Note: – this is best listened to at a volume as if you were close up front and center to a fairly powerful orchestra. The realization uses Sonar 8.5 and...
87140
caleb morgan
calebmrgn
Apr 1, 2010 2:26 pm
Yeah, mon. It even has a lot of oomph at low volume--don't worry. Sounds great. ... Yeah, mon. It even has a lot of oomph at low volume--don't worry. Sounds...
87141
Chris Vaisvil
vaisvil
Apr 1, 2010 2:40 pm
Thank you for the listen and comment Caleb! I'm glad you like it! Chris ... Thank you for the listen and comment Caleb! I'm glad you like it! Chris On Thu, Apr...
87142
Michael
djtrancendance
Apr 1, 2010 3:09 pm
Chris, Man, this is a trip. It sounds very tense and as you said not "pretty" but oddly confident at the same time: certainly not the typical "confused...
87143
Chris Vaisvil
vaisvil
Apr 1, 2010 3:29 pm
Hi Mike, Thanks for the listen and comment - and especially the tuning. The other piece - would that be the first WIP version of this piece? Otherwise I'm not...
87144
Michael
djtrancendance
Apr 1, 2010 4:13 pm
Chris>"Thanks for the listen and comment - and especially the tuning." Glad you enjoyed it! To be honest I still have a lot of questions about how to make a...
87145
Graham Breed
x31eq
Apr 1, 2010 6:28 pm
... So how long *have* you been playing? It sounds like something that should improve with practice. And like you put it out a day early. But we could all be...
87146
jfos777
Apr 1, 2010 9:18 pm
Graham, I'm 40 now and I started playing when I was 16. Once I knew a few chords and could fool around with the blues scale I had no desire to delve further...
87147
sevishmusic
Apr 1, 2010 9:20 pm
Hello everybody this a reminder that at the start of May I'll begin compiling the Split Notes compilation album with the help of Tony Dubshot and Michael S. ...
87148
Mark Rankin
markrankin95511
Apr 2, 2010 2:41 pm
John,  I would like to print out your book The Mathematics of Music, but where can the link be found?  -- Mark Rankin ... From: jfos777...
87149
jfos777
Apr 2, 2010 4:42 pm
Mark, to open/download the book click the "Files" link on the left of your screen and my book is near the bottom of the list of files. Alternatively, go to...
87150
tuning@yahoogroups.com
Apr 3, 2010 1:33 pm
Hello, This email message is a notification to let you know that a file has been uploaded to the Files area of the tuning group. File :...
87151
tuning@yahoogroups.com
Apr 3, 2010 1:35 pm
Hello, This email message is a notification to let you know that a file has been uploaded to the Files area of the tuning group. File :...
87152
Petr PaÅ™Ãzek
petrparizek2000
Apr 3, 2010 2:17 pm
Hi tuners. I've made a MIDI file of a chord progression leading to a 3125/2916 comma pump (if such a large interval may be called a comma) played in adaptive ...
87153
jfos777
Apr 3, 2010 6:16 pm
As Caleb pointed out, the lead and chords in my tune were clearly out of sync after the first minute or so. When I recorded the lead I came in on the second...
87154
jfos777
Apr 3, 2010 9:24 pm
Graham, I should correct myself. My formula for the consonance value of an interval does not use or depend on prime numbers. For the selection of notes for my...
87155
Carl Lumma
clumma
Apr 4, 2010 2:41 am
... I prefer the tempered version. Is the same temperament being used to tune the root of each chord in the adaptive version? -Carl...
87156
Petr ParÃzek
petrparizek2000
Apr 4, 2010 9:21 am
... They're very similar to each other but they're not identical. For the root tones of the ad-JI version, the fifths and minor thirds are 1/6-comma larger. ...
87157
Graham Breed
x31eq
Apr 4, 2010 11:18 am
... Chapter 4 is where you look at different formulas. It depends on your own ranking of consonances, which you haven't cross checked with anybody else. And...
Graham, the premise I began with was that it seems that, in general, the smaller the numbers in the ratio, the stronger the interval sounds. From this I...
87160
Carl Lumma
clumma
Apr 4, 2010 5:46 pm
... Could you humor an old man and make a version where the root tuning is the same as the tempered tuning? -Carl...
87161
jfos777
Apr 4, 2010 5:48 pm
Graham, I just remembered that the tritone in the Just Major 5 Limit is 45/32 and this might "go" with more notes than 7/5. I chose 7/5 because this "goes...
87162
Petr ParÃzek
petrparizek2000
Apr 4, 2010 6:53 pm
... Well, if you don't mind that the fifths are about 20 cents wider than in JI ... I've left it in the Tuning Files with the number 6 added -- I think it ...
87163
Graham Breed
x31eq
Apr 5, 2010 7:30 am
... Sure, that's where everybody starts, and it basically works. If you could present a table showing the different results for different formulas we could...
87164
Michael
djtrancendance
Apr 5, 2010 3:07 pm
... One general question I have is what does "strong" mean in this context? I've seen/heard 2/1 as the interval that sounds "most like" 1/1, pretty much...
87166
jfos777
Apr 5, 2010 4:15 pm
I hit "send" by accident, ignore my last post. Graham, you said: "Your formula's a function of overtone numbers, which makes it "otonal"". I don't know what...
87167
jfos777
Apr 5, 2010 4:27 pm
Michael, go to the "Files" link on the left of your screen and you should find the book (and a tune) there. If you can't download it from here go to...
87168
Michael
djtrancendance
Apr 5, 2010 5:18 pm
... harmonic (two notes played simultaneously) is:(2 + 1/x + 1/y - diss) / 2" Here it seems (for even 6/5) is: (2 + 1/6 + 1/5 - (2/6 + 2/5) )/ 2 = about...
87169
jfos777
Apr 5, 2010 7:29 pm
Michael, you've read the formula`wrong. First of all I write all intervals so that the x (numerator) is equal to or less than y (denominator). So with the 5/6...
