Hi guys! I subscribed to this list long time ago but this's the first time I intervene I'm interested in using a MIDI system (XG or GS) to explore alternate ...
452
dante rosati
dante@xxx.xxxxxxxxx.x...
Jan 25, 1999 7:07 am
Hi- There are lots 'o links around the net leading to a fabled ftp site that has empty directories. Anybody know if the stuff was moved to somewhere? I'm...
453
Daniel Wolf
DJWOLF_MATERIAL@xxxxx...
Jan 25, 1999 7:36 am
Sarn Richard Ursell <thcdelta@...> asked: <Does anybody know if infra-sound and ultra-sound have been used in music, <microtonal or otherwise? ...
454
Stearns
stearns@xxxxxxx.xxxx
Jan 25, 1999 8:00 pm
x5 sets ____________________________________________________ 1x5 (1)d ÷ O · F = 1/0 (5)d ÷ O · F = 3/2 1 + 3 4 ... 0 + 2 2 The 1x5 pentad is a...
455
alves@xxxxx.xx.xxx.xx...
alves@xxxxx.xx.xxx.xx...
Jan 25, 1999 8:06 pm
This character ... ^ appears as a rectangle on my system. Is there a way to express your formulas using just the 7-bit ascii standard? ...
456
D. Stearns
stearns@xxxxxxx.xxxx
Jan 25, 1999 10:07 pm
Hi Bill, Sorry for the confusion. The Internet/email is still very new to me (got computer etc. this Christmas) and I'm still very much a novice. What I...
457
Paul H. Erlich
PErlich@xxxxxxxxxxxxx...
Jan 25, 1999 11:00 pm
... neither the otonal nor utonal >representation of the ratios gives the true "limit" of the chord; such as the two varieties of 9-limit just ... ...
458
alves@xxxxx.xx.xxx.xx...
alves@xxxxx.xx.xxx.xx...
Jan 25, 1999 11:36 pm
... Dan, Yes, it is a "universal" standard. The first 128 (7 bits) of ascii are defined the same for all systems. This includes the normal alphanumeric ...
459
Paul H. Erlich
PErlich@xxxxxxxxxxxxx...
Jan 26, 1999 12:00 am
... Margo, I have indeed made a case for the odd limit of a ratio as a measure of consonance, along the lines of Harry Partch, whose "one-footed bride" shows...
460
Paul H. Erlich
PErlich@xxxxxxxxxxxxx...
Jan 26, 1999 12:09 am
Dave Keenan wrote, ... and the intermediate Eb on the >lower. The C G already sounded just or I would also have had to set it so in the tuning table. I set the...
461
Paul H. Erlich
PErlich@xxxxxxxxxxxxx...
Jan 26, 1999 12:05 am
I think you're looking for Euler's "totient" function. ... we ... number within the context of an >uninterrupted chain of "tolent". You would have to have this...
462
Auricle Communications
auricle@xxxxxxxx.xxxx
Jan 26, 1999 2:46 am
Hello! As a new subscriber to the list, I'd like to offer my email newsletter as a way of introducing myself. I'm sure you'll find the contents relevant....
463
Dave Keenan
d.keenan@...
Jan 26, 1999 12:59 am
... A sine wave contains no harmonics (or partials of any kind). A sawtooth has harmonics that fall off in amplitude as 1/n (but because of the logarithic...
464
David Beardsley
xouoxno@...
Jan 26, 1999 1:30 am
From: Dave Keenan <d.keenan@...> ... particular ratio except 1:1. A sine tone is perfect for JI because there are no harmonics to interfere with the...
465
Patrick Pagano
ppagano@...
Jan 26, 1999 1:50 am
or check out Kyle Ganns page....
466
David Beardsley
xouoxno@...
Jan 26, 1999 1:56 am
From: Patrick Pagano <ppagano@...> ... His La Monte page: http://home.earthlink.net/~kgann/lmy.html His home page:...
467
Darren Burgess
dburgess@...
Jan 26, 1999 2:42 am
Denny Genovese wrote a dos program that uses the pitch bend control on a sythensizer to play JI scales in real time. He may be reached at interval@.......
468
John Loffink
jloffink@...
Jan 26, 1999 2:48 am
... XG and GS use MIDI system exclusive messages which are supported by any competent sequencer. See my web site at http://freeweb.pdq.net/jloffink/GS_XG.html...
469
manuel.op.de.coul@...
Jan 26, 1999 10:52 am
... Yes, it's not the most recent collection though. This is the file list: ftp://byrd.math.uga.edu/pub/music/dx7/scales/scales.doc And the archive of scales: ...
470
manuel.op.de.coul@...
Jan 26, 1999 11:01 am
... like that. Can't find it in ... the other and both had ... It's Euler's "totient" function. The operand is a natural number. The value is the number of...
471
Gary Morrison
mr88cet@xxxxx.xxxx
Jan 26, 1999 7:31 am
... Check out John Loffink's web page. (I don't recall the URL right off.)...
472
Gary Morrison
mr88cet@xxxxx.xxxx
Jan 26, 1999 7:38 am
... Perhaps that's what Ivor Darreg would have characterized as a perfectly valid harmony-centric suggestion, but perhaps not as meaningful from a melodic...
473
prodgers@xx.xxx.xxx
Jan 26, 1999 3:06 pm
I read what Darren Burgess wrote about the Carillon tuning experience in a previous Tuning list, snd wanted to make a comment. If the carillon uses magnetic...
474
Drew Skyfyre
skyfyre@xxx.xxxx
Jan 26, 1999 7:49 pm
"Progress on the microtonal guitar home page. Help !" About Hansford Rowe : Is he a fretless bass guitarist, like Brad Catler ? ... And does Gongzilla play any...
475
D. Stearns
stearns@xxxxxxx.xxxx
Jan 26, 1999 8:22 pm
... I remember once seeing an advertisement for a CD with him and Jon Catler on the cover - and I remember both having lavish JI fret jobs... Dan...
476
Johnny Reinhard
reinhard@xxx.xxxx
Jan 26, 1999 9:42 pm
Hansford (Hanny) Rowe uses a refretted bass, matched to Jon Catler's system. Bradford (Butler) Catler chooses fretless, just as he plays incredibly on Pedal...
477
Paul H. Erlich
PErlich@xxxxxxxxxxxxx...
Jan 26, 1999 10:16 pm
Dave Keenan wrote, ... physically impossible since it >would consist of infinitely high pulses of infinitesimal duration, repeated at the fundamental...
478
Paul H. Erlich
PErlich@xxxxxxxxxxxxx...
Jan 26, 1999 10:43 pm
David Beardsley wrote, ... Clearly there is a vast gulf between this point of view and the one presented by Sethares. Although it is true that only intervals...
479
Paul H. Erlich
PErlich@xxxxxxxxxxxxx...
Jan 26, 1999 11:30 pm
... Partch did not think of simple ratios as abstractions but appealed to the regularity of the undulations they produced in the eardrum. He related the...
480
Daniel Wolf
DJWOLF_MATERIAL@xxxxx...
Jan 26, 1999 11:41 pm
... With due respect to Ivor Darreg and Gary Morrison, I think that Mr. Haverstick is having a bit of reverie about the problem of distinguishing between the...
