... Thanks, Johnny. Your plaudits are greatly appreciated--especially when I'm feeling a bit like I've intruded into a domain where my concerns may not be ...
9003
Gerald Eskelin
stg3music@...
Mar 1, 2000 8:46 am
... Try this, David. Start and stop the sound a few times within the examples and let the "echo" register in your imagination. I think this actually helps to...
9004
Daniel Wolf
djwolf@...
Mar 1, 2000 9:38 am
You must have only the trial version. Perhaps the editor is one of the disabled featured and you need to order the key to open it. DJW ... changes ... it...
9005
John A. deLaubenfels
jadl@...
Mar 1, 2000 11:43 am
Happy anniversary!! On March 1, 1999, I posted my first message to the list, describing adaptive tuning work on a NeXT computer, real-time only. Since then,...
9006
Darren Burgess
DBURGESS@...
Mar 1, 2000 1:12 pm
Joseph, I use Cakewalk proaudio 9.0 (pricey) to do what you describe. Check out www.sonicspot.com for lots of great audio/midi free/shareware. Darren Burgess...
9007
Robert C Valentine
BVAL@...
Mar 1, 2000 1:33 pm
take downs? Jerry?...
9008
graham@...
Mar 1, 2000 1:44 pm
In-Reply-To: <200003010635.WAA21451@...> ... I'm not heavily into blues. I've got the requisite Robert Johnson CDs, but that's...
9009
Carl Lumma
CLUMMA@...
Mar 1, 2000 4:01 pm
Paul, you shnook! At least some of those sound major! Here are my notes to myself, as I subjected them to a quick listen... 0 - 7/6 2 - 0 with mistuned 5th? ...
9010
Afmmjr@...
Mar 1, 2000 5:02 pm
TD is for Tuning Digest. For some reason I had difficulty sending the original message. Digest subscribers do not receive attachments and for some reason,...
9011
David Beardsley
xouoxno@...
Mar 1, 2000 6:01 pm
... I ended up looping the wav files in Sonic Foundry Acid this morning. I'll have more time to listen this evening. -- * D a v i d B e a r d s l e y *...
9012
Rick McGowan
rmcgowan@...
Mar 1, 2000 6:20 pm
... "CoolEdit 96" from syntrillium.com is available on the web as a demo-ware, and is only $40 or so for full version. The demo can record as much as you ...
9013
Paul H. Erlich
PERLICH@...
Mar 1, 2000 7:42 pm
Heinz Bohlen wrote, ... only ... If you do this correctly, there will never be two notes separated by a unison vector within the periodicity block. By...
9014
Paul H. Erlich
PERLICH@...
Mar 1, 2000 8:05 pm
Jerry wrote, ... Jerry, how can this be? You know that beating is minimal only at simple-integer ratios, yet you've come to the conclusion that the high third ...
9015
Paul H. Erlich
PERLICH@...
Mar 1, 2000 8:10 pm
Robert Valentine wrote, ... If the music is heard "live", I doubt sum tones would be an important factor. As I recall, there are around 6 difference tones...
9016
Paul H. Erlich
PERLICH@...
Mar 1, 2000 8:13 pm
Joseph Pehrson wrote, ... It may be time soon for a "gentle introduction to Wilson Combination Product Sets." Meanwhile, check the Wilson archives....
9017
Paul H. Erlich
PERLICH@...
Mar 1, 2000 8:28 pm
Carl wrote, ... Thanks for listening, and for giving me the web site. Looking forward to a more readable set of reactions . . ....
9018
Christopher J. Chapman
christopher.chapman@...
Mar 1, 2000 9:15 pm
[David Beardsley, TD 556.6]: {Described his observation of the Sitarla sounding like a Sitar at NAMM.} [Christopher Chapman, TD 556.9]: {Forwarded email from a...
9019
Gerald Eskelin
stg3music@...
Mar 2, 2000 1:31 am
As requested, here are my responses to Paul Erlich's minor triad sound examples. minor0.wav - third too low minor2.wav - third too low; not pleasant by itself,...
9020
Joseph Pehrson
josephpehrson@...
Mar 2, 2000 4:47 am
Many thanks to both Kraig Grady and Carl Lumma for the "illuminations" concerning the, obviously, not so "weird" keyboards after all... I will investigate,...
9021
Neil Haverstick
STICK@...
Mar 2, 2000 5:24 am
In the March 1st edition of the Rocky Mt. News, there was an article about a merger involving Clear Channel Communications, and SFX Concerts...it said SFX is...
9022
Herman Miller
hmiller@...
Mar 2, 2000 7:02 am
On Tue, 29 Feb 2000 12:43:39 -0500, "Paul H. Erlich" ... This one has a distinct, subminor quality (1:7/6:3/2?). It certainly doesn't seem to be in the same...
9023
Neil Haverstick
STICK@...
Mar 2, 2000 3:01 pm
Blues has been popping up on the list lately, and I have a comment or two. First, after playing this style for over 30 years, I've come to believe that the so...
9024
Can Akkoc
akkoc@...
Mar 2, 2000 9:41 pm
... This is precisely the phenomenon that prompted me into research on the sound structures of Turkish music. My gut feeling is 'the placement of the note' at...
9025
Rick McGowan
rmcgowan@...
Mar 2, 2000 7:25 pm
Ah, another icky merger that will further homogenize America... Neil said it... ... (Yeah, that's why I gave up on it!) ... and ... ... These are more...
9026
Paul H. Erlich
PERLICH@...
Mar 2, 2000 7:56 pm
OK, at this point I figure everyone who wanted to has had a chance to check these out, except for Joe Monzo who's on the road. Joe, or anyone else who'd still...
9027
Paul H. Erlich
PERLICH@...
Mar 2, 2000 8:03 pm
Oops -- I forgot to finish this line: http://lumma.org/erlich/minor12.wav ... ... Carl may have been hearing the difference tones created by the outer perfect ...
9028
John Chalmers
JHCHALMERS@...
Mar 2, 2000 8:19 pm
I received an email this AM from Bill Sly bearing the sad news that "Bill Colvig died peacefully yesterday afternoon while in the presence of Lou Harrison and...
9029
ALVES@...
Mar 2, 2000 8:30 pm
... ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^ Bill Alves email: alves@... ^ ^ Harvey...
9030
johnlink@...
Mar 2, 2000 8:38 pm
Instead of making nasty generalizations about tastes and money, instead of complaining that good art isn't commercial, instead of acting superior because of...
9031
Paul H. Erlich
PERLICH@...
Mar 2, 2000 8:36 pm
Jerry claimed that the blue third "is" 7/6, but in actual blues music you'll find not only the 7/6 but also (more often) neutral thirds (between 6/5 and 5/4)....
