>
> Dear Fellow Pipe Organ Devotee.
>I share the common goal of the of countless others in desiring to preserve
>the domain of the pipe organ as the King of Instruments. The future of the
>organ can be a bright one since there are millions out there waiting to be
>moved by this fabulous invention of the genius of humanity, the pipe organ.
>I have been an avid supporter of it for nearly 50 years since infancy and
>learned to play it .
>
>One of the many ways to insure its future continuation as a viable musical
> medium is the symphonic tradition or approach to organ design and
>building. Much great literature has flowed from the pens of great composers
>for that type of organ and its sensuous tones have attracted many a
>follower as both performers and keen listeners alike.
>I trust that the enthusiasm for our beloved instrument will not cause you
>to think ill of me for being so forward as to make a direct contact with
>members of the profession. I have appended below my personal credo what a
>pipe organ can be and what it can do at the hands of competent persons such
>as are found everywhere today.
>
>I write with pure motive and have not any personal vested interest other
>than a high musical aim. Please take time to review and yes comment on what
>is here presented. .
>
>Steve Bournias in Warren , Ohio
>
>

>
>
>
>
>symphonic pipe dream
>
>Laugh as some will at the info appended below just remember this...dreams
>are the stuff that realities are made of...witness: Wanamakers and Atlantic
>city...those spectacular organs didn't materialize overnight...but
>originated as a dream in someone's eye or heart we might say....mine is
>below...you are welcome to comment pro or con and ask any detailed
>technical question about it.. I dare you...
>
>
>
>
>Great
>
>Flues on 3-½ inch wind /and reeds on 3-½ inches, 5 inches, 7 inches and 10
>inches
>
>Manual II
>
>unenclosed except where indicated
>*enclosed separately
>
>Contra bourdon 32
>Double gemshorn 32 *
>Sub principal 16
>Contra geigen 16*
>Violone 16
>Double claribel 16
>Bourdon 16x
>Gemshorn 16x*
>Spitzflote 16 *
>Erzahler 16*
>Quintaten 16
>Gros nasat 10-2/3
>Major diapason 8
>Diapason 8
>Horn diapason 8*
>English open diapason 8
>Major principal 8
>Principal 8
>Sub principal 8x
>Minor principal 8*
>Spitzprincipal 8
>Prinzipal 8
>Montre 8
>Geigen 8x*
>Geigen celeste 8*
>Violone 8x
>Flauto major 8
>Gross flote 8*
>Harmonic claribel 8
>Doppelflote 8*
>Clarabella 8
>Claribel flute 8*
>Flute harmonique 8
>Harmonic flute 8*
>Flute octaviante 8
>Flute octaviante celeste 8
>Wood Bourdon 8X
>Bourdon 8*
>Bourdon celeste 8*
>Gedeckt 8
>Holzgedeckt 8*
>Concert flute 8*
>Melodia 8
>Rohrflote 8
>Violoncello 8*
>Violoncello celeste 8*
>Bell gamba 8
>Gross gamba 8*
>Viola 8
>Salicional 8
>Spitzflote 8x*
>Spitz celeste 8*
>Gemshorn 8x*
>Gemshorn celeste 8*
>Erzahler 8x*
>Erzahler celeste 8*
>Dulciana 8
>Gross quint 5-1/3
>Major octave 4
>Octave 4
>English octave 4
>Octave diapason 4*
>Major principal 4
>Principal 4
>Spitzprincipal 4
>Oktave 4
>Prestant 4
>Grossflote 4
>Hohlflote 4
>Harmonic flute 4
>Nachthorn 4
>Spitzflote 4
>Koppelflote 4*
>Flute d amour 4*
>Quintaten 4*
>Flute ouverte 4
>Flute couverte 4
>Viola 4
>Gambette 4*
>Gemshorn 4*
>Grossterz 3-1/5
>Quint 2-2/3
>Nasat 2-2/3*
>Major fifteenth 2
>Fifteenth 2
>Principal 2
>Super oktave 2
>Spitz fifteenth 2
>Doublette 2
>Flageolet 2*
>Blockflote 2
>Seventeenth 1-3/5
>Terz 1-3/5*
>Nineteenth 1-1/3
>Larigot 1-1/3*
>Twenty -first 1-1/7
>Twenty-second 1
>Major mixture v 4
>Grave mixture ii 2-2/3*
>Quartane ii 2-2/3
>Mixture iv 2-2/3
>Minor mixture iii 2*
>Grand fourniture vi 2-2/3
>Fourniture v 2
>Mixtur iv-vi 1-1/3
>Kleine mixtur iv 1
>Scharf iv 2/3
>Cymbale iv ½
>Cymbel iii 2/3
>Terzzymbel iii ½
>Sub tuba 16*
>Tuba harmonic 8*
>Tuba clarion 4*
>Double trumpet 16
>Trumpet 8
>Clarion 4
>Harmonics iv 1-3/5
>Contra bombarde 16
>Bombarde 8
>Bombarde clarion 4
>Bombarde mixture v 3-1/5
>Kontra trompete 16
>Trompete 8
>Klarine 4
>Kornett iv-v 4
>Bombarde 16
>Trompette 8
>Clairon 4
>Éclat vii 4
>Grand cornet v 8
>Sub trombone 32X
>Double trombone 16
>Tromba 8
>Octave tromba 4
>Harmonic bombard 16*
>Harmonic trumpet 8*
>Harmonic clarion 4*
>Clarion fifteenth 2*
>Tierce mixture iii 2-2/3
>Hooded bombarde 16
>Hooded trompette 8
>Hooded clairon 4
>Sesquialter v 5-1/3
>French horn 8*
>Dulzian 16
>Krummhorn 8
>Cymbal regal 4
>Chamade 16
>Chamade 8
>Chamade 4
>Chamade 2
>Harmoniques des anches vii 6-2/5
>Tuba mirabilis 8
>Chimes*
>Harp*
>
>Mixtures of flue pipes associated with chorus reeds in the great division
>are voiced on the same pressure as the associated reed stops
>
>
>
>
>
>Swell
>
>Flues on 4 inches, 5 inches and 6 inches wind /reeds on 4 inches 5 inches 6
>inches
>7 inches and 10 inches wind
>
>Manual III
>enclosed
>
>
>Contre flute conique 32
>Contre gambe 32x
>Double diapason 16
>Diapason conique 16
>Contra geigen 16X
>Bourdon 16
>Double melodia 16
>Flute conique 16x
>Contra salicional 16
>Double aeoline 16
>Gambe 16
>Gambe celeste 16
>Gemshorn 16x
>Flauto dolce 16x
>Flute celeste 16x
>Diapason 8
>Diapason conique 8x
>Principal 8
>Spitz principal 8
>Montre 8
>Geigen 8
>Geigen celeste 8
>Gross flute 8
>Stopped diapason 8
>Hohlflote 8
>Claribel flute 8
>Traverso flute 8
>Rohrflote 8
>Rohrflote celeste 8
>Concert flute 8
>Flute celeste 8
>Melodia 8x
>Harmonic flute 8
>Harmonic celeste 8
>Quintatdena 8
>Violoncelle celeste 8 ii
>Viola pomposa 8
>Pomposa celeste 8
>Viole de gambe 8
>Viole celeste 8
>Gambe celeste 8x ii
>Gamba 8
>Gamba celeste 8
>Gambe conique celeste 8 ii
>Salicional 8x
>Salicional celeste 8
>Aeoline 8x
>Aeoline celeste 8
>Viol d orchestra 8
>Viol celeste 8
>Echo viole 8
>Echo celeste 8
>Muted viole 8
>Muted celeste 8
>Dulcet 8 ii
>Choeur des violes iv
>Ethereal strings 8-4 v
>Gemshorn 8
>Gemshorn celeste 8
>Kleine erzahler 8 ii
>Dulciana 8
>Dulciana celeste 8
>Flute conique 8x
>Conique celeste 8
>Flauto dolce 8
>Flauto celeste 8
>Gros nasard 5-1/3
>Octave 4
>Geigen octave 4
>Principal 4
>Prestant 4
>Principal conique 4
>Flauto traverso 4
>Harmonic flute 4
>Clarabella flute 4
>Chimney flute 4
>Waldflote 4
>Cor de nuit 4
>Cor de nuit celeste 4
>Spitzflote 4
>Flute couverte 4
>Flauto angelico 4
>Angelico celeste 4
>Viola 4
>Viola celeste 4
>Fugara 4
>Gemshorn 4
>Violina 4
>Vox celeste 4
>Salicet 4
>Salicet celeste 4
>Aeoline 4
>Vox angelica 4
>Dulciana 4
>Unda maris 4
>Erzahler celeste 4 ii
>Grosse tierce 3-1/5
>Twelfth 2-2/3
>Nasard 2-2/3
>Fifteenth 2
>Geigen fifteenth 2
>Spitz fifteenth 2
>Principal 2
>Octavin 2
>Flautino 2
>Piccolo harmonique 2
>Block flote 2
>Gemshorn 2
>Violetta 2
>Violetta celeste 2
>Dulciana 2
>Unda maris 2
>Seventeenth 1-3/5
>Tierce 1-3/5
>Nineteenth 1-1/3
>Larigot 1-1/3
>Septieme 1-1/7
>Fife 1
>Chorus mixture v 4
>String mixture v 2-2/3
>Cornet iii 2-2/3
>Dolce cornet iii 2-2/3
>Fourniture v 2-2/3
>Carillon iii 2-2/3
>Plein jeu v 2
>Mixture douce iv 1-1/3
>Petit jeu iv 1-1/3
>Sept-neuf ii 1-1/7
>Scharf iii-iv 1
>Cymbale iv 2/3
>Acuta iii ½
>Jeu de clochette ii 2/5
>Contra oboe 16
>Oboe 8
>Oboe clarion 4
>Waldhorn 16
>Waldhorn 8x
>Cornopean 8
>Cornopean clarion 4
>Contra posaune 16
>Posaune 8x
>Trumpet 8
>Clarion 4
>Contra fagotto 32
>Fagotto 16x
>Contre trompette 16
>Trompette 8
>Quinte trompette 5-1/3
>Clairon 4
>Contre bombarde 16
>Bombarde 8
>Bombarde clairon 4
>Harmonic trumpet 8
>Harmonic clarion 4
>Double tuba 16
>Tuba 8
>Tuba clarion 4
>Double clarinet 16
>Contre hautbois16x
>Cromorne 16
>Vox humana 16
>French horn 8
>English horn 8
>Flugel horn 8
>Clarinet 8x
>Hautbois8
>Musette 8
>Vox humana 8
>Voix humaine 8
>Chalumeau 4
>Vox humana 4
>Cornet de recit v 8
>Chimes
>Harp
>
>
>
>
>
>Choir
>
>Flues on 3-½ inches, 4 inches, 5 inches, 6 inches wind/ and reeds on 3-½
>inches,
>5 inches and 7 inches wind
>
>Manual I
>
>enclosed
>
>
>Quintaton 32
>Contra dulciana 32x
>Spitz principal 16
>Viola 16x
>Viola celeste 16x
>Gelind gedeckt 16
>Quintaton 16x
>Contra gemshorn 16x
>Spitzflote 16
>Echo lieblich 16
>Dulciana 16
>Erzahler 16x
>Erzahler celeste 16x
>Open diapason 8
>Violin diapason 8
>Choral principal 8
>Choral celeste 8
>Spitz principal8x
>Montre conique 8
>Spitz geigen 8
>Spitz geigen celeste 8
>Clarabella 8
>Clarabella celeste 8
>Cor de nuit 8
>Cor de nuit celeste 8
>Koppelflote 8
>Flute d amour 8
>Flute triangulaire 8
>Quintadena 8x
>Concert flute 8
>Flute celeste 8
>Melodia 8
>Unda maris 8
>Bourdon doux 8
>Bourdon doux celeste 8
>Flauto minore 8
>Minore celeste 8
>Harmonic spitzflote 8
>Harmonic spitzflote celeste 8
>Flauto dolce 8
>Dolce celste 8
>Viola 8
>Viola celeste 8
>Viola da gamba 8
>Viola da gamba celeste 8
>Viola d amore 8
>Viola d amore celeste 8
>Gamba 8
>Gamba celeste 8
>Viola sordo 8
>Sordo celeste 8
>Spitz gambe 8
>Gambe celeste 8
>Chordes d orch celeste 8 iii
>Salicional 8
>Vox serafic 8
>Aeoline 8
>Voix angelique 8 ii
>Dulciana 8
>Dulciana celeste 8
>Unda maris 8 iv
>Echo dulcet celeste 8 iii
>Cor de chamois 8
>Chamois celeste 8
>Erzahler celeste 8 v
>Flauto delicato 8
>Delicato celeste 8
>Gemshorn fifth 5-1/3
>Octave diapason 4
>Choral octave 4
>Prestant conique 4
>Nachthorn 4
>Spillflote 4
>Blockflote 4
>Harmonic flute 4
>Flute celeste 4
>Silver flute 4
>Silver celeste 4
>Rohrflote 4
>Viole d amour 4
>D amour celeste 4
>Gemshorn 4
>Gemshorn celeste 4
>Kleine erzahler 4 ii
>Dolce celestine 4 ii
>Gemshorn tenth 3-1/5
>Rohr nasat 2-2/3
>Gemshorn twelfth 2-2/3
>Fifteenth 2
>Principal 2
>Doublette conique 2
>Piccolo 2
>Waldflote 2
>Cor de nuit 2
>Gemshorn fifteenth 2
>Dulciana 2
>Unda maris 2
>Terz 1-3/5
>Gemshorn seventeenth 1-3/5
>Quint 1-1/3
>Gemshorn nineteenth 1-1/3
>Sifflote 1
>Grave mixture iv 2-2/3
>Dolce mixture v 2-2/3
>Carillon iii 2-2/3
>Chorus mixture v 2
>Harmonics iv 1-3/5
>Plein jeu iv 1-1/3
>Fourniture iii 1
>Cymbal iii 2/3
>Scharf iii ½
>Zimbel iii 1/3
>Jeu de clochette iii ¼
>Dulzian 32x
>Dulzian 16
>Double oboe horn 16
>Bass clarinet 16x
>Petit bombarde 16
>Petit trompette 8
>French horn 8
>English horn 8
>Clarinet 8
>Corno d amore 8
>Tuba minor 8
>Bombarde 8
>Trompette harmonique 8
>Cromorne 8
>Schalmey 8
>Oboe horn 8x
>Post horn 8
>Voxhumana 8
>Petit clairon 4
>Oboe schalmei 4
>Vox humana 4
>Regal 2
>Chimes
>Harp
>Celesta
>Cymbelstern
>Glockenstern
>
>
>
>
>
>Positiv
>
>Flues on 2-½ inches wind/ reeds on 3-½ inches wind
>
>Duplexed on manuals I & IV
>
>
>
>Manual untersatz 32
>Montre 16
>Brummbass 16x
>Quintflote 16
>Montre 8
>Kupfer Praestant 8
>Voce umana 8
>Spitz prinzipal 8
>Suavial 8
>Schwebung 8
>Bourdon 8
>Rohrbordun 8
>Spitzgedeckt 8
>Nason flute 8
>Chimney flute 8
>Nachthorn 8
>Quintade 8
>Traversflote 8
>Spitzflote 8
>Spitzceleste8
>Viola di gamba 8
>Dolkan 8
>Dolkan celeste 8
>Dulciana 8
>Prestant 4
>Octav praestant 4
>Spitzoktav 4
>Cor de nuit 4
>Rohrflote 4
>Koppelflote 4
>Querflote 4
>Quintaton 4
>Erzahler 4
>Nachthorn nazat 2-2/3
>Doublette 2
>Spitzoktave 2
>Bauernflote 2
>Waldflote 2
>Spillterz 1-3/5
>Zauberquint 1-1/3
>Koppelseptime 1-1/7
>Blockflote 1
>Rohr none 8/9
>Oktavterz 4/5
>Quintlein 2/3
>Rohrpfeife ½
>Terzino 2/5
>Quintino 1/3
>Cymbelflote 1/4
>Mixtur v 2-2/3
>Kleinermixtur iv 2
>Scharffmixtur iii 1
>Zimbelmixtur iii ¼
>Glockenspiel ii 1/5
>Holzregal 32
>Holzregal 16x
>Barpfeife 16
>Krummhorn 16
>Singend regal 16
>Basson 16
>Trompette 8
>Zink 8
>Trichter regal 8
>Cromorne 8
>Kopf regal 8
>Musette 8
>Harfen regal 8
>Geigen regal 8
>Krum regal 8
>Chalumeau 8
>Clarinette 8
>Voix humaine 8
>Voxhumana regal 8
>English horn regal 8
>Trompete 4
>Clairon 4
>Basson 4
>Regal 4
>Regal 2
>
>
>
>
>
>
>
>
>Solo
>
>Flues on 10 inches wind /reeds on 10 inches and 15 inches wind
>
>Manual IV
>
>enclosed
>
>
>Tibia profunda 32x
>Double diapason 16
>Tibia 16
>Flauto major 16
>Violone 16
>Violone celeste 16
>Grand quint 10-2/3
>Major open diapason 8
>Stentorphone 8
>Geigen 8
>Geigen celeste 8
>Flauto mirabilis 8
>Mirabilis celeste 8
>Doppel flute 8
>Tibia clausa 8
>Harmonic flute 8
>Orchestral flute 8
>Violoncello 8
>Cello celeste 8
>Gamba 8
>First gamba celeste 8#
>Second gamba celeste 8##
>Orchestral strings 8 iv
>Quinte diapason 5-1/3
>Octave diapason 4
>Doppel flote 4
>Tibia 4
>Harmonic stopped flute 4
>Solo flute 4
>Flute triangulaire 4
>Triangulaire celeste 4
>Strings 4 ii
>Tibia tierce 3-1/5
>Quint flute 2-2/3
>Concert piccolo 2
>Flute seventeenth 1-3/5
>Harmonic nineteenth 1-1/3
>Campana 1
>Compensating mixture vii 4
>Grand fourniture vii 2-2/3
>Contra bombarde 16
>Bombarde 8
>Bombarde clarion 4
>Cornet iv-vi 2-2/3
>Sub trombone 16
>Tromba 8
>Tromba clarion 4
>Corno di bassetto 16
>Corno di bassetto 8x
>Orch clarinet 8
>Bassoon 16
>Bassoon 8x
>Heckelphone 16
>Heckelphone 8x
>Orch oboe 8
>Flugel horn 8
>French horn 16x
>French horn 8
>English horn 16x
>English horn 8
>Cor anglais 8
>English horn 4x
>Krumet 8
>Kinura 8
>Brass saxophone 8
>Brass trumpet 8
>French trumpet 8
>Harmonic cornopean 8
>Harmonic tromba 8
>Tuba Sonora 8
>Ophicleide 16
>Tuba 8
>Clarion 4
>Contra post horn 16
>Post horn 8
>Post horn 4
>Solo vox 16
>Solo vox 8
>Solo vox 4
>Chimes
>Celesta
>Carillon
>
>
>
>
>
>
>Bombarde
>
>Flues on 5 inches and 10 and 15 inches wind / reeds on 10, 15, 20 and 25
>inches wind
>
>Manual V
>
>unenclosed except where noted
>*enclosed separately
>
>
>
>Montre 32
>Contre violone 32*
>Montre 16
>Double open diapason 16*
>Tibia 16
>Bourdon 16*
>Grosse quinte 10-2/3
>Montre 8
>Stentor diapason 8*
>Phiolmela 8*
>Gross gedeckt 8*
>Doppeloffenflote 8*
>Tibia clausa 8*
>Gross gamba 8*
>Grosse tierce 6-2/5
>Quinte 5-1/3
>Prestant 4
>Stentor octave 4*
>Tibia 4*
>Tierce 3-1/5
>Grosse septieme 2-2/7
>Grosse neuvieme 1-7/9
>Doublette 2
>Grande plein jeu x 4
>Plein jeu v 2-2/3
>Grand fourniture x 4*
>Fourniture v 2-2/3*
>Carillon v 5-1/3*
>Contrebombarde 32
>Bombarde 16
>Trompette de bombarde 8
>Clairon de bombarde 4
>Quinte trompette 2-2/3
>Clairon doublette 2
>Grandes harmoniques xii 6-2/5
>Tuba magna 16*
>Tuba major 8*
>Quint horn 5-1/3*
>Tuba clarion 4*
>Corneta magna v 16*
>
>
>
>
>
>
>
>
>String
>
>On 10 inches wind
>
>Enclosed
>
>Triplexed on manuals IV-V-VI
>
>
>Contra string bass celeste 32 ii
>String bass celeste 16 ii x
>Geigens 8 iii
>Celli 8 v
>Gambas 8 v
>Salicionals 8 v
>Aeolines 8 v
>Dolcans 8 iii
>Dulcianas 8 v
>Orch violes 8 v
>Muted strings 8 iii
>Genshorns 8 v
>Erzahlers 8 v
>Spitzflotes 8 v
>Strings 4 ii
>String twelfth 2-2/3
>String fifteenth 2
>String cornet iv 3-1/5
>
>
>
>
>
>
>Celestial
>
>On 7 inches wind
>
>Enclosed
>
>Triplexed on manuals V-VI-VII
>
>
>
>
>Flauto dolce celestes 32 ii
>Flauto dolce celestes 16 ii x
>Cantabile diapason 8
>Diapason celeste 8
>Fern flute 8
>Zauberflote celeste 8 ii
>Dulciana celeste 8 v
>Dolcan celeste 8 ii
>Violes aetheria 8 ii
>Flute celeste 8 v
>Dulciana fifth 5-1/3
>Willow flute 4
>Unda maris 4 ii
>Dulciana twelfth 2-2/3
>Piccolo d amore 2
>Duciana fifteenth 2
>Unda maris 2
>Mixture aetheria iv 2-2/3
>Dulciana mixture v 2-2/3
>Cor d amour 16
>Melos anthropon 16
>Cor d amour 8x
>Tuba d amour 8
>Tromba d amour 8
>Oboe d amore 8
>Cromorne 8
>French horn 8
>English horn 8
>Vox humana 8
>Vox mystica 8
>Menschenstimme 4
>Harpe
>Cloches
>
>
>
>
>
>Fanfare
>
>Flue mixtures on 15 inches wind /and reeds on 25 and 30 inches wind
>
>Unenclosed
>
>Quadraplexed on manuals IV-V-VI-VII
>
>
>
>Bombarde militaire -en -chamade 16
>Trompette militaire en-chamade 8
>Quinte trompette- en -chamade 5-1/3
>Clairon militaire -en -chamde 4
>Tierce trompette -en- chamade 3-1/5
>Clairon doublette -en- chamade 2
>Chamade 2/32
>Tirece mixture v-ix 5-1/3
>Septimkornett vii 4-4/7
>Terzzymbel x 1-3/5
>Progressive mixture 2-2/3-64 ii-xi
>
>
>
>
>
>Pedal
>
>Flues on 3-½ , 4, 5, 6, 7, 10 , 15, 20 and 25 inches wind/ reeds on 3-½, 4,
>5, 6, ,7 ,10. 15, 20, 25 and 30 inches wind
>
>unenclosed except where indicated
>*separate enclosure
>
>Some are unit extensions listing the various pitches in reverse numerical
>succession
>
>
>
>Wood diaphone 64-32-16-8
>Metal diaphone 32-16-8-4*
>Double open wood 32-16-8
>Wood open 32-16-8*
>Metal open diapason 32-16-8*
>Contrabass 32-16-8
>Kontrabass 16
>Sub principal 32-16
>Wood violone 32-16-8
>Wood gamba 64-32-16*
>Prinzipal 16
>Oktave 16
>Geigend oktav 16
>Wood gemshorn 16*
>Wood dulciana 16-8*
>Bourdon 64-32-16-8*
>Subquint 42-2/3-21-1/3-10-2/3
>Subterz 25-1/5-12-4/5-6-2/5
>Subnone 14-2/9- 7-1/9-3/5/9
>Subseptime 18-2/7- 9-1/7-4-4/7
>Flute ouverte 16-8*
>Metal violone 16-8
>Metal viole 16
>Wood geigen 16*
>Subbass 16
>Major bass 16
>Gedeckt 16-8
>Lieblich gedeckt 16-8-4*
>Zartbass 16
>Dolce 16
>Quintadena 16-8-4
>Metal gamba 16*
>Metal gamba celeste 16*
>Spitzflote 16-8
>Pommer 16-8
>Octave 16-8
>Open diapason phonon 8*
>Open diapason 8
>Geigen 8*
>Violoncello 8
>Cello celestes 8 iii*
>Flauto mirabilis 8*
>Flauto dolce 8*
>Salicional 8*
>Dulciana 8*
>Quint 5-1/3-2-2/3-1-1/3
>Terz 3-1/5-1/-3/5
>Septime 2-2/7-1/-1/7
>None 1-7/9
>Choral bass 16-8- 4-2-1
>Principal 4*
>Nachthorn 4-2
>Harmonic flute 4*\
>Solo flute 4 *
>Koppelflote 4-2*
>Flachflote 8-4
>Blockflote 4-2
>Kleine oktav 2
>Hohlflote 2
>Piccolo 2*
>Italian principal 1
>Gemshorn 2-1
>Fife 1*
>Harmonics 64 * 21-1/3
>Cornet 32 iv* 10-2/3
>Sesqui altera iv * 5-1/3
>Dolce cornet v 10-2/3*
>Major mixture vi 4
>Minor mixture v 2-2/3*
>Scharf v 1-1/3
>Cymbel iv 2/3
>Akuta iii 1/3
>Metal Bombarde 64-32-16-8-4
>Metal Ophicleide 32-16-8-4
>Wood Trombone 32-16-8-4*
>Metal Posaune 32-16-8-4
>Holzposaune 32-16-8
>Trumpet 16-8-4
>Trompette 16-8-4
>Quinte bombarde 10-2/3-5-1/3
>Tromba 8-4*
>Posaune 8-4
>Fagot 16-8-4
>Holzfagot 16*
>Rankett 16-8-4
>Sordun 16-8-4
>Serpent 32-16-8*
>Schalmey 16- 8-4-2
>Clarion 4
>Clairon 4
>Posaune in octavo 4
>Regal 4-2
>Zink 2
>Chimes*
>Harp*
>Celesta*
>
>
>
>Corona
>
>On 25 inches wind
>
>Enclosed
>
>Manual VII
>
>
>Sub principal 32
>Open diapason phonon 16
>Tibia clausa 16
>Doppel flute 16
>Diaphonic diapason 8
>Major flute 8
>Tibia clausa 8
>Tibia mollis 8
>Tibia dura 8
>Tibia plena 8
>Flared gamba 8
>Solo string 8
>Octave phonon 4
>Tibia 4
>Mixture ii 2-2/3
>Tuba magnum 32
>Tuba profunda 16
>Tuba mirabilis 8
>Tuba clarion 4
>Trumpet mirabilis 16
>Major trumpet 8
>Major clarion 4
>English post horn 8
>Major clarinet 8
>Major oboe 8
>Waldhorn 8
>Bombard mirabilis 8...on 50 inches wind
>
>
>
>
>
>
>
>
>Manual to pedal transfers indicated in reverse numerical order
>
>
>Great to pedal
>
>Bourdon 32-16
>Gemshorn 32-16
>Principal 16
>Geigen 16
>Violone 16
>Spitzflote 16-8
>Erzahler 16-8
>Quintaten 16
>Bombarde 16-8-4
>Trompete 16
>Trombone 32-16-8
>Bombard 16
>Hooded bombarde 16-8-4
>Dulzian 16
>Chamade 16-8-4
>
>
>
>
>Swell to pedal
>
>Flute conique 32-16
>Gambe 32-16
>Diapason 16
>Diapason conique 16
>Geigen 16
>Bourdon 16-8
>Melodia 16
>Salicional 16-8
>Aeoline 16-8
>Gambe celeste 16-8 ii
>Gemshorn 16
>Flauto celeste 16 -8 ii
>Oboe 16
>Waldhorn 16-8-4
>Posaune 16
>Fagotto 32-16-8
>Trompette 16
>Bombarde 16
>Tuba 16-8-4
>Clarinet 16-8-4
>Hautbois16-8-4
>Cromorne 16-8-4-2
>Vox 32x
>Vox 16-8-4
>
>
>
>Choir to pedal
>
>
>
>Quintaton 32-16
>Dulciana 32-16-8
>Principal 16
>Gedeckt 16
>Gemshorn 16
>Spitzflote16
>Echolieblich 16
>Dulciana 16
>Erzahlers 16-8 ii
>Dulzian32-16
>Oboe 16
>Clarinet 16
>Bombarde 16
>
>
>
>Positiv to pedal
>
>
>Untersatz 32-16
>Montre 16
>Quintflote 16
>Regal 32-16-8-4
>Barpfeife 16-8-4
>Krummhorn 16-8-4
>Basson 16
>
>
>
>Solo to pedal
>
>
>
>Tibia 32-16
>Diapason 16
>Flauto 16
>Violones 16 -8 ii
>Bombarde 16
>Trombone 16
>Corno 16
>Bassoon 16
>Horn 16
>Ophicleide 16
>Post horn 16-8-4
>Vox 16-8-4
>
>
>
>
>Bombarde to pedal
>
>
>Montre 32-16
>Violone 32-16
>Diapason 16
>Tibia 16-8-4
>Bourdon 16
>Bombarde 32-16-8
>Tuba 16-8-4
>
>
>
>String to pedal
>
>
>String bass 32-16-8-4 ii
>
>
>
>Celestial to pedal
>
>Flauto dolce 32 -16 -8-4 ii
>Cor 16
>
>
>
>
>Fanfare to pedal
>
>
>Bombarde 16-8-4
>Mixture v
>
>
>
>
>Corona to pedal
>
>Principal 32-16
>Phonon 16-8
>Doppelflute 16-8
>Tibia 16-8
>Tuba 32-16-8
>Trumpet 16-8
>Mirabilis 64x
>Mirabilis 32x
>Mirabilis 16x
>Mirabilis 8
>
>
>
>
>
>All enclosed sections ( including enclosed pedal ) will be affected by
>sub and super couplers
>whereas unenclosed sections including pedal will be affected by sub
>couplers only
>

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