... diatonic ... a ... The standard reference is Chalmers, _The Divisions of the Tetrachord_ (Frog Peak). Chalmer's catalog uses a characteristic interval...
9436
Gary Morrison
MR88CET@...
Apr 1, 2000 4:28 pm
... Good point. I meant inversion in the melodic sense, not the traditional harmonic sense. That is, arpeggiate 6:7:9 to make a melody, invert that melody,...
9437
Canright, David
dcanright@...
Apr 1, 2000 6:16 pm
William, you might want to check out the customizable EPS files I have at: http://www.mbay.net/~anne/david/eps4ji/index.htm I think you use them to do what you...
9438
Joseph Pehrson
josephpehrson@...
Apr 1, 2000 6:27 pm
To tuning list participants: Now that we're absolutely certain <g> that Charles Ives was fundamentally a xenharmonicist, if you haven't already, please "check ...
9439
Carl Lumma
CLUMMA@...
Apr 2, 2000 4:42 pm
Inspired by Dan Stearn's work with consistency over non-octave equal temperaments, I would like to ask: Does the graph of consistency values over...
9440
Gerald Eskelin
stg3music@...
Apr 3, 2000 1:58 am
... Thanks, Dan, for your participation in the search for the high third. I'll also be "going, going, gone" from the List. I have enjoyed my time here and have...
9441
Gerald Eskelin
stg3music@...
Apr 3, 2000 1:58 am
... Johnny, if you think about it, the term "diatonic"; (consisting of whole steps and half steps) is really a 12-tET concept. In this sense, minor is indeed an...
9442
MANUEL.OP.DE.COUL@...
Apr 3, 2000 12:15 pm
... Good that you ask. I reran the program that created this chart on a faster machine with a much finer sieve, and discovered that there are more transition ...
9443
Daniel Wolf
djwolf@...
Apr 3, 2000 12:18 pm
Hello: I think your last posting to the tuning list was not quite right; in fact it may qualify for one of your "lies"! <Johnny, if you think about it, the...
9444
ALVES@...
Apr 3, 2000 6:23 pm
... Lydia, I've posted to the list some of the things that I think it should include already: virtual metallophones and psalteries that could play ...
9445
David J. Finnamore
dfin@...
Apr 3, 2000 7:04 pm
... No one seems to have taken a stab at this yet. Forgive me if this is redundant; my ISP had trouble with my account over the weekend. The General MIDI...
9446
Paul H. Erlich
PERLICH@...
Apr 3, 2000 9:03 pm
Gary Morrison wrote, ... The "7:5" is not very consonant in 17TET, where the best approximation of a 7:5 is 18¢ flat of a just 7:5. But along similar lines,...
9447
Paul H. Erlich
PERLICH@...
Apr 3, 2000 9:11 pm
Carl wrote, ... I looked into that once, and I don't think you're right, Carl -- I think Manuel captured all the changing points in his calculation....
9448
Paul H. Erlich
PERLICH@...
Apr 3, 2000 9:12 pm
Well in light of Manuel's post I guess I have to take that back....
9449
Paul H. Erlich
PERLICH@...
Apr 3, 2000 9:20 pm
I second all of Daniel's points here. Good show! P.S. What is tuning@egroups.com <mailto:tuning@egroups.com> , and how on earth did it get in my "to" list? ......
9450
Afmmjr@...
Apr 3, 2000 10:24 pm
Daniel has well pointed out the ancient Greek sense of diatonic. Nicola Vicentino wrote of the difference between the Renaissance and the post-Roman ...
9451
Paul H. Erlich
PERLICH@...
Apr 3, 2000 10:35 pm
Johnny Reinhard wrote, ... post-Roman ... than ... as ... because ... Vicentino here proves to be my hero once again by stating, as I often do, that the...
9452
Paul H. Erlich
PERLICH@...
Apr 3, 2000 11:53 pm
William Annis wrote, ... Actually, using 12 for the number of notes turns out not to be such a bad idea in this case; it's just that the particular "chromatic"...
9453
Paul H. Erlich
PERLICH@...
Apr 4, 2000 12:09 am
... Using the same 12-out-of-22 scale I just mentioned, 1 3 1 1 3 1 3 1 1 3 1 3 in 22-tET (which, when starting on A, allows your base scale in the keys of ...
9454
Neil Haverstick
STICK@...
Apr 4, 2000 4:34 am
John...I found an addresss for Thesseling, if you still need it...it's Kerkstraat 24-2, 6811 DM, Arnhem, Netherlands...hope it's helpful....Hstick...
9455
J.P.FFITCH@...
Apr 4, 2000 9:55 am
I have created a piano piece with csound and some decent samples. Arranging any tuning is easy. Actually with modern machines one can work in realtime. I...
9456
Gary Morrison
MR88CET@...
Apr 4, 2000 11:02 am
... Yes, I realize that. I was drawing a JI analogy to one of Ivor's favorite things to do with 17TET, wherein he resolves its dissonant, very wide M3 outward...
9457
Sarn Richard Ursell
thcdelta@...
Apr 4, 2000 12:35 pm
Here is an idea for you ladies and gentlemen of the tuning list. I had a look at some SIGMA notation mathematics, and I realise that a 16 bit sampler, with...
9458
Lydia Ayers
LAYERS@...
Apr 4, 2000 2:52 pm
Hi, Bill, Thanks for the email. I have already posted a short description of the project, and hope to lure some students. I based my description on what you...
9459
D.Stearns
STEARNS@...
Apr 4, 2000 4:30 pm
Hi all, Could anybody help me out by telling me (or pointing me to a Web page that does) what is the most straightforward and reliable way to turn selections...
9460
David Beardsley
xouoxno@...
Apr 4, 2000 4:41 pm
... You can use Music Match - http://musicmatch.com One of it's features: you can create mp3 files directly from a cd or cdr. Netspeak for this type of...
9461
David Beardsley
xouoxno@...
Apr 4, 2000 4:43 pm
Wednesday, April 5, 2000 - 8PM - free Montclair State University The Recital Hall at the McEachern Music Building Upper Montclair, NJ 07043 Elizabeth Brown...
9462
D.Stearns
STEARNS@...
Apr 4, 2000 4:47 pm
[David Beardsley:] ... I tried MusicMatch and got a lot of glitching (mostly 'skipping,' but also some sort of auto panning drop out). Does this sound like a ...
9463
David Beardsley
xouoxno@...
Apr 4, 2000 5:04 pm
... Your hard drive might need to be defragmented. -- * D a v i d B e a r d s l e y * xouoxno@... * * 49/32 R a d i o "all...
9464
Paul H. Erlich
PERLICH@...
Apr 4, 2000 6:55 pm
I wrote, ... a ... Gary Morrison wrote, ... 17TET, ... than ... Oh, I didn't get that. The wide M3 in 17-tET is indeed very dissonant; at 423.5¢, it is within...
