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Messages 53547 - 53576 of 85217   Oldest  |  < Older  |  Newer >  |  Newest
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53547
... its ... the ... names ... The true mess will arise when there are borderline cases and you have to make up arbitrary rules to settle them....
wallyesterpaulrus
wallyesterpa...
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Jun 1, 2004
4:55 pm
53548
... You ... have ... There aren't many of those. The worst problem, two kinds of 11-limit meantone, does not even arise in a 7-limit context....
Gene Ward Smith
genewardsmith
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Jun 1, 2004
5:29 pm
53549
Tuners, I've put a new piece up on my SoundClick web site. It's based on a set of major and minor chords in the Partch tonality diamond. To hear the music, go...
Prent Rodgers
prentrodgers
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Jun 2, 2004
3:35 am
53550
Hi Katsura, sorry to be late with this reply. I'm from Italy, so maybe I could help you with your doubt. I made a quick search on the telephone directory of...
Leonardo Perretti
girfresco
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Jun 2, 2004
9:29 am
53551
Hi Paul. Sorry to drag you into the rudiments, but I couldn't find the answer after studying a Benade text. Concerning the 'acoustical energy' of maj 7th...
traktus5
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Jun 2, 2004
3:12 pm
53552
http://www2.sfu.ca/sonic-studio/handbook/ This looks to be a decent reference for much of the jargon in acoustics. -Carl...
Carl Lumma
clumma
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Jun 4, 2004
9:45 pm
53553
I'm starting to get the impression that selecting smaller scales from an MOS or DE scale by skipping steps in a symmetrical manner can result in some useful...
Herman Miller
teamousechan...
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Jun 5, 2004
2:59 am
53554
Hello Herman! This whole train of thought is exactly how i come up with most of my pitch material. Double layers of patterns, are IMHO the best. I have ben...
kraig grady
banaphshu
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Jun 5, 2004
4:39 am
53555
... this ... subsets ... I discussed "muddles" some time back....
Gene Ward Smith
genewardsmith
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Jun 5, 2004
9:57 pm
53556
Well, if no one has any decapitated flats, I'll try some sagittal. Questio= ns come to mind: 1. For notating pieces in ETs that change from section to...
Jacob
piccolosandc...
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Jun 10, 2004
11:57 pm
53557
... generators. ... reason ... Hi, I just got back from Texas. Anyway, if you give me your proposed names for the 21 5-limit and 29 7-limit temperaments that...
wallyesterpaulrus
wallyesterpa...
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Jun 11, 2004
12:36 am
53558
Extraordinary! Thanks for sharing that, Prent, and keep up the fantastic work! (I'm sure there'll be more to say on MakeMicroMusic . . .) ... set ... some ... ...
wallyesterpaulrus
wallyesterpa...
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Jun 11, 2004
12:41 am
53559
... the 'acoustical ... Hi Kelly, I should have said 'first order difference tones'. At loud volumes, nonlinearities in the ear will create frequencies that...
wallyesterpaulrus
wallyesterpa...
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Jun 11, 2004
12:52 am
53560
... from a ... this ... Lots of people have discussed these, for example Mats Oljare, who called them 2nd order MOS or something like that. ... Indeed. One can...
wallyesterpaulrus
wallyesterpa...
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Jun 11, 2004
12:58 am
53561
... Paul seems to be off doing something else for the time being, but I had a few spare moments and figured this out. The chord could be spelled as: C : E :...
Kurt Bigler
voxdig
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Jun 11, 2004
1:19 am
53562
Well I guess Paul and I are on the same wavelength, or even the same wave! Interesting to see the difference in styles. -Kurt...
Kurt Bigler
voxdig
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Jun 11, 2004
1:29 am
53563
It seems easier just to spell your tetrads as 8-10-12-15 and then figure out the difference tones. being 2,2,3,4,5,7. The system i use to judge the con/dis ...
kraig grady
banaphshu
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Jun 11, 2004
4:47 am
53564
Thanks Paul. Also, on some notation I'm unfamiliar with... when you compared the chords 4:5:6:7 and 1/7, 1/6, 1/5, and 1/4 , what is the actual chord spelling...
traktus5
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Jun 11, 2004
3:48 pm
53565
thanks Kurt! Now I understand...Kelly ... find ... the 'acoustical ... had a ... pairs taken ... being...
traktus5
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Jun 11, 2004
3:50 pm
53566
Hi Kurt/Paul ...I got the math...but wanted to confirm what the actual difference tone notes are. (I'm comp/performer background). (I'm assuming each interval...
traktus5
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Jun 11, 2004
6:22 pm
53567
... you ... the ... I don't know what you mean by "actual chord spelling". ... Yes, the latter chord has been referred to as a "subharmonic" or "utonal" chord....
wallyesterpaulrus
wallyesterpa...
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Jun 11, 2004
6:34 pm
53568
... series, ... I don't know what you mean by that question. ... actual ... Five out of six. The last one, C1, is wrong, since that would be 1/8 instead of...
wallyesterpaulrus
wallyesterpa...
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Jun 11, 2004
6:37 pm
53569
hi Paul - (I'm referring to a tonalsoft excerpt which, according to Joe's indendation, is from one of your postings, which reads "Our non- laboratory...
traktus5
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Jun 11, 2004
11:35 pm
53570
... If you've got a piano that will do that, you're lucky. If your piano is tuned to 12et it probably won't do that so well. ... However, in that case it will...
Kurt Bigler
voxdig
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Jun 12, 2004
12:47 am
53571
... non- ... close ... ranking ... Yes. ... Well, that's as close as you can get to it on the piano, but of course it's still very different, since pianos are...
wallyesterpaulrus
wallyesterpa...
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Jun 12, 2004
1:24 am
53572
I'm looking for meantone scales in the Scala archive with the octave stretched so that the tempered fifth is closer to the just fifth. I found two. One was...
Danny Wier
dawier
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Jun 12, 2004
3:51 am
53573
... 4.39016 ... And what ... The second is an example of TOP tuning, a huge thread you may have missed. TOP tuning can be applied to regular temperaments in...
Gene Ward Smith
genewardsmith
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Jun 12, 2004
5:59 am
53574
... pormswe octave sharp by 1.4 cents fifth flat by 4.9 cents see http://groups.yahoo.com/group/tuning-math/message/10228 graham...
Graham Breed
x31eq
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Jun 12, 2004
9:59 am
53575
... sagittal. Questions come to ... Hi Jacob, I'll do my best to answer them. ... my "Moods" ... I think so, but then I might be biased. :-) I'm hoping you...
Dave Keenan
dkeenanuqnetau
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Jun 12, 2004
10:54 am
53576
... Wonderful post. I'm very interested in this approach. -Carl...
Carl Lumma
clumma
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Jun 12, 2004
6:00 pm
Messages 53547 - 53576 of 85217   Oldest  |  < Older  |  Newer >  |  Newest
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