Sorry Dee,


The Fugue bar I mean is number nine (not eight
as I previously stated;)

Instead of stressing the 1st and 4th beat
of the 6/8 measure, I in this particular
bar stress the 1st, 3rd and 5th beat - this
pretending it is an 3/4 bar. Quite common
procedure in Baroque and also later, Brahms
for instance. In German I know its called
"hämiol", or very similar. Perhaps you don't
have that word in English??

The Toccata bar 36 I'll have to check tomorrow,
since I don't have the score at home (and if
I can't count to eight by memory, I'm sure I
can't make it to 36 :-)


Yours
/ Siggy


--- In thejoyoforganplaying@y..., Dee Le Rossignol <orgdee@y...>
wrote:

> The 8th bar as a 'hemiola'? I take this term as an
> 'up-beat' is this right? The 8th bar contains the
> alternating semiquavers. Have you the right bar?
> One other point: in the toccata bar 36, RH is the C
> chord but the repeat of this phrase in the end (bar
> 80) is diferent as the c is missing. Is this a copy
> error?