New England Music Scrapbook Newsletter
Alan Lewis, Editor

Our Corner of the Rock 'n' Roll Life

September 8, 2007
Issue 2007:239

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We've got Thrills, chills, Dirty Water
What more do you need?
When the big beat hits ya
Comin' from your transistor
Like the T at full speed
When the big beat hits ya...

-- "Boston Lullaby," Dudick/Naihersey.
Copyright c. 1980 by Camaraderie Music, BMI.
All rights reserved. Used with permission.


. . . . .


BRATTLEBORO, VT, September 8 - This issue includes a feature article
about rising roots-music artist

EILEN JEWELL.

Jewell hereby wins the first-ever New England Music Scrapbook
NEWSLETTER-without-a-name TROPHY-without-physical-form for reasons you
can see for yourself below, toward the end of the notice about her.

I did a mini-interview with Eilen Jewell for my Vermont summer music
preview (though her show was actually across the line in
Massachusetts), and now she and I have done a full interview. Between
those two exchanges, she said nothing at all that seemed like a pose.
I believe she may be, as Peter Wolf loves to say, the real deal.

The number of news items that have been e-mailed to us is way up this
week. It sure is looking as though the summer slide, which ran much
longer than usual, is over for this year.

As some of you may recall, I have a loaner CD-player as a replacement
for my long-lasting late 1980s machine. I now have copies of a few
pages of the owner's manual, but the owner still has not found the
remote control, as far as I know. The remote is essential for
sequencing tracks for playback, as I almost always do. So except for
the records by artists I am profiling, I have mostly limited my
listening to albums that I don't mind sticking into the player,
pressing the play button, and listening to them in the original track
sequence. Very few albums qualify for this listener. A lot of the
records I have been playing are oldies by big international acts, such
as "Surf's Up" and "Holland" by The Beach Boys and the American
version of "Rubber Soul" by The Beatles. "Sgt. Pepper" is coming up
soon. So far, the two albums by New England artists that have been
the real standouts are

"Love and Thirst" by JOYCE ANDERSEN

and

"We're All Going There" by NOAM WEINSTEIN.

I am convinced that a great many of our readers would be knocked out
by Joyce Andersen's "Love and Thirst." In fact, I have no doubt that
if the album were to get the media exposure it deserves, it would sell
way over a million copies with no trouble.

It has not been long since our Noam Weinstein feature article. I will
just add that in the case of his "We're All Going There" CD, I tried a
funny little drill. One of the latest times I played it, I imagined
that he is already a star, playing big rock music halls and civic
centers. Then I listened for songs that I thought might be particular
crowd-pleasers among his adoring fans. "We're All Going There" has a
good number of these. Most I had already picked as personal
favorites, but it is not hard to picture "Gonna Have To Charge You"
also going over big in concert.

An album I expect to be pulling back out is "Beauty of a Heart" by The
Coming Grass, and I am quite certain I will want to add that title to
my list of outstanding albums played recently. It is The Coming Grass
at that band's very best.

This issue includes great items right down to the end. For instance
... I was a bit taken by surprise by an announcement from

JESS TARDY.

She has a new Dinah Washington tribute show in the works. This is one
of the best ideas I have heard in a very long time, and these
productions ought to be great. Do scroll down far enough to check out
her thoughts.

I am not a bit familiar with

DANNY REID CARTER.

But we received a new CD from him with no less than Jess Tardy on
backing vocals - a role she has mastered. The Danny R. Carter album
is titled "Barcelona." I didn't get to do the album justice, but I
got far enough to see that it shows definite promise. Here and there
are instrumental echoes of The Byrds, and there are even more flashes
of post-Byrds roots-rock bands from the late 1960s and beyond. I'm
looking forward to playing this again.

I am taking my first prescription medicine in over 15 years, and I
believe it accounts for me doing something truly rare and even out of
character. I overslept very badly. The good news, newsletter-wise,
is that I was one hundred percent caught up when I went to bed last
night. The bad news is that, by oversleeping, I lost much-needed work
time; and my day and weekend are shaping up in such a way that I have
no time to fall back on. When time comes to mail this issue, I'm
mailing it, ready or not. I have three known items left. One has to
do with the Pixies making the soundtrack of the computer game, "Rock
Band." The other items have to do with new releases upcoming for
Flynn and Ellis Paul. I'll still work in those things if I can, but
chances are not looking good. Time is growing tight in a major hurry.

Among the things that arrived only AFTER I got in trouble, time-wise,
and that I cannot possibly work in here for lack of work-time are a
new mailing from my terrific e-mail friend, Maria McLaughlin, a
routine mailing from Rani Arbo and Daisy Mayhem, and something
substantial, with no subject line, from Don White. We will carry
those things over to next issue if they are not too time sensitive.

A lot of what appears in this newsletter issue is just stuck in here.
I do apologize for the haphazzardness, but I didn't oversleep on
purpose. It is not the NEMS way...


CLUB 47
50th Anniversary in 2008

Unfortunately the Club 47/Club Passim press release would not open on
this computer. The file is defective, and the file storage format is
not identified. Thus, my computer system does not know how to open
it. It left me to guess which software to use. Having played that
particular guessing game before, I know in advance that I don't have
time for it. Not this day.

Going entirely on memory ... Club 47 was opened as a jazz club in
1958. Sometime right after the start of the next year, 1959, as I
recall, they let a young gal from Belmont, Massachusetts, sing
folksongs there. Her name was and still is Joan Baez; and locally,
Joanie, as she was then called, became an instant sensation. Though
Club 47 had diversified bookings, it became essentially a folk
coffeehouse.

Club 47 moved in the mid-1960s to Palmer Street. Since it would be
the only address on the street, manager Jim Rooney was offered the
choice of being 1 Palmer Street or 2 Palmer Street. He chose 47
Palmer Street, and the address stuck.

After Club 47 closed in April 1968, the location was used for a
variety of purposes and it ultimately became a bookstore called Passim
- drawn from the same word used in the world of academia in
information source citations and so forth.

Passim changed hands, the new owners were pressured into presenting
folk music concerts there, and the Passim coffeehouse, as we have long
known it, was born as a clear-enough successor to Club 47. Since the
return to the club of Betsy Siggins, I would say it now basically is
Club 47 again, and it would not be a bad idea to sideline the word,
Passim.

The success of Joan Baez made the whole thing possible, and she will
be back for the anniversary, giving a couple of concerts. Don't let
her get off stage without doing her famed Bob Dylan imitation.

Club 47 was easily one of the most important New England popular music
institutions of our lifetimes, and this anniversary ought to be big.


EILEN JEWELL / EILEN JEWELL...

By Alan Lewis
New England Music Scrapbook Newsletter
September 8, 2007
Issue 239

"I'm a huge fan of that country music that originally put
Nashville on the map, the early stuff that was being played at the
Opry," said Signature Sounds recording artist Eilen Jewell. "Patsy
Cline, Hank Williams Sr., Loretta Lynn. ... Maybe they didn't all come
from there, but Nashville was the mecca for that early country sound."
One may well imagine Jewell's thrill, then, over her next big
booking. She opens a Loretta Lynn concert at the Calvin Theater in
Northampton, Massachusetts, Thursday, September 13.

Jewell's own sound ought to have great appeal in Nashville, a
city with a long history of having a diverse music community; but she
has not yet played Nashville. Asked about airplay there, she said,
"[T]hey've played the new album in Chattanooga and Knoxville, so
hopefully we can spill over a bit."

Loretta Lynn is a perfect example of the Appalachian style of
country music that has been popular in New England since the early
days. Eilen Jewell's sound, though, is quite different. Without
particularly being a sound-alike, Jewell's music falls more nearly
into the stream of blues-influenced roots-rock commonly associated
with Bonnie Raitt. (The difference, though, is not huge. Raitt, for
instance, had one of the very finest cuts on a country music gem, the
'Urban Cowboy' movie soundtrack.) And on more than a few spots on her
latest CD, "Letters From Sinners and Strangers," Jewell croons a
little like a big band singer of the 1930s and '40s - one might say,
of the Helen Forrest school. Jewell's music roots seem to be quite
rich and complex. An artist comparison of some cross between Bonnie
Raitt and Patsy Cline then would be about right.

Jewell fronts a really hot band. Asked how this gifted group
came together, she recalled, "I met Jerry Miller and Johnny Sciascia
through Jason Beek, essentially. Jason knew them from living in
Boston for years and going to Spurs shows. He's been a fan of theirs
for a while. So when the time came to record the first record,
'Boundary County,' he suggested Jerry and Johnny. I took his advice
and realized they were perfect for what we were doing. They must have
liked us all right because they stuck around, we started touring, and
now we're touring behind record number two, with a third one on the
horizon."

Many New England Music Scrapbook newsletter readers already know
about The Spurs. Mark Erelli worked with these musicians on his
acclaimed and popular western swing album, "Hillbilly Pilgrim."
Newsletter readers may be more likely to know violinist Daniel Kellar
from his past rock outfits, such as Vasco da Gama and the Laurie
Geltman Band. "I think Dan's violin playing is a great match for my
music," said Jewell. "The violin as an instrument has country,
bluegrass, and old-time connotations, but the way Dan plays it is very
unique, not linked to any particular style. I think this works well
since what I'm doing is not strictly country, bluegrass, or old-time,
either.

"The drumming provides the beat, makes a lot of our stuff
something you can dance to," she continued. "It also links us with a
more rockabilly or early rock and roll flavor. I think this sets us
apart from most others in the folk world these days, since you just
don't hear a lot of rockabilly out there."

I asked about in-concert challenges Jewell might face, thinking,
after hearing "Letters From Sinners and Strangers" several times, that
singing over the drums could pose some difficulties. For reasons I
could not explain, on record, her voice seems to interact with the
drums more than with her band's other instruments. And drums
certainly can be loud. Anyway, apparently this is not a problem. And
luckily so. The drumming is an important part of the overall Eilen
Jewell Band sound.

"My main challenge as a singer comes from never quite knowing
what to expect from one show to the next in terms of the sound on
stage," explained Jewell. "Will I be able to work with the sound
person to be heard in my monitor? Will the sound of the monitor
itself be something like nails on a chalkboard or will it be the
greatest sounding thing I've ever heard? If I can't hear my voice
very well in the monitor I tend to blow my vocal chords out trying to
be heard. That's a bad scene. If I can hear myself but the quality
of the monitor is poor I feel off-kilter for most of the show. So I
would consider trying to overcome bad mixes and equipment my biggest
vocal challenge. Luckily it doesn't happen all that often."

What are Jewell's ambitions as a musician? "What I want to do is
make music that feels right to me and that others can find meaningful
in some way," she answered. "If I can make art that I can feel good
about and that is somehow important to other people, I feel like
everything else will follow. All those things like 'play the Opry' or
'be the musical guest on SNL' ... all those things I could mention
that would be a sign of success wouldn't really get at the heart of it
for me. Unfortunately, what is at the heart of it is very hard to
measure. But I think I'd recognize it when it happened. It's already
starting."

"Letters From Sinners and Strangers" is a strong mix of original
material and interpretations of songs by other writers. "I feel like
I don't really choose songs to cover," said Jewell. "It feels more
like they pick me. It usually happens in the van, on a trip
somewhere. I'll be minding my own business and a song will come on
out of the blue and just grab me by the ears. It won't let go of me
until it's satisfied that I'm going to learn it and incorporate it
into the set list. It's a fairly passive process, really."

Myself, I am a major sucker for songs in minor keys, as well as
for tearjerkers. After playing "Letters" a few times, I wondered
whether Jewell might have a similar soft spot for minor-key tunes. "I
am definitely a sucker for songs in minor keys," she agreed. "I
haven't been able to figure out why yet. It might be the melancholy
side of me." Her voice is also nicely suited for these melodies.

"Being on Signature has helped immensely," said Jewell. "Jim
[Olsen] is wonderful to work with. The label is that perfect balance
between small enough to get hands-on treatment but big enough to make
a splash nationally. We've suddenly been able to play at festivals
that had no interest in us a year ago. We have a support team of
great people working to get us out there and get us heard. And Jim
really seems to believe in the project and understand what we're going
for. That helps immensely."

David Crosby of Crosby, Stills and Nash recalls that this is the
way it once was even with major labels. He says that today a label
executive can report how many copies have been sent to a given city
but would not be able to answer the question, "Copies of what?"

Eilen Jewell's career clearly is on the rise. In our interview,
she gave the lowdown on this upswing. "The things that have done the
most for my career have been signing with Signature and working with
Mongrel Music, the folks who do our booking.

"WRSI [Northampton, Massachusetts] has definitely helped, along
with a few other Boston and New York [radio] stations (WUMB and WFUV
for example). The influence radio has over people is hard to track
though, unless they happen to mention to you that they heard you on a
particular station and came to a show or bought a CD because of what
they heard. This does happen, but how often is hard to tell.

"I guess I think of radio airplay like advertisement. It's of
course crucial to advertise, and the more the ad is seen the better
the chances people will respond. But in the end it's hard to say
whether people got on board because of the ads or because their
friends suggested it or, in the case of music, maybe they caught you
at a festival or other show. I've found that good old-fashioned word
of mouth is one of the most powerful things out there. People's
friends can get them to do all kinds of things, including come to an
Eilen Jewell show." As a case in point, this article came about as a
direct result of a recommendation from e-mail friend Sheryl Hunter,
the "Sounds Local" columnist of The Recorder out of Greenfield,
Massachusetts.

It is always fun to ask about events, in the career of a
musician, that came completely out of the blue and took the musician
totally by surprise. "I was surrounded by a demanding mob at
Grassroots in Trumansburg, New York this year," recalled Jewell. "It
was totally overwhelming. We played a set in the dance tent and the
place was packed. The crowd was singing along to some of the songs
and dancing like crazy; and afterwards, they pretty much rushed the
stage, demanding autographs and CDs. It was great! Overwhelming -
since I was alone and the band was hiding in the van - but great."

These interviews can produce intriguing suggestions about
appealing musicians who are not yet widely known, at least not in this
part of the world. "There's this Australian musician named C.W.
Stoneking who I think is just the cat's meow," said Jewell. "What he
does is kind of a vaudeville-type minstrel thing with some country-ish
blues thrown in. I think he's a genius at it, and I can't stop
listening to him."

Jewell was asked a favorite standard question hereabouts. If
there could be a perfect double-bill involving the Eilen Jewell Band,
what would be the other act? One does not keep neatly organized
records of these sorts of things; but to the very best of my
recollection, over many years and hundreds of interviews, one hundred
percent of the artists who answered this question named a headlining
act they would open for. Eilen Jewell broke this very long streak
with a creative reply.

"Well, if there were such a thing as a musical fairy godmother,"
she said, "I would ask her to wave her wand and have a convoy of buses
and private jets appear. And I would put together something akin to
Dylan's Rolling Thunder Revue. I'd tour the world, doing shows with
C.W. Stoneking, Holly Golightly, my friends Miss Tess and the Bon Ton
Parade, The Spurs, Gillian Welch, Lucinda Williams, Jerry Lee Lewis,
and Loretta Lynn. There wouldn't really be a headliner. It would be
more like a traveling music festival."

Jewell says this is an actual dream, and it is a fantastic one.
Those fans who can get to western Mass. can live part of the dream at
Northampton's Calvin Theater when Eilen Jewell splits a bill with the
legendary Loretta Lynn.

Who: Eilen Jewell Band, Splitting a Bill With
Loretta Lynn
Where: Calvin Theater, Northampton, Massachusetts
When: Thursday, September 13
For more information: http://www.iheg.com/, http://www.eilenjewell.com/


= = = = =


BRIEF ITEMS :


THE STONE COYOTES
New Album in the Works

"Still working on new CD. Shooting for a late fall/early winter release."

-- "News From The Stone Coyotes," September 6,
2007


DRUNK STUNTMEN
On Transperformance 2007

"Well Stuntfans, Transperformance has come and gone. This year there
was a steady stream of talent. Everyone was great, stand outs were:
Haunt with Mark Mulchahy, The Fawns as Joan Jett and the Blackhearts
and Aloha Steamtrain as The Moody Blues. It was a blast playing
Cream. I love that 'Badge' song. We hoped you enjoyed your summer.
Next year we'll do it all over again with the experience gained from
all the fun of years past. Thanks for all you do. It wouldn't be the
same without you."

-- Drunk Stuntmen Update, September 1, 2007


SCOTT KING
And the Reopening of Slates

"It was great to get on the road a bunch [this summer], meet new
people, play new venues, etc. Things are winding down for me now
concert-wise. It's that post-new record, post-tour, lay low and
write/record season now. There are a few shows booked for the fall
though, and I'm very happy to say that one of them will be at Slates.
That's right, the restaurant/live music venue is going to be back on
its feet after the fire that destroyed it, and they're excited to
bring back the Monday Night Concert Series as well. I was one of the
artists whose show was cancelled due to the fire, and the venue is
kindly putting those folks first. I'm on for November 5th, probably
solo acoustic, but I may have a surprise guest or guests. Not sure
yet, but it'll be a fun show with a mixture of previously recorded
material and new songs. I hope you can make it. More details as we
get closer."

-- "Scott King ENews September 07," September 3,
2007


THE CHARMS
"Easy Trouble" DVD

"The Charms' DVD, 'Easy Trouble,' has been selected to be screened at
The New England Film and Video Festival in October."

-- The Charms Mailing, September 4, 2007


THE AMITY FRONT
Songs From the Forthcoming Record

Saturday, September 8, at Pearl Street Ballroom in Northampton,
Massachusetts, opening for Grace Potter and the Nocturnals, The Amity
Front "will be playing songs from the upcoming record. We've
currently demo-ed 4 songs and it's sounding great. The new songs are
amazing and we're all really looking forward to recording this fall."

-- Amity Front Mailing, September 3, 2007


35TH PARALLEL
"In the Spotlight"

"In other news, we're pleased to announce that 35th Parallel has been
selected as one of eight 'In the Spotlight' performers for
Matchbook.org LIVE, a daylong event for New England's small to
mid-sized presenters and performing artists. The event takes place in
Manchester NH on Sunday, November 11. We're really looking forward to
performing."

-- 35th Parallel Mailing, September 2, 2007


LYDIA WARREN BAND
New Album in Preproduction

"As for our upcoming CD ... we are in pre-production right now. We're
figuring out which songs we want to record, figuring out what studio
to use, discussing which of our musician friends we'd like to have on
the record, etc. I'm really psyched about recording! Yay!"

-- Lydia Warren Band Mailing, September 7, 2007


JOSH RITTER
"The Temptation of Adam"
Video

"New Video: 'The Temptation of Adam' Solo Peformance

"Amazon.com has debuted a new video of Josh peforming one of the most
talked about songs from the new album, 'The Temptation of Adam.'

"This is a live, solo acoustic peformance by Josh, again shot by the
talented folks of 'Juan's Basement.'

. . . . .

"Hope you enjoy it - and share it if you do..."

-- Josh Ritter Mailing, September 3, 2007


MADELEINE L'ENGLE, 88

I was saddened to learn of the death of noted children's author,

MADELEINE L'ENGLE,

at age 88. She is best known for the series, "A Wrinkle in Time." I
kind of gathered these individual titles together in my mind as the
"Meg" books, calling them after a main character. I have read the
entire series, and it is excellent.


end BRIEF ITEMS


= = = = =


JESS TARDY
Paying Tribute to Dinah Washington

"In other news, I'm excited to say that I've got a new project in the
works: a tribute band. A Dinah Washington tribute band. (What did you
think it would be? A Shania Twain tribute band?) For now, we're
calling it 'The Dinah Project' ... and I'll be joined by John Capello
on bass, Stacy Wade on keys, Alec Spiegelman on sax, and a few more
awesome guest stars TBA. Rehearsals are under way, press kits are
being made, gigs are being booked. I'm pretty excited about it, and
think you will be too, when you hear it.

"The plan is to seek out retro-cool venues and private parties where
martinis and sloe gin fizzes set the mood. We plan on enabling
slow-dancing and babymaking in our audiences, while paying tribute to
the music of the one and only Dinah. What's not to love?

"If you are interested in booking a party with live music and have a
hankering for delicious 1950's style r&b/jazz, please get in touch.
Or, if you know of a venue in your area that is screaming out for this
type of act, let me know."

-- Jess Tardy Mailing, September 7, 2007


BECKY CHACE
New CD of New Music,
Impressive Multi-City Fall Tour

"We're ... announcing the release of an all new original CD and have
info on how you can get involved in making our tour happen by buying a CD.

"Save the Date and/or Donate for the new CD and upcoming tour!

"October 12th we're holding a big fundraiser/CD release party to kick
off our tour and release our new CD, 'A River Under Me.' It's going
to be a huge party at the Barnsider Restaurant in Providence, RI with
full band, old and new songs, original bandmates, blasts from the
past, and just plain fun!

. . . . .

"Our first multi-city tour kicks off October 19th so this is sort of a
farewell for a while also.

"Please SPREAD THE WORD!"

-- Becky Chace, "CD Release and Tour Information,"
September 4, 2007


LAYNE
And a Boston Away From Boston Show
in Los Angeles

"Monday, September 17th, 2007
LAYNE's Official CD Release Celebration - 8:00pm
1623 1/2 N. Cahuenga Blvd.
Los Angeles, CA 90028
Price: $10.00
21+

The Hotel Cafe - http://www.hotelcafe.com
Telephone: 323-461-2040

"Former Boston rockers take over Hotel Cafe with Paula Kelley
Orchestra (8pm), LAYNE (9pm) and Kay Hanley (10pm), Banquet Hall (11pm).

"BAH-STON Unite! In an effort to create community and thwart the 'I'm
here for this band (and out by the next band) mentality,' the four
bands represented on this bill are connected not just by their Boston
music scene pedigree: Letters To Cleo, Cave Dogs, Boy Wonder, Laurie
Geltman Band, Drop Nineteens, Miranda Warning, The Pills, and more
[Boy Joys], but by their actual appreciation and support for each
other (plus two marriages and several multi-band members which cross
over into all four bands).

"So please come to hang out and enjoy a true musical community of
talented musicians and join in the celebration. Get there early for
drinks in the bar and seeing old friends ... first 10 people in the
door get a free EP signed by the band LAYNE!

"LAYNE is:

Laurie Geltman (GTR/VOX)
Aaron Tap (GTR/vox)
Michael Eisenstein (BASS)
Jamie Vavra (DRUMS)

and special guests ... you have to come to find out."

-- Layne, "Boston to LA X-Pats Unite!"
September 4, 2007


ROBIN RIGHT
At the Harvard Fall Festival

"Robin Right is excited to be making a rare Massachusetts appearance
at the fun-filled Lions Club Harvard Fall Festival on Saturday,
September 15th, from 4:00 to 5:30. The Festival is at the intersection
of Rte 110/111 and Route 2 in the beautiful town of Harvard,
Massachusetts, and features two days of fun and entertainment for the
entire family and folks of all ages."

. . . . .

"With all of her traveling, Robin doesn't get a chance to perform for
her local fans, friends and neighbors very often, This year's travels
have already taken her to Florida, Alabama, Pennsylvania, New York,
Maine, Vermont, New Hampshire, Connecticut and Rhode Island. She is
looking forward to the concert and promises an action-packed,
fun-filled show with lots of good country music and a few surprises."

-- Morningside Management, "Massachusetts
Performance Sept. 15th," September 1, 2007


NEMSnews

New England Music Scrapbook
Brattleboro, Vermont

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. . . . .


IF YOU HAVE FRIENDS WHO WOULD BE interested in any of the items in
this issue, please forward this newsletter to them. Thanks! We
believe this is one of the main ways we pick up readers.


As a rule, we do not post SHOW LISTINGS. The reason is quite
simple. Though our name is the NEW ENGLAND Music Scrapbook, probably
an easy majority of our readers are based outside the six New England
states. The great majority of show listings would be of no interest
at all to the great majority of our readers.

We make exceptions when show listings are part of an item of more
general interest. CD-release events are great examples. For us, the
main point of an item of this sort is that an act has a new record.
The show being announced is of secondary interest to us - if that - as
far as the contents of our newsletter goes.

In the very few, truly exceptional instances where we post show
listings...


... Shows can be canceled, sold out, or even moved to another
date or location. We recommend checking the Web, calling ahead or
otherwise confirming details.


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Issue 2007:239

Published no less often than monthly.
We're guessing eventually we'll settle
into an every-other-week schedule.

Copyright © 2007 by the New England Music Scrapbook. All rights reserved.

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