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Messages 3840 - 3869 of 106135   Oldest  |  < Older  |  Newer >  |  Newest
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3840 Kraig Grady
kraiggrady@... Send Email
Jul 1, 1999
8:00 am
... STRAIGHT LINE PATTERNS Of The Scale Tree from 0/1 to 1/0 otherwise known as http://www.anaphoria.com/line.html Here you can see the continuum of generators...
3841 David C Keenan
d.keenan@... Send Email
Jul 1, 1999
8:09 am
In a previous post I gave a tuning of an improper 11-tone minor-third MOS with 10 tetrads, that minimised the maximum error over all 7-limit ratios. I've since...
3842 Graham Breed
g.breed@xxx.xx.xxx Send Email
Jul 1, 1999
11:57 am
... For each interval, it means you can't get a better approximation by using a different smaller-step-size with the same larger-step-size. Taking each ...
3843 David Beardsley
xouoxno@xxxxxxxxx.xxxx Send Email
Jul 1, 1999
3:00 pm
Juxtaposition Net Radio Sundays 11am-1pm EDST, 6/27/1999 Play List Juxtaposition Net Radio is the streaming audio manifestation of Juxtaposition Ezine, an...
3844 David C Keenan
d.keenan@xx.xxx.xxx Send Email
Jul 1, 1999
3:24 pm
Regarding the 11 of 19-tET minor-third-MOS (3+1+1+3+1+3+1+1+3+1+1). I found a much better keyboard mapping. Unfortunately it requires me to change the...
3845 Kraig Grady
kraiggrady@xxxxxxxxx.... Send Email
Jul 1, 1999
4:13 pm
Tuners! Back in the 80's, there was a punk band called Cypher in L.A. that used the 7-cap 22 tone scale now available to all in THREE 22-TONE SCALES or as...
3846 David C Keenan
d.keenan@xx.xxx.xxx Send Email
Jul 1, 1999
4:03 pm
[Paul Erlich TD236.7] ... It's important to remember: (a) that inconsistency isn't a sufficient reason for rejection; (b) that consistency can always be...
3847 Paul Hahn
Paul-Hahn@xxxxxxx.xxx... Send Email
Jul 1, 1999
5:13 pm
... Not for you, perhaps. For Paul E. it is. I actually restrict myself to ETs that are level-2 (or higher) consistent. (I know, it doesn't leave me many...
3848 Paul H. Erlich
PErlich@xxxxxxxxxxxxx... Send Email
Jul 1, 1999
6:52 pm
Carl Lumma wrote, ... I wrote, ... Carl wrote, ... dyad should sound more consonant >than if played alone because the listener has already placed it in a...
3849 Paul H. Erlich
PErlich@xxxxxxxxxxxxx... Send Email
Jul 1, 1999
7:13 pm
Although I do think propriety is a more reasonable property than maximal evenness, I think it's too restrictive. My favorite example over the years has been...
3850 Paul H. Erlich
PErlich@xxxxxxxxxxxxx... Send Email
Jul 1, 1999
7:47 pm
Dave Keenan wrote, ... 1(b) does not distinguish among modes. You must be reading it wrong. ... Since 1(a) is really distributional evenness, let's interpret...
3851 Paul H. Erlich
PErlich@xxxxxxxxxxxxx... Send Email
Jul 1, 1999
7:56 pm
Graham Breed wrote, ... tetrachordal ... Some modes have more than one pair of identical tetrachords. Maybe that's why there are more distinct tetrachordal...
3852 Paul H. Erlich
PErlich@xxxxxxxxxxxxx... Send Email
Jul 1, 1999
9:10 pm
http://www.knottblack-and-whyte.com/curios/tuning.htm...
3853 dtphuong
dtphuong@xxx.xxxxxxxx... Send Email
Jul 1, 1999
9:44 pm
Hello All!!! I have a question request you help. I have a file midi data format is: 5 byte a command (1) (2) (3,4) (5) 21 91 3C4A 00 20 91 4050 00 0B...
3854 Carl Lumma
clumma@xxx.xxxx Send Email
Jul 2, 1999
1:35 am
... ? Wilson has played with more generators than I'd care to shake a stick at. He is especially fond of irrational ones, if you've heard _From on High_ or...
3855 Kraig Grady
kraiggrady@xxxxxxxxx.... Send Email
Jul 2, 1999
8:05 am
... -- Kraig Grady North American Embassy of Anaphoria Island http://www.anaphoria.com...
3856 David C Keenan
d.keenan@xx.xxx.xxx Send Email
Jul 2, 1999
7:56 am
Here's the 11 of 19-tET lattice in the alternative projection I used to good effect recently for scales having a half-octave. Here it just looks like a tangled...
3857 Graham Breed
g.breed@xxx.xx.xxx Send Email
Jul 2, 1999
10:27 am
... Indeed it is! I worked all this out in my head last night. Another way of thinking about it is that you need 8 notes to get both types of neutral scale...
3858 John Clough
clough@xxxx.xxxxxxx.x... Send Email
Jul 2, 1999
6:08 pm
I apprecaite Paul Erlich's clarification re maximal evenness (ME) and distributional evenness (DE). I had not realized that what Paul had called ME is...
3859 Paul H. Erlich
PErlich@xxxxxxxxxxxxx... Send Email
Jul 2, 1999
6:12 pm
Dave Keenan wrote, ... Paul Hahn wrote, ... Only for ETs below 35. Above that, the second-best approximation for some interval may still be within 1% of JI....
3860 Paul H. Erlich
PErlich@xxxxxxxxxxxxx... Send Email
Jul 2, 1999
6:20 pm
Dave Keenan wrote, ... Graham Breed wrote, ... Thanks, Graham, for not letting that slip. 2V+T is called a "bare tetrachordal framework" in my paper....
3861 Carl Lumma
clumma@xxx.xxxx Send Email
Jul 2, 1999
9:50 pm
... Propriety is the most basic measurement of accousto-scalar effects, the first thing you ask. It isn't meant to decide the value of a scale, at least not...
3862 Carl Lumma
clumma@... Send Email
Jul 2, 1999
10:06 pm
... I like this a lot. Much as the drone works in Indian music, harmony can work in western music --- when a harmony sounds, dissonant notes tend to be heard...
3863 Carl Lumma
clumma@... Send Email
Jul 2, 1999
10:08 pm
... Nothing impressive. ... That's right. ... I did ask him this, profusely, for both just and tempered comparos. His notion of consonance is very tied up in...
3864 Jay Williams
jaywill@xxxxxxxxxx.xxxx Send Email
Jul 4, 1999
8:54 am
Jay Williams here, I just subscribed, so thought I'd introduce myself. I have a Master's degree from Indiana University in trombone and music theory. I compose...
3865 Afmmjr@xxx.xxx Send Email Jul 4, 1999
12:36 am
Hello Jay, I'm not sure you will recall, but I had a class with you at the North Carolina School of the Arts where I studied bassoon with Mark Popkin. You ...
3866 Daniel Wolf
DJWOLF_MATERIAL@xxxxx... Send Email
Jul 4, 1999
7:18 pm
New Address for Material Press / Wolf Musik Verlag Schinkelstr. 62 60488 Frankfurt Germany Telephone +49 69 76753758 Fax +49 69 76753758 Private Telephone,...
3867 perlich@xxxxxxxxxxxxx... Send Email Jul 5, 1999
7:48 am
Graham Breed wrote, ... That should be, 7-note tetrachordal MOS scales. ... I use the latter two (minor & major quasi-equal heptatonic) all the time in my...
3868 perlich@xxxxxxxxxxxxx... Send Email Jul 5, 1999
7:48 am
Graham Breed wrote, ... That should be, 7-note tetrachordal MOS scales. ... I use the latter two (minor & major quasi-equal heptatonic) all the time in my...
3869 perlich@xxxxxxxxxxxxx... Send Email Jul 5, 1999
7:56 am
I wrote, ... Carl Lumma wrote, ... How about the idea that every consonant interval is always subtended by the same number of scale degrees? I think that's...
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