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(Originally based at Mills College in Oakland, California, USA.)
(AKA "The Tuning List", "The Tuning Group".)
This mailing list is intended for exchanging ideas relevant to alternate musical tunings: just intonation; paratactical tunings; experimental instrument design; non-standard equal temperaments; MIDI tuning-system specs; concert postings; gamelan tunings and other non-western tunings; historical tunings; the experimental tunings of Harry Partch, Lou Harrison, Martin Bartlett, James Tenney, and so on; software reports; recordings; books; research sources, etcetera.
I've posted about other frustrating comma pumps before, but this one has me at my wit's end. This might be the most common chord progression in all of music
Hi Mike, ... I'm sorry to see that you're seeing my message as some sort of self promotion or promotion of tonal-ji. I did not mean my messages regarding 75/64
... Then it seems like your theory doesn't cut it. All of these issues are addressed in my new "Battaglia-JI" system. It contains the following intervals: 1/1
Hello Mike, Uh, II7 definitely exists. In common practice harmony you might see it ... My theory produces only the intervals 1/1 9/8 6/5 5/4 4/3 3/2 8/5 5/4
Dear friends, Charles Lucy has added four questions/doubts to what Michael stated regarding my post (IMO) sent last 11/20. Charles'questions and my answers