD" which debuted at the Pauline
Oliveros Foundation's deep listening space in Feb. 2002, the orchestra has
expanded its rep to include pieces by the improviser composer members of
the group. We will perform excerpts from the 23d toad, old favorites, new
works by Dr. G, Al Margois, Tom Werts and Chris Burchill. Stephan
Schweitzer will demonstrate his new improved bikelphone as well. The
renowned videomagician Capt Entropy will provide visual stimulation for
this event.

The o de fou is,at present
Dr. George o Mara: sax, samplers, synths and sinus's
Al Margolis: samplers, syhths, tapes, violin,
Chris Burchill: trombone, trumpet, vocal mannerisms
Matthew Marusek: special effects cello
Stephan Schweitzer: bikelephone
David Resnick: percussion
Sarah Weaver: extended technique trombone
Tom Werts: guitar, tapes
Rusty Boris: double bass
Captain Entropy: visual stimulation, sample feeds

Dr George omara has crossed the ocean by sail, conquered time and space in
a device of his own design, composed music and drama of exceptional
qwality. Written and printed his own books and magazines .He holds advanced
degrees from unspeakable institutions,has opposed fascism,republicans,
greed and evil his entire life. He has had sucksessfull careers in art,
music, roofing, gardening, typesetting, gas station management, and real
esteat. He is always kind to children and animals, and is courteous to his
elders. He is currently working as a building manager for a major composer
as well as directing the odefou, petting his cats and drinking stout.

For more information about this and upcoming performances, see
http://www.ir-music.org



--------------------------------------------------------------------------
Scott Smallwood - iEAR Studios Technical Director
Clinical Assistant Professor of Computer Music
Rensselaer Polytechnic Institute.  Troy, NY.
518.276.2511 (vox)
518.276.4780 (fax)

http://www.arts.rpi.edu/~skot
http://www.ir-music.org
http://www.arts.rpi.edu/nyquist
http://www.ecnedive.com

dear all...


details of forthcoming programmes below...

please tune in:
London, UK: 104.4 fm > 16:00-17:00h
ROW: http://www.resonancefm.com > http://www.worldtimeserver.com


also, if you do manage to catch the programme please email me offlist -
the Radio Authority needs from resonance fm an objective notion of how
many people are listening - so ANY response is welcome.


thanks


atb
BG


........
06.01.03
Jonathan Coleclough
"one hour as sixty million years"

Dronecore artist Jonathan Coleclough presents an hour-long segment of a
piece based on data about global sea level changes over the past 248
million years. The piece was made by Coleclough as one element of a
collaborative project with Michael Northam, and includes sounds based on
recordings of Michael's, as well as sounds supplied by Colin Potter.

Jonathan@...

http://www.minya98.freeserve.co.uk

........
13.01.03
Brendan Walls
"one hour as the crow flies"

Sydney to Melbourne by bird. [~ Bird.jpg]

cassiafistula@...

........
20.01.03
Campbell Kneale
"one hour as ritchie blackmore"

Birchville rocks out. Big hair, big cars, and heaps'o'chicks!

siberia@...

www.cpsip.co.nz

........
27.01.03
Bruce Russell
"one hour as time"

rec: Bruce Russell, Peter Stapleton, Peter Wright; 2002
mix: Richard Francis, Bruce Russell; 03.12.02, Auckland, NZ

This piece features the haunting acapella vocal of Second Lieut. Laurie
Penny, also known as 'The Bad Penny', rec 1947 in Japan, where Penny was
serving with the Occupation Forces. He sings a trad. Japanese folk song
'Love Song to a Red Apple', which is appropriated a second time by Bruce
Russell to serve as a component in a live improv/electro-acoustic
muddle, using live and studio recordings from 2002 to produce a
time-travel machine
of indefinable dimensions.

hcorp@...

........
03.02.03
Michael Prime
"one hour as a plant"

based on bioelectrical signals from a specimen of Lophophora williamsii
(peyote cactus)

mikep@...

........
10.02.03
Michael Gendreau
"one hour as a dosimeter in kulim and tainan"

(including the compositions M928 and T921, made from recordings inside
factories in taiwan and malaysia)

michael.gendreau@...

........
17.02.03
<o>blaat [Keiko Uenishi]
"one hour as shifting blanks"

oblaat@...

........
24.02.03
Steve Roden

"one hour as the bumps of surfaces"

2 one hour drives were recorded in real time through a lap steel guitar
(through the pick-up) and a banjo (through a contact mic) laying on the
back seat of my car. the drives were then layered on to 8 tracks, with
some laid down backwards. total sound is 42 vibrating strings following
the movement of my car over the freeways, driving from los angeles to
santa barbara and back. some of the tweaky radio frequency sounds were
simply coming from the lap steel pick-up. likewise some of the talking
near the end of the piece is the car radio being picked up from the
contact mic. the two original tracks were laid down without any
processing, the other layers were processed. the piece is very soft for
the first several minutes. [Steve Roden]

sroden@...

http://www.inbetweennoise.com

........
03.03.03
jgrzinich
"one hour as a nomadic journey"

In my continuous nomadic wanderings throughout Europe I inevitably
collect recordings and shorter pieces produced along the way. This hour
is an assembly of material generated primarily since the spring of 2002
although some bits go back a few years. Locations include: Czech
Republic, Germany, Croatia, Italy, Poland, the Baltics and Texas. [John
Grzinich]

jgrzinich@...

........

Joseph wrote to lowercase:

JZ> a correlation between the proportions of a series of the white
JZ> paintings (or was it the seams in a large one?) and the proportions
JZ> of the movements of 4'33", especially as shown in the version that
JZ> had a graphic score.

JZ> Does this ring any bells for anyone?

It's about 2/3 of the way through

http://music.research.home.att.net/4min33se.htm

--
Jim Flannery                            newgrange@...

      When you can't give anything, you can also receive nothing.
      Through giving, you also receive. You can never stop giving.
      When you have nothing more to give, you're dead.
                                            -- Mustafa Tettey Addy

np:
nr: Conjunctions:39

aufabwegen empfiehlt!

::: ohren im schnee - tour 2003 :::
die ohren im schnee tour dient als showcase für die hörbar (hamburg), einen
der wichtigsten orte für experimentelle elektronische musik in deutschland.
vertreten sind drei der protagonisten des hörbar e.v. plus als tour-dj
support aus den headquarters des magazins 'aufabwegen'. das abendfüllende
programm reicht von spröden sinus-experimenten über knisternde bass-membran
flüstereien bis zu clubsounds.

vertreten sind:

live. asmus tietchens [ritornell, aufabwegen, die stadt]
live. xyramat [block4]
live. gradient communication [gradcom.org, hörbar]
dj. zipo [aufabwegen]

* ohne asmus tietchens aber mit pure [mego] live
+ ohne asmus tietchens & xyramat aber mit pure [mego] live

infos:
www.tietchens.de
www.gradcom.org
zipo@...

ohren im schnee dates:

08.01.2003: Galerie Kontor, Gereonswall 8, 50668 Köln, Germany, Info:
Ph./Fx.: 0221-1206246
09.01.2003: Club Cosmotopia, Schützenstr. 146, 44147 Dortmund, Germany Info:
www.club-cosmotopia.de
10.01.2003: K4 (Zentralcafe), Königstr. 93, 90402 Nürnberg, Info:
www.musikverein-concerts.de
11.01.2003: Ultraschall, Grafinger Str. 6, Kunstpark Ost, 81671 München,
Germany Info: www.ultraschall.com
12.01.2003: FFUS, Stuttgart, Germany, Info: www.ffus.de
15.01.2003: Kapu, Kapuzinerstr. 36, 4020 Linz, Austria Info:
samba_is_dead@...
16.01.2003: Rhiz, Gürtelbogen 37/38, 1080 Wien, Austria Info: www.rhiz.org
+ 17.01.2003: Raum 102, Domagkstr. 33, Haus 50, München, Info:
www.raum102.de
* 18.01.2003: Studiobar, Katharinenpforte 6, 60311 Frankfurt, Info: Tel.:
069-13379225
* 19.01.2003: Eingang 7, August-Bebel-Straße, 33607 Bielefeld

please spread the news!



----------------
a u f a b w e g e n
magazine - label - mailorder
p.o.box 100152
50441 cologne
germany
fax.: +49-(0)221-2720056
www.aufabwegen.com
----------------

----------------
a u f a b w e g e n
magazine - label - mailorder
p.o.box 100152
50441 cologne
germany
fax.: +49-(0)221-2720056
www.aufabwegen.com
----------------

Hello, my apologies for the short notice here, but the Orchestra de Fou
concert for this evening has been CANCELLED due to weather and many other
factors.

We WILL be rescheduling this show for later on, so please check our website
for up-to-date information.

http://www.ir-music.org




--------------------------------------------------------------------------
Scott Smallwood - iEAR Studios Technical Director
Clinical Assistant Professor of Computer Music
Rensselaer Polytechnic Institute.  Troy, NY.
518.276.2511 (vox)
518.276.4780 (fax)

http://www.arts.rpi.edu/~skot
http://www.ir-music.org
http://www.arts.rpi.edu/nyquist
http://www.ecnedive.com

Please email offlist if interested...

** AIR MAIL POSTAGE depends on DESTINATION **
Offers in US$, please.  Q's to: pm.carey@...

$60 -- Otomo Yoshihide/Sachiko M - "Memory Defacement" JAP 2LP (Japan
        Overseas/F.M.N. Sound Factory: JO97-33/35|FMAE-02/03) 1997
        [Beautiful black/clear vinyl 2LP set documenting Otomo's "MD"
        sound installation.  First LP feat. "Voice Defacement" (source
        voices from popular songs and Haco live), and "Experimental
        Defacement" (source sounds from "experimental records"), both
        rec. Tokyo, April 1997.  Second LP feat. "Live Defacement"
        performed by A-102 [Otomo (turntables) & Sachiko M (sampler)]
        at Xebec Hall, Kobe, June 1997.  Comes in thick, resealable
        clear plastic sleeve with blue/black screened plastic insert
        with full credits, an explanation of the 4-stage "MD" process,
        & DIY instructions (...black LP is "defaced" by being played
        repeatedly...) in Japanese & English.  Limited to 500 copies.
        NEW copy.  Out of print.]

OFFERS -- Aube - "Flood-Gate" JAP CD (Vanilla: vanilla-27) 1993
        [Sound source: Water.  Now classic "digital" debut on the
        excellent Vanilla imprint.  3 tracks, 60 minutes of ambient,
        drone & blissful rhythmic noise recorded at Studio MECCA,
        Kyoto in 1993.  This copy is NEW (mint), and * AUTOGRAPHED *
        in silver ink by Akifumi on the back of the front sleeve.
        Limited edition of 500 copies.  Long out of print.]

-Patrick
pm.carey@...

Dear readers,

some short updates from Suspicion Breeds Confidence/Acrylnimbus:
1. live
2. comp
3. language synthesis

:._.-.:.._.._.._.._..:._.-.:

1.
Jan 10, 03 Cafe Matrax (Hanau, Germany)
Destroyer
Iamgod
Suspicion Breeds Confidence
Penetrant & Relevant

:._.-.:.._.._.._.._..:._.-.:

2.

The SBC track \'über die hektische Verführung von Schafen\' is now available on
the comp I-CELESTIAL-INSECT. Info see below.

<quote>
(¯`·.¸¸.·´¯`·- DOCTSECT -·´¯`·.¸¸.·´¯)
__N   E   W   S      B   R   I   E   F__



*OUT NOW! After a ton of silly delays<sum><sum>*
--------------------------------------  I-CELESTIAL-INSECT  x2 disc
compilation

   featuring: Cordell Klier, brain, Conure, j.frede, Suspicion Breeds
Confidence, Bizz Circuits(side project of random-inc), OF, Luasa Raelon, t
um\', R|A|A|N, Vedisni, Chaos as Shelter, and a whole ton more!!!!!
...(see below for review)...


taking orders at the affordable rate of $15 NOW!
paypal = doctsect@...
check/money order payable to CORDELL KLIER


---------------------------------------------------

R E V I E W :
\"First off: I hate compilations. Especially when it\'s the first release from
a label. But this one could quite possibly be the compilation to end all
compilations! And if you\'ve had the chance to witness any of the CDRs from
this small (yet considerably growing) label you\'d know how outstanding and
innovative they are<sum>which is the only reason why I gave this comp a listen
the first place<sum> Thus, I can assure you I-Celestial-Insect is something
quite odd in the world of music compilations. Truly one hell of varied and
well thought out couple of discs. Quite strong in their presence; the 2
discs carry a powerful mixture of glitch, dark ambient, drone, field
recordings, noise, and even some power electronics which seemed weird to
me.... Yet even still the two discs flow together so well that some of the
tracks almost blur together - but in a good way of course. Just think David
Lynch soundtrack and you‚ll get my point.

Once the first disc was over I couldn\'t wait to hear then next one!! And
well, all I can say is this is an honest & absolute \'must\' for all lovers &
collectors of intelligent underground music. It\'s difficult to pull out a
high light from these discs because most of the tracks are like comparing
Mac\'s To PC\'s - similar yet so dissimilar - but let me assure you once again
that if you miss this (limited to 500) 2disc compilation... you\'re going to
have a really hard time looking into the mirror every morning. This is one
hell of a start for a label, nice job Doctsect!\" 10+/10   _Scott Shrueber :
Endless music `zine issue 13, Jan. 2003

---------------------------------------------

Sorry for the necessary spam y‚all<sum> oh and the goofy website is actually up
now. Spelling errors galore.. and a ton of missing hyperlinks.. but at least
you can check out the catalogue now. All will be fixed soon though, `cuz the
amazing j.frede is working on it as I write this.
so lata all
__the drone

ps. - Cordell does live in a cave...along with Ildjarn, Sopor Aeturnus, and
most of the 12k roster.


(¯`·.¸¸.·´¯`·- DOCTSECT -·´¯`·.¸¸.·´¯)
             po box 385873
       Bloomington, MN. 55437 USA

website: www.doctsect.com
orders & questions: doctsect@...
booking info: doctsect@...
</quote>

:._.-.:.._.._.._.._..:._.-.:

3.
Ennoc Besfidec - the language modulator/synthesizer by Acrylnimbus - is
constantly improving. The current version should work fine and by now some help
is included. It is online in the digital section of the Acrylnimbus homepage.

:._.-.:.._.._.._.._..:._.-.:

As always thank you very much for your attention
ts

http://www.acrylnimbus.de

all -

a happy 2003 from the slow sound system. to mark the new year we pay a visit to
some old favourites:

www.slow-sound.net/extramixsix.ram

the tracklisting:

F Deroussen – Recording of volcano (Vox Terrae) Kraftwerk – Von Himmel Hoch
(Germanofon) Kraftwerk – Spüle 4 (Crown) Psychick Warriors Ov Gaia – Truth True
Revelation (Kk Discs) Radio Freedom Dialogue – Voice of the African National
Congress & The People's Army Umkhonto We Sizwe (Rounder Records) Tetsu Inoue –
Chill In, Chill Out (Fax) F Deroussen – Recording of waves washing on the beach
(Vox Terrae) Seefeel – Climatic Phase 3 (edit) (Too Pure)

all tracks (c) the artists.

also, we're back in The Foundry, London on January 26th for a further excursion
into relaxed sound and vision. Guests are Thorsten Sideb0ard (8bitrecs,
Sonomu.net) and Colin Bradley (Dual, Coombe recordings). join us, tune in on
Resonance 101.4FM or listen to the audiostream at www.resonancefm.com. full
details to follow.

happy listening!

the slow sound system

SLOW SOUND SYSTEM
lie down and be counted
extra@...
www.slowsound.net

SLOW SOUND SYSTEM
Lie down and be counted
extra@...
www.slowsound.net



--
Personalised email by http://another.com

it has been argued that the fact that there is a specific [non-]
visual/movement element for the piece means that it is theatre,
dance, or performance art in some way.

4'33 [1952] is a work composed in three movements, to be "performed
by any instrumentalist(s)" [intro notes in score], with no
description of set and props design, costumes, lighting, movement [or
non-movement], or stage directions for the performer, which makes it
difficult to declare the piece to be dance, theatre or performance
art [even samuel beckett's 35" theatre piece with no actors, breath,
has set and props design].   however, a document with the performance
instructions detailling duration [specific for the entire work,
non-specific for the individual movements] and instrumentation
[variable, open] is available as a _musical score_ through peter's
edition.

the most essential intention of 4'33 clearly lies in the realm of
sound/music, although it is certainly not without interest to
consider the piece in relation to other contexts: dance =
non-movement?; theatre = non-action?; performance art =
non-intention?...  appreciation of the "total identity" of any work
of art, no matter what the primary or initial medium, may only be
possible through consideration of the work from various perspectives,
including perspectives with which the viewer/listener [and possibly
the composer as well!] is unfamiliar or even uncomfortable.   of
course the idea that one might somehow be able to "understand" the
"total identity" of any work of art is naively utopic at best,
ignorantly reductionist at worst.

many claims about the place of 4'33 in theatre, performance art or
dance have been made [primarily (exclusively!?) by musicians]; i
would be interested in hearing from these people exactly how they
feel the work relates to the traditions and history of these other
mediums.

-

a small group of performers constructs a sculpture of various
materials chosen for their individual sonic characteristics or
potential.   150-175 individual actions are composed according to the
specific sounds they will create, or the effect that the articulation
of a particular action might have on the sonic texture at any given
moment.   the sculpture is destroyed live by the performers
articulating these actions in aleatoric succession.

is the resulting de-formance to be considered [dada?] sculpture,
theatre, environmental art, social commentary on the disposible
nature of much art today, or philosophising on the fragile and
ephemeral nature of art, regardless of the fact that the composer
actually composed it as chamber music [a sound composition involving
3-5 intimately-interacting performers]?

the identity of such pieces as 4'33 and the sculpture de-formance may
occupy a larger field than the medium for which it was initially
conceived, but may be more effective or more readily realisable in
one or another medium.   as i previously mentioned, 4'33 would not be
terribly innovative or provocative in the realm of performance art.

cheers,
jef

--

.jef.chippewa.
mailto:jef@...

.shirling.&.neueweise.
http://newmusicnotation.com

On Sat, 4 Jan 2003 03:14:12 +0100
jef chippewa <jef-lists@...> wrote:

>  however, a document with the performance
> instructions detailling duration [specific for the entire work,
> non-specific for the individual movements] and instrumentation
> [variable, open] is available as a _musical score_ through peter's
> edition.

Well, Cage's "Theatre Piece" is also available, similarly cataloged and
packaged, so saying that being supplied in that form makes it strictly a
"_musical score_", suggesting that it is thereby somehow not part of
other arts, seems a bit hard to uphold.

Note, by the way, that, as documented at
http://music.research.home.att.net/4min33se.htm , several different
scores exist for the piece, with different degrees of specificity. And
then there's 0'00" (4'33" #2) which does explicitly specify that an
action is to be made, clearly in a series with the first piece.

Does the absence of, say, any explicit indication of volume in 4'33"
make it somehow not a music score in the way that the absence of any
explicit indication of sets and the like are claimed somehow to make it
not a theatre score?

> the identity of such pieces as 4'33 and the sculpture de-formance may
> occupy a larger field than the medium for which it was initially
> conceived, but may be more effective or more readily realisable in
> one or another medium.   as i previously mentioned, 4'33 would not be
> terribly innovative or provocative in the realm of performance art.

It might seem so if composed now. But fifty years ago, as shown by the
reactions to its earlier performances, it was indeed seen by some as
quite the provocation.

--
| jzitt@...                      http://www.josephzitt.com/ |
| GPG: A4224EFA                         http://www.mp3.com/josephzitt/ |
| == New book: Surprise Me with Beauty: the Music of Human Systems  == |
| Comma / Gray Code / VoiceWAVE Silence: the John Cage Discussion List |

Hey everybody,

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=14908&item=2086262666

Any questions, e-mail me.

Thanks,
Joe
____
___________________________________________________________

Hey again,

Made a mistake on the listing

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2086353998

Good luck.

Joe
___________________________________________________________

4'33" is a musical meditation on the emptiness in/of music. what is the
nature of music in the world?

cage continued to illuminate these ideas in later works, using different
methods -- more "musical" methods. the "number pieces" near the end of
his life are very similar to 4'33" in this regard. there is even a
silent "number piece" which makes the link clear.

and ...

One8/108 (for solo cello/orchestra) is 40'33" long. 108 is an important
number in buddhism.

is this clear?

ZHELEZOBETON MUSIC MAILORDER

Zhelezobeton is the new Russian label focusing attention on
experimental electronic, acoustic and noise music. The main
objective is to unveil the potential of Russia as a source of
high-grade and unconventional music, that's why we are ready to
cooperate with all interested parties: musicians, zines, labels,
distributors etc. We also have peculiar point of view to our
products appearance. We accept neither non-professional
"self-releases" nor bulk-editions packed in standard jewel-cases.
Our design concept is inseparably linked with the music, and limited
editions should underscore its peculiar status. Look around
yourselves and you'll see great amount of music and its obvious
excess. Constantly growing sound flow makes music to be just useless
air vibrations. We can't turn these processes back but we can remind
you what really is music for a hundred couples of ears.

code: ZHB-I
category: gabber/rhythm'n'noise
title: Cloning Experiment Failure [Thousand Noises]
form-factor: CDR
date: 2002

C.E.F. was created in 1999 in Pskov, Russia. Their first records
combined cliche of metal and breakbeat styles in absolutely perverted
and impetuous version. Evolution of the band processed to the way of
noise domination, and concentration of sounds per unit time was
dramatically increasing with every new recording. Characteristic
features of band's style are emotional screaming vocal and fragmented
composition structure. We can notice some resemblance with Delphium,
Atari Teenage Riot and even with some early Ant-Zen releases.
"Thousand Noises" - their last recording by nowadays - represents the
distillation of band's energy. Very rhythmical, with cracklings of
overloaded apparatus, feedbacks and sampled guitars, it splashes out
all the hidden fury of Pskov's duet. Undoubtedly, not everyone is
interested in such kind of music. CDR is released as limited edition
of 115 hand-numbered copies in cardboard sleeve with technological
film incut (every frame with scheme, table or diagram is unique). The
album is completed with two bonus-tracks of remixed songs from the
first two demos.

Release price without postal charges is $4.
Postal charges: Europe $2, other $4.

code: ZHB-II
category: static radionoise
title: DN23rd [Signals from Outside]
form-factor: CDR (lim.23)
date: 2002

DN23rd is a project coming from Moscow, Russia, which recordings can
be called absolutely unmusical, because they are made of pure (not
processed with anything) radionoise. The creative work consists in
selection of necessary interference frequency. This is the first
album and it presents a very uncommon frequency which combines usual
laminated radionoise and signals of unknown origin. This disc fits
perfectly for submergence into trance or practice of outer-body
experiences. Only a few may be carried away by such kind of "music",
that's why this edition is extra-limited to 23 copies. The CDR is
packed in painted slim box with burned titles and a real tablet with
codes of memory blocks from Soviet computing device.

Release price without postal charges is $4.
Postal charges: Europe $2, other $4.

To be released soon:

code: ZHB-III
category: drone dark ambient
title: Necropolis [Necrosphere]
form-factor: CDR

====================================================================
   ZHELEZOBETON Crew (G.D. & M.M.)
   Tuesday, December 24, 2002, 22:54
   zhb@...
   http://zhb.indmusic.com


--

Good bajs,
D.I.Abigor
Saint-Petersburg
Russia

Dark Industry web-zine/totalitarian sect http://darkindustry.darkside.ru/

clonk and the sat presents the winter resound

featuring:

kero - detroit [bpitch, shitkatapult] - live
tinkertoy - toronto [noise factory, lautmaschine] - live
naw - montreal [noise factory, piehead, clonk] - live
mike shannon - montreal [force inc, cynosure] - dj
johnny ranger - montreal [mindroots] - vj

saturday feb. 8th 2003
socit des arts technologiques [sat]
305 rue ste catherine ouest
$12 in advance $15 at the door
[advanced tickets: the sat, cd esoterik, atom heart]
http://www.techno.ca/clonk
clonk@...

noise factory records and piehead records label showcase:

sunday, january 12th, 2003
wavelength at sneaky dee's
431 college street, toronto

featuring live performances by

naw
tinkertoy
beef terminal

pay what you can at the door
doors open at 9 PM
19+

On Sat, 04 Jan 2003 12:04:57 -0500
Glenn Freeman <glennf@...> wrote:

> there is even a silent "number piece" which makes the link clear.

Hm! Which piece is this? I can't recall it, but would be interested in
finding out more.

--
| jzitt@...                      http://www.josephzitt.com/ |
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| == New book: Surprise Me with Beauty: the Music of Human Systems  == |
| Comma / Gray Code / VoiceWAVE Silence: the John Cage Discussion List |

Please, folks, when you post announcements to international lists, let
us know the city/province/country in which it's happening.

On Sat, 4 Jan 2003 12:39:39 -0500 (EST)
neil@... wrote:

> socit des arts technologiques [sat]
> 305 rue ste catherine ouest
> $12 in advance $15 at the door

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| jzitt@...                      http://www.josephzitt.com/ |
| GPG: A4224EFA                         http://www.mp3.com/josephzitt/ |
| == New book: Surprise Me with Beauty: the Music of Human Systems  == |
| Comma / Gray Code / VoiceWAVE Silence: the John Cage Discussion List |

forgive the cross posting and off topic nature of this post, but i think
this might be of interest to the readers of these lists,,

"In the early 1900's, Dr. T. Henry Moray of Salt Lake City produced his
first device to tap energy from the metafrequency oscillations of empty
space itself. Eventually Moray was able to produce a free energy device
weighing sixty pounds and producing 50,000 watts of electricity for several
hours."

http://www.cheniere.org/books/excalibur/moray.htm

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NEW: Online Ordering

Online ordering via credit card is now available through the Antiopic website (www.antiopic.com). See the orders page on the site for details.

Currently available:
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David Daniell: sem [AN002]

Available early 2003:
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Thank you for your time.

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http://www.johncage.info/workscage/one3.html

it might be nice to edit our dialog and post it to the silence list. has
this ever been written about?

Glenn Freeman wrote:

  > there is even a silent "number piece" which makes the link clear.

Joseph Zitt wrote:

  > Hm! Which piece is this? I can't recall it, but would be interested
in finding out more.

>

Happen to just finish a piece based on a cycle of 108 chords.
and 2 others in the works that involve progressions that also take 108 steps.
  more 108 syncronicity by running across this last night
  http://wwwesterni.unibg.it/siti_esterni/dmsia/staff/pers_hp/spedicato/108.pdf



I know that the Tibetians have their own theory of mathematical proportions
but have only been albe to find slight mentions of it here and there. So if any
one knows
a good source on this it would be greatly appreciated.

In the Shadow version of Ramayana in Anaphoria it is important as a meter
  http://www.anaphoria.com/images/ramayana108.GIF


>
>    From: Glenn Freeman <glennf@...>
> Subject: Re: 4'33
>
>
> and ...
>  108 is an important
> number in buddhism.
>
> is this clear?
>
>

-- -Kraig Grady
North American Embassy of Anaphoria Island
  http://www.anaphoria.com
The Wandering Medicine Show
  KXLU 88.9 FM 8-9PM PST

On Sun, 05 Jan 2003 11:01:49 -0500
Glenn Freeman <glennf@...> wrote:

> http://www.johncage.info/workscage/one3.html

Ah, yes. Thanks for the link -- I'd forgotten about it.

> it might be nice to edit our dialog and post it to the silence list.

True. I'll see what I can do, if I get the permission of the
participants here.

> has this ever been written about?

Hmm! Not sure. I suspect that it may have, but I'll have to search.

Actually, this piece, though "silent" in the 4'33" sense, would be quite
loud in performance, since any slight non-intentional would be massively
amplified.

> Glenn Freeman wrote:
>
>  > there is even a silent "number piece" which makes the link clear.
>
> Joseph Zitt wrote:
>
>  > Hm! Which piece is this? I can't recall it, but would be interested
>  >
> in finding out more.

--
| jzitt@...                      http://www.josephzitt.com/ |
| GPG: A4224EFA                         http://www.mp3.com/josephzitt/ |
| == New book: Surprise Me with Beauty: the Music of Human Systems  == |
| Comma / Gray Code / VoiceWAVE Silence: the John Cage Discussion List |

-----Ursprungligt meddelande-----
Från: Glenn Freeman <glennf@...>
Till: lowercase-sound@yahoogroups.com <lowercase-sound@yahoogroups.com>
Datum: den 5 januari 2003 17:04
Ämne: [lowercase-sound] Re: 4'33"


>http://www.johncage.info/workscage/one3.html
>
>it might be nice to edit our dialog and post it to the silence list. has
>this ever been written about?
>
>Glenn Freeman wrote:
>
> > there is even a silent "number piece" which makes the link clear.
>
>Joseph Zitt wrote:
>
> > Hm! Which piece is this? I can't recall it, but would be interested
>in finding out more.
>
>
>
>
>Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>
>

>"In the early 1900's, Dr. T. Henry Moray of Salt Lake City produced his
>first device to tap energy from the metafrequency oscillations of empty
>space itself. Eventually Moray was able to produce a free energy device
>weighing sixty pounds and producing 50,000 watts of electricity for several
>hours."
>
>http://www.cheniere.org/books/excalibur/moray.htm

I have a map I can sell you to the UFO landing site where they are
giving away free perpetual motion machines as instructed by the
reincarnated soul of Albert Einstein and Trigger (the Horse).

There is a virtual energy of a vacuum, and certain subatomic
reactions can only be explained if they tap into this energy.
However, the energy loan must be repaid, and repaid within the limits
of the Heisenberg Uncertainty Principal, i.e. within a fraction of a
microsecond. Just as you can't get blood out of a turnip, you can't
use the virtual energy field as a power source. The type of  writing
on the webpage above is science fiction at best, a scam for the
guilable and uneducated at worst.

-Josh Ronsen
in Austin, Texas

> Happen to just finish a piece based on a cycle of 108 chords.
> and 2 others in the works that involve progressions that also take 108 steps.
>
> >  108 is an important
> > number in buddhism.

Working tracks of length 1:08 into my current CD, it's most appropriate
given the material I'm working with... :)

I've heard varying lay accounts of the origins of the significance, but
puzzled out this one myself which I am quite sure is no accident:

  1^1 * 2^2 * 3^3 = 108

ie 1 to the first (itself) times 2 squared (4) times 3 cubed (27).

:)

  aaron

PS my vague numerlogical superstitiousness is such that when I saw that if
I bought a copy of the Number Stations CD set at Aquarius records here in
SF, it would be copy number 108 that they had sold (they had a chart on
the wall... :) )... I just had to do it!

   ghede@...
   http://www.quietamerican.org

----- Original Message -----

From: Josh Ronsen

To: lowercase-sound@yahoogroups.com

Sent: Sunday, January 05, 2003 1:21 PM

Subject: [lowercase-sound] Re: [ot] capturing energy from an empty space

>"In the early 1900's, Dr. T. Henry Moray of Salt Lake City produced his
>first device to tap energy from the metafrequency oscillations of empty
>space itself. Eventually Moray was able to produce a free energy device
>weighing sixty pounds and producing 50,000 watts of electricity for several
>hours."
>
>http://www.cheniere.org/books/excalibur/moray.htm

I have a map I can sell you to the UFO landing site where they are
giving away free perpetual motion machines as instructed by the
reincarnated soul of Albert Einstein and Trigger (the Horse).

There is a virtual energy of a vacuum, and certain subatomic
reactions can only be explained if they tap into this energy.
However, the energy loan must be repaid, and repaid within the limits
of the Heisenberg Uncertainty Principal, i.e. within a fraction of a
microsecond. Just as you can't get blood out of a turnip, you can't
use the virtual energy field as a power source. The type of  writing
on the webpage above is science fiction at best, a scam for the
guilable and uneducated at worst.

-Josh Ronsen
in Austin, Texas








Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service.

Dear Friends,

             this year's first newsletter and catalog are coming to you quite
early on because during January the Trente Oiseaux headquarters will be reno-
vated, including floor, wallpaper, and the layout of furniture and similar
things in the space. For this reason Trente Oiseaux will be closed from today
until the end of the month.

The more important news is the release of Steve Roden's new CD on Trente
Oiseaux:
Resonant Cities, TOC031. Steve composed Resonant Cities as a project for Kunst
Radio Wien (Art Radio Vienna) using only field recordings of tiny details from
cities all over the world. The following lines from a text Steve wrote about
this work perfectly describe what it is about:

“... searching through my library of field recordings for material for this
project, i realized that my visits to most cities are a kind of hunting activity
to gather these inconsiderable audio things - and indeed as i listened, a lot of
these sounds they conjured up some very strong memories of moments when i have
been in a city yet felt outside of 'city', as though an intimate listening or
soundmaking activity can completely take one outside of their immediate envi-
ronment to a place where the sound one is listening to begins to define the
parameters of space. even quiet sounds, if one listens closely and intimately
can direct one's attention away from the existing 'scenery'...”

The full text of Steve's essay regarding Resonant Cities is included on the CD.
TOC031 is scheduled for early February 2003. I will send out another info mail
when the CD will have arrived and be ready for shipping.

In early April Trente Oiseaux will release a second CD by Japanese Duo Kuwayama-
Kijima, this time without cars, but recorded in a warehouse at Nagoya Port, and
featuring the sound of crickets and waves picked up by microphones and trans-
mitted into the building. Titled '02.08.31', TOC032 is a very immersive
recording
of musical and sonic explorations the listener is invited to follow closely to
create a very gratifying listening experience.

I'm planning to release a new work on Trente Oiseaux in early June 2003, with
the little hiccup being that i have not even started composing it, as i have
been way too busy doing tax declarations and moving furniture, CDs, and a lot
of other objects around. I have, however, been thinking/imagining quite a bit
of what i need to work on, and am confident that, once the manual labor part
done, i'll get into gear to do some musical work quickly. Wish me luck! :-)


With all my best to all of you,

                               bernhard

______________________________________________________________________________
http://www.trenteoiseaux.com                    http://www.bernhardguenter.net

On Sun, 05 Jan 2003 11:01:49 -0500 Glenn Freeman
<glennf@...> writes:
> http://www.johncage.info/workscage/one3.html
>
> it might be nice to edit our dialog and post it to the silence list.
> has this ever been written about?

What is "the silence list"? A Yahoo group?

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