Note: – this is best listened to at a volume as if you were close up front and center to a fairly powerful orchestra. The realization uses Sonar 8.5 and...
Yeah, mon. It even has a lot of oomph at low volume--don't worry. Sounds great. ... Yeah, mon. It even has a lot of oomph at low volume--don't worry. Sounds...
Thank you for the listen and comment Caleb! I'm glad you like it! Chris ... Thank you for the listen and comment Caleb! I'm glad you like it! Chris On Thu, Apr...
Chris, Man, this is a trip. It sounds very tense and as you said not "pretty" but oddly confident at the same time: certainly not the typical "confused...
Hi Mike, Thanks for the listen and comment - and especially the tuning. The other piece - would that be the first WIP version of this piece? Otherwise I'm not...
Chris>"Thanks for the listen and comment - and especially the tuning." Glad you enjoyed it! To be honest I still have a lot of questions about how to make a...
... So how long *have* you been playing? It sounds like something that should improve with practice. And like you put it out a day early. But we could all be...
Graham, I'm 40 now and I started playing when I was 16. Once I knew a few chords and could fool around with the blues scale I had no desire to delve further...
Hello everybody this a reminder that at the start of May I'll begin compiling the Split Notes compilation album with the help of Tony Dubshot and Michael S. ...
Mark, to open/download the book click the "Files" link on the left of your screen and my book is near the bottom of the list of files. Alternatively, go to...
87150
tuning@yahoogroups.com
Apr 3, 2010 1:33 pm
Hello, This email message is a notification to let you know that a file has been uploaded to the Files area of the tuning group. File :...
87151
tuning@yahoogroups.com
Apr 3, 2010 1:35 pm
Hello, This email message is a notification to let you know that a file has been uploaded to the Files area of the tuning group. File :...
Hi tuners. I've made a MIDI file of a chord progression leading to a 3125/2916 comma pump (if such a large interval may be called a comma) played in adaptive ...
As Caleb pointed out, the lead and chords in my tune were clearly out of sync after the first minute or so. When I recorded the lead I came in on the second...
Graham, I should correct myself. My formula for the consonance value of an interval does not use or depend on prime numbers. For the selection of notes for my...
... They're very similar to each other but they're not identical. For the root tones of the ad-JI version, the fifths and minor thirds are 1/6-comma larger. ...
... Chapter 4 is where you look at different formulas. It depends on your own ranking of consonances, which you haven't cross checked with anybody else. And...
Graham, the premise I began with was that it seems that, in general, the smaller the numbers in the ratio, the stronger the interval sounds. From this I...
Graham, I just remembered that the tritone in the Just Major 5 Limit is 45/32 and this might "go" with more notes than 7/5. I chose 7/5 because this "goes...
... Well, if you don't mind that the fifths are about 20 cents wider than in JI ... I've left it in the Tuning Files with the number 6 added -- I think it ...
... Sure, that's where everybody starts, and it basically works. If you could present a table showing the different results for different formulas we could...
... One general question I have is what does "strong" mean in this context? I've seen/heard 2/1 as the interval that sounds "most like" 1/1, pretty much...
I hit "send" by accident, ignore my last post. Graham, you said: "Your formula's a function of overtone numbers, which makes it "otonal"". I don't know what...
Michael, go to the "Files" link on the left of your screen and you should find the book (and a tune) there. If you can't download it from here go to...
Michael, you've read the formula`wrong. First of all I write all intervals so that the x (numerator) is equal to or less than y (denominator). So with the 5/6...
